Beruflich Dokumente
Kultur Dokumente
Powerpod 620
Powerpod 740
Powerpod 780
Powerpod 1062
Powerpod 1082
POWERED MIXERS
mezcladoras AMPLIFICADAS
Users Manual
Manual del Usuario
Powerpod 620
Powerpod 740
Powerpod 780
Powerpod 1062
Powerpod 1082
POWERED MIXERS
mezcladoras AMPLIFICADAS
CONTENTS
CONTENIDO
INTRODUCTION........................4
INTRODUCCION..............................14
................................24
FEATURES.................................4
CARACTERISTICAS........................14
................................24
BASIC SETUP............................5
CONFIGURACION BASICA.............15
........................25
MAKING CONNECTIONS..........5
HACIENDO CONEXIONES..............15
........................25
CONTROLES Y SETEOS.........................18
.....................26
SPECIFICATIONS....................11
ESPECIFICACIONES......................21
................................30
.....................32
APPLICATIONS........................33
APLICACIONES...............................33
................................33
DIMENSIONS...........................38
DIMENSIONES................................38
................................38
BLOCK DIAGRAMS.................39
DIAGRAMAS DE BLOQUE..............39
............................39
Phonic preserves the right to improve or alter any information within this document without prior notice
Phonic se reserva el derecho de mejorar o alterar cualquier informacin provista dentro de este documento sin previo aviso
PHONIC
V1.2 1/28/2010
CAUTION
by the
INTRODUCTION
FEATURES
2 built-in limiters
2-band channel EQ
1 Aux input
2 built-in limiters
3-band channel EQ
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
BASIC SETUP
MAKING CONNECTIONS
Getting Started
Channel Inputs
1. Turn all power off on the Powerpod Mixer. To ensure this, the
AC cable should not be connected to the unit.
The Powerpod 620, 740, 1062 and 1082 Plus Mixers supply
various numbers input channels. The 620 Plus features a total
of 6 channels, 2 of which accept stereo signals. The 740 and 780
Plus, on the other hand, features a total of 7 input channels, 3 of
which accept stereo signals. The Powerpod 1062 and 1082 Plus
both feature a total on 10 input channels, including 3 that feature
stereo inputs. Each channel features a microphone XLR jack
and at least one 1/4 Phone Jack for balanced and unbalanced
connections. Each stereo channel features different inputs jacks,
accepting either microphone inputs or stereo line inputs.
2. All faders and level controls should be set at the lowest level
to ensure no sound is inadvertently sent through the outputs
when the device is switched on. All levels should be altered to
acceptable degrees after the device is turned on.
3. Plug all necessary instruments and equipment into the device's
various inputs as required. This may include line signal devices,
as well as microphones and/or guitars, keyboards, etc.
4. Plug any necessary equipment into the device's various outputs.
This could include speakers, monitors, signal processors, and/
or recording devices.
NB. No devices other than speakers should be connected to the power amp
outputs. Plugging inappropriate devices into the mixer will likely cause
damage to the device. Also, guitar cables should not be used to connect
amplifiers to speakers.
5. Plug the supplied AC cable into the AC inlet on the back of the
device, ensuring local voltage level is identical to that selected
by the Voltage Selector on the rear of your device.
6. Plug the supplied AC cable into a power outlet of a suitable
voltage.
7. Turn the power switch on.
Channel Setup
1. To ensure the correct audio levels of each input channel is
selected, every channel faders should first be set to 0.
2. Choose the channel that you wish to set the level of, and ensure
that channel has a signal sent to it similar to the signal that will
be sent when in common use. For example, if the channel is
using a microphone, then you should speak or sing at the same
level the performer normally would during a performance. If a
guitar is plugged into that channel, then the guitar should also
be used as it normally would be.
NB. It is probably best to have nothing plugged into channels which are
not being set, just to ensure no signal is inadvertently sent through the
channel.
3. This channel is now ready to be used; you can stop making the
audio signal.
4. You should now select the next channel to set and go back to
follow steps 1 through 3.
