TRANSDISCIPLINARY SCIENCE & COSMOLOGY CONSORTIUM

AVRHHEN
The Ascension Virtual Reality Holographic Hypersphere Entertainment Network
Newsletter 2006

Entertainment IQ
Just how does our
current entertainment
industry shape up,
when we consider the
current mind set, and
infrastructure that will
be needed for
multimedia
entertainment in the
21st century.
Vision Reengineering
How do we go about
reengineering our
entertainment industry.
The Ascension Para- Global Networking Consciousness and Lift Off
digm Society Would success within
The role of the Try to imagine the our own biosphere open
Ascension Paradigm in enormous energy that up the possibility of
the 21st century would be unleashed in contact with more
entertainment industry. our global civilization, advanced civilizations.
Global awakening to if all of us collectively
our sustainable future were working toward
and our larger role in Why 21st century one common vision of
the universe. entertainment must our sustainable future.
involve a global near
real-time network.

operating outside of the natural law, and unaware of

Entertainment IQ the very universal law process that has made its
existence possible. To the degree that the entertain-
ment industry is not fully engaged in this universal
If it were possible to administer an IQ test to the current cocreatorship process, it is either superfluous or
entertainment industry, how would it score from the responsible for creating entropy lagging cores of
perspective of the larger universe which receives all of our consciousness within the universes overall ad-
television and radio broadcasts? vancement.

If you were an inhabitant of some distant solar sys-
tem within our galaxy and you received the televi-
sion and radio broadcasts from our planet, how
would you evaluate our civilization? We will as-
sume this civilization is somewhat more advanced
than our own. An advanced civilization would
probably be looking for the following attributes:
1. A strong sense of responsibility towards ena-
bling and assisting the overall evolutionary
ascension of the universe.
2. A dedication to promoting the spiritual, scien-
tific, economic, and social advancement of the
biosphere civilization.
3. A dedication to ensuring that every individual
within our society was able to achieve the
highest state of evolution possible during their
lifetime.
The lost concept of Teleology
The universe, in addition to being a very large dy-
namical system, is a vast information distribution
system from the perspective of information theory.
So what grade do we get?
As much as we would like to report that our planets
We have only begun to explore the higher current global entertainment industry is healthy and
dimensions of reality in entertainment. on track, we can not. Utilizing the three criterial we
AVRHHEN will open up new vistas on the set out, it would seem that we are dismally failing to
nature of higher dimensional reality, and it meet all three of these minimal objectives. The ques-
will allow us to explore them collectively. tion is why? Could it be the recent rise of the secular
humanist philosophy. A philosophy founded upon
Darwinian socialism, and a scientific naturalism -
The purpose of the universe is to distribute its in-
which believes that the universe is a meaningless set
formation content to the evolving life forms that
of random events, and that it has no true purpose. A
emerge within its self-organizing processes. When
vision of the universe whose only true destiny is to
all of the information the universe has to distribute
be overwhelmed by a vast sea of entropy. If the
is assimilated by these life forms - the universe will
universe and human efforts have no true teleology,
have achieved the ascension process which is at the
then the entertainment industry is free to produce
core of its existence. Conscious life forms within the
any type of content it wishes to produce, and it has
universe, assimilate the knowledge available within
to answer only to the market place for approval, and
the universe for the purpose of achieving universal
it can depend on an uniformed and unaware audi-
knowledge and awareness. In the process they pro-
ence to consume its superfluous content.
gressively become cocreators of the universe. The
cocreatorship process is a long and remarkable
process, lasting tens of billions of years, eventually
leading to universal knowledge, and the potential
for universe creatorship. Any entertainment indus-
try which is unaware of this universal reality, is

