Beruflich Dokumente
Kultur Dokumente
del Peru
1. Carnaval de Arapa
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Dance Teachers
Leopoldo Garcia
1. Carnaval de Arapa
El Carnaval
Carnival, in many countries of the world, has become an
international fiesta and has common characteristics: a feeling of
freedom and illusion, use of disguise, masks, and costumes,
colorful dances, music, and songs, and a lot of joy and fun. In
the Christian religions, carnival is a time of preparation for the
season of lent.
Carnival is also associated with the agricultural cycle of planting
and celebration of the fertility and productivity of the earth. The
first celebrations go back in ancient history to Egyptian, Roman,
and Greek times in which the rich and poor changed roles during
carnival, disguised with masks and costumes. These were
festivals, which had origins in primitive times honoring Dionysus
(son of Jupiter), the god of fertility, wine, happiness, and
pleasure.
Hence, Carnival is associated with spiritual, astronomical, and
natural cycles of nature, both in ancient history and in
contemporary time.
The Inca festival of HUCHUY POGOY, or the blooming of plants
during the spring months of February and March in Peru, has
become associated with the Christian festival of Carnival since
the time of the Spanish conquest. Indigenous traditions have
mixed with the European and African traditions brought to the
new world in the 15th and 16th centuries. Carnival has ancient
festival elements imbedded in the music, dance and traditions.
Thus, native people celebrate both their own heritage and the
new costumes brought to Peru by the Spanish.
La fiesta Inka a la afloracin denominada HUCHUY POGOY O
afloracion a las plantas durante el mes de febrero a Marzoera
una fiesta donde se practicaba el juego y el duelo que en el
carnaval indgena se llama puqllay; estas fiestas coincidieron
con las fiestas de los carnavales que los conquistadores trajeron
Puno
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Dance Clothing
WOMEN
Music
La musica del carnaval es muy alegre, dulce y movida. Y es
ejecutada por Pinkillos y por tambores o bombos . La cantidad de
musicos lo determina la poblacion y el scenario. The music of
carnival is very joyful, sweet, and movida. It is performed by the
Pinkillos, drums, and bombos. The length of the music is
determined by the participants and the space of the dancing.
PINKILLO
Bombos
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Puno departamento
El departamento de Puno se encuentra ubicado en la zona sud
oriental del Per. Posee un clima fro y semiseco con una
temperatura promedio anual de 9C y de 3 C durante el invierno.
Su capital es Puno, ubicada a orillas del lago mas alto del mundo
el lago Titicaca y sobre los 3 827 msnm. En la antigedad, la
meseta del Collao estuvo poblada originariamente por grupos
Aymaras (Collaos, Zapanas, Kallahuayos y Lupacas) y
posteriormente por Quechuas. Segn el cronista Inca Garcilaso
de la Vega, la aparicin de los Quechuas coincide con la leyenda
de Manco Cpac y Mama Ocllo, quienes surgieron de las aguas
del
lago
Titicaca
para
fundar el
Imperio
de
los
Incas.
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Department of Junin
The department (state or province) is 4,000 meters above sea
level in the inter andian zone of Peru. The Mantaro valley is the
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LA GANADERIA
1) HISTORICAL CONTEXT
La historia nos dice que en las pocas pre agrcolas los
investigadores descubrieron en las paredes de las cuevas
antiguas pinturas en la cual se puede apreciar al hombre
realizando la caza hacia los animales. Ms tarde la historia
nos cuenta de que el hombre logro la domesticacin de los
animales y con el pasar del tiempo apareci la Ganadera.
En la historia del Per el hombre andino no solo prctico la
ganadera si no tambin aprendi a vivir con los animales y
muchos de ellos fueron parte de su vida, considerndolos
muy sagrados y muy tiles para vivir. Estos animales les
brindan a la humanidad productos para su alimentacin, su
vestido, el transporte y lo ms importante un amigo en la
vida.
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3) EL RITUAL
El ritual de la bendicin consiste en: In order to start the
ritual, people offer coca leaves as a mode of pay to Mother
Earth (Pachamama) and Father mountain ( Tayta Wamanis
in quechua). This part of the ritual is called Pagapu
(payment).
