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Shot

No.

Type of shot,
movement and
angle.

-Mid shot
-No movement
-Straight angle
-Camera is sitting
outside the door on
a tripod

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Ambient sound of birds and wind
-Sounds of actors laughing
-Costumes for each actor are the ones that
fit into the idea of the video (casual posh
clothes)
-Setting is a posh house, with the family
leaving out of the door
-Natural lighting
-outside front of house

Frame
durati
on
3
second
s

Editing notes
Fade from black, cut to next shot
Shot
No.

Type of shot,
movement and
angle.
-Long, wide shot
-Slow pan right
- Low angle

Editing notes

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Ambient sounds of birds and wind
-Sounds of actors talking and laughing
-The costumes for each actor are the ones
that fit into the idea of the video (Casual
posh clothes)
- Setting is a posh house, with the family
leaving out of the door
-natural lighting
-outside front of house

Frame
durati
on
3
second
s

Cut from previous shot, cut to previous shot

Shot
No.

Type of shot,
movement and
angle.

-close up of the car


back window
-no movement
-straight angle

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-No dialogue
-sound of the car door closing, ambient
sound of the birds and wind
-The setting is a car on the car park of the
house
-Although costume is not seen in this
scene, they will be wearing the same
clothes as before; also the children will be
in the back of the car.
-Natural colour
-outside front of house

Frame
durati
on
2
second
s

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

4
-Close up of the car
wheel pulling of
-no movement
-straight angle

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-No dialogue
-Ambient sounds of car engine and wind
and birds
-No actors, no costumes
-Natural lighting

Frame
durati
on
3
second
s

-the setting is in the car on the driveway


-outside front of house
Editing notes
Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.

5
-Close up of the
garage door starting
to open from the
side
-no camera
movement
-Straight angle

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-No dialogue
-Ambient sounds of the wind and birds
-no actors, no costume
-natural lighting
-The setting is the garage outside the house
-outside garage

Frame
durati
on
2
second
s

Editing notes
Cut from previous shot, cut to next shot
Shot
No.

Type of shot,
movement and
angle.

6
-Close up of lead
singer opening the
garage door fully

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-No dialogue
-Ambient sounds of the garage door opening, the
sounds of the band moving around and moving
equipment
-All the actors are dressed in rocky clothes (jeans, t

Frame
durati
on
4
second
s

-no camera
movement
-Straight angle

shirts, converse, messy hair)


- The lead singer opens the garage door, looks left
and right and then ushers the rest of the band out of
the garage.

-Natural lighting
-camera is outside garage, actors are inside

Editing notes
Cut from previous shot, cut to next shot

Shot
No.

Type of shot,
movement and
angle.
-Establishing shot
- slow pan right
-low angle

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-

Almost exactly the


same as shot 2
-

No dialogue
Ambient sounds of birds and wind
Actors are wearing the same
costumes as previously
The actors are all standing in front
the garage, looking at the house with
arms crossed. They are looking at
the house.
The band are on the left, the house
on the right
Natural lighting.
-outside front of house

Frame
durati
on
3
second
s

Editing notes
Cut from previous shot, cut to next
Shot

Type of shot,

Dialogue. Sound. Setting. Colour.

Frame

No.

movement and
angle.

-Close up of the
bands legs by the
bass drum
- dolly track to the
right, stops in the
middle of thelegs
- Straight angle

Lighting. Mise-en-scene.
-No dialogue
-ambient sounds of wind, birds and the
band moving
-The actors are still wearing the same
clothes as last time
-the actors all stand in front of the bass
drum until two walk one way and two walk
the other to leave the bass drum. The
screen then shows the words Hands and
Faces added in in post-production
-Outside front of garage

durati
on
4
second
s

Editing notes

Shot
No.

Type of shot,
movement and
angle.

9
-Close up of the
family portrait, on
the mothers face
-No movement
-Straight angle

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Song begins, just the first beats
-No actors
-natural lighting
-inside the house (hallway)

Frame
durati
on
1
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

10

-Close up on the
family portrait, on
the fathers face
-no movement
-straight angle

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Song begin, just the first beats
-No actors
-natural lighting
-inside the house (hallway)

Frame
durati
on
1
second

Editing notes
Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.
-

11

Close up on
the family
portrait, on
the daughters
face.
no movement
straight angle

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-song begins, just the first beats
-no actors
-natural lighting
-inside the house (hallway)

Frame
durati
on
1
second

Editing notes
Cut from previous shot, cut to next shot
Shot
No.

Type of shot,
movement and
angle.
-Close up on the
family portrait, on
the sons face.
-No movement
-straight angle

12

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Song begins, just the first beats
- as the second passes that is allocated for
the face, we see a band member come
between the camera and the portrait and
slant it as he walks through.
-inside the house (hallway)

Frame
durati
on
2
second
s

Editing notes
Cut from previous shot, cut to next shot

Shot
No.