Dedicated to the furtherance of the new 21st Century General System Theory Paradigm Shift
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 TRANSDISCIPLINARY SCIENCE & COSMOLOGY CONSORTIUM
H O L O G R A P H I C H Y-
PERSPHERE
What would a typical hologrpahic hypersphere
entertainment center look like, and consist of. We
would like to suggest a few rough outlines of what
we think would be appropriate:
• a large semispherical geodesic dome on the scale
of a football stadium.
• the hundreds of facet panels in the dome would
have:
• full range audio speakers
• other panels would have HD video screens
• other panels would have computer
controlled lighting fixtures
• some panels would have computer
controlled lasers with a very sophisticated
series of crystals, lenses, and filters which
could also be computer controlled
• additional speakers would also be located in
the central performance area of the sphere to
play outward towards the spheres surface
• a central performance and production area in the
center of the geodesic - supporting multiple
performance stages, which could rotate around
the center
• a large underground power production and
regulation facility
• The hallways into and out of the geodesic would
connect to smaller geodesic domes around the
periphery of the main entertainment center, and
these would provide resting areas, restaurants,
coffee and tea shops, juice bars, restrooms,
security, stores, satellite broadcast, band practice
areas, and ticket sales areas.
• a housing facility to accommodate the staff and
performing artists who were utilizing the
facilities at any given time
• housing facilities for the permanent staff
• a large underground parking facility to
accommodate the public attending performances
• music and video post-production processing
facilities
• a very sophisticated internet network node with
hundreds of dedicated clustered servers for
storage, ftp download and upload, chacheing,
web sites, video streaming, podcasting, etc.
Given the space constraints we have here we can
only present the broadest outlines of such a facility.
We hope it has been sufficient to stimulate your
interest.
2
Free will, causality,
and vision reengineer-
ing
Our parent universe has granted us the perogative of free
will decision making, and with this great act of generosity
comes great responsibility.
We experience our free will in most of our daily
decision making. We have been making choices all
our lives, and we will continue to make these
choices for the remainder of
our lives. We would be very
uncomfortable if it were
any other way. However,
we are almost never asked
to think about the total
consequences of those ac-
tions. Yes there are some basic laws that must be
obeyed in every society, but other than that you will
seldom be questioned in any manner for the vast
majority of the decisions you make. Why is this?
Can a society every hope to establish a long-term
sustainable ascension civilization with such a lack of
awareness about the relationship of free will and the
laws of causality. We do live in a causal universe,
and causality, is the feedback system which is de-
signed to perfect the exercise of free will. This con-
cept is not well recognized by either our public at
large or our entertainment industry. The current
state of our biosphere, and the enormous pockets of
poverty, disease, and war on our planet indicate that
we are very naive in regard to the proper exercise of
free will and the causal consequences of its misuse.
Reengineering our so-
ciety
The time has come for us to begin to address this
oversight, and begin creating a world we can be proud of.
Our civilization is the sum total of our collective
decisions. We need guiding principles to help us
steer our way through the free will decision tree that
all civilizations must navigate. And this is the true
purpose of what we currently refer to as the enter-
tainment industry. The entertainment industry is a
visionary enterprise. Yet the
manner in which it is cur-
rently being practices is
misguided. It is simply not
enough to produce visions,
these visions must be pur-
poseful and ascension ori-
ented. The entertainment industries job is to provide
the themes and memes which lead to evolutionary
advancement and ascension. When it is not fully
engaged in this undertaking it is failing to play its
negentropy role in human and universal evolution.
When it is not engaged in this manner it is a part of
