21/6/2015

Forgotten In Time: The Ancient Solfeggio Frequencies

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ForgottenInTime:TheAncient
SolfeggioFrequencies
20060121

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WhatAreTheAncientSolfeggioFrequencies?
TheseoriginalsoundfrequencieswereapparentlyusedinAncientGregorianChants,
suchasthegreathymntoSt.JohntheBaptist,alongwithothersthatchurch
authoritiessaywerelostcenturiesago.Thechantsandtheirspecialtoneswere
believedtoimparttremendousspiritualblessingswhensunginharmonyduring
religiousmasses.ThesepowerfulfrequencieswererediscoveredbyDr.JosephPuleoas
describedinthebookHealingCodesfortheBiologicalApocalypsebyDr.Leonard
Horowitz.Igivehonortobothofthesegentlemanfortheparttheyveplayedin
helpingreturntheselostfrequenciesbacktohumanity.
TheSixSolfeggioFrequenciesinclude:
UT396HzLiberatingGuiltandFear
RE417HzUndoingSituationsandFacilitatingChange
MI528HzTransformationandMiracles(DNARepair)
FA639HzConnecting/Relationships
SOL741HzAwakeningIntuition
LA852HzReturningtoSpiritualOrder
Forexample,thethirdnote,frequency
528,relatestothenoteMIonthescale
andderivesfromthephrase"MIra
gestorum"inLatinmeaning"miracle."
Stunningly,thisistheexactfrequency
usedbygeneticbiochemiststorepair
brokenDNAthegeneticblueprint
uponwhichlifeisbased!
ALittleHistory
Attheturnofthecenturytheawareness
ofDNAenteredthecollective
consciousnessoftheworld.Wehave
incarnatedintothishumanexperience
asdivinebeingswithablueprint,aset
ofinstructions.Weknowthataverysmallpercentage(3%)ofthoseinstructionsmake
upourphysiology.
CarlSaganwritesthatmostofourgeneticinformation(about97%)isunusedDNA.He
referstothisas"geneticgibberish."Isitpossiblethatmostofwhowearestilllies
dormantasourhumanpotential?

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Intheoldparadigmofreligion,"potential"remainedamysterytothehumanmind,
thereforewecoinedamysticaltermcalled"SPIRIT.""Spirit"wassomethingthatwas
detachedfromwhowewere,somethingwedidnthaveandcouldonlybegained
throughthesystemsofmostreligions.

JimElvidge

Theoldparadigmanditspremisestatedthatwebeganasbiologyinthewombofour
mothers.TelliarddeChardintellsusthatwearenotahumanbeingtryingtoattain
aspiritualexperience,but,rather,wearespiritualbeingshavingahuman
experience.Thisshiftinperceptioncausesatremendousdifferenceinthewaywe
perceiveourselvesinthisthird/fourthtimespacecontinuum.

MediaMonarchy

Beingastudentof"ACourseInMiracles"inthelate80s,Iwasfacedwithadichotomy
intheideathatwearenotabody.IneverunderstoodthisstatementfullyuntilIread
aquotationbyAlbertEinsteinwhichstated:"Concerningmatter,wehavebeenall
wrong.Whatwehavecalledmatterisenergy,whosevibrationhasbeenso
loweredastobeperceptibletothesenses.Thereisnomatter."Ibelievewhat
isbeingstatedisthatatthedeepestlevelwearenotseparate,asabody,asaspirit,
asasoulwearejustenergybeings.Thisisthelevelofconsciousnessbeingopened
tousfromwhichanewparadigmisemergingforthepurposeofhealingallseparation.
Thepopularterm,"TheDivine,isinme"makes"me"separatefromtheDivine.MayI
suggestashiftinthesayingto:"TheDivine,ASme"toremovetheseparation.

LawfulRebellion

AswemovefromgeneticsandconceptslikeSoul,"SoulMates"and"Soulwork,"we
movebeyondphysicaldiagnosis,intoanewfieldofquantumphysics.Inthisnewfield,
whereconsciousnessisseenasaunifiedfieldwhereeverythingiseverythingelse,
(T.O.E.TheoryTheTheoryofEverything)therearenoboundaries.Thereisno
"this"or"that"noyouorme.Itisapurefieldofawarenessconsciousness.Isolved
thedichotomyabout"wearenotourbody"bychangingmyperceptionofgeneticsto
energeticsrealizingthatwearenotmeanttoignoreourphysiology,butrecognize
thebodyasenergy,vibratingataverydensefrequency.