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
Master Section
4. Tape In (L and R)
The first of these inputs accommodates RCA cables from such
devices as tape and CD players. In addition to these inputs,
however, Phonic has incorporated a mini stereo jack for the
inclusion of such devices as mini disc (MD), portable CD, and MP3
players (such as the Apple iPod), as well as laptop computers. The
line from this feed is directed to the Tape In mixing bus, before
being fed through to the Main L/R mixing bus.
5. Record Outputs (L and R)
As with the Tape In ports, these outputs will accommodate RCA
cables, able to be fed to a variety of recording devices. Also, similar
to the Tape In ports, included are mini stereo jacks for the addition
of recording devices such as MD players and laptop computers.
A trim control is featured on these outputs to accommodate for
devices with different recording levels.
6. AUX Inputs
These TS inputs (which are mono inputs on the Powerpods 620,
740 and 780 Plus; stereo on the Powerpod 1062 Plus and 1082
Plus) connect the mixer with parallel external devices, such as
sub mixers or external effect processors, receiving the processed
signal from another source and feeding it to the AUX mixing buses.
The stereo AUX inputs (featured on the Powerpod 1062 and 1082
Plus only) can be used as monaural inputs by simply plugging the
devices 1/4" phone jack into the left (mono) stereo input and leave
the right input bare. Your good friend, Jack Normalizing, will take
care of the rest.
10
9
11. Power Amp Inputs (Powerpod 1062 and 1082 Plus Only)
These inputs support 1/4" TS plugs and can be used for the
inclusion of an external line level stereo signals to the built-in
power amplifier. If a device is connected to the power amp inputs,
the main feed will automatically bypass the power amp and the
inserted feed will be amplified and sent to the Speaker Outputs
instead.
11
8
7
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
Rear Panel
12. Speaker Outputs
These jacks are used to connect to speakers, fed from the internal
power amp. On all models, they consist of 1/4" Phone Jacks. The
Amp Select switch determines the operation of these jacks. If the
Amp Select switch is set to "Main L-R (Stereo)" or "Main / Moni"
- or "Main 1 / Main 2" on the Powerpods 620, 740 and 780 Plus - a
single speaker with a 4 to 8 ohm load can be connected to jack A
on both the left and right - or Main 1 and Main 2 - Speaker Outputs.
You can also connect two speakers with impedances between 8
and 16 ohms to both jacks A and B of the left and right (Main 1/
2) Speaker Outputs. When using Bridge Mono mode, use the
Speaker Output labeled "(L+R) Bridge" only to connect a Speaker
with a loading between 8 and 16 ohms. Refer to the Speaker
set up chart to the right for a more detailed indication of how to
connect speakers.
SPE A K ER SETUP
Not used
NB. Due to the fact that the signal has been processed by the power amp,
these ports should be used in conjunction with passive speakers only to
Not used
12
Please note that the Bridge Mono function is only available on the
Powerpod 620 Plus and Powerpod 740 Plus, and is not available
on the Powerpod 780 Plus, Powerpod 1062 Plus and Powerpod
1082 Plus. With this in mind, we ask customers that own these
models to ignore the Bridge connection found in the following
speaker setup diagrams.
Not used
Not used
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
15
13
16
14
17
18
Channel Controls
19
20
21
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
23
24
22
Master Section
25. EFX To Monitor Control
This controls the level of the processed signal from the built-in
effect processor, that is sent to the Monitor mixing bus.
26. EFX To Main Control
This controls the level of the processed signal from the built-in
effect processor, that is sent to the Main L/R mixing bus.
32
29
30
26
POWERPOD 620
28
/ 740
28. Tape In
The Powerpod 620 Plus features a single Tape in control (located
below the equalizer) that adjusts the final level of the AUX in input
that is sent to the Main mixing bus. The Powerpods 740, 1062 and
1082 Plus, on the other hand, feature 2 Tape in controls. One that
adjusts the final level that is sent to the Monitor mixing bus (the
upper control), another that controls the final level that is sent to
the Main mixing bus (the lower control).