the entropy which this universe is designed to over-
come. The entertainment industry must maintain a
Dedicated to the furtherance of the new 21st Century General System Theory Paradigm Shift
vector toward progress, towards evolution, towards
ascension. Its job is to keep all of us collectively on
the common theme - our ascension, and the ascen-
sion of the entire universe which has made our very
existence possible. When an entertainment industry
fails this prime directive, it fails itself, its society, its
planets global evolution, and the ascension plans of
the entire universe.
Renewal of Vision
What would it take for our entertainment industry to
renew its sense of vision. Do we have the right mind set?
Do we have the right tools?
It will take both a change in mind-set, and a change
in tools to bring about the transformation of our
entertainment industry. We must first change the
mind-set, and then we can begin to modernize the
tools. The 21st century is going to be the first non-
linear century in our planets evolution. Our civiliza-
tion has now reached global scales, and we must
initiate a systemic and symbiotic global paradigm
shift to accomplish this transition. We are entering
the period in our evolution where we must be
guided by the principles of a General System The-
ory, rather than the linear reductionist paradigm we
have been following for the previous centuries.
The entertainment industry can play a large and
vital role to accelerate this transition - if it so chooses
to. The United States entertainment industry has a
global reach, and what it decides to produce, or not
produce, has a global scale effect. It is time for the
entertainment industry to step up and take itself to a
higher level of educational, spiritual, and social
responsibility. We know the talent is there to pro-
duce any kind of production one can imagine, what
is missing is an overriding philosophical under-
standing and commitment to take their work to the
highest evolutionary level. Tones of money will still
role in, and our planet can have a positive global
vision of its potential future, and Hollywood can
play a pivotal roll in initiating this crucial paradigm
shift. A new revitalized and enlightened entertain-
ment industry could play such a vital role in reshap-
ing the priorities of our planetary civilization.
We also need new infrastructure more appropriate
to our global 21st century civilization. We need a
vast global network of entertainment centers all
connected by high bandwidth light optical fiber
channels capable of supporting worldwide events.
These entertainment centers would be standardized
to have the same number of audio, video, laser, and
lighting complexes - so that performances created in
any one of them could be simultaneously or delayed
broadcast to every other center in the network in
every region and country in the world over light
optical fiber connections.
 TRANSDISCIPLINARY SCIENCE & COSMOLOGY CONSORTIUM
Why a holographic
hypersphere?
Whats wrong with stereo, quad, surround sound 5.1, 6.1,
7.1, 12.1 - nothing, but these are just a taste of what the
new holographic hypersphere entertainment center
(HHEC) can provide.
Ok, so you have experienced home theater with
some form of Dolby surround sound where the
extra speakers a mostly used to provide increased
environmental cues and ambience, and all of this
improves the movie experience. This still falls very
short of a true surround sound experience. Just try
to imagine the following types of sound geometries
and dynamics that could be created in an acoustical
holophonic hyperspere with hundreds of speakers
surrounding you in every direction, above, below,
and all around you:
• A sound creating an infinity sign across a geo-
desic sphere, and then it starts rotating while
keeping its geometry.
• A sound that starts a small spiral at the top of the
dome and then spreads downward in a spiral
pattern to the widest point in the sphere.
• Sounds that create a black hole effect starting on
the sphere surface and roaring into the center of
the sphere.
• Sound that start in the center of the sphere and
roar out the the sphere edges - white hole effect.
• Two infinity shape geometries at a 90 angel to
each other - one rotating clockwise and the other
counter clockwise
• Wormhole effects with sound starting on the top
1/3 of the sphere roaring into the center stage
positioned speakers and then roaring back to the
lower third sphere speakers (in the case of a full
