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Jazz musicians often use this phrase within their solos because it works well as an
interesting piece of jazz language by itself.
This original honeysuckle rose motif is often varied and I have included two common
adaptations of the phrase below for you to check out.
The first one is almost the same as the original but has one additional note, the G.
The second variation has a B on 1+ ,which in conjunction with C and Bb provides a
nice chromatic movement that starts the phrase.
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Example 1
Almost every jazz musician uses the honeysuckle rose motif in some way, but two of
the best examples are Charlie Parker and Grant Green.
Grant Greens solo on Ill Remember April is a perfect example of how to vary the
honeysuckle rose motif throughout a solo.
Listen to the track and count how many times Grant plays the honeysuckle rose motif
in the first chorus alone.
http://www.youtube.com/watch?v=M3svPhYf9uU
Like the 2nd variation of the honeysuckle rose lick, there is also chromatic movement
within the first 3 notes.
This bebop scale pattern is often used in ii-V-I situations as shown the example
below.
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Audio Example 2
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Heres a full lick using this enclosure pattern. Notice the use of the C dominant bebop
scale pattern in the second half of the first bar.
Audio Example 4
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This lick can be also be played finger style or with the thumb. Wes Montgomery was
a big fan of using this type of patterns within his solos.
This jazz pattern starts with a minor 3-9 arpeggio and finishes on the 11th of the chord
which in this example is C.
Repetition is often used with this lick to build up intensity within a solo.
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Audio Example 5
I hope you enjoyed playing and working through each of these short phrases and can
see how they form the basis for many classic jazz licks and solos.
Can you think of some solos that use these patterns? Share your thoughts in the
comment section below.
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