Beruflich Dokumente
Kultur Dokumente
1. Introduction
The aim of my work is to examine how different genres of music portray Slavic myth and
what atmosphere they try to evoke. I will research through the work of several Polish musicians and
their projects that contain refererces to Slavic religion and culture, namely: Behemoth and their
album Grom and Percival and Donatan's album Rwnonoc. Sowiaska Dusza. I will analyse the
tracks on the albums and their portrayal of Slavic myth, as well as the reception of the songs. I will
try to determine whether the artists' visions are connected with Slavic paganism as a religion or with
Slavism as a cultural phenomenon.
Ancient Slavic civilization can be characterised as one having great respect for tradition. Slavs
believed that the world had been created once and people should not change the way they lived
(Internet source 9). As for the cosmology, they knew the concept of the World Tree, on which the
three levels of the world were constructed: the realm of heavenly deities and celestial bodies in the
tree's crown, the realm of mortals in its trunk, and the realm of the dead in its roots. Horizontally,
the world of deities and humans was encircled by a sea. Across the sea laid the land of the dead.
There were also four wind directions: north, east, south and west. This image of the world was
typical among speakers of Indo-European languages (Internet source 1).
Slavs worshipped a wide range of deities and each tribe had its own pantheon. Nevertheless,
a common pantheon has been established by scholars. Most of the tribes worshipped Perun, by
some referred to as the supreme god (however, there are theories about the supreme deity being Rod
or Svarog), who is a heavenly god of thunder and lightning, fiery and dry, who rules the living
world from his citadel high above, located on the top of the highest branch of the World Tree. He is
always accompanied by Veles, god of waters, earth and the underworld. After a cosmic battle Perun
banished Veles to the underworld. Slavic belief was that during a storm the two gods fought. Other
deities were: Jarilo, vegetation and spring god, and Morana, the goddess of winter and death. They
were both Perun's children, but Jarilo was raised by Veles in the underworld. The image of another
god, Svarog (also Svaroi, Dabog) varies through different tribes. In some traditions he is
perceived as one god, in the others these are two or three different gods, commonly connected with
fire and sun. Svantevit and Triglav were the two gods present in all tribal beliefs, although their
position in the pantheon is now unclear (Internet source 1).
Apart from gods, there were a number of supernatural creatures that the Slavs believed in
and worshipped. Those were demons that mediated between nature and people. The Slavs made
small sacrifices and gave gifts to the demons to appease them. As those customs connected with
pleasing the demons were everyday activities inside the family, Christianity did not manage to weed
them out. As a result, knowledge about those creatures is easier to reconstruct than the pantheon.
Demons which originated in nature occupied five spheres, connected with people's lives: air, forest,
body of water, field, household. There were also demons that were spirits of people, especially
those who were born at certain time of the year or died in certain conditions, e.g. from drowning.
The demons could be good or bad, they protected or harmed people. (Szyjewski 2003: 157170).
As Slavic paganism was not uniform and passed orally, there are not very many sources left.
Therefore, the religion is hard to reconstruct. Still for the last few decades it has gained popularity
and new followers appeared. The movement is now referred to as Slavic neopaganism or Slavic
native faith. In Poland there are a few religious organisations connecting the followers, among them
Rodzima Wiara and Rodzimy Koci Polski. Both are officially registered. Contemporary Slavic
paganism aims at reconstructing the faith and rituals but does not reject creative reconstruction.
The other term I will be using is Slavism. According to Collins Dictionary it is anything
characteristic of, peculiar to, or associated with the Slavs or the Slavonic languages (Internet
source 3). The American Heritage Dictionary has it that Slavism is 1. A linguistic feature of one or
more Slavic languages, especially a Slavic idiom or phrasing that appears in a non-Slavic language.
2.
An attitude, custom, or other feature that is characteristically Slavic. 3. Esteem for and emulation
of Slavic culture and politics (Internet source 2). As a cultural phenomenon, it can be described as
simply identifying oneself with being of Slavic origin an taking pride in that. This identification
with Slavic culture among the Polish manifests itself in growing popularity of folklore, using ethnic
patterns in fashion, cultivating customs. It does not necessarily mean following Slavic religion.
fatherland:
Mijamy mile kolejne, by zdy do lasw,
Pod skrzydami nocy si schowa, jeszcze jeden bysk w ciemnoci,
Jak ojcowskie "dobranoc" ukada nas do snu...
Kiedy moc piorunw tnie niebiosa w ciepe letnie dni,
Zwracam swe oczy ku bogom,
Wspaniaej i potnej naturze,
Dzikujc za dar ukryty w byskw potdze.
[Lasy Pomorza]
The lyrics clearly refer to paganism in its roots, as in the song Lasy Pomorza, in which the author
evokes the times before Christianity was brought to Poland: Mamy rok dziewisetny.... Apart
from that there are clearly neopagan and anti-christian elements in the texts:
Pagan pride forever,
Born to die in honour, not to serve on knees
[Dragon's Liar]
Gods will return to their graces together with me
They'll find their oaken kingdoms as before
I free my powers when yelling silently
When I fight... thousands of demons, follow me !
() Rebuild what was ruined,
Destroy what was created by the cross
[Thou Shalt Forever Win]
In the last song in the album there is a call to return to native faith:
Grom niech bdzie Twym zwiastunem,
Brzaskiem imperium w chwale czekanego,
Dzwonem w pogaskie serca bitym,
Otarzem prawdy, dum oraz krwi okrytym.