geodesic)
• Sound pin ponging at random all over the sphere
bouncing back and forth from side to side.
• Sound rotating around the sphere.
• Almost anything you can imagine, etc.
Dedicated to the furtherance of the new 21st Century General System Theory Paradigm Shift
Spherical light, laser,
video holomatrix
Imagine having sophisticated lighting complexes
positioned all around the sphere. With computer
controlled synchronization to the music dynamics in the
sphere.
Many of the geodesic facets would contain a very
sophisticated light complex with remote computer
control that is synchronized to the music geometric
dynamics. Color changes, diffraction gratings,
lenses, screens, rotators, pulsers, etc. With all of this
either premixed, and synchronized with the music,
or mixed live in performance from a central control
facility on the performance stage.
In addition to the stage lighting facilities there
would also be hundred of lasers mounted all over
the geodesic. Multicolor laser, combined with very
sophisticated extended lenses, pyramids, crystals,
rotators, vibrators, slicers, modulators which can
spread the spectrum and shape of the light. This
highly robotized complex would all be either real
time mixable, or premixed for specific perform-
ances, or some combination of both premix and live
mixing synchronized to the music dynamics. Inter-
active holography could also be utilized in these
complexes.
Large numbers of large LCD, plasma, and projection
video screens would be positioned all over the geo-
desic to provide video VJ performance. These video
matrix would be a central performance center on the
performance stage where the video could be mixed
and synchronized either pre-performance, live, or
some combination of the two. Multiple video artists,
as large as a symphony orchestra, could combine
their unique performances here in coordination with
the musical performance.
Video music interfaces would also allow the video
performers to create sound from their video, and the
musicians to create video from their musical in-
struments. The potential performance dynamics that
would be possible with this type of complex far
exceed anything ever attempted. This will be the
true culmination of multimedia performance.
3
Virtual Reality
It may also be possible to incorporate virtual reality
experiences into these performances as computational
capacity increases in the coming decades.
It is not inconceivable to imagine the incorporation
of virtual reality into these entertainment com-
plexes. Dancers on the stage could wear special
body suits with multiple sensors that were designed
to trigger various sound, laser, and video clips and
riffs via body movements.
The audience could also wear body suits that pro-
vided sensor feedback to the control complexes for
music, video, and laser. This would allow the audi-
ences to participate in the performances, and feed-
back could be sent back to their body suits in the
way of vibration, heat, cold, movements that would
stimulate the senses - plus video feedback though
virtual reality glasses, and music feedback though
headphones in addition the the general musical
performance.
This would be the ultimate in fully interactive
multimedia experience. The total capacity of in-
formation input far exceeding anything yet at-
tempted in entertainment performance. Such a
level of full sensory utilization may have the ability
to modify the brain neural networks of our nervous
systems far beyond anything we can imagine at this
time - including the possibilities of stimulating crea-
tivity and imagination, altering mode disorders,
activating cell regeneration, enhancing mental per-
formance, longevity, hormone rebalancing, and
possibly healing. We make no claims that this would
be the case, but it would certainly be worth scientifi-
cally studying the effects of exposure to these types
of performance.
If the human brain is estimated to be equivalent in
some rough sense to a classical computer, it is esti-
mated to be capable of ~ 1012 computations per
second, if it is equivalent to a quantum computer it
is estimated to be capable of ~ 1017 computations
per second. In either case, the entertainment indus-
try has never come close to pushing the limits of this
level of computational capacity. Perhaps our new
21st century holographic hypersphere performance
center can begin to challenge the brains inherent
computational capacity, and perhaps even extend it.

