B a l l a d e

f a r Flte u n d O r c h e s t e r
PARTITUR S C O R E -

29

Cari Reinecke
1824-

1910

Ballade
fir Flte u n d O r c h e s t e r
op.288
BALLADE
FOR FLUTE A N D ORCHESTRA

Herausgegeben v o n / Edited b y
YVONNE

MORGAN

c o M c e R t o p l A a r o AGOAeas
Nr. 29
A M A D E U S V E R L A G

B E R N H A R D

PULER
2003

B P 1284

W I N T E R T H U R / S C H W E I Z

Cari H e i n r i c h Carsten Reinecke, geboren a m 23. Juni 1824

i n A l t o n a , g e s t o r b e n a m 1 0 . M a r z 1 9 1 0 i n L e i p z i g , zhlt
z u j e n e n Gestalten der deutschen R o m a n t i k , welche gleich
mehrere Epochen der Musikgeschichte durchlebten, ohne
s i c h v o n d e n n e u e n Strmungen b e e i n f l u s s e n z u l a s s e n .
M i t t e n i n d i e F r u h r o m a n t i k hineingeboren, k o n n t e er d i e
schpferische L a u f b a h n v o n s o g e g e n s a t z l i c h e n T e m p e r a menten w i e C h o p i n u n d Schumann, Brahms u n d Liszt
e b e n s o m i t v e r f o l g e n w i e d i e E n t w i c k l u n g des V i r t u o s e n t u m s u n d der k l e i n b u r g e r l i c h e n S a l o n m u s i k .
D e r v o n seinem Vater z u m M u s i k e r ausgebildete C a r i
Reinecke, d e r n i e eine Schule besuchte, konzertierte
anfnglich als G e i g e r u n d P i a n i s t , b e v o r s e i n u n s t e t e s L e b e n
i m Jahre 1 8 6 0 die w o h l entscheidende W e n d e erfuhr: e r
w u r d e z u m Leiter der Leipziger G e w a n d h a u s k o n z e r t e b e r u f e n u n d als P r o f e s s o r a n s d o r t i g e K o n s e r v a t o r i u m g e w a h l t .
Z u v o r w a r er v i e l gereist: 1 8 4 5 h a t t e er h a l b E u r o p a d u r c h q u e r t ; e i n J a h r spter w a r e r H o f p i a n i s t i n K o p e n h a g e n
geworden, w o er m i t Niels W . Gade Freundschaft schloK.
W e i t e r e n K o n z e r t t o u r n e e n f o l g t e n A n s t e l l u n g e n a m Klner
K o n s e r v a t o r i u m , i n B a r m e n u n d i n Breslau. V o n Leipzig
aus b e r e i s t e R e i n e c k e als S o l i s t u n d D i r i g e n t u . a . Dnemark,
E n g l a n d u n d R u f S l a n d . A l s L e h r e r besafi R e i n e c k e e i n e n
w e i t iiber den deutschsprachigen K u l t u r r a u m hinausragend e n R u f . Z u s e i n e n S c h i i l e r n zhlten I . A l b e n i z , L . J a n a c e k .
E . Grieg, Chr. S i n d i n g u n d J Svendsen.
A l s glnzender M o z a r t - S p i e l e r , d e r z u m e h r e r e n K l a v i e r k o n z e r t e n beliebte K a d e n z e n schrieb, e r w a r b sich C a r i R e i n e c k e e b e n s o grof?e A n e r k e n n u n g w i e als K o m p o n i s t v o n
Klavierwerken fiir d e n U n t e r r i c h t . Seine lange z u U n r e c h t
vergriffenen u n d vergessenen I n s t r u m e n t a l w e r k e erleben i n
j u n g e r e r Z e i t e i n e R e n a i s s a n c e . D a z u zhlen d i e h e u t e w i e d e r
z u m R e p e r t o i r e gehrende, r o m a n t i s c h e E m p f i n d s a m k e i t
verstrmende Fltensonate Undine" o p . 1 6 7 ( A m a d e u s B P
7 6 0 ) , s e i n e ber e i n e n Z e i t r a u m v o n 6 7 J a h r e n k o m p o n i e r t e n fnf S t r e i c h q u a r t e t t e , m i t i h r e r w a r m b l i i t i g e n M e l o d i k
u n d i h r e m f e i n g e a r b e i t e t e n S t i m m e n g e f l e c h t , d a s T r i o fr
O b o e , H o r n u n d K l a v i e r o p . 1 8 8 , d i e 3 Phantasiestcke
op. 4 3 fiir V i o l a u n d K l a v i e r ( B P 4 5 2 ) , sein T r i o op. 2 6 4
fiir K l a r i n e t t e , V i o l a u n d K l a v i e r ( B P 4 5 3 ) . D e m i i b e r 2 8 0
W e r k e umfassenden kompositorischen Lebenswerk stehen
S c h r i f t e n z u r S e i t e , d i e , w i e e t w a d i e Ratschlge u n d W i n k e
fr d i e m u s i k a l i s c h e J u g e n d " o d e r Die B e e t h o v e n s c h e n
Klavier-Sonaten: Briefe a n eine F r e u n d i n " i n w e i t e n Kreisen
z u m Verstandnis derKlassik beitrugen.
R e i n e c k e s c h r i e b s e i n Fltenkonzert i n D - d u r , o p . 2 8 3
(BP 313) i m Jahre 1908, m i t 8 4 Jahren! Das schwarmerisch
angehauchte, heiter-elegisch irrlichternde K o n z e r t ist ganz
d e n Ausdrucksmglichkeiten d e r Flte v e r p f l i c h t e t . E s gehrt
e b e n s o z u m R e p e r t o i r e w i e u n s e r e v o r l i e g e n d e Ballade fiir
Flte und Orchester, op. 288, d i e d e r M e i s t e r als S c h w a n e n g e s a n g seines i m m e n s e n Schaffens d e m K o n z e r t f o l g e n
liels. D e r G e s t u s dieses W e r k i s t b e r a u s c h e n d schn! Q u e l l e n
u n s e r e r N e u e d i t i o n s i n d d i e E r s t d r u c k e d e r P a r t i t u r u n d des
Klavierauszugs, letzterer v o n der H a n d Reineckes.