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RepairingDNA
IwasfirstintroducedtoDNAin1988whenIwasgoingthroughatransitionalperiod,
duringwhichIfeltthatIhadcometotheendofeverythingthatIbelieved.Atapewas
giventomeofagentlemanspeakinginanaccent,(whichIthoughtatthetime,was
ratherboring),andIdidntunderstandwhathewastalkingabout.Thenallofa
sudden,asIwasreadytoturnitoff,hesaid:"Quantumphysicshasfoundthat
thereisnoemptyspaceinthehumancell,butitisateeming,electric
magneticfieldofpossibilityorpotential."Thatsallhesaid!Butwhatever
frequencywascontainedinthosewords,RESONATEDsomethinginsidetheCOREof
myBEINGandIhadaKNOWINGinmethattheNOTHINGIthoughtIwaslooking
atwastheEVERYTHING.MuchlikeinZen,andtheideaofbecoming"asanempty
bowl."EasternReligions(includingtheBible)refertoitastheVOIDTheNothingthat
isEVERYTHINGTheWombofCreation.IknewthatIwasexperiencingarebirth!
ThepersononthattapewasDr.DeepakChopra.
IhadneverheardofDeepakChoprain1988,ashewasjustcomingonthescene
aboutthattime.Icredithimforaveryimportanttransitioninmylife,justfromthe
statementhemadeonthattape.Today,inretrospect,Iwouldcallmyresponsetothat
statementa"cellularmemoryexperience."Weknowthatintelligenceisstoredwithin
thecellsofthebody,andwhentherightresonancecomesandreleasesthat
informationtobecomeinherentinformationorinherentKNOWLEDGEthatcomes
fromthetrueSelf.Thatiswhysomanyofusseemtojumpformonestimulito
anotherlookingforwhatwillresonateinus.
Theworkbeingdonetodaywithenergyatthecellularlevelreallyexcitesme,sinceI
hadbeenveryinterestedinDNAbeforeitbecameahouseholdword.Infact,Ithinkit
tookmetwoyearsjusttolearnhowtopronounceit(deoxyribonucleicaciddidnotroll
offmytonguequickly).But,Iwasdeterminedtounderstandthistremendously
powerfulenergeticblueprintforlife,asweknowit,atthecellularlevelonthisplanet.
DNAbecameapartofthecollectiveconsciousnesswhenCNNproducedaspecialon
theGenomeProjectin2000.
AsIpursuedmypassionforthestudyofDNA,IattendedaworkshopbyDr.Robert
GirardfromCaliforniaonDNAActivation.Hisworkfocusedonusingcertainsoundsand
frequenciestoactivateDNAandIstarteddoingDNAActivationworkshops.Through
thoseworkshops,anarticlewasgiventomethatreportedhowbiochemistsareusing
thefrequency528HztorepairhumanDNA.Thearticlestatedthatitwasa"C."WhenI
readthatIthought,"AllIwouldneedtodoisgotoapianoorotherinstrumentand
playa"C"andthen,intheDNAworkshopswewouldbeabletorepairDNA."
Well,itwasntthatsimple,becauseIdiscoveredthattheregular"C"thatweallknow
ofinthisculture(whichisfromthediatonicscaleofdo,re,mi,fa,so,la,ti,do)was
notthe528Hzfrequency"C",asdescribedinthearticle.Instead,Idiscoveredthata
regular"C"vibratestoafrequencyofonly512Hz,andthatthe"C"of528Hzusedin
DNArepairhadbeenapartofanancientscalecalledtheSolfeggioScale.Moreover,
thedifferenceinthescalesexistedbecauseofdifferenttuningmethodsthatwere
utilizedinancienttimes,vs.thoseingeneralusetoday.Later,wewillexplorethat
differencebetweenhowwecreatemusictodayvs.howweusedtocreateit,andhow
thatsimplechangehasmadeallofthedifferenceintheworld.
HowIfoundoutabouttheAncientSolfeggioFrequencies
Ifoundthisancientscaletobepartofa6tonescalesequenceofelectromagnetic
frequenciescalledtheOriginalSolfeggioScalethroughthebook"TheHealingCodesof
BiologicalApocalypse"byDr.LeonardHorowitz.Theseparticularfrequencieswere
rediscoveredbyDr.JosephPuleo,whoreceivedtheminawonderfulexperiencethat
somewouldsuggestwasmystical.Thesefrequenciesarenotsomethingnew,butthey
aresomethingveryold.
Isharedtheinformationaboutthesefrequencieswithamusicianfriendwhohada
studioinherhome.Afterreviewingtheinformation,shedecidedthatshewouldliketo
experimentwiththesefrequenciesintheformofmeditationmusic.Shewasalsoin
touchwithJonathanGoldman(authorofthebook,"HealingSounds")andheknewof

