Beruflich Dokumente
Kultur Dokumente
For Dad
Arthur William Amos
Julian Amos
TEST RIDER:
THE TRUE MOTORCYCLING
ADVENTURES OF A SECRET
DEVELOPMENT TEST RIDER
www.austinmacauley.com
First Published (2015)
Austin Macauley Publishers Ltd.
25 Canada Square
Canary Wharf
London
E14 5LQ
Acknowledgments
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Foreword
Despite trying hard on occasions to look it, Ive rarely been
sensible. Whilst my contemporaries have been getting married,
having children and settling into respectable jobs with good
prospects, Ive been getting on with the things I enjoyed when I was
a kid, riding motorbikes and playing a guitar.
Occasionally my complacency was spoilt by having to get real
jobs in order to pay bills and eventually even (gasp) a mortgage of
my own, but I always seem to have just about clung on to the life
less-ordinary that I hoped for as a youngster.
All this became somewhat easier when I landed a job where I
was actually paid to ride motorcycles. Not just that, but paid quite
well too. Whod have thought it possible? It did mean that
sometimes Id have to do things on a bike that required the odd risk
odd usually being the word but as Id grown up reading exciting
adventure books, the feeling I was taking a bit of a risk every now
and then just added to the excitement of doing something a bit out
of the ordinary.
This isnt a book about how to become a test rider, but instead it
tells how I almost accidentally became a test rider for what is
probably Englands most famous motorcycle manufacturer, and of
the many strange situations Ive found myself involved in as a
result. As such, I suppose it is about as close as you are going to get
to a book about how to be a Test Rider, and, particularly, what you
might expect. But I hope youll find the stories a bit more human
than that. After all, however professional people try to make
themselves appear, I love the way the human element often quickly
engages to make things go ever-more pear-shaped...
Amongst these motorbike stories youll also find some of the
other things Ive been getting up to in the background whilst Ive
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been working as a test rider. Music and cars are two of my other
favourite pastimes and have always gone hand in hand with bikes.
Youll find some of my best friends in these pages too, which, as
Im an Englishman, does of course include dogs. Every one of my
adopted kids happens to have four legs and comprise of not just of
the aforementioned dogs, but also goats and sheep, and the story of
how this rather unusual situation occurred at the end of what
seemed like a normal day twenty years ago, is told as a warning to
you all!
Even though Im now privileged and lucky enough to be paid to
ride the very latest, fastest and most advanced motorcycles in the
world for a living, I must admit to being a bit of a dinosaur in my
outlook on modern day life. I dont have much regard for ultramodern technology, fast-paced living and keeping up with fashions
and fads and the like. Its been suggested by my colleagues that Ive
become a silly old duffer before my time and they may have a
point, but at least Im a silly old duffer whos done a bit and its
that bit that I hope youll enjoy sharing with me by reading this
effort of mine, that blows the lid off the little-known and secretive
world of motorcycle development test-riding, and attempts to put
into words for (as far as Im aware) the first time ever, what its
really like to be a factory Test Rider.
When I Grow Up
The whole machine was alive with an electrical-like buzz, as the
massive buffeting turbulence and vibration shook my head around
on my shoulders as if I were an Action Man doll. The sliced air
stream rushing around my taped-down visor drowned out the
tormented mechanical howl of the screaming engine and I glanced
down for a split second to try and focus on the rev counter. The
throttle was pinned to the stop. My left toe had taken the weight of
the gear lever and a little more pressure beyond, and just at the
moment that the needle reached the red, I flicked the throttle off a
few degrees and then straight back to the stop. In that instant I felt
my toe take the gear from fifth to sixth in a tidy, seamless, clutchless change. Momentarily the machine seemed to hold a constant
speed and then very slowly began accelerating again. I was deadcentre of the main straight at Bruntingthorpe Airfield and Test
Track, almost at the half-way point where you reach a small rise
that, once passed, suddenly presents the rest of the main straight to
you, looking like a long unfurled grey ribbon. In the heat of the day
a mirage would appear with a row of shimmering red and white
cones seemingly only a few seconds away when travelling at high
speed. These cones showed the right hand turn into the bottom
hairpin that was actually another mile away. This strange quirk of
nature often made me flinch from my concentration as I came over
the rise before my brain caught up with the illusion. At this half way
point there is an adjoining piece of track on the right, linking a
return loop of the circuit, and it was here that the company truck
would be parked, giving the attending mechanic a good view of
almost the entire circuit. Out of the corner of my eye I caught sight
of the mechanic who had been sent with me. J.P. was no longer
relaxing on the plastic chair where Id left him half an hour
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sisters and I had been around though, hed had to be content with
owning fairly small capacity machines to commute to work on. We
were not a well-off family, and a cheap-to-run bike to get to and
from work was as much a necessity as a pleasure, but even so, these
were very exciting to me, and started a lifelong interest in
motorbikes, as each one, however small the capacity and value, was
treated as a very special object of desire. Amongst them was a
rather rare gold-coloured CZ 175 in semi-trail bike trim that had a
strange clubby gear lever that doubled-up as a kick start. I
remember dad swapping the original carburettor on this bike for a
British made Amal, the factory of which was just our side of
Birmingham, and so was handy for rebuilds and spares. I was
delighted to find that the arrival of this new carb also required the
addition of an extra chrome lever on the handlebars that worked the
choke. Exciting stuff for little fingers! Then there was a red Honda
CD175 twin that had very deep shapely mudguards and a fully
enclosed chain case. I remember this bike as being quite a squat and
bulky machine for such a tiddler. A Suzuki 120 two stroke single
arrived one day as a long term loan bike, from a dealer whod had
one of dads Hondas back for some extensive work under warranty.