29. Graphic Equalizers
These graphic equalizer allows you to adjust the frequency
response of a signal, with a maximum of 12 dB of signal boost or
cut for each of the frequencies. The Powepods 740, 780, 1062
and 1082 Plus all feature dual Graphic Equalizers, with the 1062
and 1082 Plus featuring two 10-band equalizers and the 740 and
780 featuring two 7-band equalizers. The Powerpod 620 Plus
features a single stereo 7-band equalizer for both the Main and
Monitor signals. The uppermost equalizer is for alteration of the
Monitor signal (when the EQ switch is in the appropriate position it
becomes the Main Left EQ - on the Powerpod 1062 and 1082 Plus
- and the Main 2 EQ - on the Powerpod 740 Plus), where the lower
equalizer is for the Main L-R signal (or the Main Right signal on
Powerpod 1062 and 1082 Plus, Main 2 on Powerpod 740 Plus).
30. EQ IN and Indicator
(Powerpods 740, 780, 1062 and 1082 Plus only)
This button activates the graphic equalizer in which it accompanies.
The corresponding LED indicator illuminates when the EQ is
activated.
31. Rumble Filter (Powerpod 1082 Plus only)
This button activates a rumble filter on channels
1 through 6 to help remove low frequency sounds
that could affect input signals.
25
27
/ 780
/ 1062
31
/ 1082
33
39
NB. When using a mono bridge connection, do not connect a speaker to any
of the Main/Monitor A or B jacks, located on the rear of the mixer. Use the
38
37
35
36
34
38. Limiters
(Powerpods 740, 780, 1062 and 1082 Plus only)
These LED indicators illuminate when the power amplifiers built-in
limiters are activated, which effectively reduce signal levels when
they reach high levels that could prove to damage sound quality.
39. Power Indicator
This LED indicator illuminates when power of your Powerpod
Mixer is activated.
10
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
Specifications
620 PLUS
740 PLUS
780 PLUS
1062 PLUS
1082 PLUS
2
Limiter
N/A
70
135
200
200
270
100
200
300
300
400
200
400
N/A
N/A
N/A
N/A
<-64dB
<-64dB
<-64dB
<-64dB
+1/-3dB
+0/-2dB
+0/-2dB
+0/-2dB
+0/-2dB
Noise: 20Hz to 20KHz bandwidth, IHF-A weighted, line inputs to main L/R outputs, all channels assigned, panned L/R
Master output, all fader down
<-78dBu
<-78dBu
<-78dBu
<-78dBu
<-78dBu
<-63dBu
<-63dBu
<-63dBu
<-63dBu
<-63dBu
@100 watts, 4
ohms <0.5%
@100 watts, 4
ohms <0.5%
@100 watts, 4
ohms <0.5%
@100 watts, 4
ohms <0.5%
<0.06%
<0.3%
<0.3%
<0.3%
<0.3%
RCA
RCA
RCA
RCA
RCA
1 x 1/4" TRS,
Unbal.
1 x 1/4" TRS,
Unbal.
N/A
N/A
N/A
2 x 1/4" TRS,
Unbal.
2 x 1/4" TRS,
Unbal.
Main Mono
1 x 1/4" TRS,
Unbal.
1 x 1/4" TRS,
Unbal.
N/A
N/A
Monitor Send
1 x 1/4" TRS,
Unbal.
1 x 1/4" TRS,
Unbal.
1 x 1/4" TRS,
Unbal.
1 x 1/4" TRS,
Unbal.
1 x 1/4" TRS,
Unbal.
1 x 1/4" TRS,
Unbal.
1 x 1/4" TRS,
Unbal.
1 x 1/4" TRS,
Unbal.