13

Type of shot,
movement and
angle.
-long shot of whole
band sitting on the
couch
-slow pan left
-straight angle

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-How can I not taste it? When its right
here, put it in my hand
- Three of the band members are relaxing
on the couch while the lead singer sits
forward singing the lyrics
-Around them, are the toilet paper and silly

Frame
durati
on

3
second
s

string that they are going to use to mess


the house up.
-Natural lighting
- The costumes are the same as the
previous scenes.
-Couch is in front room, as are the actors
Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.
-Mid shot
-Track backwards
-straight angle

14

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-And lets not put it in their faces
-The drummer and the bassist walk around
the house, looking for things that they can
mess up, until they reach a cabinet
-The drummer has his drum sticks in his
back pocket, the bassist is just wearing his
casual clothes
-natural lighting

Frame
durati
on
2
second
s

Editing notes
Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.
-Mid shot

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Hide the obvious just a little bit, its
coming to this

Frame
durati
on

14

-No movement
-Straight angle

-The camera is positioned in the cabinet


and behind some glasses. They open it and
begin to mess up the glasses
- They are wearing the same costumes as
previously
-Natural lighting

4
second
s

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Frame
durati
on

Editing notes
Cut from previous shot, cut to next
Shot
No.

-Mid shot
-Fast pan left
-Straight angle

15

-You know theyll never face it


-The guitarist and the singer get up of the
couch, the same couch as shot 13
-they are wearing the same costumes as
previously
-Natural lighting

2
second
s

Editing notes
Cut from previous shot, Cut to the next shot
Jump cuts in editing to make it more jolty

Shot
No.

Type of shot,
movement and

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Frame
durati

angle.
-Mid Shot
-Fast pan left and
track backwards
-Straight angle
-handheld camera

16

on
-Theyre just a face all covered with a
rag
- The camera follows the lead singer
backwards through the kitchen, while he
sings
-Same costume as previously
-Natural lighting

3
Seocon
ds

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.
-Close up of the
guitarist reaching for
the silly string and
TP
- No movement
-Straight angle

17

Editing notes
Cut from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-And they cant stop talking
-Although, you cant see the guitarist, his
hand still comes into frame to grab the TP
-The only thing that can be seen on the
guitarist is a wristband.
-The guitarist grabs the silly string and
pulls it out of frame

Frame
durati
on
Less
than a
second

Shot
No.

Type of shot,
movement and
angle.
-Close up of
guitarists feet
running up the stairs
-Track and tilt
upwards following
the guitarist
-Handheld camera

18

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-So the bigger it gets
-Shaky shot of the guitarist running up the
stairs, however it is just a close up on his
feet
-Same costume as before
-Some added lighting to try to brighten up
the stairs so we are able to see their feet.

Frame
durati
on
1
second

Editing notes

Shot
No.

19

Type of shot,
movement and
angle.
-mid shot from
behind the guitarist
-No movement
-canted angle

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-And yeah, they take up space
- The guitarist kicks open a door to a
bedroom with the string in hand
-Wearing the same costume as before
-Natural lighting

Frame
durati
on
Less
than a
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.
-Close up on the
guitarists face, he
smirks
-No movement
-straight angle

20

Editing notes
Cut from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-but still
-The guitarist simply smirks into the
camera
-Wearing the same clothing as before
-Natural lighting

Frame
durati
on
Less
than a
second

Shot
No.

Type of shot,
movement and
angle.
-Long shot of the
guitarist from the
side
-No movement
-Straight angle

21

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Nothings wasted!
-from the side, we see the guitarist
screaming and firing the silly string into
the room, in slow motion.
-Same costumes as before.
-Natural Lighting

Frame
durati
on
Less
than a
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.
-Long shot
-camera is shaking
from left to right
-Straight angle.

22

Editing notes
Cut from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-A lies a lie
-The band are seen performing in the living
room
-Same costumes as before but they are
obscured by the instruments
-Natural lighting, but efects can be added
in to make it seem a little darker

Frame
durati
on
1
second

Shot
No.

Type of shot,
movement and
angle.
-Close up of the
drummer
-No movement
-Canted angle

23

Editing notes
Cut from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-A lies a lie
-The canted angle just shows the drummer
performing the song.
-Same costume as before
-Natural lighting

Frame
durati
on
Less
than a
second

Shot
No.

Type of shot,
movement and
angle.
-Close up of the
singers feet
-No movement
-high angle

24

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
- A lie is a lie
-The singer is shown tapping and moving
his feet whilst singing the lyrics.
-Same costume, Converse as shoes.
-Natural lighting

Frame
durati
on
Less
than a
second

Editing notes
Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.
-Long shot of the
band performing,
similar to shot 22
-Shaky movement
- straight angle

25

Editing notes

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-With crossed hearts and hopes to die
-The shot shows all of the band members
performing the song.
-Same clothing as before
-Natural lighting
-Filmed in slow motion but then sped up in
editing to move to a close up of the singers
face

Frame
durati
on
4
second
s

Cut from previous shot, cut to next


Shot
No.