For some reason I found this bike fascinating. I may have been
particularly keen because it was the first bike hed had that I could
sit on, touch the ground, and hold up under my own steam. It was
quite an unusual design too that interested me a bit odd looking
with a pressed steel frame that the engine was bolted to from the
rear of the engine cases, with no other engine mounts or front down
tube whatsoever which allowed the engine to just sit out as if
floating in the unobstructed air flow. This was the first bike Id
seen with a pressed steel frame rather than the more usual tubular
frame, which although hardly a new development, (itd been around
for decades), I thought was quite clever. His very last bike was a
blue Honda Benley CD200 four stroke twin, that hed often pick
me up from school on. This one had been bought from Devimead
the Honda dealer and BSA specialist whose tiny showroom was
half-way up Wilnecote hill on the A5 near Tamworth, just a mile or
so from our house. This little Honda was only a year old when he
bought it in 1980 and was the newest and shiniest bike hed owned
since the 1950s. I cant imagine any machine that was more
mollycoddled than this one. Every weekend the bike would get
stripped down for a thorough clean, the hot engine getting
thoroughly covered with Gunk from a small tin and stiff thick5
bristled brush kept especially for the job, while the tank and side
panels waited, sitting on the grass lawn, for their coat of wax. The
smell of that hot Gunk has always stayed with me and is as firmly
embedded in my memory in connection with sunny days and
motorcycles, as is the smell of Castrol R. During winter the little
bike was still worked hard on the daily fifty mile commute, and to
help it survive, the frame and all chrome, including the wire wheels,
were liberally coated in Waxoil, which would stay in place until
spring time. The bike looked a right old nail during this period to be
honest, especially the wheels, and I couldnt wait to help get the
bike cleaned up again in spring time, when it would get an even
more thorough strip down and clean, leaving the sparkly blue and
chrome machine looking better than new.
Many Saturday mornings in the 1970s and early 80s were spent
riding out on the pillion with Dad to visit the bike shops along
Stratford Road in Birmingham. There were many to wander around
in the old days, gathered in this one area of the city. You could
spend all day criss-crossing the street to take a look in-turn at each
of the old and tall time-weathered Victorian buildings that were
now the homes of small motorcycle shops or spares suppliers at the
street level. My very favourite of all of these bike shops though,
was Vale-Onslows. The ancient showroom was always packed
with obscure old machinery and smelt of oil and petrol and fusty
pre-war excitement. The creaky oil-stained wooden floor boards
were well trodden from more than a hundred years of use, and were
covered here and there with worn patterned linoleum, and even this
must have been over half a century old. Light flooded in through the
huge plate-glass display windows that were still of their splendid
and elaborate Victorian vintage, and the ceilings and doorways still
attempted to impress with their ornate carved decoration a carryover from an earlier and more genteel age, and amongst this time
capsule of mingled earlier eras, I can just about remember a young
boy about my own age that was the grandson of the shop owner. He
was a chubby little kid that made a lot of noise as he clambered over
all the bikes and charged around the place jumping off things,
seemingly with no sense of any potential danger. The shop itself
was owned by Len Vale-Onslow, who in the 1920s and 30s had
raced his own machines which he called The Super Onslow Special,
or, as it said on the petrol tank, simply, SOS. I suppose it was
unusual for a schoolboy to be up to speed with the history of Len
and his SOS, but I was. I knew all about his unusual Villiers based
water-cooled two stroke engines, and the fact that he was the first
person to design and fabricate high-level exhausts.