Entertainment distributed network
Now we must tie all these holographic hyperspere centers together in an highly
distributed global network of performance centers with near real-time perform-
ance capability
Just as we have just in time economic
models, we need just in time performance
capability all around the world.
This is achievable in the 21st century
if we set our minds towards achiev-
ing it. Each Holographic Hy-
persphere Entertainment Center
(HHEC) will have enormous enter-
tainment capacity far beyond any-
thing currently available, but this is
not enough. We are a global civiliza-
tion, and we need global entertain-
ment capability. This means we need
to link a large number of standard-
ized HHEC facilities positioned all
over the world with a very high
bandwidth network that can deliver
the performances at these center in
both near real-time and delayed per-
formance. It will take a great deal of
bandwidth to stream, download, and
upload performances on this level - all
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TRANSDISCIPLINARY SCIENCE & COSMOLOGY CONSORTIUM
computerized and encoded for inter- achieve the computation capacity that a performance produced at any
net TCP broadcast. This should re- required by this and other high com- one of these facilities can be uploaded
stimulate the light optical fiber roll putational demand projects. Each in total or streamed live to any other
out, which was diminished following individual HHEC will undoubtedly HHEC facility and it will function
identically to the center where it was
originally composed and produced.
The network would be useless with-
out this standardization. Now the
architecture, decoration, and art of
extended facilities could be custom-
ized at each local facility, as they
play no essential role in the technical
AVRHHEN is the entertainment paradigm shift for the 21st century. Please aspects of the performances. So indi-
join the effort to bring a HHEC to your city, and AVRHHEN to the whole vidual cultural tastes, color schemes,
world. Let us celebrate the 21st century as a truly unified global civiliza- art, etc. will be exercised at this level
tion working together on a sustainable future. - to individualize the local facility.
Well, we hope you find all of this
the tech boom collapse, both globally require its own standardized super- exciting, stimulating, and something
and locally. We will certainly need computer complex. What we mean by you would like to experience. Please
additional bandwidth to achieve a standardized is that each of the HHEC join the effort to make this vision a
global performance capability. We facilities will be identical at a func- reality for the 21st century.
may also need to implement global tional level, musically, video, laser,
distributed computation grids to mixing, etc. This will be required so
Dedicated to the furtherance of the new 21st Century General System Theory Paradigm Shift
 TRANSDISCIPLINARY SCIENCE & COSMOLOGY CONSORTIUM
Why do we need the network?
Why it is not enough to build independent HHEC facilities, and simply enjoy
them locally with our friends and neighbors. We shall attempt to convince you
that this is not the path forward we need.
At some point our civilization must begin to function as
a highly coordinated systemic bio/socio/econosphere. We
must become one people with a common vision of
planetary and universal ascension.
We can not think of a better way to start this unifica-
tion than by starting with the entertainment indus-
try. The entertainment industry has the capacity to
reach into every home on the planet - independent
of political, religious, social, and economic differ-
ences. It has enormous yet unutilized potential to
unify people and keep them focused on a common
beneficial future that we must all bring about by our
globally synchronized efforts. Without an overall
vision and constant reinforcement, we tend to drift
apart distracted by our endless local issues and
demands. Entertainment has the capacity to step
across all these realities that often divide us. Partici-
pating in the same and exchanged experiences tends
to unify us. At this point in our planets evolution
our planets citizens very much need new unifying
experiences, rather than experiences which enforce
and promote past rivalries, racial and social polari-
Dedicated to the furtherance of the new 21st Century General System Theory Paradigm Shift
zation, and historical conflicts over land and re-
sources. Entertainment has the capacity to provide
these unifying experiences without touching upon
these sensitive areas.
It is time to take multimedia and our individ-
ual and global consciousness hyperdimen-
sional.
We need to find new methods of uniting our popu-
lations rather than dividing them. We all share a
common future which we are all responsible for
creating, so we have much more in common than
we currently realize. This is why a global network of
HHEC facilities is called for, a not just some efforts
on the local level detached from the larger global
5
perspective.
The capacity to provide a world wide, almost real-
time, performance at every center in the world with
only a fraction of a second time lag will definitely be
a first for our global civilization. To have a large
percentage of the worlds population all united, and
experiencing a common performance, all at the
same time in real-time would be quite a step for-
ward in humanities evolution. Each regional area
would both broadcast and receive performances.
When they were broadcasting they would stream
their performance to all the other centers on the
network, and then when another regions time came
to stream - they would switch from streaming to
receiving mode. The performance could rotate
around the work time zones as the day and night
progressed, providing the best time for perform-
ances in each time zone. For instance each region
would stream when their local time was noon or 6
pm in the evening in their local time zone, and re-
ceive for the remaining 12 or 24 hours of UT day.
 TRANSDISCIPLINARY SCIENCE & COSMOLOGY CONSORTIUM