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thesefrequencies,andwasusingtheminsomeofhismusicsuchas"TheLostChord"
CD.Aryianarequestedthathehavethetuningforksmadeforhertoresearchthe
frequencies.Iaskedifshecouldalsohaveasetmadeforme.
AfterIreceivedthetuningforksandbegantalkingaboutthemaroundthecountry,I
noticedthatpeoplewereresonatingwiththeinformationaboutthesepowerful
frequencies.Itfeltasthoughsomethingwasgoingoninamuchlargerpicture.We
wereconnectingenergeticallytothisinformation,andyetIdidntknowwhatIwas
goingtodowiththetuningforks.ThenpeoplebegantoaskifIcouldusethetuning
forksonthem.Fromthoseexperiences,andwithinformationIhadgathered,amethod
andtechniquebegantodevelop.IcalledthetechniqueSomaEnergeticsTM,whichis
designedtoutilizetheoptimumenergyoftheSolfeggiofrequenciesusingtuningforks.
Soma,meaning"body"intheGreek,combinesthewholisticideaofthebodyasan
energyfieldSomaEnergeticsTM.
Whenstartingthesefirsttunings,themainfrequencythatIknewthemostaboutwas
528HzthatbiochemistsareusingforDNArepair.Irealizedthattherightsideofthe
bodyiscontrolledbytheleftbrain,andtheleftsidebytherightbrainandthatthese
correspondwithourinnermaleandfemaleenergies.AsItooktheforkdowneachside
ofthebody,IcouldgetintouchwiththedominateancestralDNAthatcomesthruthe
MotherssideorFatherssideofthechromosomes.Iwouldmanytimesgeta
tremendousimbalanceinthesoundbetweenthetwosides.Thepurposeofenergy
work,asmanyofyouknow,istoattainbalance.Forexample,ifeverythingisin
balance,suchasthephlevel,thephysicalbodycanhealmorenaturally.Itsthesame
wayinourenergybodies.Ifwecanfindthatenergybalance,thatequilibrium,where
everythingalignsoreverythingcomesintosynchronizationintotherhythmofthe
danceoflifethenhealingbecomesthenaturalstate.Itsnothingsupernatural,or
miraculous.Ithinkalotofspiritualtextshavereferredtothisideawhentheydescribe,
"goinghometoheaven."Heaven,tome,isthecompletesynchronizationwithhigher
frequenciesandvibrationsofcreationbeingtotallyentrained.Inotherwords,beingin
astateofatonement.
WhenIwouldcontinuetodothetechnique,thesoundwouldbegintoevenout
betweenthemaleandfemalesidesofthebody,andtheclientwouldindicatethey
were"feeling"ashift.Asthatwouldoccur,Iwastotallyamazed,andaskedmyself,
"Whatishappeninghere?"AlthoughIvebeenaspeakerofspiritualthingsforover40
years,IcanttellyouthatIvebeenthemostintuitivepersonintheworld.Allofa
suddenIstartedhavingcertainfeelingsaboutwhattodowiththeforks.Ifoundthat
atsomepointinworkingwiththeclient,Istopped"doing"thetuningforks(beingthe
initiatorofthetechnique),andtheystarted"doingme"seemingtodirectthe
movementoftheForks!Afterhundredsoftuningsandpositivetestimonies,Ihave
learnedtotrusttheAncientSolfeggioScalefrequenciesintheformofTuningForksas