The ritual continues with the Coca Quintu (coca leaf). It
involves multiple sets of three coca leaves, which are
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Departamento de Junn
Departamento de Junin esta bicado a 4,000 m.s.n.m es una
zona interandina en donde se encuetran algunos de los mas
antiguos vestigios de la fase primordial de evolucion de la
cultura peruana. El Valle de Mantaro es el lugar de origen de
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PARTES DE LA FIESTA
La fiesta has three parts: Los preparativos, la vispera y dia central
o el cerrojo.
1) Preparations: It is some days before of the central day; the
people prepare the chicha de jora, the ribbons for the erring,
the flowers necklaces, pans, coca leaves, cigarettes and the
ingredients for food. The flowers are important for the
ceremony and for make the Sealakuy. The name of the
flowers are: Waylla-Ichu( procreation of the animals) Wila
Wila (anesthesia) Lima Lima ( make to say something to the
animals during sealakuy).
2) Evening before first day: The evening before the main day
the neighbors and relatives gather cattle owner at home to
elect a foreman. They eat and drink after make a ceremony
denominate Velakuy (act of worship) on the table and siting
on the sheep skin.
3) Main day: In the Corral with people and animals the
ceremony "Pacha Wala" or "Lucy Lucydawn " start cleaning
the corral (Place where the Sealakuy STAY) with torches for
ward off bad luck. After that they eat the Patasca (trip soup )
and they start to prepare the WALLQAS ( fruit necklaces) as
a gift for the animals. The placement of colored ribbons
begins with the rite of colored ribbons placement start with
younger calves the male tape is placed in the neck and
earrings female, in the same way it is done with bulls and
cows but they are adding the WALLQAS. At each change of
animals COCA QUINTU ritual is performed. That is to
separate coca leaves in good condition has been delivered
the day before to each particpante of the sealakuy,
undamaged leaves mean that appear more offspring in the
future. The CERROJO consist in the foreman paint the faces
of the participants with wheat flour and maize. The foreman
delivered flower to the participants and they have it put on
their hats. The next day takes place in the SEAL PAMPAY it
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WOMEN
UWISHCHUCO: It is a traditional huanca culture hat and made
from sheep wood. It is decorated with flowers.
BLOUSE: The blouse is made of silk material of various colors,
but is used more frequently white color.
POLLERAS: colorful skirts are made up of two parts and in two
colors. The bottom is talkeadas or embroidered with motifs of
flora and fauna
LLICCLLA: It is a small blanket which is worn on the back
ZAPATOS: Black shoes
MEN
SOMBRERO OR HAT: It is a traditional huanca culture hat and
made from sheep wood. It is decorated with flowers.
SHIRT: White shirt long sleeve
PANTS: Black Pants
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Norte
Centro
Sur
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Huayno en el Cusco
El departamento del Cusco los huaynos se realizan en dos
modos; los huaynos tipicos cantados en la lengua quechua que
hatsa el dia de hoy existen y los huaynos de la ciudad
cantandos en espaol que nacieron despues de la colonia.
Cada lugar del departamento del cusco tiene su forma
caracteristica de bailar y cantar el huayno. Por lo general en el
cusco se mantiene la siguiente estructura del huayno.
El hayno en el departamento del Cusco es exclusivamente una
danza de parejas, generalmente suelta, y de pauelo. En las
clases populares es ms frecuente el contacto fsico: tomarse
las manos y hasta abrazar a la mujer por la derecha. En las
clases populares se invita a bailar poniendo el pauelo en el
hombro del invitado. Las mujeres suelen hacerlo, sobre todo
cuando el invitado es de un estatus considerado ms alto. Hay
dos momentos en el baile: el paseo y el zapateo. El zapateo se
baila con la pareja muy junta, a veces tomadas de las manos y
las vueltas que elos bailarines se dan representan las flores
que ellos cultivan en los campos del sur del Peru.
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Cusco
El departamento del Cuzco se encuentra ubicado en
la zona suroriental del pas, abarcando zonas de
sierra y selva. y situada sobre los 3,360 msnm.Su
capital es la ciudad del Cuzco, conocida como la
"Capital Arqueolgica de America.
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Instrumentos
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Pepian de
Kapchi de habas
con mote
Chicharron
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Carne de llama
de Coca
Te de Mate
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Men
Montera: Red Cloth cap with decorations.
Poncho multicolor: Long and many-colored poncho covering
the chest of men
Chaleco bordado : Vest made of sheep wool and decorated
with colored drawings of flora and fauna
Camisa de tocuyo : Long-sleeved shirt fine wool sheep
Waraka : Andean sling, made by dyed wool sheep
Chumpi : Andean belt or girdle made of sheep wool and
drawings of flora and fauna
Chullo : Gorro woolen fabric which is typical of the Andean
region.