Type of shot,
movement and
angle.

26

-close up of the
bassists face singing
the lyric
-No movement
-low angle, over the
shoulder

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Woah!
- This shot shows the bassists singing the
backing track
-Same clothing as before
-Natural lighting

Frame
durati
on
Less
than a
second

Editing notes
Cut from previous shot, cut to the next
Shot
No.

Type of shot,
movement and
angle.
-Close up of the
drummer singing the
lyric
-No movement
-low angle, above
the drums

27

Editing notes
Cut from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Woah!
- This shot shows the drummer performing
the backing singing
-Same clothing as before
-natural lighting

Frame
durati
on
Less
than a
second

Shot
No.

Type of shot,
movement and
angle.
-Close up of the
guitarist singing the
lyric
-No movement
-Straight angle

28

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Woah!
- This shot shows the guitarist performing
the backing singing
-Same clothing as before
-natural lighting

Frame
durati
on
Less
than a
second

Editing notes
Cut from previous shot, cut to the next
Shot
No.

Type of shot,
movement and
angle.
-Long shot of the
band
-No movement
- straight angle

29

Editing notes

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-You can find me underground
- We see the band members performing in
the long shot
-Same costumes as before
-Natural lighting

Frame
durati
on
1
second

Cut from previous shot, cut to the next

Shot
No.

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Frame
durati
on

-You can find me underground


-Mid shot on the
bassist
-No movement
-slight low angle on
him

30

-same costumes as before


-natural lighting

1
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

31

Type of shot,
movement and
angle.
-Mid shot on
guitarist
-no movement
-Straight angle

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Where I cant hear a sound
-natural lighting

Frame
durati
on
Less
than a
second

Editing notes
Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.
-mid shot of the
drummer
-No movement
-Straight angle

32

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Where I cant hear a sound
-Using a match-on-action, we see the
drummer continue stop playing the drums,
he throws his sticks behind him
-same costumes as before
-natural lighting

Frame
durati
on
Less
than a
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

33

Type of shot,
movement and
angle.
-Close up on the
singers face
-no movement
-Straight angle

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-The ending of the line Where I cant hear
a sound
- the close up just shows the singer singing
the song
-Same costume as before. At the end of the
line, he drops the microphone
-natural lighting

Frame
durati
on
1
second

Editing notes
Cut from previous shot, wipe to next

Shot
No.

Type of shot,
movement and
angle.
-Long shot of the
room they are
performing
-No movement
-High angle

34

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-I watched you get down on your knees
-We see all of the band leave where they
have been standing and run outside of the
room.
-Same costumes as before
-natural lighting, however, extra lighting
might be needed to brighten up the area
near the camera.

Frame
durati
on
2
second
s

Editing notes
Cut from previous shot, cut to next
Shot
No.

35

Type of shot,
movement and
angle.
-Long shot of the
landing
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-I watched you get down on your knees
-The singer slides across the landing on
either a skateboard in his socks with his
arms in the air

Frame
durati
on
2
second
s

-Straight angle

-Same clothing as before, without shoes


-Natural lighting

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Editing notes
Cut from previous shot, cut to next

Shot
No.

-mid shot from


inside the fridge
-No movement
-Straight angle

36

-In hopes that I would turn around


-The mid shot shows the fridge being
opened by the bassist, the camera is
positioned inside the fridge
-Same costume as before
-natural lighting

Frame
durati
on

2
second
s

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.
-Mid shot, outside of

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-In hopes that I would turn around
-The mid shot shows the guitarist take the

Frame
durati
on
2

37

the fridge
-No movement
-Low angle so we
see them from
above.

milk out of the fridge and swig it from the


bottle
-Same costumes as before
-Natural lighting

second
s

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Frame
durati
on

Editing notes
Cut from previous shot, cut to next

Shot
No.

38

-Long shot
-Straight angle
-shaky/handheld
camera

-So now youll find me underground


-In the bedroom, the singer is on the bed
singing, the drummer is in front of the bed,
the guitarist is on the right and the bassist
is on the left
-Same costumes as before
-Natural lighting

1
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.
-Close up

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-So now youll find me underground
-In the same position as shot 38, but it is a

Frame
durati
on
Less

-Straight angle
-No movement

close up on the bassists fingers playing the


song
-Same costumes as before
-Natural lighting

than a
second

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Frame
durati
on

39

Editing notes
Cut from previous shot, cut to next

Shot
No.