alegitimatemodality.
EnergyandRelationship
Everythingisrelationship.IrememberDr.FredWolf,whoisaphysiciststatingona
tape"Everythingisconsciousness."Hefurthernoted,"Whenyouareobservingan
object,onsomeleveltheobjectisobservingyou."AsIlistenedtothatstatement,I
thoughtitwasstrange.Ithenrealizedthatbecausesomethingdoesnthaveahuman
consciousness,asIdo,thatdoesntmeanitdoesnthaveitsownconsciousness.
Apparently,observingsomethingchangesitonsomelevelthattheobserver,andthe
observedareone.
ItreattheSolfeggiotuningforksasaconscious"entity."Theyareenergy,theyre
vibration,theyrefrequencytheclientisvibration,frequencyandenergyIam
vibration,frequencyandenergy.Allofthatcomingtogetherbeginstoproducea
synergeticexperiencethattakesplaceonmanylevels.Theenergybodiesthatwe
focusonusingtheSolfeggioFrequenciesarethephysical,theetheric,the
mental/emotional,andtheastral.
Sound,VibrationandForm
Formorethan200years,researchershavebeenvalidatingtheconnectionsofSound
andVibrationsonphysicalform.ThefirsttomakethatconnectionwasGerman
scientistErnstChladni,who,in1787,detailedhisresearchinhisbook"Discoveries
ConcerningtheTheoryofMusic."Inthatpioneeringwork,heexplainedwaystomake
soundwavesgeneratevisiblestructures.Hedetailedhowaviolinbow,drawnataright
angleacrossaflatplatecoveredwithsand,producespatternsandshapes.Today,
thosepatternsandshapesarecalledChaldnifigures.(Coincidentally,Chaldnidiedin
1829,thesameyearasBeethoven.Mozart,aFreeMason,heavilyinfluenced
Beethovenaboutthemathematicsofmusic,andlikelyinfluencedChaldniaswell).1
In1815,MathematicianNathanielBowditchfolloweduponChaldisdiscoveries.He
concludedthattheconditionsforthesedesignstoarisewerebecausethefrequencies,
oroscillationspersecond,wereinwholenumberratiostoeachothersuchas1:1,
1:2,1:3andsoon.2
Thestudyofwavephenomena,theabilityofsoundtoorganizeandrepatternmatter,
iscalledCymatics.AccordingtoJohnBeaulieu,inMusicandSoundintheHealing
Arts,"Formisthemoreelusivecomponentofsound.Soundformscanbeseenby
subjectingmediumssuchassand,water,orclaytoacontinuoussoundvibration."The
followingpicturestakenbyDr.HansJennyaresoundforms.Theywereobtainedby
placingvariousmediumsonasteelplatewithacrystalsoundoscillatorattachedtothe
bottom.TheOscillatorcreatesapulse,whichvibratesthesteelplate.Theformsonthe
plateareexamplesofsoundorganizingmatter."Jennyalso"noticedthatwhenthe
vowelsofancientlanguageslikeHebrewandSanskritwerepronounced,thesandtook
theshapeofthewrittensymbolsforthosevowels."Modernlanguages,including
English,failedtogeneratethosepatterns."
"Spaceisnotempty.Itisfull,aplenumasopposedtoavacuum,andis
thegroundfortheexistenceofeverything,includingourselves.The
universeisnotseparatefromthiscosmicseaofenergy."DavidBohm