THD
Power output, 1KHz, 20Hz to
20KHz
Any output, 1KHz @ +14dBu,
20Hz to 20KHz, channel inputs
Inputs / Outputs
Lo-Z / Hi-Z Channels
Balanced Mic/ Stereo Line
Channels
2T Input
Aux Returns
Main L/R Stereo
N/A
N/A
N/A
TRS
TRS
Record Out
RCA
RCA
RCA
RCA
RCA
5 x 1/4" TRS
5 x 1/4" TRS
4 x 1/4" TRS
4 x 1/4" TRS
4 x 1/4" TRS
Speaker Outputs
Master Section
Monitor & AUX / EFX Send
Masters
Stereo Aux Returns
N/A
N/A
N/A
Yes
Yes
Yes
Yes
Yes
N/A
N/A
N/A
Yes
Yes
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
11
Faders
Phantom Power Supply
Built-in Digital Effect Processor
Foot Switch
Built-in Graphic EQ
CMRR (1 KHz @ -60dBu, Gain
at maximum)
Channel Equalization
Low EQ
Moni, Main
(Rotary)
+48VDC
+48VDC
+48VDC
+48VDC
+48VDC
16 programs, plus
one main parameter
control
16 programs,
plus one main
parameter control
16 programs,
plus one main
parameter control
16 programs,
plus one main
parameter control
16 programs,
plus one main
parameter control
Stereo 7-band
2 x 7-band
2 x 7-band
2 x 7-band
2 x 7-band
80dB
80dB
80dB
80dB
80dB
2-band, 15dB
3-band, 15dB
3-band, 15dB
3-band, 15dB
3-band, 15dB
80Hz
80Hz
80Hz
80Hz
80Hz
N/A
2.5KHz
2.5KHz
2.5KHz
2.5KHz
12KHz
12KHz
12KHz
12KHz
12KHz
Dimensions (WxHxD)
470x260x275 mm
(18.5x10.2x10.8)
475x280x280 mm
(18.7"x11"x11")
471x265x275 mm
(18.5"x10.4"x10.8")
480x325x280 mm
(18.9"x12.8"x11")
480x325x280 mm
(18.9"x12.8"x11")
12kg (26.4lbs)
15.5kg (34.1lbs)
13.5kg (29.7lbs)
21.5kg (47.4lbs)
22.5kg (49.6lbs)
Weight
12
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
INTRODUCCION
CARACTERSTICAS
EQ de canal de 2 bandas
Envos de monitor y efecto en cada canal de entrada
1 entrada Aux
2 limitadores integrados
EQ de canal de 3 bandas
14
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
CONFIGURACION BASICA
HACIENDO CONEXIONES
Iniciando
Entradas de Canal
Configuracin de Canal
1. Para asegurar que se seleccion el nivel de audio correcto
para cada canal de entrada, cada fader de canal deber setear
primero a la posicin 0.
2. Elija el canal que quiera ajustar, y asegrese de que cada canal
tenga seal de envo similar a la seal que ser enviada en uso
comn. Por ejemplo, si el canal tiene un micrfono conectado,
entonces hable o cante al micrfono al mismo nivel que el
cantante usara durante su presentacin. Si se conecta una
guitarra en ese canal, entonces la guitarra deber tocarse al
mismo nivel en que se tocara normalmente.
NOTA. Es mejor no tener nada conectado en los canales que no estn
siendo seteado, solo para asegurar que ninguna seal es enviada por error
al canal.
3. Este canal est ahora listo para usarse; ya puede dejar de hacer
la prueba de audio.
4. Ahora deber seleccionar el siguiente canal para ajustarlo y
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
15
Seccin Master
4. Entrada de Tape (L y R)
La primera de estas entradas acomoda cables RCA de aquellos
dispositivos como reproductores de CD y tape. Adems de estas
esntrada, Phonic ha incorporado un mini jack estreo para agregar
dispositivos como mini disc (MD), CD portable y reproductores
MP3 (tales como Apple iPod), as como computadoras porttiles.
La lnea de esta alimentacin es dirigida al bus de mezcla de
entrada de Tape, antes de ser alimentada al bus de mezcla Main
L/R.
5. Salidas de Grabacin (L y R)
As como en los puertos de entrada de Tape, estas salidas
acomodaran a los cables RCA, capaz de alimentar una variedad
de dispositivos de grabacin. Tambin, similar a los puertos de
Entrada Tape, incluidos son los mini jacks estreos para la adicin
de dispositivos de la grabacin tales como reproductores de MD
y computadoras porttiles. Incluyen un control de trim en estas
salidas para poder acomodar cualquier dispositivo con diferentes
niveles de grabacin.