-Over the shoulder


shot
-High angle
-No movement

40

-So now youll find me underground


-In the same position as shot 39 but its an
over the shoulder shot of the drummer
playing the song
-Same costumes as before
-Natural lighting

Less
than a
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Frame
durati
on

-Mid shot
-Straight angle
-Tilt down
41

-Where I cant hear a sound


-In the same position as shot 40 but it is a
mid-shot of the guitarist playing the song
that will tilt down, his head is down
-Same costumes as before
-natural lighting

1
second

Editing notes
Cut from previous shot, cut to next

Shot
No.

42

Type of shot,
movement and
angle.
-Long shot
-Straight angle
-Fast dolly right at

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Where I cant hear a sound
-This shot is almost identical to shot 38, the
band are all in the same place.
-At the end of the shot, the camera will pan

Frame
durati
on
2
second
s

the end of the shot

to the right quickly


-Same costume as before
-Natural lighting

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Editing notes
Cut from previous shot, wipe to the next
Shot
No.

-Mid shot
-Straight angle
-No movement

43

-I tried hard to erase it


-This mid shot shows the mother sitting in
the park; she is sitting on a picnic blanket
with a basket. She is laughing something
of screen
-The costume of the mother is a dress,
sunglasses and a sun hat. She is sitting on
a picnic blanket of some sort.
-Natural lighting but we need a sunny day.

Frame
durati
on
1
second

Editing notes
Wipe from previous shot, cut to the next

Shot
No.

Type of shot,
movement and
angle.
-Long shot
-Straight angle

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-I tried not to use it cause I can
-The long shot shows the father and the son
playing some form of crochet

Frame
durati
on
2
second

44

-Handheld camera

-The costume of both the father and the


son is casual smart, something they would
wear to the park
-natural lighting

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Frame
durati
on

Editing notes
Cut from previous shot, wipe to the next
Shot
No.

-Establishing shot
-Straight angle
-no movement
45

-I tried not to use it cause I can


-The establishing shot shows the family and
their surroundings at the park. You can see
the trees, the rest of the park and the
whole family
-Same costumes as before
-natural lighting

2
Secon
ds

Editing notes
Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Frame
durati
on

-Mid shot
-Straight angle
-No movement

46

-And dont tell me what a race is


-The mid shot is almost the same as shot 43 but the
mother is more on the left of the screen. In the
distance there is a tree that all the band members
are behind.
- As the mom laughs again, a focus pull occurs and
the tree comes into focus as the first band member
pokes their head around the tree.
-The band are wearing the same clothing as they are
in the house and the family are wearing the same
clothes as before
-natural lighting

3
second
s

Editing notes
Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.
-Mid shot
-Straight angle
-No movement

47

Editing notes
Cut from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-And dont tell me what a race is
however, this line might creep into Cause I
can get fucked up more than a little bit
-The mid shot is the tree with the first band
member already poking their head around.
The other members then also come around;
they are standing two at each side. They
are watching the family
-They are wearing the same clothes as they
are in the house

Frame
durati
on
2
second

Shot
No.

Type of shot,
movement and
angle.
-Close up
-Straight angle
-No movement

48

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Cause I can get fucked up more than a
little bit
-The close up shows the singers face, he
simply raises his eyebrow
-Same costume as before
-Natural lighting

Frame
durati
on
1
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

49

-Close up
-High angle
-No movement

Editing notes
Cut from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Cause I can get fucked up more than a
little bit
-There is a shot of a pebble on the floor that
the lead singer kneels down to pick it up
-Same costume as before (Jeans and
converse)
-Natural lighting

Frame
durati
on
1
second

Shot
No.

Type of shot,
movement and
angle.
-Over the shoulder
shot
-Straight angle
-No movement

50

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Cause I can get fucked up more than a
little bit
-The lead singer throws the pebble at the
family in the distance
-Same costume as before
-Natural lighting

Frame
durati
on
1
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.
-Mid shot
-straight angle
-pan left

51

Editing notes

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
Its coming to this
-The pebble lands in a jug of juice by the
mother, it plashes everywhere and she is
startled the shot is similar to 46. She picks
up the pebble and throws it to the left
-As she throws the ball to the left, the
camera also pans left to follow the ball.
-Same costumes as before
-Natural lighting

Frame
durati
on
1
second

Cut from previous shot, wipe to next

Shot
No.

Type of shot,
movement and
angle.
-Mid shot
-Straight angle
-Fast pan left

52

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-its coming to this
-The pebble that was thrown by the mother
is caught by the lead singer who is back in
the house.
-A shallow focus shows the ban playing
their instruments in the background.
-Same clothes as before
-maybe some added extra lights on the
background band.

Frame
durati
on
1
second

Editing notes
Cut from previous shot, wipe to next
Shot
No.