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Jennyconcludedthatwereexamplesofcymaticelementseverywhere"vibrations,
oscillations,pulses,wavemotions,pendulummotions,rhythmiccoursesofevents,
serialsequences,andtheireffectsandactions"andtheyeffectedeverythingincluding
biologicalevolution.Theevidenceconvincinglydemonstratedthatallnatural
phenomenawereultimatelydependenton,ifnotentirelydeterminedbythe
frequenciesofvibration.Hearguedthatphysicalhealingcouldbeaidedorhinderedby
tones.Differentfrequenciesinfluencedgenes,cells,andvariousstructuresinthebody,
heclaimed.
VibrationofMusicoftheSpheres:"Everycellpulsates,reflectsandinteractswith
acousticoscillationsofthemedium.Eventheearthandsunvibrateinunisonbasedon
amainrhythmof160minutes.Eachmusicalnoteisthereforeunitedtononaudible
notesofhigheroctaves,andeachsymphonytoothersymphoniesthatwedonothear,
andalthoughtheymakeourcellsoscillateandpossiblyresonate.EvenDNAhasits
ownmelody.Themusicalnatureofnuclearmatterfromatomstogalaxiesisnow
recognizedbyofficialscience."3In"MoleculesofEmotion,"byCandicePert,
Ph.D.,shewrites,"basically,receptorsfunctionasscanners(sensingmolecules,on
acellularlevel).Theyclusterincellularmembranes,waitingfortherightligand(much
smallermoleculesthanreceptors),tocomedancingalong(diffusing)throughthefluid
surroundingeachcell,andmountthembindingwiththemand(tickling)themto
turnthemonandgetthemmotivatedtovibrateamessageintothecell.Bindingofthe
ligandtothereceptorislikenedtotwovoices,strikingthesamenoteandproducinga
vibrationthatringsadoorbelltoopenthedoorwaytothecell."
PoetCathieGuzettasummarizedthissciencebestwhenshewrote:
"Theformsofsnowflakesandfacesofflowersmaytakeontheirshape
becausetheyarerespondingtosomesoundinnature.Likewise,itis
possiblethatcrystals,plants,andhumanbeingsmaybe,insomeway,
musicthathastakenonvisibleform."
HowDidTheSolfeggioFrequenciesGetLost?
Idiscoveredthatthesepowerfulfrequencieshadbeengiventothechurchmanyyears
agoforaveryspiritualpurpose.Thiswasbackwhenthechurchwasawonderfulplace
forthepeopleinthevillagestogathertogether.Thechurchservedasasocial,
political,andspiritualplace.PeoplecametoMass,whichatthattime,wasdonein
Latin(untilVaticanIIcamealong).WhenpeoplesinginLatinormusicaltones,itis
verypowerful,becauseitgetsthroughallofthelimitedthoughtforms,andintodeeper
levelsofthesubconsciousaccessinginsightsbeyondbeliefsystems.
AsdescribedabovebyDr.CandicePert,PhD,energyandvibrationgoallthewayto
themolecularlevel.Shestatesthatwehave70differentreceptorsonthemolecules
andwhenvibrationandfrequencyreachesthatfartheybegintovibrate.Moreover,
sheobserved,"astheybegintovibratetheysortoftoucheachother,andtickleeach
other,andtheyplayandmounteachother."Itsthiswholeenergeticdanceritual,at
thecellularlevel,thatopensthechromosomesandexposestheDNAtothe
frequencies.Whenwedotoning,drumming,chanting,ortuningforksitcanbeaway
todirectenergyfortransformationalpurposes.
Vibrationandsoundcanbeused,likemostthings,eitherwithpositiveintentionor
negativeintention.Usednegatively,itsnothingmorethancontrolandmanipulation.
Mostoftheworldhasbeenbuiltuponcontrolandmanipulationbythewaywe
communicatethrulanguage.Alotofdifferenttexts,suchastheBible,talkaboutthe
importanceofjustmakingSoundwhetheritschants,drumming,orspeakingin
tongues(suchasthecharismaticfundamentalistsdo),theyarejustdifferentwaysthat
peopleareaccessingdeeperlevelsofthemselves.IsuggesttoyouthattheSolfeggio
TuningForksareanevenpurerwaysofdoingthatwithpositiveintention.
WhenDr.JosephPuleowasresearchingthetones,hewasdirectedtoaMonsignorata
universityinSpokaneWA,whowasheadofthemediaevaldepartment.Followinga20
minuteconversation,the
"CanyoudecipherMediaevalLatin?
Absolutely!
Andyouknowthemusicalscaleandeverything?
Absolutely!
Wellthen,couldyoutellmewhatUTqueantlaxismeans?
Afterabriefpause,theMonsignorquipped,Itsnoneofyourbusiness
Thenhehungup."1
Additionally,asDr.Puleoresearchedthetonesfurther,hecameacrossabookon
GregorianchantsbyProfessorEmeritusWilliApelwho"arguedthatthechantsbeing
usedtodayweretotallyincorrect,andunderminedthespiritoftheCatholicfaith."1
Moreover,ProfessorApelreportedthat"onehundredfiftytwochantswereapparently
missing.TheCatholicChurchpresumably"lost"theseoriginalchants.Thechantswere
basedontheancientoriginalscaleofsixmusicalnotescalledtheSolfeggio."1Trust
me,nothingislost,itsjustneatlyputawayhowever,theycannothidefromthe
masseswhatisenergeticallyplacedwithintheSoul.
AccordingtoProfessorWilliApel,1"TheorginofwhatisnowcalledSolfeggio...arose
fromaMediaevalhymntoJohntheBaptistwhichhasthispeculiaritythatthefirstsix
linesofthemusiccommencedrespectivelyonthefirstsixsuccessivenotesofthe