Cari H e i n r i c h Carsten Reinecke, b o r n o n 2 3 June

1824 i n A l t o n a , died o n 10 M a r c h 1910 i n Leipzig,
is o n e o f t h o s e figures o f G e r m a n r o m a n t i c i s m w h o
l i v e d t h r o u g h several m u s i c h i s t o r i c a l epochs w i t h out being i n any way influenced b y the n e w tendencies. B o r n i n t h e e a r l y r o m a n t i c e r a , h e e x p e r i e n c e d
t h e c r e a t i v e c a r e e r s o f s u c h o p p o s i t e p e r s o n a l i t i e s as
C h o p i n a n d S c h u m a n n , B r a h m s a n d L i s z t , as w e l l as
the d e v e l o p m e n t o f the v i r t u o s o a n d o f middle-class
salon music.
T a u g h t b y his father, C a r i Reinecke w h o never
a t t e n d e d s c h o o l b e g a n b y c o n c e r t i z i n g as a v i o l i nist a n d pianist, before h i s r o v i n g life w a s b r o u g h t
t o a h a l t i n 1 8 6 0 b y h i s a p p o i n t m e n t s as d i r e c t o r o f
Leipzig's G e w a n d h a u s concerts a n d professor at t h e
Conservatoire. Prior to this h e had travelled extensively: i n 1845 h e t o u r e d h a l f o f E u r o p e ; a year later
he became court pianist i n Copenhagen, where he
made friends w i t h Niels W . Gade. F u r t h e r concert
tours w e r e f o l l o w e d b y posts a t t h e C o n s e r v a t o i r e ,
i n B a r m e n a n d i n Breslau. F r o m Leipzig, Reinecke
t r a v e l l e d as s o l o i s t a n d c o n d u c t o r t o D e n m a r k , E n g l a n d a n d Russia, a m o n g o t h e r countries. Reinecke's
r e p u t a t i o n as a t e a c h e r e x t e n d e d f a r b e y o n d G e r m a n speaking countries. H i s pupils included I. Albeniz,
L.Janacek, E . Grieg, C h r . S i n d i n g and J Svendsen.
A d i s t i n g u i s h e d M o z a r t player, C a r i R e i n e c k e was
f a m o u s f o r his p o p u l a r cadenzas t o several o f M o z a r t ' s
p i a n o c o n c e r t i , a n d as a c o m p o s e r o f p i a n o p i e c e s
for teaching purposes. Undeservedly neglected, o u t
o f p r i n t a n d f o r g o t t e n , his i n s t r u m e n t a i w o r k s are at
last e n j o y i n g a r e v i v a l . T h e y i n c l u d e t h e sensitively
romantic Flute Sonata "Undine" op. 167 (Amadeus
B P 7 6 0 ) , n o w a m a i n s t a y o f t h e r e p e r t o i r e , five
warm-blooded, melodious a n d intricately w r o u g h t
s t r i n g quartets ( s p a n n i n g 6 7 years), a T r i o f o r oboe,
h o r n a n d p i a n o o p . 1 8 8 , 3 F a n t a s y Pieces f o r v i o l a
and piano op. 4 3 ( B P 452), a n da Trio op. 2 6 4 for
clarinet, v i o l a a n d p i a n o ( B P 4 5 3 ) . H i s large o u t p u t
as a c o m p o s e r s o m e 2 8 0 w o r k s i s p a i r e d w i t h
b o o k s a n d a r t i c l e s s u c h as " A d v i c e a n d H i n t s f o r
Y o u n g Musicians" or " T h e B e e t h o v e n P i a n o Sonatas:
Letters t o a F r i e n d " , w h i c h i n t r o d u c e d m a n y readers
t o a n u n d e r s t a n d i n g o f classical m u s i c .
C a r i Reinecke's F l u t e C o n c e r t o D - d u r , op. 2 8 3
( B P 3 1 3 ) was w r i t t e n i n 1 9 0 8 , a t t h e age o f 8 4 ! T h e
nostalgie, serene a n d elegiac C o n c e r t o is perfectly
s u i t e d t o t h e expressive possibilities o f t h e i n s t r u m e n t . I t i s as m u c h p a r t o f t h e r e p e r t o i r e as t h e
p r e s e n t Ballade for Flute and orchestra, op. 288,
w h i c h after a n i m m e n s e o u t p u t a n d f o l l o w i n g the
C o n c e r t o - was t h e master's s w a n - s o n g . T h e w o r k ' s
sweep is ravishingly b e a u t i f u l ! T h e sources f o r o u r
n e w e d i t i o n w e r e t h e first p r i n t o f t h e s c o r e a n d t h e
composer's o w n p i a n o reduction.