53

Type of shot,
movement and
angle.
-Long shot
-Straight angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-We pay to watch it wasted
-The band are standing out on the drive
performing the song
-Same clothes as before
-Natural lighting, but we need it to be light

Frame
durati
on
2
second

Editing notes
Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.
-Long shot
-Low angle
-360 rotation

54

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Theyre just a face all covered with a rag
-The band are still performing on the drive,
with the camera rotating all around them.
-Same costumes as before
-A quarter the way through the rotation the
screen flashes and it goes to shot 55

Frame
durati
on
2
second
s

Editing notes
Cut from previous shot, cut to next
Shot
No.

55

Type of shot,
movement and
angle.
-Long shot
-Low angle
-360 rotation

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Theyre just a face all covered with a rag
-The band is in the same positions as they
were on the driveway but, they are instead
in the living room. They are performing the
exact same
-The same costumes as before

Frame
durati
on
2
second
s

-A quarter of the way through, the screen


flashes and it goes to shot 56

Editing notes
Cut from previous shot, cut to next
Have to make sure that the two shot line up so
it looks smooth

Shot
No.

Type of shot,
movement and
angle.
-Long shot
-Low angle
-360 rotation

56

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-And they might keep running but the
slower they move
-The band is in the same positions as they
were on the living room but, they are
instead in the bedroom. They are
performing the exact same
-The same costumes as before

Frame
durati
on
3
second
s

Editing notes
Cut from previous shot, cut to next
Have to make sure that the two shot line up so
it looks smooth
Shot
No.

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-And those moves in time with their

Frame
durati
on

-Close up
-Straight angle
-no movement

-Close up on the guitarists fingers playing


the song
-Same costumes as before, still in the
bedroom
-Natural lighting

1
second

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Frame
durati
on

57

Editing notes
Cut from previous shot, cut to next

Shot
No.

-Close up
-Low angle
-No movement

58

-And those moves in time with their...


-A low angle shot from the bassists feet as
he plays the songs
-Same costumes as before
-natural lighting

1
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-And those moves in time with their...

Frame
durati
on

-Close up
-Straight angle
-No movement

-close up on the drums being hit in time


with the song
-Same costumes as before
-natural lighting

1
second

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Frame
durati
on

59

Editing notes
Cut from previous shot, cut to next

Shot
No.

-Close up
-Canted angle
-Jumpy Zoom

60

-Per-fect Place-ment
-On each of the diferent syllables, the
camera jumps closer to the singer
screaming the lyric into the camera
-Same clothing as before
-natural lighting

3
second
s

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Frame
durati
on

-Long shot
-Straight angle
-No movement

61

-A lies a lie
-We can see the guitarists whole body as
he mimes the line. He is holding the toilet
paper in one hand and the mic in the other
-After singing the line, he throws the toilet
paper to the right of the screen.
-Same clothes as before

2
second
s

Editing notes
Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.

62

-Long shot
-Straight angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-With crossed hearts and hopes to die
-We see the guitarists whole body and he
plays the song. The toilet paper comes in
from the right and the guitarist uses his
guitar as a baseball bat and hits it to the
left.
-same clothes as before

Frame
durati
on
2
second
s

Editing notes
Cut from previous shot, cut to next
Shot

Type of shot,

Dialogue. Sound. Setting. Colour.

Frame

No.

movement and
angle.

63

-Long shot
-Straight angle
-No movement

Lighting. Mise-en-scene.
-You can find me underground
-We see the bassists whole body and he
plays the song. The toilet paper comes in
from the right and the bassist uses his
guitar as a baseball bat and hits it to the
left.
-same clothes as before

durati
on
2
second
s

Editing notes
Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.
-Mid shot
-Straight angle
-No movement

64

Editing notes

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Where I cant hear a sound
-The drummer is seen casually making a
cup of tea amongst the chaos, shown from
the side on as he pours the kettle
-Same clothing as before

Frame
durati
on
2
second
s

Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.

65

-Close up
-Low angle
-no movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Where I cant hear a sound
-The camera goes in front of the drummer
making the tea as the toilet paper comes in
and hits the drummer on the side of the
head.
-Same costumes as before

Frame
durati
on
1
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

66

-Long shot
-Straight angle
-Slow pan right

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-I watched you get down on your knees
-The camera slowly pans right and we see
the rest of the band under the archway,
they all cheer for hitting the drummer.
-Same costumes as before.

Frame
durati
on
2
second
s

Editing notes

Shot
No.

67

Type of shot,
movement and
angle.
-Close up
-High angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-I watched you get down on your knees
-We see the TP on the floor and the
drummer quickly picks it up

Frame
durati
on
Less
than a
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

68

-Mid shot
-Straight angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-In hopes that I would turn around
-The drummer rips the toilet paper and
throws it back at the band, making it leave
some of the paper in its trail.
-Same costumes before.