Consciousness and society

Our planet has yet to experience the enormous social acceleration we would experi-
ence if we were all pulling in a common agreed upon direction at the same time.

Take a moment Ascension Entertainment Responsible entertainment Vision-the fuel of ascension Payoff - Biorapture

Just take a brief moment and
think what it might be like to
be on a planet where every
individual, family, group,
neighborhood, city, county,
state, national government,
regional government, and the
planet as a whole was all
united and focused on a
common agreed upon positive
future vision of our collective
future. Can we even begin to
imagine the power that would
be unleashed when all of our
energies were not being zero
summed out by opposing and
conflicting visions of our fu-
ture. We can not help but
think that if we could experi-
ence this for even one day we
would never want to go back
to the status quo.
Ascension entertainment - its
time has come. Its time for the
entertainment industry with
all their talent and infrastruc-
ture to step up and show us
the way forward to a sustain-
able future for our growing
world civilization. To show us
the way, to provide visions we
can keep before us to keep us
motivated as we take on the
enormous task of reengineer-
ing our civilization for a sys-
temic and symbiotic ascension
to advanced civilization. We
have the tools, we have the
talent, we have the financial
resources - thus far we have
only lacked the will and
commitment to enact this
future - the time has come!
As we look around us at the
marvelous nanotechnology
experiment called biology,
now over 4.5 billion years in
the making, can we not help
but feel the sense of responsi-
bility to the universe that has
made all of this possible. The
work that went into preparing
worlds that could support our
arrival within this universe is
enormous, more enormous
than we can even begin to
realize at our current state of
evolution. Do we really want
to blow it now, after all this
preparation has been put in
place. Entertain us in a re-
sponsible manner entertain-
ment industry, make us proud
of you and ourselves.
Even though we are still a
young and naive civilization,
looking back over the last few
centuries should be enough to
convince us - that anything
we can envision, we can cre-
ate. So it is just a matter of
getting the correct visions
before us and the work is
almost done, then it is simply
a matter of wrapping matter
around our imagination and
we are there. Already we are
envisioning nanotechnology,
quantum computers, genetic
improvement of our race. We
can do this it is only a vision
away - and time starts right
now. So lets get on with it, lets
start waking up to a world we
can’t wait to live in and pass
on to our children.
If any of you still have doubts
about this process, and you
are asking the very personal
question “what’s in it for me,”
we have a new word for you -
biorapture. Biorapture is the
state of almost continuous joy
that citizens of a fully unified
systemic and symbiotic civili-
zation experience. This is the
goal we are all working to-
wards and the final status of
life before ascension to the
higher levels of experience in
our universe. It is the reward
that all progressive civiliza-
tion achieve for themselves
through their continuous
effort to perfect the actions of
enlightened planetary living.

The promise land on physical biospheres must be self created - by conscious self aware beings, devoted and focused on the challenge of perfecting planetary biosphere existence. Our
free will requires conscious choice on our part to participate in the universes overall ascension, and it begins here on our gifted home planet - that we must cherish and develop into
a viable long-term sustainable civilization which lives in harmony with the biology that was gifted to us before our arrival.