Adagio

Ballade

. = 128

Cari Reinecke, op. 2 8 8

9-

Flauto I

Flauto ]

O b o e I/II

C l a r i n e t t o I i n Sii

C l a r i n e t t o I I i n S b

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in U t

T i m p a n i in Re/La

Triangolo,
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poco

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Violoncello
pizz.
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B P 1284
C o p y r i g h t 2003 b y A m a d e u s V e r l a g ( B e r n h a r d P a u l e r ) , W i n t e r t h u r / S c h w e i z

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CDADGUS

Zwei, drei u n d vier Floten

BP 5 4 1
BP 3 7 3 / 4
Flote solo

Raffaele 1 9 0 1 - 1 9 6 9
S o n a t i n e p o u r Flte seule, o p . 1 9
Cadences p o u r l e C o n c e r t o e n
sol m a j e u r , K V 3 1 3 , de M o z a r t

D'ALESSANDRO

BP 505
BP 542

ARIA D I CAMERA

BP 376

E i n e erlesene S a m m l u n g 7 5 irischer,
schottischer u n d w a l i s i s c h e r W e i s e n
B A C H , Cari Philipp E . 1 7 1 4 - 1 7 8 8
BP 6 7 5
Sonate a-moll, W q 132, m i t k o m p l e t t e m F a k s i m i l e des E r s t d r u c k s
B A C H , J o h a n n Sebastian 1 6 8 5 - 1 7 5 0
BP 2 4 6 0 Partita i n a-moll ( m i t k o m p l e t t e m
F a k s i m i l e des A u t o g r a p h s )
BHM.Theobald

1794-1881

BP688
BP 7 2 4

12Etdenop. 15 fr Flte s o l o
2 4 Caprices-Etudes, op. 2 6
C A L L , Lonard v o n 1 7 6 8 - 1 8 1 5
BP 683
D r e i Fantasien, o p . 6
D I E T H E L M , Caspar 1 9 2 6 - 1 9 9 7
BP 2 0 8 3 Zodiak", 1 2 K o n s t e l l a t i o n e n m i t
Prolog u n d Epilog, op. 140
D O N J O N , F r a n c o i s et J o h a n n e s
BP 4 3 1
5 Solos o u C a p r i c e s e t 8 E t u d e s d e
S a l o n p o u r l a Flte seule
E Y C K , Jacob v a n 1 5 8 9 - 1 6 5 7
BP 7 0 4
Der F l u y t e n L u s t - h o F , erste k o m BP 7 0 5
m e n t i e r t e U r t e x t a u s g a b e m i t ausBP 7 0 6
fiihrlichem V o r w o r t u n d praktischer
Einfiihrung, 3 Bande
Giuseppe 1 8 3 3 - 1 9 0 5
Exercises J o u r n a l i e r s , o p . 8 9
(Tagliche Obungen)
Grandes E t u d e s d e Style, o p . 1 3 4
HESS, Willy 1906-1997
Z w e i Suiten, op. 127
H O F F M E I S T E R , Fr. A n t o n 1 7 5 4 - 1 8 1 2
P r e l u d e o u Exercise, o p . 3 5
Variations" sur airs e t thmes
d ' H a y d n e t M o z a r t , o u Etude"
K O H L E R , Ernesto 1 8 4 9 - 1 9 0 7
2 5 romantische Etiiden i m modernen Stil, op. 6 6
K O H L E R , Gottlieb H . 1 7 6 5 - 1 8 3 3
Fantasie et V a r i a t i o n s p o u r l a Flte
K U H L A U , Friedrich 1 7 8 6 - 1 8 3 2
Variarions et Caprices, op. 10
K U M M E R , Caspar 1 7 9 5 - 1 8 7 0
Six C a p r i c e s o u Exercises, o p . 1 2
M I E G , Peter 1 9 0 6 - 1 9 9 0
Les Dlices d e l a flte
Q U A N T Z , Johann Joachim 1 6 9 7 - 1 7 7 3
Solfeggi P o u r L a Flte Traversire
avec l ' e n s e i g n e m e n t , Par M o n s r .
Q u a n t z " M i t ausfilhrlicher
Einleitung u n d Faksimiletafeln
der H a n d s c h r i f t
Capticen, Fantasien u n d Anfangsstcke f u r die F l o r e a l l e i n u n d m i t
Basso c o n t i n u o
R E I T Z , Heiner *1925
12 Capricen, o p . 4
S C H N E I D E R , Georg Abr. 1 7 7 0 - 1 8 3 9
2 4 Divertissements, op. 4 5
T E L E M A N N , Georg Philipp 1 6 8 1 - 1 7 6 7
1 2 F a n t a s i e n f u r Flte solo
W E I S S , Franz 1 7 7 8 - 1 8 3 0
C a p r i c e s et V a r i a t i o n s , o p . 3
GARIBOLDI,