Frame
durati
on
2
second
s

Editing notes
Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.
-Mid shot

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-So now youll find me underground
-The mid shot shows the bassist playing

Frame
durati
on
Less

69

-High angle
-handheld camera

the song
-Same costume as before
-Performing in the living room

than a
second

Shot
No.

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Frame
durati
on

70

-Close up
-Straight angle
-No movement

-So now youll find me underground


-The close up shows the guitarist playing
the song but the shot is the strings at the
base of the guitar
-Same costumes as before

Less
than a
second

Type of shot,

Dialogue. Sound. Setting. Colour.

Frame

Editing notes
Cut from previous shot, cut to next

Editing notes
Cut from previous shot, cut to next

Shot

No.

movement and
angle.
-Close up
-Straight angle
-No movement

71

Lighting. Mise-en-scene.
-So now youll find me underground
-The close up shows the drummer pressing
his foot on the bass drum
-Same costume as before

durati
on
Less
than a
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

72

-Mid shot
-Straight angle
-No movement

Editing notes
Cut from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Where I cant hear a sound
-The mid shot shows the lead singer
perform this line in between the band
playing
-Still in the living room
-Same costumes as before

Frame
durati
on
3
second
s

Shot
No.

Type of shot,
movement and
angle.
-Close up
-low angle
-No movement

73

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Where I cant hear a sound
-The close up shows the bassist miming
the line while playing the song
-Same costume
-Still in the living room

Frame
durati
on
3
second
s

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

74

-Mid shot
-Straight angle
-No movement

Editing notes
Cut from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Where I cant hear a sound
-The close up shows the lead singers face
miming the line while he stands on the bed
-His costume is the same as before
-The band are no longer around him

Frame
durati
on
1
second

Shot
No.

Type of shot,
movement and
angle.
-Long shot
-Straight angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Where I cant hear a sound
-The camera is positioned from the side
and we see the singer drop backwards
onto the bed in slow motion

Frame
durati
on
2
second

75

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

76

-Close up
-Canted angle
-No movement

Editing notes
Cut from previous shot, fade to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Instrument bridge
-This shot shows a roll of toilet paper being
thrown through the air in slow motion

Frame
durati
on
3
second
s

Shot
No.

Type of shot,
movement and
angle.
-Close up
-Straight angle
-Track right

77

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Instrumental Bridge
-The close up shows silly string being fired
from somewhere of screen. The camera
tracks right to show that it is coming from
a can.
-Slow motion

Frame
durati
on
3
second
s

Editing notes
fade from previous shot, fade to next
Shot
No.

Type of shot,
movement and
angle.

78

-Long shot
-Straight angle
-No movement

Editing notes
fade from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Instrumental Bridge
-The screen cuts back to a shot similar to
shot 75, but the singer is halfway through
the air.
-Slow motion

Frame
durati
on
3
second
s

Shot
No.

Type of shot,
movement and
angle.
-Mid shot
-Straight angle
-No movement

79

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Instrumental bridge
-The mid shot cuts back to the family at
the park, the mom signals back to the
family as if to call them to the car to leave.
-Same costumes that they were wearing
before

Frame
durati
on
2
second
s

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

80
-Close up
-Canted angle
-No movement

Editing notes
Cut from previous shot, fade to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Instrumental bridge
-The close up shows the family getting into
the car. The close up focuses on the car
door shutting, you can see the family
inside it.

Frame
durati
on
4
second
s

Shot
No.

Type of shot,
movement and
angle.
-Mid shot
-Straight angle
-Slow pan right

81

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-What can I say?
-The band is laying top and tail on a bed,
all four members. The camera is above
them and it tracks right as we see the
singer mime the lyric
-The other band members all have toilet
paper and silly string covering them.

Frame
durati
on
2
second
s

Editing notes
Fade from previous shot, cut to next shot
Shot
No.

Type of shot,
movement and
angle.

82

-Long shot
-Straight angle
-No movement

Editing notes
Cut from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-I would have gone another way
-The lead singer is shown sitting on the
couch, singing the lyrics while the band
cause chaos behind them
-This will be in slow motion
-Living room

Frame
durati
on
2
second
s

Shot
No.

Type of shot,
movement and
angle.

83

-mid shot
-straight angle
-Slow pan right

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Cause that isnt me
-The screen cuts back to the shot of shot
81 and the singer continue to sing the line.
-The pan doesnt restart, it simply
continues

Frame
durati
on
1
second

Editing notes
Cut from previous shot, fade to next

Shot
No.

84

Type of shot,
movement and
angle.
-Long shot
-Straight angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-I was born to fade away
-We see the singer falling backwards onto
the bed again, in slow motion, getting
closer to the bed.

Frame
durati
on
2
second
s

Editing notes
fade from previous shot, fade to next

Shot
No.

