Beruflich Dokumente
Kultur Dokumente
Rezah Sampson
SMPREZ001
Proposal Title
The Origin of Flamenco Music
Background
Discussing a historical moment in Flamenco Culture Flamenco history has only been documented for the past two
hundred years or so, and anything before this time is open to
debate and speculation.
Tablaos are establishments that developed during the 1960s, replacing the caf
cantante. They may have their own company of performers for each show. Many
scussing internationally renowned artists, like the singer Miguel Poveda, started
their careers in tablaos flamencos.
The professional concert. This is more formal. A traditional concert has only a
singer and one guitar while a dance concert usually includes two or three guitars,
one or more singers singing solo in turn and one or more dancers. One of the
singers, or a percussionist, may play the cajon. All performers will clap even if
there are dedicated palmeros. 'New flamenco' (nuevo flamenco), popularized
by Camarn de la Isla and other acts, may include flutes, saxophones, piano,
keyboards, bass guitars or electric guitars.
Flamenco territories
Research Question
Discuss, in depth The History of Flamenco
Flamenco - Its Origin and evolution
Many of the details of the development of flamenco are
lost in Spanish history.
There are several reasons for this lack of historical
evidence:
1. Flamenco sprang from the lower levels of Andalucian
society, and thus lacked the prestige of other art forms
among the middle and higher classes. Flamenco music
also slipped in and out of fashion several times during
its existence.
2. The turbulent times of the people involved in flamenco
culture. The Moors, the Gitanos and the Jews were all
persecuted, and the Moors (moriscos) and Jews were
expelled by the Spanish Inquisition in 1492. Many of
the songs in flamenco still reflect the spirit of
desperation, struggle, hope, and pride of the people
during this time of persecution.
3. The Gitanos have been fundamental in maintaining this
art form, but they have an oral culture. Their songs
were passed on to new generations by repeated
performances within their social community. The nongypsy Andalucian poorer classes, in general, were also
illiterate.
Visit workshops
Download music
Construct timetable