BP 7 2 5
BP 6 2 2
BP 2 5 2 9
BP 2 6 2 0
BP 2 4 7 0
BP 8 8 4
BP 2 6 0 3
BP 3 9 8
BP 7 3 9
BP 2 6 4 4
BP 6 8 6

BP 2 0 5 0

BP 5 0 6
BP 5 9 9
BP 3 7 0
BP621
4(1)

Flote u n d Violine / Flote u n d Viola

Raffaele 1901-1969
S o n a t i n e p o u r d e u x fltes, o p . 7 7

D'ALESSANDRO,

BP 2 4 6 2

B A C H , W i l h e l m F r i e d e m a n n 1710-1784

6 S o n a t e n ( D u e t t e ) fiir 2 Flten
L u d w i g v a n 1770-1827
A l l e g r o u n d M e n u e r t f u r 2 Flren

BEETHOVEN,

M i c h e l 1700-1768
6 S o n a t e n o p . 1 f u r 2 Flten

BLAVET,

BP 2 0 1 5
BP618
BP 8 5 2
BP 2 2 7 4

C A L L , Lonard v o n

1768-1815

T r i o f u r 3 Flten, o p . 2
T r i o f u r 3 Flten, o p . 2/1
Serenade D - d u r fr 3 Flten, o p . 4 1
C A M B I N I , G i u s e p p e 1746-1825
BP 2 0 1 1
6 D u o s fr 2 Flten, o p . 11
D E L A V I G N E , Philibert
BP 2 0 8 5 Six Suites de Pices d e u x M u s e t t e s
D I E T H E L M , C a s p a r 1926-1997
BP 6 1 7
D u o f i i r 2 Flten, o p . 1 2 4 ( 1 9 7 4 )
Fr. J o s e p h "1766
T r i o o u N o t t u r n o fr 3 Flten
F E S C H , W i l l e m de 1687-1757
BP 3 9 0
3 0 D u e t t e o p . 11
F O R S T E N A U , A n t o n B . 1792-1852
BP 4 9 6 / 7 6 D u o s faciles, o p . 137, 2 H e f t e
G E B A U E R , Joseph
BP 2 0 7 4
1 2 L a n d l e r fr 2 Flten
H A Y D N , J o s e p h 1732-1809
BP 1141
Sechs D u o s fr 2 Flten ( n a c h d e n
BP 1142
Streichquarrerren op. 17), 2 H e f t e
B P 2 3 0 7 D i v e r t i m e n t o I C - d u r fr 3 Flten
BP 2 3 0 8 D i v e r t i m e n t o I I G - d u r fr 3 Flten
BP 2 3 0 9 D i v e r t i m e n t o I I I F - d u r fr 3 Flten
H O F F M E I S T E R , Fr. A n t o n 1754-1812
BP 2 0 0 5 T e r z e t t o fr 3 Flten
BP 2 3 4 9 D r e i D u o s , op. 3 0
BP716
Sechs D u o s , o p . 4 9
K O H L E R , G o t t l i e b H . 1765-1833
BP 8 5 2
A m u s e m e n t o p . 1 1 7 fr 3 Flten
K U M M E R , C a s p a r 1795-1870
BP 475
K l e i n e leichte D u e t t e
BP 883
D r e i konzertante Duos, op. 2 5
DUSSEK,

BP2014

LE

CLERC, Mr.

BP2012

6 S o n a t e n fr 2 Flten, o p . 1
M O Z A R T , Wolfgang Amadeus
BP 2 0 6 0
1 2 leichte D u e t t e aus Zauberflte"
N A U D O T , M r . tl762

BP 2 0 1 3

Babioles", 6 S u i t e n fr 2 Flren
I g n a z 1757-1831
Sechs leichte D u e t t e
P O S S I N G E R . A l e x a n d e r 1766-1827
T r i o ( 6 Stcke) fr 3 Flten
Q U A N T Z , J o h a n n J o a c h i m 1697-1773
T r i o D - d u r fr 3 Flten
R E I C H A , A n t o n 1770-1836
Q u a r t e t t , o p . 12, fr 4 Flten
3 Romanzen op. 21 u n d Variationen
o p . 2 0 fr 2 Flten
R E I T Z , H e i n e r *1925
7 E n t e r t a i n m e n t s fr 2 Flten
R I C H T E R , F r a n z X a v e r 1709-1789
6 S o n a t e n fr 2 Querflten
R O M B E R G , A n d r e a s 1767-1821
D r e i Duos, op. 62
S C H N E I D E R , G e o r g A b r . 1770-1839
D r e i Duos, op. 7 8
3. Q u a r t e t t D - d u r o p . 8 0 f. 4 Flten
T E L E M A N N , G e o r g P h i l i p p 1681-1767
6 D u o s fr 2 Flten v o n 1 7 5 2 , 1
6 D u o s fr 2 Flten v o n 1 7 5 2 , I I
W E I D E M A N N , K a r l Fr. tl782
2 S o n a t e n , o p . 3 / 3 + 6 , fr 3 Flten
PLEYEL,