Type of shot,
movement and
angle.

85

-Over the shoulder


shot/next to the arm
-Canted angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Its nothing you did
-The shot shows the drummer and the
guitarist firing the silly string at each other
in slow motion
-Same costumes as before
-Living room

Frame
durati
on
2
second
s

Editing notes
fade from previous shot, fade to next
Shot
No.

86

Type of shot,
movement and
angle.
-Over the shoulder
shot/ Next to the
arm
-canted angle

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
- Just felt something as a kid
-This shot shows the opposite to shot 85,
they are still firing the silly string but it is
from the perspective of the guitarist this
time

Frame
durati
on
3
second
s

-Slow pan left

-Same costume as before


-Living room

Shot
No.

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

87

-Long shot
-straight angle
-no movement

Editing notes
fade from previous shot, fade to next

-And now I cant feel


-The shot cuts back to the same shot as
82. The singer mimes the line and the
chaos keeps going on the background
-living room.

Frame
durati
on
2
second
s

Editing notes
Fade from previous shot, fade to next
Shot
No.

88

Type of shot,
movement and
angle.
-Mid shot

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-I cant feel anything at all
-Same shot as 81, the pan right continues

Frame
durati
on
2

-straight angle
-Slow pan right

and the singer mimes the lyric.


-In this shot, you see the lead singer look
confused as he begins to sit up
-bedroom

second
s

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Frame
durati
on

Editing notes
fade from previous shot, fa to next

Shot
No.

89

-Long shot
-Straight angle
-No movement

-Its nothing at all


-The camera sits side on to the bed. We
see the singer sit up completely and look
to the side of the bed.

2
second
s

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Frame
durati
on

90

-Mid shot
-Straight angle
-Track forwards

-I feel nothing at all


-The camera is down by the singers leg
and it follows him through the hallway as
he walks towards the door, in slow motion
-Hallway
-Same costume

2
second
s

Editing notes
Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.

91

-Close up
-Straight angle
-No movement

Editing notes
Cut from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-nothing at all
-The close up shows the singer reaching
for the door handle and turning it
-Same costume
-hallway

Frame
durati
on

Less
than a
second

Shot
No.

Type of shot,
movement and
angle.

92

-Mid shot
-Straight angle
-no movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Nothing at all
-The singer opens the door and we see the
family looking horrified standing at the
door.
-Same costumes
-Outside but the camera is positioned
inside the house.

Frame
durati
on
2
second
s

Editing notes
Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.

93

-Close up
-Straight angle
-No movement

Editing notes

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Nothing at all
-The close up shows the dads horrified
face, mirroring the shots with the portrait
(shot 9-11)
-Same costumes as before

Frame
durati
on
1
second

Cut from previous shot, cut to next


Cuts with the beat
Shot
No.

Type of shot,
movement and
angle.

94

-Close up
-Straight angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Instrumental
-The close up shows the horrified mom
face, mirroring the shots with the portrait
-Same costumes as before

Frame
durati
on
1
second

Editing notes
Cut from previous shot, cut to next
Cuts with the beat

Shot
No.

95

Type of shot,
movement and
angle.
-Close up
-straight angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Instrumental
-The close up shows the sons face, unlike
his parents he is smiling and laughing
-Same clothes as before

Frame
durati
on
1
second

Editing notes
Cut from previous shot, cut to next
Cut with the beat
Shot
No.

Type of shot,
movement and
angle.

96

-Close up
-Straight angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Instrumental
-The close up shows the daughters face,
much like her brother, she is also smiling
and laughing
-Same clothes

Frame
durati
on
1
second

Editing notes
Cut from previous shot, cut to next
Cut with the beat

Shot
No.

97

Type of shot,
movement and
angle.
-Mid shot
-straight angle

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Instrumental
-The mid shot shows a shot of the singer
standing at the door (The camera will be

Frame
durati
on
1
second

-No movement

positioned outside, looking in), he


scratches the back of his head and smiles.
-in the background we see all of the toilet
paper hanging on the painting.
-same clothes

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Editing notes
-cut from previous shot, cut to next
-Cut with beat
Shot
No.

98

-Close up
-Straight angle
-No movement

-Instrumental drop
-The close up shows someone pushing the
button down on an air horn. The shot is
simply a hand holding the horn in the air
and it being set of

Frame
durati
on
1 or 2
second
s

Editing notes
Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.

Frame
durati
on

99

-Long shot
-canted angle
-handheld camera
(shaky)

-A lies a lie
-The long shot shows the band performing
again
-Same clothes
-Garage

2
second
s

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

100

-Long shot
-low angle
-Track left,

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-With crossed hearts and hopes to die
- The track shows the family walking
through the. Now destroyed, house. We
see the horror on the parents faces.
-Same clothes as before
-Hallway

Frame
durati
on
3
second
s

Editing notes
Cut from previous shot, cut to next

Shot

Type of shot,

Dialogue. Sound. Setting. Colour.

