Beruflich Dokumente
Kultur Dokumente
INTRODUCTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1
About Real Kobudo Training
The Principles of Ki-Ken Tai
Strategy
About Strategy vs. Tactics
BOOK I: WEAPON FIGHTING SECRETS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
About Heiho
Engaging the Adversary
About Rhythm
The Heiho of the Opponents Weapon
Being Placed on the Defensive
One Encounter, One Chance
The Three Initial Attacks
The Heiho of Footwork
The Heiho of Stances
The Heiho of Gripping Your Weapon
The Heiho of Becoming One With the Opponent
The Heiho of Moving in the Shadows
The Heiho of Concentration
The Heiho of Distraction
The Kiai
Verbal Intimidation
Give Away the Spirit
Hit and Run
Fakes
Half-Commitments
Full-Commitments
Drawing the Opponent
Deceptive Closing
Break-Rhythm Strategy
Erratic Movement Strategy
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BOOK I
ABOUT HEIHO
Heiho is a Japanese word that Miyamoto
Musashi used to express the path to
enlightenment that can be followed by anyone
who practices bushido, the way of the warrior. It
does not mean enlightenment itself but more so
the path one must take to be victorious in
combat. His idea was unique in the fact that
success or victory in combat was not the
important factor but how one got there.
The term heiho also encapsulates how one
would do something rather than what one
would actually do. It is learning what it takes
to develop the right outlook, the proper
attitude, that frees you to be successful at
whatever you attempt.
In the art of weapon fighting, heiho outlines
a specific path that, when followed precisely, can
produce incredible results. Once you have
mastered the precepts found in heiho, you will
know what it actually took to get you to the
point where you understand yourself and your
art completely. Profound to say the least.
There are other paths to becoming
victorious, but the strategies presented here are
in the context that heiho is to be used in noholds-barred weapon combat. Any form of
weapon-against-weapon combat, in a dojo or
elsewhere, must be predicated on the belief that
one cannot make a mistake and expect to win.
There must be a certain realistic element if one is
ABOUT RHYTHM
In the martial arts, rhythm is one of the
most important forms of heiho that a skilled
warrior can possess. Without it, victory cannot
be achieved.
In martial arts combat, we must be cognizant
of the relative speeds at which techniques can be
executed. We must be familiar with the
distinctions in rhythm when either you or your
opponent changes from offense to defense; the
rhythm of small, medium, and large adversaries
as it applies to their ability to move swiftly or
slowly; the characteristics of your weapon
compared with the adversarys weapon; and the
basic rhythm of the footwork. Even the force at
which combat rhythm is applied is of great
concern in tournaments or life-or-death battle.
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