teori & sejarah desain arsitektur 1 geometri (dan aturan) sebagai

teori arsitektur

renaissance

setiadi sopandi

merchant class
& roman catholic church
as patron of the arts:
philosophy
science
arts & architecture

lorenzo de medici
medici family was the patron of the great
renaissance artists, such as brunelleschi
and michelangelo

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 technical development:
art historiography: perspective
giorgio vasari

polymaths:
filippo bruneleschi 1377-1446
donato bramante 1444-1514
michelangelo buonarotti 1475-1564
antonio da sangallo 1485-1546
raphael 1483-1520
baldassare peruzzi 1481-1536
guilio romano 1499-1546
giacomo della porta 1533-1602

architectural theory:
leon battista alberti 1402-1472
sebastiano serlio 1475-1554
andrea palladio 1508-1580

medieval tapestry medieval fresco

bulgary, 13th century

medieval painting medieval painting

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cenni di pepo (giovanni) cimabue c. 1240 - c. 1302

cenni di pepo (giovanni) cimabue c. 1240 - c. 1302

lamentation legend of st. francis

giotto di giotto di bondone
bondone
ca. 1305
ca. 1305

marriage at cana
giotto di
bondone
ca. 1305

the holy trinity, santa maria novella

masaccio
15th century

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 fresco with trompe l'oeuil
andrea pozzo
jesuit church vienna

perspective
brunelleschi developed the technique by studying
architecture in rome, 15th century

the main concern of the renaissance architect was with

the defining, ordering and controlling of his visible
universe

this would achieve by means of graphic

representations

the most rudimentary graphic system, geometry, was

an essential tool for the accurate recording of
architectural information

principles in perspective
application of perspective as a tool for architectural
designs

baldassare peruzzi

pierro della francesca c.1470

view of an ideal city

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 “a man can do all things if he will”
leon battista alberti

allegory of a bad architect allegory of a good architect

philibert de l’orme
1568

philosophical development: aesthetic:

humanism return to classicism

studying classical texts

regularity
symmetry
human worth and individual dignity can be achieved through liberal arts: proportion
art geometry
music
grammar
rhetoric
oratory
history
poetry

against medieval christian ideals

empiricism
positivism
man is the measure of all things
structure behind appearances is rationally organized
knowledge comes from empirical investigation

study of human or living creature anatomy

leonardo da vinci c1490

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“all steps of learning should be sought from nature“
leon battista alberti

the ten books on architecture

vitruvius
80 bc - 25 bc

re-drawn by leonardo da vinci

classical proportion
re-reading of vitruvius

giorgio vasari 1511-1574

le vite delle più eccellenti pittori, scultori, ed
architettori
lives of the most excellent painters,
sculptors, and architects
palazzo farnese

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 palazzo medici-riccardi
michelozzo 1444-1459

filippo brunelleschi 1377-1446

pazzi chapel, florence, 1429-1451

filippo brunelleschi

ospedale degli
innocenti (1419-ca.1445), or foundling hospital
filippo brunelleschi

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 st. lorenzo 1421-1440
florence
filippo brunelleschi

punctual use of golden section

sagrestia vecchia, or old sacristy of st. sagrestia vecchia, or old sacristy of st.
lorenzo (1421-1440) lorenzo (1421-1440)
florence filippo brunelleschi
filippo brunelleschi

florence cathedral’s dome florence cathedral’s dome

1420-1436 1420-1436
filippo brunelleschi filippo brunelleschi

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 basilica santa maria novella
1470
leon battista alberti

leon battista alberti 1402-1472

leon battista alberti Book One: Lineaments

Book Two: Materials
de re aedificatoria Book Three: Construction
Book Four: Public Works
the ten books of architecture Book Five: Works of Individuals
1443-1452 Book Six: Ornament
Book Seven: Ornament to Sacred Buildings
the first theoretical book on architecture Book Eight: Ornament to Public Secular Buildings
Book Nine: Ornament to Private Buildings
Book Ten: Restoration of Buildings

vitruvius tells architects how buildings were be built

alberti tells architects how buildings should be built

sant‘andrea, mantua (begun 1471)

tempietto of st. pietro, rome 1502

bramante tempietto of st. pietro, rome 1502
bramante

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 laurentian library 1524-1557
michelangelo

laurentian library 1524-1557

michelangelo

laurentian library 1524-1557

michelangelo

laurentian library 1524-1557

michelangelo

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 ideal city, bramante, c1500

villas
vitruvius tells architects how buildings were be built
andrea palladio
1508-1580

alberti tells architects how buildings should be built

i quattro libri dell‘architettura

the four books of architecture
1570

palladio tells architects how buildings should be built: by examples of his

own work

http://www.epalladio.com/villas.html

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villa rotonda

villa angarano

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 villa barbaro

villa barbaro

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This theater has seven hallways designed as streets of the city of Thebes, Greece, introducing the
idea of artistic perspective into Renaissance theater. The idea behind the seven hallways is to
provide each spectator with a view down at least one of the streets. An effective trompe-l'oeil
prospectic technique is used to provide the illusion of long streets within few meters of real space.
teatro olimpico 1585

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kuis
max 2 lembar A4, tulis tangan
dikumpulkan minggu depan, sebelum kuliah

cari pengertian:

baroque , rococco, neo-classicism, romanticism

1. sebagai periode sejarah
2. sebagai gerakan estetis dalam seni rupa dan arsitektur
3. sebagai gagasan

lengkapi dengan ilustrasi berupa sketsa, foto, gambar, dll

lengkapi dengan sumber referensi (buku, website, dll.) – perhatikan
standar mengutip sumber referensi (nama pengarang/ penulis, judul
buku/ artikel, tahun penerbitan, penerbit)

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