Frame

No.

movement and
angle.

101

-Mid shot
-Straight angle
-No movement

Lighting. Mise-en-scene.
-You can find me underground
-The mid shot shows the lead singer
standing by the door to the living room, he
ushers the family into the living room
-Same clothes as before
-hallway

durati
on
2
second
s

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

102

-Close up
-Straight angle
-handheld camera,
shaky
Editing notes
Cut from previous shot

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Where I cant hear a sound
-The close up shows the lead singer singing
into the camera
-Same clothes as before
-Garage

Frame
durati
on
2
second
s

Shot
No.

Type of shot,
movement and
angle.

103

-Mid shot
-Straight angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-I watched you get down on your knees
-The camera is positioned on the other side
of the living room door. It shows it opening
and the mother coming through
-Same clothing as before

Frame
durati
on
2
second
s

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

104

-Establishing shot
-Straight angle
-Slow pan right

Editing notes
Cut from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-I watched you get down on your knees
-The establishing shot shows the front
room, covered in toilet paper; the
instruments are also in the front.
-Same clothes as before

Frame
durati
on
1
second

Shot
No.

Type of shot,
movement and
angle.

105

-Close up
-Straight angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-In hopes that I would turn around
-The close up shows the mom screaming,
just her face, at the sight of the room
-Same costume as before

Frame
durati
on
1
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

106

-Mid shot
-Straight angle
-Handheld camera,
shaky
Editing notes
Cut from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-In hopes that I would turn around
-The mid shot shows the guitarist playing
the song In the garage
-Same clothes as before

Frame
durati
on
2
second
s

Shot
No.

Type of shot,
movement and
angle.

107

-Mid shot
-Straight angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-So now youll find me underground
-The band are all standing in a line in the
front room, they all look pleased with
themselves and high five each other,
suddenly silly string hits them
-Same clothes as before

Frame
durati
on
3
second
s

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

108

-Mid shot
-Low angle
-No movement

Editing notes
Cut from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Where I cant hear a sound
-The mid shot shows the son and daughter
firing silly string at the band from the other
side of the living room.
-Relaxed smart clothes

Frame
durati
on
2
second
s

Shot
No.

Type of shot,
movement and
angle.

109

-Close up
-Straight angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Where I cant hear a sound
-The close up shows the lead singer wiping
the silly string of his face. He looks at the
camera and shrugs.
-Same clothes as before

Frame
durati
on
2
second
s

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

110

-Mid shot
-Straight angle
-No movement

Editing notes
Cut from previous shot, cut to next

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Instrumental
-The mid shot shows the rest of the band
who pull up toilet paper and silly string like
weapons
-Same clothes as before

Frame
durati
on
2
second
s

Shot
No.

Type of shot,
movement and
angle.

111

-Close up
-Straight angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-

Scream
The close up shows the singers face
as he screams into the camera
Same clothes as before

Frame
durati
on
1
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

Type of shot,
movement and
angle.

112

--Long shot
-Straight angle
-No movement

Editing notes

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-

Instrumental
The long shot shows the band on
one side of the screen and the kids
on the other side, they start to
throw things at each other

Frame
durati
on
2
second
s

Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.

113

-Close up
-Straight angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Instrumental
-The close up shows the sons hand
throwing toilet paper through the air
-Same costume as before

Frame
durati
on
1
second

Editing notes
Cut from previous shot, cut to next
Shot
No.

114

Type of shot,
movement and
angle.
-Mid shot
-Straight angle
-No movement

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Instrumental
-The mid shot shows the daughter getting
silly string shot at her
-Same costume as before

Frame
durati
on
2
second
s

Editing notes
Cut from previous shot, cut to next

Shot
No.

Type of shot,
movement and
angle.

115

-Mid shot
-Straight angle
-handheld camera,
shaky

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Instrumental
-The shaky mid shot shots the band
performing in the living room. It mainly
focuses around the lead singer
-Same clothes as before

Frame
durati
on
3
second
s

Editing notes
Cut from previous shot, cut to next
Shot
No.

116

Type of shot,
movement and
angle.
-Mid shot
-Straight angle
-Camera falls over?

Dialogue. Sound. Setting. Colour.


Lighting. Mise-en-scene.
-Instrumental to the end of the song
-The mid shot shows the family lined up in
the dirty living room. They all have the silly
string and TP over them. The son and
daughter look happy while the mom and

Frame
durati
on
4
second
s

dad look unimpressed.


-After 3 seconds, the camera falls over
onto its side and cuts to black.
-Same clothes as before
Editing notes
Cut from previous shot, fade to black

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