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scale,andthusthefirstsyllableofeachlinewassungtoanoteonedegreehigherthat
thefirstsyllableofthelinethatprecededit.Bydegreesthesesyllablesbecame
associatedandidentifiedwiththeirrespectivenotesandaseachsyllableendedina
vowel,theywerefoundtobepeculiatlyadaptedforvocaluse.Hence"Ut"was
artificiallyreplacedby"Do."GuidoofArezzowasthefirsttoadopttheminthe11th
century,andLeMarie,aFrenchmusicianofthe17thcenturyadded"Si"forthe
seventhnoteofthescale,inordertocompletetheseries."
Furtherresearchstatesthat,"PopeJohanneslaterbecameasaintSaintIohannes
andthenthescalewaschanged.Theseventhnote"Si"wasaddedfromhisname."Si"
laterbecame"Ti."Thesechangessignificantlyalteredthefrequenciessungbythe
masses.ThealterationsalsoweakenedthespiritualimpactoftheChurchshymns.
Becausethemusicheldmathmaticresonance,frequenciescapableofspiritually
inspiringmankindtobemore"Godlike,"thechangesaffectedalterationsinconceptual
thoughtaswell,furtherdistancinghumanityfromGod."Inotherwords,wheneveryou
singaPsalm,itismusictotheears.Butitwasoriginallyintendedtobemusicforthe
soulaswellorthe"secretear."Thusbychangingthenotes,highmatricesofthought
andtoagreatextentwellbeing,wassquelched.Nowitistimetorecoverthese
missingnotes."1
Idheardofdo,re,me,fa,so,la,ti,do.IparticularlyrespondedtoitwheneverIhear
thatsongbyJulieAndrewsfrom"TheSoundofMusic."Iliterallyhavea"braincell
firing"asitisengravedintomybrain,andIseehercomingoverthemountaininthe
movie.Ididntrealizethiswasactuallyasecond,modifiedscale.TheoriginalSolfeggio
scalewasactually:UT,RE,MI,FA,SO,LA.
Lookingatthedefinitionsofeachoftheoriginalsyllables,usinghiddenentriesfrom
WebstersDictionaryandtheOriginalGreekApocrypha,Ihavedeterminedthatthese
originalfrequenciescanbeusedfor:Turninggrieftojoy,helpingthepersonconnect
withtheirSourcetobringforthmiracles,DNArepair,connectingwithspiritualfamily,
solvingsituations&becomingmoreintuitive,and,finally,returningtospiritualorder.2
Throughmusicthesetonescanassistallthechannelsinstayingopenandkeepthelife
force(theChi)literallyflowingthrutheChakraSystemquitefreely.Isthisiswhatthe
sixelectromagneticfrequenciesweretoaccomplishthatwereputinto"lost"hymns
andGregorianchants?
Ithinkwearelivinginatremendouslywonderfultime,andratherthanseeingthe
glassas"halfempty,"Iseeitas"halffull."Ratherthanaccepting"CNNsperspective"
oftheworldview,itsaboutfindingperspectivethruthevisionofyourownheart.Itis
aboutchangeandtransformationofmankindtothenextlevelofevolution.We,as
SpiritualLightWorkers,havemadeourselvesaccessibleatthistime,byDivine
Appointment,tobeheretohelpthoseinhumanitywhochoose(itsallbasedupon
irrevocablechoice)tostay,ortogo.Thosewhohavechosentostaywillcomeintoour
lives,andwehavealreadyagreedtoassistthem.