6. Entradas AUX
Estas entradas TS (que son entradas mono en Powerpods 620, 740
y 780 Plus; estreo en Powerpod 1062 y 1082 Plus) conectan la
mezcladora con los dispositivos externos paralelos, tales como sub
mezcladoras o procesadores externos de efecto, recibiendo la seal
procesada de otra fuente y alimentndola a los buses de mezcla AUX.
Las entradas estreo AUX (presentes en la Powerpod 1062 y 1082
Plus solamente) pueden ser utilizadas como entradas monoaurales
simplemente echufando jack de audfono de 1/4 del dispositivo en
la entrada izquierda estreo (mono) y dejar la entrada derecha sin
conectar. Su buen amigo, Normalizacin de Jack, tomar cargo del
resto.
8
7
6
10
9
11. Entradas del Amplificador de Potencia (Solo en Powerpod
1062 y 1082 Plus)
Estas entradas soportan plug 1/4 TS y pueden ser utilizadas
para la inclusin de seales externas estreo de nivel de lnea
al amplificador de potencia integrado. Si un dispositivo est
conectado a las entradas del amplificador, la alimentacin principal
cancelar (bypass) automticamente al amplificador de potencia y
la alimentacin insertada ser amplificada y enviada a las Salidas
de Altavoz.
16
POWERPOD 620
11
/ 740
/ 780
/ 1062
/ 1082
Configuracin de Altavoz
Panel Trasero
12. Salidas de Altavoz
Estos jacks son utilizados para conectar los altavoces, se alimentan
del amplificador de potencia interno. Todos los modelos tienen
Jacks de Audfono 1/4. El selector de amplificacin determina la
operacin de estos jacks. Si el selector de amplificacin est en
Main L-R (Estreo) o Main / Mini - o Main 1 / Main 2 en las
Powerpods 620, 740 y 780 Plus - un solo altavoz con carga de
4 a 8 ohms puede ser conectado a jack A a ambas Salidas de
Altavoz izquierda y dereda - o Main 1 y Main 2-. Usted tambin
puede conectar dos altavoces con impedancia entre 8 y 16 ohms
a ambos jacks A y B de las Salidas de Altavoz izquierda y derecha
(Main 1/2). Cuando se utilice en modo Bridge Mono, utilice la Salida
de Altavoz etiquetada como (L+R) Bridge solo para conectar un
altavoz con una carga entre 8 y 16 ohms. Refirase a grfico de
configuracin de altavoces para ms indicacin detallada sobre
cmo conectar los altavoces.
Not used
Not used
12
Not used
Not used
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
17
CONTROLES Y SETEOS
Panel de Dorso
13. Botn de Energa y Conector de AC
El botn de energa, localizado en la parte posterior de la
mezcladora, es utilizado para activar la mezcladora. Por
supuesto no tiene caso activarlo si la unidad no est conectada
a la alimentacin, por lo tanto un conector de AC ha sido incluido
para asegurar que su mezcladora obtenga la energa que se
necesita. Por favor utilice nicamente el cable de AC incluido con
esta mezcladora.
NOTA. Antes de conectar el cable de AC a la Mezcladora Powerpod, por
favor asegrese de que el voltaje local es idntico al elegido por el Selector
de Voltaje.
15
16
13
17
14
18
19
Controles de Canal
15. Control HF (Frecuencias Altas)
20
21
18
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
32
23
24
22
Seccin Master
25. Control de EFX a Monitor
Controla el nivel de la seal procesada por el procesador de
efectos integrado, esta es enviada al bus de mezcla de monitor.
26. Control de EFX a Main
Controla el nivel de la seal procesada por el procesador de
efectos integrado, esta es enviada al bus de mezcla Main L/R.
27. Controles de Entrada AUX
Las Powerpods 620, 740 y 780 Plus presentan un control de entrada
AUX solo (localizado debajo de Ecualizador Principal) que ajusta el
nivel final de la entrada de AUX in que es enviada a bus de mezcla
principal. Las Powerpod 1062 y 1082 Plus, por otro lado, presentan
2 Controles de AUX in. Uno ajusta el nivel final que es enviado a bus
de mezcla Monitor (el control de arriba), el otro controla el nivel final
que es enviado a bus de mezcla Main L-R (el control de abajo).