Wara: Blak Pants decorated with ribbons from Cusco.
Ojotas : Variety of sandal that is a platform from which come
two plastic strips of cloth or other material that pass through
the instep and fastened between the big toe and the one
that follows.
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Machu Picchu
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Sacsayhuaman
Ollantaytambo
Aguas calientes
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La Anaconda
La anaconda es uno de los animales mas poderosos en
la mitologa amaznica porque tiene dentro de ella
misma los principios de la vida y su extremo. Su
cuerpo movindose en las agua simboliza la energa
vital de la creacin, cuando se enrrolla en el reposo,
simboliza la preservacin de la vida y finalmente
representa la destruccin del principio vital. Se cree
que la anaconda crea los retortijes en los ros y hace
que la gente se ahogue. La anaconda tiene mucha
influencia en la mitologa casi siempre influye en la
vida del individuo.
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La Selva Peruana
The Peruvian Jungle
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La Danza de la Anaconda
The Anaconda danza is not a dance, rather it is a religious act
that people perform in the region of Amazonas of Peru so that
all goes well in their cultivation of the earth..
Esta danza rinde homenaje a una de las criaturas mas feroces
que segn las creencias habitan en la amazona, la anaconda.
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Vestuario de la danza
Women
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Men
Vincha (Decorated headband): Tape or handkerchief
sticks to the head at the height of the front or from
the crown to the neck, to hold the hair; Also it is used
as a garnish
Cushma: Tunic made of dyed and drawings
representing the Shipibo ethnic.
Collares: Necklaces of jungle products.
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QUENILLA
MARACAS
TAMBOR
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Timbuche Ensalada de
Chonta o Palmito:
Festejo
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Ica Departamento
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Festejo Inga
"INGA" voice is an onomatopoeic cry of a child. It is a
collective dance which aligns to Festejo as it shows a similar
rhythm. It's probably the same rate but with "its own
choreography": a circle of dancers and singers surround one
in the middle who has in her arms a toy as she portrays a
child while dancing. Then the dancers pass the toy to
another dancer each who is dancing in the center. Although
dancing body movement could talk about a festive erotic
dance, whether you move the toy also indicates a practice to
order a game.
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Dance Parts
The choreography is free and the creativity plays an
important role, is agile and dynamic dance, combine steps in
place and steps, and moving steps being characteristic of
the rest on the toes, and giving other small jumps where the
feet of the floor stand. Gestures, arm movements, the
flashover hip movements of skirts are elements that
distinguish quickly celebration of another dance course
complementing the process of falling in love in which
couples have been proposed.
The dance has 3 parts:
(a)
Presentation of the new baby: Dancers present to the
new baby dancing.
(b)
Dancing around the new baby: The dancers make a
circle and each dancer can take care of the baby for a
moment.
(c)
Jolgorio and grand finale: Dancers can make a little
game as a competition that is dance better with baby.
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Traditional Attire
Dancer use traditional attires denominated CASA
HACIENDA ( It is clothes f the slaves who are living in
the house of the conquest)
Women
-White Handkerchief on the head sometimes woman
use
-Tradiional dress of the 20 century
-White skirt in the dress- Black shoes or sometime no shoes
Men
-White shoes long sleeves
-Vest any color
-Pants Pizarro with blondas to final of the pants
-Black shoes or sometime no shoes
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Music
Afro-Peruvian music encompasses a number of different
genres, from the dual-time signature ballad of the land to
the upbeat dances of the marinera and the festejo. All of
these are characterized by the Afro-Peruvian
instrumentation, rhythms that waver deceptively between
duple and triple-feel time, and vocals that play over the
instrumental base in surprising fashion. The percussion
instruments used in Afro-Peruvian music may be the best
example of this focus on Peruvian-izing Afro-descended
music. THE CAJON is originally from Peru and it was made for
afroperuvian slaves and day-by-day the CAJON is famous
around the world.
Cajon
Cajita
Quijada de Burro
Guitarra
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Traditional Clothing
Woman
-
Tunica
Black Skirt
Faja o belt from north of Peru
Chall or blanket
White handkierchief
Man
-
White pant
White shirt long sleeves
Faja or belt from north of Peru
Alforja from noth of Peru
White handkierchief
Hat
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