BP 2 0 7 6
BP 2 5 0 5
BP 2 0 1 6
BP 2 0 8 4
BP 438
BP 2 6 5 7
BP 3 8 5
BP2041
BP2312
BP 2 3 4 6
BP781
BP 7 8 2
BP 2 0 7 7

C a r i P h i l i p p E . 1714-1788
D u e t t fr Flte u n d V i o l i n e
C A M B I N I , G i u s e p p e 1746-1825
BP 2 3 3 3 6 D u o s o p . 4 fr Flte u n d V i o l a
D E V I E N N E , F r a n c o i s 1759-1803
BP 8 8 2
3 D u o s fr Flte u n d V i o l i n e
BP 2 4 7 8 6 D u o s o p . 5 fr Flte u n d V i o l a
E S C H E R , Peter "1915
BP 8 8 2
D i v e r t i m e n t o per d u e s t r u m e n t i
F E S C H , W i l l e m de 1687-1757
BP 3 9 0
3 0 D u e t t e fr Flte u n d V i o l i n e
G E B A U E R , E t i e n n e - F r . 1777-1823
BP 2 5 2 6 3 b r i l l a n t e D u o s fr Flte u . V i o l i n e
BACH,

BP 2 4 9 2

BP 2 4 0 9
BP 2 6 7 8

H E S S , Willy

1906-1997

D u o o p . 8 9 fr Flte u n d V i o l a
1 2 B a g a t e l l e n fr Flte u n d V i o l i n e
H O F F M E I S T E R , F r . A n t o n 1754-1812
BP 6 3 7
3 D u o s c o n c e r t a n t fr Flte u. V i o l a
K H Y M , C a r i ca.1770-1819
BP 2 2 9 1
Serenade fr Flte u n d V i o l a
BP 2 4 0 6

M I E G , P e t e r 1906-1990

D u o fr Flte u n d V i o l a ( 1 9 7 7 )
I g n a z 1757-1831
BP 2 0 7 6 6 leichte D u e t t e fr Flte u . V i o l i n e
R O L L A , A l e s s a n d r o 1757-1851
BP 439
3 D u e t t e fr Flte u n d V i o l i n e
T E L E M A N N , G e o r g P h i l i p p 1681-1767
BP 2 4 7 9 D u e t t o B - d u r fr Flte u n d V i o l a
BP 2 4 3 5 D u e t t o G - d u r fr Flte u n d V i o l i n e
PLEYEL,

Flte u n d V i o l o n c e l l o ( F a g o t t )

L u d w i g v a n 1770-1827
3 D u o s fr Flte u n d V i o l o n c e l l o

BEETHOVEN,

BP 3 6 2
BP 2 6 9 0

C A L L , Lonard v o n

1768-1815

3 D u o s , o p . 1 2 , fr Flte u n d
Violoncello oder Fagott
C A M B I N I , G i u s e p p e 1746-1825
BP 3 8 0 / 1 6 S o n a t e n fr Flte u n d V i o l o n c e l l o
oder Fagott, 2 H e f t e
D A N Z I , F r a n z 1763-1826
BP 527
3 D u o s o p . 6 4 f. Flte u . V i o l o n c e l l o
G E B A U E R , M i c h e l J o s e p h 1763-1812
BP 8 5 9
3 D u o s o p . 1 7 fr Flte u n d F a g o t t
G U I G N A R D , Eric
BP 545
S c h w e i z e r T a n z e fr Flte u n d C e l l o
BP 7 8 5
2 4 T a n z e aus alter Z e i t f. F I . u . C e l l o
H A N D E L , G e o r g F r i e d r i c h 1685-1759
BP 6 5 2
8 Stcke fr Flte u n d V i o l o n c e l l o
H E S S , Willy

BP 2 2 3 5

1906-1997

S o n a t e o p . 1 2 4 fr Flte u n d C e l l o

Flte u n d K l a v i e r ( B c . / O r g e l )

C a r i F r i e d r i c h 1723-1787
6 S o n a t e n o p . 6 fr Flte u n d B c .
D ' A L E S S A N D R O , Raffaele 1901-1969
Q u a t r e pices brves, o p . 4 2
p o u r flte e t p i a n o
A N N A A M A L I A V . P r e u f i e n 1723-1787
S o n a t e F - d u r fr Flte u n d B c .
B A C H , C a r i P h i l i p p E . 1714-1788
2 S o n a t e n , E s - d u r , g - m o l l fr Flte
u n d obligates C e m b a l o
1 1 S o n a t e n (Soli) fr Flte u n d B c .
S o n a t e n G - d u r , e - m o l l , W q 123/124
S o n a t e n B - d u r , D - d u r , W q 125/126
S o n a t e n G - d u r , a - m o l l , W q 127/128
S o n a t e n D - d u r , B - d u r , W q 129/130
S o n a t e n D - d u r , G - d u r , W q 131/134
. . H a m b u r g e r S o n a t e " G - d u r , W q 133
B A C H , J o h a n n Sebasrian 1685-1750
V i e r a u t h e n t i s c h e Fltensonaten
( B W V 1 0 3 0 , 1032, 1034, 1035)
S o n a t e g - m o l l f. Flte u n d C e m b a l o

