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sat still in his chair on the dais in the East Room of the White House
alongside notables such as poet Maya Angelou, basketball legend Bill
Russell, cellist Yo-Yo Ma, and billionaire investor and philanthropist Warren Buffett. Barack Obama had just placed the Presidential Medal of Freedom around the neck of one of his predecessors,
George Herbert Walker Bush, to thunderous and sustained applause,
when the emcee called Johns to the fore. The artist, smartly dressed
in a dark suit and matching polka-dotted tie, rose from his seat and
stood next to the blue podium bearing the presidential seal as Obama
stood behind him holding the white-enamel, star-shaped medal that
would soon be presented to him. Johnsthe first painter or sculptor to be awarded the medal in 34 yearssmiled as the emcee read
aloud: Bold and iconic, the work of Jasper Johns has left lasting impressions on countless Americans. With nontraditional materials and
methods, he has explored themes of identity, perception, and patriotism. By asking us to reexamine the familiar, his work has sparked the
minds of creative thinkers around the world. Jasper Johns innovative
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your eye and you recognize it as what it is without really seeing it. It
is the thing itself, but theres also something else there. However, he
remains somewhat coy about the true meaning of the work. I dont
think I want to describe it.... Its probably shifted its meaning over
time.5 Perhaps most fittingly, the Whitney Museum of American
Art describes it as a work that flatters or honors the nation without
genuflection.6 The price tag for the work is undeniably high: a version of Flag offered at auction by Christies in the fall of 2014 was
listed with an estimate of $15$20 million, or about $100,000 per
square inch.7
Another Flagthis time a sculpture made in 1960 by Johns
led to an earlier connection between the artist and the White House
in the 1960s, when gallery owner Leo Castelli, who gave Johns his
first one-man show, brought then president John F. Kennedy the
bronze on Independence Day. From Johnss view, the gesture wasnt
consistent with his vision. I thought it was the tackiest thing Id ever
seen, Johns recalled.8 The misstep by Castelli did not damage the
relationship between the pair. In fact, they would go on to forge a
decades-long association.
Cle arly, Jasper Johnss connection
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around 1987 to make a silver cast of Flag. Polich Tallix has a long
tradition of working with the whos who of artists, including de
Kooning, Urs Fischer, Jeff Koons, Roy Lichtenstein, and Alexander
Calderthe last sculptor to win the Presidential Medal of Freedom
before Johns. Upon completion at Polich Tallix, Johns elected to
keep the silver cast in his home in New York.
In 1990, Johns had more plans for Flag. This time he turned
to Brian Ramnarine, an migr from Guyana and a trusted artisan
with whom he had worked a number of times before, to make a
wax positive in his silver mold. Ramnarine, who operated Empire
Bronze in New York and whose work was considered by Johns to
be excellent, had handled casts for numerous of Johnss small sculptures in the past. Johnss instructions to Ramnarine were simple:
he told him to make only a wax impressionnot an actual metal
sculptureof Flag. At the time, Johns thought he might have his
sculpture cast in gold, and wanted to investigate how much metal
would be needed and how expensive it would be, thus the direction
to Ramnarine to make only a wax figure. Ramnarine obliged and
produced the 1 11 2 foot wax sculpture, which Johns refrigerated
in his home on upscale East 63rd Street in Manhattan. Though
Johns paid him in full, in cash, Ramnarine failed to return the mold
from which he made the wax sculpture. Eager to get his important
original mold back, Johns directed a longtime member of his staff,
James Meyer, to retrieve it from Ramnarines foundry. Meyer came
back empty-handed.
Years later, Jasper Johns paid a visit to Paige Tooker at New Foundry
New York Inc. and gave her the Ramnarine-made wax mold with a
request to make a new cast of Flag in white bronze. While Tooker is
certainly a very skilled craftsperson, Johnss reasons for not returning to Ramnarine with the wax mold he had made were based on
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