Itsallaboutassistingotherpeople.Itsnottobetheir"Healer,"buttoassistthemin
knowingwhotheyareandconnectingwiththeirtrueSource.Itisaboutprovidingan
atmosphereofnonjudgement,aSacredSpace,forthepurposeofhealingthemselves.
Weshouldbecontinuouslyteachingwhileassistingpeople.Theoldparadigmteaches
ustokeeptheinformationamongtheprofessionals.Thenewparadigmistosharethe
information,andempowertheclient.EveryoneyouworkwithwhetheritsReiki,
Massage,TuningForksorothermodalitiesyouareusing,youshouldfeelthatyouve
empoweredthatperson,sotheycanextendthisinformationtosomeoneelse.Healing
hasbecomeaboutourevolutionbyreconnectingouradditionalstrandsofDNA.Healing
isalsoaboutassistingthepersoninrestoringthemselvestoastateof"Spiritual
Wholeness."
1"HealingCodesfortheBiologicalApocalypse"byDr.LeonardHorowitz,p.3456
2Ibid.
3From"MansCosmicGame"byGuilianaConforto
The3,6,and9
AswelookatthesixoriginalSolfeggiofrequencies,usingthePythagoreanmethod,we
findthebaseorrootvibrationalnumbersare3,6,&9.NicolaTeslatellsus,andI
quote:"Ifyouonlyknewthemagnificenceofthe3,6and9,thenyouwouldhavea
keytotheuniverse."
JohnKeely,anexpertinelectromagnetictechnologies,wrotethatthevibrationsof
"thirds,sixths,andninths,wereextraordinarilypowerful."Infact,heprovedthe
"vibratoryantagonisticthirdswasthousandsoftimesmoreforcefulinseparating
hydrogenfromoxygeninwaterthanheat."Inhis"FormulaofAqueousDisintegration"
hewrotethat,"moleculardissociationordisintegrationofbothsimpleandcompound
elements,whethergaseousorsolid,astreamofvibratoryantagonisticthirds,sixths,
orninths,ontheirchordmasswillcompelprogressivesubdivisions.Inthe
disintegrationofwatertheinstrumentissetonthirds,sixths,andninths,togetthe
besteffects."
InthebookofGenesisitstatesthattherearesixdaysofcreation.Yetmanytalkabout
thecreationweekorsevendays,andtheChristianBibleviewsthenumbersevenas
thenumberofcompleteness.WhySeven?ItisduetotheinfluenceoftheNearEastern
cultureatthetimeinwhichJesuslived,whenitwasbelievedthattherewereonly
sevenplanets.
Whenwrestlingwithaddinga7thnumber,Iwasmysticallydrawntoanarticlein
DiscoverMagazine.Inhisnewestbook,JustSixNumbers,Reesarguesthatsix
numbersunderliethefundamentalphysicalpropertiesoftheuniverse,andthateachis
theprecisevalueneededtopermitlifetoflourish.Inlayingoutthispremise,hejoinsa
long,intellectuallydaringlineofcosmologistsandastrophysicists(nottomention
philosophers,theologians,andlogicians)stretchingallthewaybacktoGalileo,who
presumetoask:Whyarewehere?AsReesputsit,"Thesesixnumbersconstitute
arecipefortheuniverse."Headdsthatifanyoneofthenumberswere
different"eventothetiniestdegree,therewouldbenostars,nocomplex
elements,nolife."(FromDiscoveryMagazine).Assomeauthorshavespeculated,
couldthesetoneshaveplayedaroleinthemiraculousshatteringofJerichosgreatwall

