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didot
didot
Text from The Elements of Typographic Style by Robert
Bringhurst
A B C D E F G H I J K L M N O P Q R ST UVW XY Z
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A B C D E F G H I J K L M N O P Q R ST UVW XY Z
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(bold, 18 pt., center justified)
A B C D E F G H I J K L M N O P Q R ST UVW XY Z
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(headline, 18 pt., center justified)
A B C D E F G H I J K L M N O P Q R ST UVW XY Z
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(italic, 18 pt., center justified)
1234567890!@#$% ^&*()
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style, in this large and intelligent sense of the word,
does not mean any particular style my style or your
style, or Neoclassical or Baroque style - but the
power to move freely through the whole domain of
Shakesp
as strong as the others in the chain. Yet in order to be read, it
with anything to say therefore aspires to a kind of statuesqu
not immunity to change, but a clear superiority to fashion. T
timelessness and time. One of the principles of durable typo
certain
legibility: some earned or unearned interest that gives its liv
various names, including serenity, liveliness, laughter, grace
In a world rife with unsolicited messages
text:
attention to itself before it will
(bold, 16 pt., left aligned)
pa
be read.
n amount of routine
ving energy to the page. It takes various forms and goes by
and joy. (headline, 16 pt., left aligned)
s, typography must often draw
age numbers, scene
mbers,
e, textual notes
and sentences do.
copyright claim, the Some of
et, like what any musician
sher’s name
work. (italic, 48 pt, left aligned)
(regular, 50 pt., right aligned)
The func
as I understand it,
(regular, 48 pt.)
e
s
And man
d
)
ny a book
like many a warrior
or dancer
or priest of either sex, (italic, 24 pt., left aligned)
may look well with some paint
on its face, (regular, 30 pt., left aligned)
thought,
thought,
thought,
thought, (bold, 72 point)