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Dedicated to the furtherance of the new 21st Century General System Theory Paradigm Shift
 TRANSDISCIPLINARY SCIENCE & COSMOLOGY CONSORTIUM
The transition to liftoff
Before we can lift off into the larger universe we must learn the lessons of bio-
sphere existence, and master these lessons well
Will we be welcome?
Our greater destiny is to be apart of the larger ex-
tended universe that surrounds us. But can we pos-
sibly think that we will be welcomed if we fail this
initial universe test of biosphere stewardship. If we
can not learn to appreciate what we have been given
here, and learn to work together to sustain and em-
bellish this biosphere in a sustainable manner, what
possible use will we be to the larger universe and
the even larger challenges we will face their. We are
at the preschool level of universe experience, we are
bound to make mistakes, and we have made a lot of
them. This is to be expected, what matters is if we
recognize the reasons we made these mistakes, and
take the proper steps to reverse them within a time
period that does not cause irreversible damage to
our biosphere and ourselves. Every planet in the
universe that eventually supports conscious life,
must make this transition within a given critical
time period, we are now well into that period, and
time is running out. We have to choose to transition
our civilization from a rather thoughtless one, fo-
cused only on short term problem solving, to a civi-
lization with universal vision and a sustainable
biosphere. If we fail at this we will be of little use to
the larger universe and its grand ascension program
to raise all life up to universal consciousness. We
will require the full engagement of the worlds enter-
tainment community if we are to accomplish this
paradigm shift.
Dedicated to the furtherance of the new 21st Century General System Theory Paradigm Shift
Plea to the 60s generation
Many of the people in positions of power within the
entertainment industry now, were once apart of the
60s social experimentation generation, now referred
to as the baby boomers. We ask you to return to
those magic and exotic days in the 60s when so
many of us believed that this world could be trans-
formed on a global scale. Yes, the wave never
reached critical mass, and life moved on, and many
of us got reabsorbed facing the challenges of carrier
and raising a family. When we started this experi-
ment we had tones of vision, but no money, no re-
sources, no social, political, economic, or govern-
ment power. But now, as retirement looms on the
horizon, with all of the above added to our inven-
tory of tools to change the planet - is it possible that
our work is not done? Is it possible that ‘in retire-
ment’ we can finish the work we began, but this
time with the added power of financial assets, tal-
ent, resources, skills and the collective experience of
a lifetime on this bioshpere where we journey. We
would be starting from a much stronger position,
but we are also facing a much larger and more ex-
tended transnational corporate empire. Think back
and remember the excitement of those golden years,
pull them into the present, and let’s get back to
work. Intentional retirement in the new name of
our game, so turn on, tune in, and drop into the
sustainable paradigm shift.
7
Making green profitable
Lets face it, you can be as idealistic as you want in
this world, but the fact is money talks, it talks loud,
and it seems to have universal appeal. So if we are
to attain a sustainable biosphere we need to make
‘green’ profitable for all who are asked to partici-
pate. In the end, this is more likely to succeed than
asking people to sacrifice for the good of the planet,
which has not worked very well over the last few
decades even though it has been the primary ap-
proach of the environmental movement. When get-
ting green is finally recognized as the the new global
growth industry, which it is, you won’t be able to
keep people out of it. Unfortunately we are not there
yet. And this is where the global entertainment in-
dustry can stake its claim to fame. No other industry
is more prepared to bring about this change in con-
sciousness. Do you really think the stoggy old cor-
porate board rooms are equipped to do it, or even
worse the national governments - have you ever
watched a senate hearing? If only the people in the
entertainment industry understand the multimedia
culture we now live within. If they get on board we
are already half way there. Unify and synchronize
the energy that is just waiting to get started on this
and you will see a transformation unrecognized in
our planetary history - someone has to lead, and no
other industry has the tools and the savvy to take
this on. Please light the fire - the first AVRHHEN
world concert - its just a step away.
 TRANSDISCIPLINARY SCIENCE & COSMOLOGY CONSORTIUM

Tell us what you want from us?
Ok, world entertainment industry its time to get
down to the nuts and bolts. You have a right to ask
us to lay out just what it is, we the citizens of the
planet are asking from you. We need you to begin a
long sustained industrial campaign to help us envi-
sion what our world will look like when we have
solved the problems that lie before us, and what the
stages along the way must consist of:
duced to educational content. What we are suggest-
ing is the exciting, thrilling movies can be produced
that also educate and extend human vision and
imagination. Movies that will play a constructive
role providing the visions necessary to reengineer
our global biosphere and to accommodate new
technologies without degrading and destroying our
ecosphere in the process.