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Forgotten In Time: The Ancient Solfeggio Frequencies

insixdaysbeforefallingontheseventhday?Somescientistsarenowstatingthat
ifwehavebeencreated,wemostlikelywouldhavebeensungintoexistence.
IsitpossiblethatthesixdaysofcreationmentionedinGenesisrepresentsix
fundamentalfrequenciesthatunderlietheuniverse?Religiousscholarsbelieve
botheventsoccurredasaresultofsoundsbeingspokenorplayed.
Otherscientists,includingthegeniusesNikolaTesla,RaymondRife,aswellasMozart,
Haydn,Beethoven,andChladni,allmusthaveknownabout,andusedtheconceptof,
theinherentpowerofthrees,sixes,andnines.Sowearedealingwiththreepowerful
numbers:369.EveryoneofthesixSolfeggioTuningForksalladdup,individuallyto
thePythagoreanschemeof369.Infact,becausetherearetwosetsof369
(anagrams)inthesolfeggio,theyareevenmorepowerfulasthesecombinationsserve
as"portals"tootherdimensions!
JustIntonation12ToneEqualTemperament
AsIobservedearlier,anotherreasontheseAncientSolfeggiofrequenciesbecame
"lost"wasbecauseofthechangeintuningpracticesthroughouthistory.Thestandard
tuningmethodforthepast200yearsisquitedifferentfromthetuningpracticesdating
fromantiquitythroughaboutthe16thcenturyA.D.Theseancienttuningpractices
usedasystemoftuningknownasJustIntonation.Thetuningpracticeadoptedfor
westernculturesduringthe16th,17th,and18thcenturies,andusedtoday,isknown
asTwelveToneEqualTemperament.Theexplanationofthefundamentalsofthese
tuningsystemsisfartoocomplexforthisagenda,butthefollowingquotefromabook
writtenbyDavidB.Doty,titledTheJustIntonationPrimer,shouldgiveanideaofthe
confinementthatmusichasbeenrelegatedto."Essentially,musichasbeenplaced
inaboxoflimitations"astheresultoftherigidityimposedbytheTwelveTone
EqualTemperamenttuningstandardsinusetoday.
"AlthoughitisdifficulttodescribethespecialqualitiesofJust(Intonation)
intervalstothosewhohaveneverheardthem,wordssuchasclarity,purity,
smoothness,andstabilitycomereadilytomind.Thesupposedlyconsonant
intervalsandchordsof(12Tone)EqualTemperament,whichdeviatefrom
simplerationstovaryingdegrees,soundrough,restless,ormuddyin
comparison."
JustIntonationcanbefoundinmanyofthegreatFathersofClassicalMusic
BeethovenandHyden,justtonameafew.Theydidnotusethis12tonetemperament
andIthinkthatiswhywehavearicherexperiencewhenwehearmusicthatwas
composedseveralhundredyearsago.ClassicalMusicbasedonJustIntonationgivesus
adifferentrapportwithtimeandspaceandbringsusintoourhigherchakras.
NativeAmericanchantingismanytimesbasedonJustIntonation.Thechantingseems
tosoundmonotone,butwearefindingoutthatwithinthemonotonesoundismulti
dimensionalharmonics.
Howthesedifferenttypesoftonesaffectourhealth
Consequently,sinceallmusicinourcontemporaryworld(fromcommercials,to
modernhymnsandsymphonies)hasbeencomposedutilizingthe12ToneEqual
TemperamentScale,theyallhavevibrationallimits.Asaresult,vibrationalfrequency
ofthetonesofmodernmusiccancreatesituationssuchas"boxedinthinking,"stuffed
andsuppressedemotionsandfearbased"lack"consciousnessallofwhichthentend
tomanifestintophysicalsymptomsof"disease."
ThisisincontrasttomusiccreatedfromtheAncientSolfeggioScale,whichstimulates
thevibrationofexpandedcreativity,easierproblemsolvingandholistichealth.
Again,itshouldbenotedthatalthoughtherearecontemporarynotesthatapproximate
theSolfeggiotones,theyarenotthesamefrequenciesastheancienttones.Example:
TheSolfeggiotone,Mi.vibratesto528Hz.Theclosest,comparable,contemporary
toneisC,aboveMiddleC,whichvibratesat512Hz.Ourresearchindicatesthatthe
vibrationalfrequenciescontainedintheSolfeggiotonesholdtheseoriginal
healingpotentials.
1ProfessorApelsandDr.Puleosremarksasreportedin"HealingCodesforthe
BiologicalApocalypse"byDr.LeonardHorowitz.Pages5861
2HiddenEntryMeaningsfromthebook,"HealingCodesfortheBiologicalApocalypse"
byDr.LeonardHorowitz.Pgs.16667
TransformationalTuningForksandCD'sbasedontheancientSolfeggioFrequencies.
Chakras,Elements,ColorsandtheSolfeggioFrequencies(pdf)
OtherResources:
JohnBeaulieu,"MusicandSoundintheHealingArts."StationHillPress,1987
GiulianaConforto,"MansCosmicGame,"EdizioniNowsis,1998
DavidB.Doty,"JustIntonationPrimer"
JonathanGoldman,"HealingSounds:ThePowerofHarmonics,"ElementBooks,1992
LeonardHorowitzandJosephPuleo,"HealingCodesfortheBiologicalApocalypse,"Tetrahedron
PublishingGroup,1999
CandicePert,PhD,"MoleculesofEmotion"
MichaelTalbot,"TheHolographicUniverse"
Dr.Rees,"JustSixNumbers"

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Forgotten In Time: The Ancient Solfeggio Frequencies

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