I knew all about Len and SOS because of a strange twist of fate
that ultimately had a great bearing on my future and perhaps was
the fundamental grounding that inspired me to try and become a test
rider many years later. During that period my uncle and auntie had
been living in Nigeria, having moved there with my uncles job. He
held a lofty position with Dunlop, and a few years before had been
involved in the development of Dunlops latest World Beater
Tyres. As a rather expensive promotional gimmick, the company
fitted a set of these new tyres to a car and had them driven twice
around the world without being replaced. The chap that drove the
car was my uncle, Ken Austin and my Auntie Irene went along too.
The vehicle chosen for the trip was a rather nice metallic brown
Hillman Hunter Estate, and he brought it over for us to see before
setting off. This was followed by months of postcards and letters
from exotic locations from all around the world which, in my young
enquiring mind, began a wanderlust that never left me. My uncle
was also a motorcycle enthusiast. Hed owned a Rudge, a couple of
Matchless and three Ariel Square Fours amongst others. Later on,
in his new job out in Africa, he couldnt get hold of his favourite
magazine, Classic Bike, so asked my mom and dad to buy it for
him and keep the copies to be collected when he made the trip home
once or twice a year. This suddenly gave me access to reading
material I would never have dreamed of looking at previously, and I
became fascinated by these old bikes and their manufacturers, many
of which were long gone before I was born, so I suppose thats what
started off my interest in motorcycle development. My favourite
contributors to the magazine were Alan Cathcart and Dave Minton
and I eagerly awaited each months edition to read about their test
riding exploits on the many vintage and classic machines. This
fuelled my interest even more, from the descriptions of the handling
and ability of the bikes and I took things further by searching
everywhere I could think of to find old books and magazines the
older the better, such as the period British magazines, popularly
known as, The Blue Un and The Green Un, (The Motorcycle,
and Motorcycling), which filled my own motorcycling vocabulary
with words and phrases Ive been stuck with using ever since; I
prefer to use the term, motorcycle or machine. Also, the
old one for just 399. That was for the deluxe version too, which
they called the Alpine, which had such luxuries as chrome panels
fitted to the sides of the petrol tank! I bought the best one theyd got
in the shop on the never-never at 18 a month, which included a
bright blue waterproof one piece over-suit, a red crash helmet which
I think was made by a company called Laser, and a pair of rubber
Derry boots. I must have looked quite a catch you can imagine
A174 XOC was an Alpine version in silver. How I loved that bike. I
went everywhere on it, even camping in Wales. My mates thought I
was mad as theyd all managed to raise the money to buy Japanese
125s, but these were out of the reach of my pocket at more than
three times the price and so I consoled myself in the knowledge that
I knew of MZs fantastic racing heritage, although this fell on deaf
ears where my mates were concerned. They laughed a lot when I
told them that Suzukis racing two-stroke technology had all come
from MZ...
The only thing I loved as much as my bike was my Fender
Telecaster. Id been playing guitar in bands since I was fourteen and
by the time Id got my new MZ at seventeen, my band at the time
Sitting Pretty, had just released a single (remember those round
vinyl things?) and were doing pretty well. We were often featured
in the local press and had a large following of teenage-girls (the
screaming schoolgirl variety) in our home town. Wed also been
promised a feature as an up-and-coming group in the well-known
girly teenager magazine, Just 17. For this reason Id decided not to
follow my dads footsteps into the RAF, even though Id been keen
on this direction for years. I thought dad would be upset about this,
but it turned out he was quite chuffed that when we walked around
town together Id sometimes get asked for autographs. I can see his
face now beaming! He even went on tour with one of my bands
one summer, driving one of the two van loads of equipment along
the south coast of the UK and around the Isle of Wight for us. I was
anxious not to tie myself up in something that I couldnt get out of
when the inevitable offer arrived from a record company, and for
this reason, as well as deciding against an RAF career Id also
decided not to bother applying to Art College either, which was
another option Id been considering when I left school. I did,
however, land a job designing logos, lettering and artwork with a
small company in town a position Id attained using my school art
folder to impress and was the sort of job I might have been offered
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