Beruflich Dokumente
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His Music was a World Apart From the Hippy Culture that Embraced It
ancient Hindu scriptures of 2,000 years ago. The human voice deployed to recite the Vedas and later
aid the temple dancers was paramount before any instruments emerged. During the medieval period
the entry of Islam in the subcontinent brought with it a Persian tradition of poetry, painting and
music that spread from Afghanistan southwards. Melody and rhythm, rather than harmony and
counterpoint, dominated the music from the east.
The Indian tradition remained oral, each composition a gift from the guru to his pupil, and
hereditary musical families still dominate classical music in south Asia. Shankar was both pleased
and amused by his sudden rise to fame and iconic status in the west. His purist colleagues
in India were disdainful. Not him. He spoke of how pleased he was by the openness, willingness to
learn and sincere enthusiasm of western audiences. He meant this, of course, and it was true. But
he also knew that the innate knowledge of south Asian music-lovers could not be easily reproduced
elsewhere. An all-night open-air concert in lush surroundings on a summer night in Lahore or Delhi,
Trivandrum or Dhaka, with the voice of divas competing with the instruments and reaching a
crescendo as the dawn light intrudes and they combine for a finale, has no equivalent in the west.
Here the constraints of time and money determine the length of a concert.
Indian classical music was born when time barely existed. It developed further within the structures
of royal courts and a system of patronage where the ruler or the feudal master determined
all. Satyajit Rays cinematic masterpiece The Music Room conveys the obsession and the flavour of
that period. Much has changed in South Asia, of course, but all-night concerts still take place.
When I was introduced to Ravi Shankar in London after a concert in the early 60s, he looked at me
and asked: Well?
Not the same as in our part of the world, was the only reply I could muster.
He laughed, a deep throaty laugh. That it will never be.
Tariq Ali is the author of The Duel: Pakistan on the Flightpath of American Power. He can be
reached at tariq.ali3@btinternet.com.