• what kind of sustainable architecture do we need

• what kind of organic farming practices do we

need to adopt

• what will our new intentional communities look

like

• what will our energy infrastructure look like, and

how will we have achieved the transition

• what will our health systems look like

• what will our educational systems look like

• how will nanotechnology effect our manufactur-

ing and recycling practices

• what will our information infrastructure consist

of

• how will we have solved the problem of over-

population and environmental degradation

• how will our corporate infrastructure look on the

other side of achieving sustainable development

• what will government look like

• how will our justice systems function

• what will a truly reformed capitalistic economic

system look like once it becomes fully focused o
meaningful economics, that fully contribute to the
planets sustainable future - rather than exploiting
and depleting our nature resource at non sustain-
able rates

• how will we attain and maintain a truly moral

society

• what will our multimedia-virtual reality enter-

tainment system look like

• what will work look like

• how will we deal with aging

• how will genetic manipulation change our lives

• how will we think about our future

Please do not misunderstand us here, we are not

suggesting that the entertainment industry produce
nothing but documentaries. What we are asking is
to see visionary projections of potential positive,
realizable, and sustainable futures that we can be-
gin to converge on as a global civilization. We are
not suggesting that the art of film making be re-

8 Dedicated to the furtherance of the new 21st Century General System Theory Paradigm Shift
 TRANSDISCIPLINARY SCIENCE & COSMOLOGY CONSORTIUM

In Appreciation
We would like to thank H.S.M. Coxeter and R. Buckminister Fuller for there efforts
to bring polyhedra and geodesics into the world vocabulary
H. S. M. Coxeter ceeded in popularizing what and rectangular structures, Synergetics-Explorations in Thinking
Coxeter provided the founda- was previously an obscure we are so familiar with - was the Geometry of Thinking Fuller’s follow up publication,
tion mathematical work in the mathematical topic. Public the beginning of the aware- Fuller’s first major publication extending his work on poly-
geometry of polyhedrons. interest in geodesic domes ness of these fascinating on polyhedra and polyhedra hedra dynamics (ISBN 0-02-
can be traced back to Fullers geometrical structures and dynamics (ISBN 0-02- 541880-7).
R. Buckminister Fuller entertaining publications. His their prevalence in the natural 541870-X).
Fuller truly brought the fasci- promotion of the value and world. Thank you for your contribu-
nation realities of of polyhedra advantages of polyhedra over Synergetics 2-Further Explo- tions!
to the world at large. He suc- the more conventional square rations in the Geometry of

How can we show our appreciation TSCC Staff

R. Buckminister Fuller’s dream was to see polyhedra utilized author — Silver J. H. Jones
throughout our society. He worked tirelessly to point out the struc-
tural and dynamical superiority of these structures over the more
conventional square and rectangular structures so prevalent in our
society. Perhaps in the 21st century we can finally fulfill Fuller’s
dream, beginning with the establishment of thousands of HHEC
Public Relations
around the work, seamlessly linked together within the AVRHHEN Silver Jones
global entertainment network. We dedicate these efforts to Coxeter
and Fuller, for there tremendous contributions to human evolution. Transdisciplinary Science & Cosmology Consortium
Without this seminal work in the 20th century, we would not be talking about these concepts Public Relations
as we enter the the 21st century. Polyhedra have a large role to play in our future develop- PO Box 1674
ment. From an environmental perspective they utilize the least amount of building materials Middletown, CA
and provide the greatest strength, the greatest dynamic flexibility, and some of the best re- 95461
sponses to high wind velocities compared to other building geometries. They are excellent U.S.A.
structures for high impact earthquake regions, because they distribute stresses throughout the
entire structure - thereby preventing catastrophic failures in design structure. e-mail: silverj6@mchsi.com

Telephone - please make e-mail contact first

Dedicated to the furtherance of the new 21st Century General System Theory Paradigm Shift 9
 TRANSDISCIPLINARY SCIENCE & COSMOLOGY CONSORTIUM

Are you ready for hyperreality?

As we enter the 21st century, we stand on the precipice of a whole new reality para-
digm shift, and we need the entertainment industry to launch us into this new hy-
perreality - visionaries please step forward and participate!

Transdisciplinary Science & Cosmology Consortium 2006

Transdisciplinary Science & Cosmology Consortium

Silver Jones
PO Box 1674
Middletown, CA
95461
USA
e-mail: silverj6@mchsi.com
Telephone: please make e-mail contact first

Copyright © 2006 Silver J. H. Jones