Niech Grom zapowie Twe nadejcie,
Godzin zemsty, boskiej rozpaczy,
Nadejd nowe, potne czasy,
already shown that the artists involved in Donatan's project barely refer to being a Slav in preChristian times and use the term to refer to the Polish in modern times. Therefore, there is not so
much reference to the religion of the Slavs as it used to be. However, some pagan motives do occur
in the texts, for instance Niech rojenice przd sw ni [Gural, Sowiaska krew (Internet source
16)]. Rojenice is a Slovak word for Polish Rodzanice, demons that protect pregnant women and
decided about the child's fate once he or she is born. A demon Strzyga is also named in several
songs. What is interesting, pagan elements intertwine with Christian ones. It may seem that the
artists use the terms connected with Slavic religiosity unconsciously, as in the following example,
where the equinox is evoked with no clear purpose:
mam dbowy raniec pora wymwi amen
(...) go w dom, Bg w dom, wrogom amiemy koci
mam ogromne iloci mocy szczeglnie w nocy
wtedy sowiaskie dusze nie znaj sowa dosy
bimber w puchar posyp wypijmy za rwnonoc
poczuem w sobie zew, a hejterzy niech pon
[Z.B.U.K.U., Zew]
There is an interesting example of a song in which one of the artists expresses his gratitude
to Christian God for creating the world and giving people abundant crops, whereas the other rapper
mentions a pagan god Svaroi and a spring equinox celebration Jare Gody in the same context:
Ludzie to grudy ziemi strzepnite z palcw Boga,
dnia sidmego wytar rce, przesta pracowa.
() Od zawsze jestem fanem twrczoci Boga
niech obrodzi nam chmiel, yto, tyto i konopia
[Hukos, Niech Obdarzy Niech Obrodzi]
() Niech obrodzi w tym roku, zbieraj stokrotne plony
mid, podpomyk i zrywka na Jare Gody
stare rody pal ognicho Swaroyca
marzec, pierwsza niedziela po peni ksiyca
[Cira, Niech Obdarzy Niech Obrodzi (Internet source 21)]
Sadly, most of the time the elements of Slavic religion are to function as synonyms for having
5. Conclusions
The conclusion seems inescapable that the two genres of music rap mixed with folk music
and black metal portray Slavic myth in entirely different ways. Both albums, Grom and
Rwnonoc. Sowiaska Dusza, contain anti-Christian elements; however, the artists responsible for
the latter show inconsistency and evoke Christian God as well. The image created by Behemoth is
full of respect to Slavic religion and values, whereas the rappers in Donatan's project barely
mention paganism; once they do it is mainly in the context of intoxicating oneself. What is certainly
less visible in Grom than in Rwnonoc. Sowiaska Dusza is the Slavic pride that every Pole should
feel for having such a rich cultural heritage and noble ancestry. In Grom it is paganism that should
serve as a source of pride. In each album there is a call to return to the roots: in Grom this means
returning to Slavic paganism and in Rwnonoc. Sowiaska Dusza to the Slavic pride.
It is now clearly visible that in Behemoth's portrayal of Slavic myth religiosity is an
inseparable element of a Slav's life. We should praise gods that are bound to our land because the
ancestors' religion is an important part of our Slavic heritage. Donatan's project is mainly concerned
with Slavism being a Slav in today's world and acting like one, taking pride of your ancestry.
Bibliography:
1. Szyjewski, Andrzej: Slavic Religion, WAM, Krakw, 2003 .
Internet sources:
1. http://encyclopedia.thefreedictionary.com/Slavic+paganism, (date of access 06.06.2015)
2. https://www.ahdictionary.com/word/search.html?q=Slavism
3. http://www.collinsdictionary.com/dictionary/english/slavism?showCookiePolicy=true
4. http://en.wikipedia.org/wiki/Behemoth_%28band%29#Current_members
5. http://www.metal-archives.com/albums/Behemoth/Grom/1059
6. http://www.wprost.pl/ar/427000/Donatan-Kosciol-wPolsce-toambasadorstwo-narzecz-obcejkultury/
7. http://www.percival.pl/ (date of access 09.06.2015)
8. http://muzyka.onet.pl/donatan (date of access 09.06.2015)
9. http://www.britannica.com/EBchecked/topic/548484/Slavic-religion
10. http://behemoth.pl/band/
11. http://pl.wikipedia.org/wiki/R%C3%B3wnonoc._S%C5%82owia%C5%84ska_dusza
12. https://www.youtube.com/watch?v=dtTa0Q7exxY
13. http://www.tekstowo.pl/piosenka,donatan,slowianin_ft_vnm.html
14. http://www.tekstowo.pl/piosenka,donatan,budz_sie__ft__pezet___donguralesko___pih_.htm
l
15. http://www.tekstowo.pl/piosenka,donatan,pij_wodke___jarecki__brk__.html
16. http://www.tekstowo.pl/piosenka,donatan,slowianska_krew__ft_gural__sheller__kaczor__ry
23__rafi_.html
17. http://www.tekstowo.pl/piosenka,donatan,to_jest_takie_nasze_ft__onar.html
18. http://www.tekstowo.pl/piosenka,donatan,nie_lubimy_robic__ft_borixon__kajman_.html
19. http://www.tekstowo.pl/piosenka,donatan,z_dziada_pradziada_feat__trzeci_wymiar.html
20. http://www.tekstowo.pl/piosenka,donatan,budz_sie__ft__pezet___donguralesko___pih_.htm
l
21. http://www.tekstowo.pl/piosenka,donatan,niech_obdarzy__niech_obrodzi_ft__hukos__cira.
html
22. https://www.youtube.com/watchv=WvKzyuL7ubQ&list=PL75D7D53905FF4959&index=3
23. http://muzyka.dlastudenta.pl/utwor/Wstep,66750.html