ABEL,

BP 4 1 5 / 6
BP 2 2 2 4
BP 1 0 6 3
BP 7 1 7
BP
BP
BP
BP
BP
BP

2301
2302
2303
2304
2305
2306

BP 4 4 4
BP 6 6 8

Francesco 1 6 9 0 - 1 7 7 2
Sechs S o n a t e n fiir Flte u n d Basso
continuo, 2 Hefte
B E E T H O V E N , L u d w i g v a n 1770-1827
BP 584
6 leichte S t i i c k e f. Flte u n d K l a v i e r
B L A V E T , M i c h e l 1700-1768
BP 2474
Sechs S o n a t e n o p . 2 fiir Querflte
B P 2 4 7 5 u n d Basso c o n t i n u o , 2 H e f t e
BARSANTI,

BP 2065
BP 2 0 6 6

BP 399
BP
BP
BP
BP
BP
BP

BP

BHM.Theobald

1794-1881

Divertissementop.il
Caspar 1926-1997
2 4 7 3 . . C o n c e r t o p a s t o r a l e " fiir Flte u n d
Streichorchesrer o p . 1 5 5 , K A
536
Fantasie o p . 4 9 fiir Flte u n d K l a v i e r
G A L L I A R D , J o h n E r n e s t 1680-1749
5 2 8 / 9 6 S o n a t e n f u r Flte u n d B c , 2 H e f t e
G E R B E R , Ren *1908
647
B a l l e t p o u r flte e t p i a n o
G L U C K , C h r . W i l l i b a l d 1714-1787
2061
K o n z e r t fr Flte u n d O r c h e s t e r
i n G-dur, K A m i t Solost.
2072
Reigen seliger G e i s t e r " fr Flte
u n d Orchester, Parr., St. u n d K A
G O U N O D , C h a r l e s 1818-1893
570
C o n c e r t i n o fr Flte u n d O r c h e s r e r
K A m i t Solost.
DIETHELM,

GRAUN

BP 2 4 9 4

S o n a t e C - d u r fr Flte u n d B c .
M i c h a e l 1737-1806
B P 2 3 4 3 S o n a t e G - d u r fr Flte u . C e m b a l o
H O T T E T E R R E , Jacques 1 6 7 4 - 1 7 6 3
B P 7 0 1 / 2 V i e r S u i t e n , o p . 5, fr Querflte
u n d Basso c o n t i n u o , 2 H e f t e
J A D A S S O H N , S a l o m o n 1831-1902
BP 2324
N o t t u r n o op. 133, Capriccio op. 137
J E N S E N , G u s r a v 1843-1895
BP 1175
A r i o s o u n d R o n d o patetico o p . 4 0
fr Flte u n d O r g e l
K E M P T E R , L o t h a r 1844-1918
BP 2278
B a l l a d e o p . 3 7 fr Flte u n d K l a v i e r
K R A F T , W a l t e r 1905-1977
BP 669
S o n a t e Franziskus-Legenden"
L A U B E R , Joseph 1864-1952
BP 6 8 7
S o n a t a i n u n a Parte, o p . 5 0
M A R C E L L O , Benedetto
1686-1739
B P 2 0 5 6 - 1 2 S o n a t e n o p . 2 f u r Flte u n d
B P 2 0 6 6 u n d Basso c o n t i n u o , 4 H e f t e
M O L T E R , J o h . M e l c h i o r 1695-1765
BP 4 0 1
S o n a t e A - d u r f. Flte u n d C e m b a l o
M O Z A R T , Wolfgang Amadeus
BP 2693
K o n z e r t G - d u r , K V 3 1 3 , fr Flte
u n d Orchester, K A m i t S o l o s t .
BP 2694
K o n z e r t D - d u r , K V 3 1 4 , fr Flte
u n d Orchester, K A m i t S o l o s t .
BP519
A n d a n t e , K V 315, K A m i t Solost.
N A C E L I , H a n s G e o r g 1773-1836
B P 402
2 D i v e r t i m e n t i f. Flte u n d K l a v i e r
P E P U S C H , J o h . C h r i s t o p h 1667-1752
BP 2 4 8 1
Sechs S o n a t e n ( 2 . F o l g e ) ft Flte
BP 2482
u n d Basso c o n t i n u o , 2 H e f t e
P R E B E R , Giacomo
BP 493
S i n f o n i a a F l a u t o c o l Basso, C - d u r
P U R C E L L , D a n i e l ca.1663-1717
BP 4 9 4
3 S o n a t e n fr Flte u n d B c .
R E I C H A , Joseph 1746-1795
B P 2 0 6 3 K o n z e r t fr Flte u n d O r c h e s t e r
i n B - d u r , K A m i t Solost.
R E I N E C K E , C a r i 1824-1910
BP 313
K o n z e r t D - d u r , o p . 2 8 3 fr Flre
u n d Orchester, K A m i t S o l o s t .
BP 760
Undine"-Sonate, o p . 2 6 7
R U S T , F r i e d r i c h W i l h e l m 1739-1796
BP 751
S o n a t e A - d u r fr Flte u n d H a r f e
oder K l a v i e r
HAYDN,

4 (2)