28. Entrada de Tape
La Powerpod 620 Plus tiene un control simple de entrada de Tape
(localizado por debajo del ecualizador) que ajusta el nivel final de
la entrada AUX in que es enviada al bus de mezcla principal. Las
Powerpods 740, 1062 y 1082 Plus, por otro lado, tienen 2 controles
de entrada de Tape. Uno ajusta el nivel final que es enviado al bus
de mezcla de monitor (el control superior) y, el otro controla el nivel
final enviado al bus de mezcla principal (el control inferior).
POWERPOD 620
/ 740
/ 780
/ 1062
25
29
30
26
27
28
31
32. Selector de EQ
(Solo en Powerpod 740, 780, 1062
y 1082 Plus)
Este interruptor (presentado en Powerpods 740, 780, 1062 y 1082
Plus solamente) le permite seleccionar la manera en cmo utilizar
el par de ecualizadores en estos modelos. En las Powerpod 1062
y 1082 Plus, cuando el selector est en la posicin superior le
permitir utilizar el ecualizador superior para la seal de Monitor y,
el ecualizador inferior para la seal Main L/R; la posicin inferior
permite a los ecualizadores ser utilizados para las seales Main
Left y Right. En los modelos Powerpod 740 y 780 Plus, la posicin
superior es idntica a las 1062 y 1082; sin embargo, la posicin
inferior permite a los ecualizadores ser utilizados para las seales
Main 1 y 2 de la mezcladora.
/ 1082
19
33
39
38
37
35
36
34
20
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
ESPECIFICACIONES
620 PLUS
740 PLUS
780 PLUS
1062 PLUS
1082 PLUS
N/A
Nmero de Canales de
Energa
Limitador
8 ohms por Canal
70
135
200
200
270
100
200
300
300
400
200
400
N/A
N/A
N/A
Crosstalk (1KHz@0dBu, 20Hz a 20KHz ancho de banda, entrada de canal a salidas main L/R)
Canal mute, otros canales en
unidad
Respuesta en Frecuencia
en carga de impedancia
apropiada
N/A
<-64dB
<-64dB
<-64dB
<-64dB
+1/-3dB
+0/-2dB
+0/-2dB
+0/-2dB
+0/-2dB
Ruido: 20Hz a 20KHz ancho de banda, IHF-A ponderado, entradas de lnea a salidas main L/R, todos los canales asignados, paneados L/R
Salida master, todo fader bajo
<-78dBu
<-78dBu
<-78dBu
<-78dBu
<-78dBu
<-63dBu
<-63dBu
<-63dBu
<-63dBu
<-63dBu
@100 watts, 4
ohms <0.5%
@100 watts, 4
ohms <0.5%
@100 watts, 4
ohms <0.5%
@100 watts, 4
ohms <0.5%
<0.06%
<0.3%
<0.3%
<0.3%
<0.3%
RCA
RCA
RCA
RCA
RCA
1 x 1/4" TRS,
Desbal.
1 x 1/4" TRS,
Desbal.
1 x 1/4" TRS,
Desbal.
N/A
N/A
N/A
2 x 1/4" TRS,
Desbal.
2 x 1/4" TRS,
Desbal.
Main Mono
1 x 1/4" TRS,
Desbal.
1 x 1/4" TRS,
Desbal.
1 x 1/4" TRS,
Desbal.
N/A
N/A
Envo Monitor
1 x 1/4" TRS,
Desbal.
1 x 1/4" TRS,
Desbal.
1 x 1/4" TRS,
Desbal.
1 x 1/4" TRS,
Desbal.
1 x 1/4" TRS,
Desbal.
1 x 1/4" TRS,
Desbal.
1 x 1/4" TRS,
Desbal.
1 x 1/4" TRS,
Desbal.
1 x 1/4" TRS,
Desbal.