G i u s e p p e 1693-1751
2 S o n a t e n o p . 2 / 1 + 4 fr Flte u . B c .
K o n z e r t F - d u r fr Flte u . Streicher
S C H N E I D E R , F r i e d r i c h 1786-1853
BP 2619
Sonate i n G - d u r op. 3 3
S T A L D E R , Joseph 1 6 2 5 - 1 7 6 5
BP 2088
C o n c e r t o F - d u r fr Flre u n d
Streicher ( D i e t h e l m ) K A m i t Solost.
S T A M I T Z , C a r i 1745-1801
BP 789
K o n z e r t fr Flte u n d O r c h e s t e r
i n G - d u r , o p . 2 9 , K A m i t Solost.
S T A M I T Z , J o h a n n A n t o n 1717-1757
BP 2 4 7 2
K o n z e r r i n D - d u r fr Flte u n d
Streichorchester, K A m i t S o l o s t .
T E L E M A N N , G e o r g P h i l i p p 1681-1767
BP 366
S u i t e ( O u v e r t u r e ) a - m o l l fr Flte,
Streicher u n d B c , K A m i t Solost.
BP 666
4 S o n a t e n fr Flte u n d B c .
BP 2662
K o n z e r t G - d u r fr Flte, 2 V i o l i n e n
u n d B c , Part. ( C o n t i n u o ) u . St.
BP 794
2 S o n a t e n (Stockholmer S o n a t e n " )
BP 377
2 S o n a t e n aus Essercizii M u s i c i "
BP 767
S u i t e g - m o l l fr Flre u n d B c .
BP 484
4 n e u e S o n a t i n e n fr Flte u n d B c .
BP442
Heldenmusik", 1 2 M a r s c h e
BP 2 5 5 2
Hochzeir-Divertissement", T a n z e
B P 2 5 5 5 C o n c e r t o F - d u r f. Flte, 2 V i o l i n e n ,
V i o l a u n d B c , P a r t . u . St.
V A L E N T I N E , R o b e r t 1680-1735
B P 3 8 2 / 3 6 S o n a t e n fr Flte u n d B c , o p . 5
V I N C I , L e o n a r d o 1768-1815
BP 810
2 Sonaten D-dur, G-dur
V I V A L D I , A n t o n i o 1678-1741
BP 828
4 S o n a t e n fr Flre u n d B c .
B P 2 4 9 5 2 S o n a r e n aus I1 Pastor fido"
BP 800
C o n c e r t o C - d u r f. F l a u t i n o o p . 4 4 / 1 1
BP 858
C o n c e r t o e - m o l l fr F l a u t i n o , K A
W E H R L I , W e r n e r 1892-1944
BP691
Suite op. 16 (1921)
BP 692
Sonate op. 5 4 (1941)
SAMMARTINI,

BP 443
BP 420

BP2228
BP 682

W I L M , Nicolai

1834-1911

D u o o p . 1 5 6 fr Flte u n d H a r f e
W l T T , F r i e d r i c h 1770-1836
K o n z e r t fr Flre u n d O r c h e s t e r

Z w e i u n d d r e i Flten u n d K l a v i e r ( B c . )
C a r i P h i l i p p E . 1714-1788
T r i o s o n a t e E - d u r fr 2 Flren u . B c .

BP 389
BP 8 0 9
BP 2038
BP 7 5 9
BP 2 4 1 1
BP 2 6 8 1
BP 2338

BP 761
BP 762
BP 763

BP 2 2 3 9
BP 2 0 2 1
BP 2 0 2 2
BP421

BP 2281
BP 2282
BP2283
BP 2284
BP 2285
BP 2 2 8 6
BP 7 6 4
BP 2510
BP 2 0 0 6
BP 369
BP 919

T r i o s m i t Flte

BP
BP
BP
BP
BP
BP

2571
2572
2573
2574
2575
2576

BP 2296
BP 489

C A L L , Lonard v o n

1768-1815

T r i o C - d u r fr 2 Flten u n d G i t a r r e
Giuseppe 1635-1694
BP 708
3 S o n a t e n o p . 4 / 1 , 2 , 6 fr 2 Flten,
V i o l o n c e l l o (Fagott) u n d Bc.
C O R R E T T E , M i c h e l 1747-1813
BP 2010
C o n c e r t o c o m i q u e Le M i r l i t o n " i n
B - d u r fr 3 Flten u n d B c , o p . 8/1
BP 395
C o n c e r t o c o m i q u e Margoton" i n
C - d u r fr 3 Flten u n d B c , o p . 8/3
BP 721
C o n c e t t o c o m i q u e Le Plaisir des
D a m e s " o p . 8/6 fr 3 Flren u n d B c .
BP 715
C o n c e r t o c o m i q u e i n C - d u r , o p . 4/3
fiir Flte, 2 V i o l i n e n (Flten) u . B c .
COLOMBI,

W a l t h e r 1901-1969
C o n c e r t i n o f. Flte, V i o l i n e u . C e l l o
B A C H , J o h a n n C h r i s t i a n 1735-1782
2004
T r i o C - d u r fr 2 Flten u n d C e l l o
C L A U S E C K , J o h a n n Ignaz
2671
S o n a t a G - d u r fr 2 Flren u n d C e l l o
D A N Z I , F r a n z 1763-1826
1036
3 T r i o s , o p . 7 1 , fr Flte, V i o l i n e
V i o l o n c e l l o , St.
D E V I E N N E , Francois 1759-1803
4 3 5 / 6 6 T r i o s fr Flre, V i o l a u n d C e l l o
2 0 0 7 / 8 6 T r i o s f. 2 Flten u n d C e l l o , o p . 1 9
F U R S T E N A U , A n t o n B . 1702-1852
2617
Serenade f. Flte, V i o l a u n d G i t a r r e
H A N S E N , E m i l R o b e r t 1860-1926
1017
T r i o fr Flte, V i o l i n e u n d C e l l o
H A Y D N , Joseph 1732-1809
2001
Die L o n d o n e r T r i o s " fiir 2 Flten
u n d V i o l o n c e l l o , P a r t . u . St.
700
6 T r i o s o p . 1 0 0 fr Flte, V i o l i n e
u n d V i o l o n c e l l o , St.
8 7 6 / 7 6 T r i o s fr Flte, V i o l a u n d C e l l o
AESCHBACHER,

BP 2 6 8 2
BP
BP

B A C H , W i l h . F r i e d e m a n n 1710-1784

1 . T r i o s o n a t e D - d u r (Falck 4 7 )
2. Triosonate D - d u r (Falck 48)
3. Triosonate a - m o l l (Falck 49)
B O I S M O R T I E R , Joseph B . 1 6 8 2 - 1 7 6 5
6 S o n a t e n o p . 3 4 fr 3 Flten u . B c .
S o n a t a I i n g - m o l l , Parr. u . St.
S o n a t a I I i n G - d u r , Part. u . St.
S o n a t a I I I i n e - m o l l , Parr. u . Sr.
S o n a t a I V i n D - d u r , P a r t . u . St.
S o n a t a V i n d - m o l l , P a r t . u . St.
S o n a t a V I i n a - m o l l , Part. u . St.
B U F F A R D I N , Pierre G a b r i e l 1690-1768
T r i o s o n a t e A - d u t fr 2 Flten u . B c .

A l e s s a n d r o 1660-1725
T r i o c - m o l l fr 2 Flten u n d B c .
S C H W A R T Z K O P F F , T h e o d . 1659-1732
S o n a t e d - m o l l fiir 2 Flten u n d B c .
S I M O N E T T I , G i o v a n n i Paolo
Sechs S o n a t e n , o p . 2 , fr 2 Flten
u n d Bc. (Michel), 2 Hefte
S o n a t a a tre g - m o l l fr Flre,
Bafiblockflte u n d B c , op.5/3
T E L E M A N N , G e o r g P h i l i p p 1681-1767
T r i o s o n a t e n fr 2 Flten u n d B c .
1. Triosonate i n G-dur
2. Triosonate i n c-moll
3. Triosonate in A-dur
4. Triosonate i n d-moll
5. Triosonare i n e - m o l l
6. Triosonate i n D - d u r
14. T r i o s o n a t e i n C - d u r
36. Triosonate i n a-moll
55. Triosonate i n A - d u r
9 4 . T r i o i n D - d u r (Tafelmusk I I I )
Q u a r t e t t i n d - m o l l fr 3 Flten
u n d Bc. (Tafelmusik I I )
SCARLATTI,

BP713

BACH,

BP 357

A n t o n B . 1792-1852
R o n d o b r i l l a n t o p . 1 0 2 fr 2 Flten
u n d Klavier
G R A U N , J o h a n n G o t t l i e b 1703-1771
S o n a t a C - d u r fiir 2 Flten u n d B c .
T r i o s o n a t e C - d u r f. 2 Flten u n d Bc.
H A N D E L , G e o r g F r i e d r i c h 1685-1759
S o n a t e e - m o l l fr 2 Flten u n d B c
H E I N I C H E N , J o h . D a v i d 1683-1729
T r i o s o n a t e G - d u r fr 2 Flten u . B c .
J O P L I N , Scott 1868-1917
The E n t e r t a i n e r " , fr 3 Flren
u n d K l a v i e r oder G i t a r r e
The S t r e n u o u s L i f e " fr 3 Flten
u n d K l a v i e r oder G i r a r r e
R O R I C H , C a r i 1869-1941
B u r l e s k e o p . 6 4 f. 3 Flten u . K l a v i e r
FURSTENAU,

BP 2 0 3 9

BP
BP
BP
BP
BP
BP
BP
BP

BP 549
BP 2082
BP 2 5 0 1
BP 2267
BP 2404

H E S S , Willy

1906-1997

D i v e r t i m e n t o fr Flte, V i o l i n e u n d
V i o l a , o p . 8 2 , P a r t . u . St.
K O H L E R , H e n r i 1765-1733
3 T r i o s o p . 8 6 fr Flte, V i o l i n e
(Flte) u n d V i o l o n c e l l o , St.
N A R D I N I , P i e t r o 1722-1793
S o n a t a fr Flte u n d 2 V i o l i n e n
P S S I N G E R , Alexander
1766-1827
T r i o o p . 7 fr Flte, V i o l i n e u . V i o l a
T r i o o p . 2 8 f. Flte, V i o l a u n d H o r n