THD
Entradas / Salidas
Canales Lo-Z / Hi-Z
Canales de Mic Balanceado/
Lnea Estreo
Entrada 2T
Retornos Aux
Main L/R Estreo
N/A
N/A
N/A
TRS
TRS
Salida de Grabacin
RCA
RCA
RCA
RCA
RCA
5 x 1/4" TRS
5 x 1/4" TRS
4 x 1/4" TRS
4 x 1/4" TRS
4 x 1/4" TRS
N/A
N/A
N/A
N/A
N/A
N/A
Moni, Main
(Giratorio)
Moni, Main
(Giratorio)
Moni, Main
(Giratorio)
Salidas de Altavoz
Seccin Master
Monitor & AUX / EFX Envo
Masters
Retornos Estreo Aux
Retorno Efectos a Monitor
Control de Nivel de Audfonos
Faders
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
21
Alimentacin de Fuente
Fantasma
+48VDC
+48VDC
+48VDC
+48VDC
+48VDC
16 programas
ms un control de
parmetro principal
16 programas
ms un control de
parmetro principal
16 programas
ms un control de
parmetro principal
16 programas
ms un control de
parmetro principal
16 programas
ms un control de
parmetro principal
Interruptor de Pedal
Estreo 7-bandas
2 x 7-bandas
2 x 7-bandas
2 x 7-bandas
2 x 7-bandas
80dB
80dB
80dB
80dB
80dB
2-bandas, 15dB
3-bandas, 15dB
3-bandas, 15dB
3-bandas, 15dB
3-bandas, 15dB
80Hz
80Hz
80Hz
80Hz
80Hz
N/A
2.5KHz
2.5KHz
2.5KHz
2.5KHz
EQ Grfico Integrado
CMRR (1 KHz @ -60dBu,
Ganancia a mximo)
Ecualizacin de Canal
EQ Bajo
Segundo EQ Medio(Canal
Estreo)
EQ Alto
12KHz
12KHz
12KHz
12KHz
12KHz
Requisito de Energa
(depende de la regin)
Dimensiones (AnxAlxP)
470x260x275 mm
(18.5x10.2x10.8)
475x280x280 mm
(18.7"x11"x11")
471x265x275 mm
(18.5x10.4x10.8)
480x325x280 mm
(18.9"x12.8"x11")
480x325x280 mm
(18.9"x12.8"x11")
12kg (26.4lbs)
15.5kg (34.1lbs)
13.5kg (29.7lbs)
21.5kg (47.4lbs)
22.5kg (49.6lbs)
Peso
22
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
(
)
()
()
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
:
:
PHONIC CORPORATION
400W/8)200W+200W/4
Powerpod 780 PlusMain L & RMain/Monitor 300W+300W/
4
2416
7Main()/MoitorMain L/R/
7
10
2
2
1~4PAD
1
+48V
6 X L R
115VAC~230VAC
81 / 4 "
2
1~4PAD
400W / 4
2416,
+48V
10Main()/MoitorMain L/R/
115VAC~230VAC
9 X L R
12
2
2
3
1~6 PAD
+48V
115VAC~230VAC
24
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
1. AC
2.
3.
4.
1. XLR
5. ACAC
XLRXLR
6. AC
7.
2. 1/4
1.
1/4TRSTS
0
2.
TRS
TS
PAD-25
3.
3.
4.
1/4(
Mono)
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
25
10
4. ()
RCACD
Phonic
disc(MD)CDMP3(Apple iPod)
Main
L/R
9
9.
1/4
Tape In
5. ()
RCA
MD
10.
Main Output
PA
Powerpod 620 Plus740 Plus780 Plus
6.
TS(Powerpod 620 PlusPowerpod 740 PlusPowerpod
780 PlusPowerpod 1062 PlusPowerpod 1082
Plus)
1/4TS
Powerpod
Plus)
1/4(Mono)
1082
11
12.
1/4
Main L-R ( Stereo ) Main/
Monitor -Main 1/Main 2(Powerpod 620 PlusPowerpod 740
PlusPowerpod 780 Plus)4~8ohms
AMain
2Main
2-
8~16ohms(Main 1/ 2)
AB
7.
12
26
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
14.
115VAC/60Hz(
100~120V)230VAC/50Hz(
200~230V)
Not used
13
14
Not used
15.
(12KHz)
15dB
Michael Jackson
15
16
17
18
16. (Powerpod
740780, 1062 1082 Plus)
15
Not used
Not used
19
dB
20
21
17.
(80Hz)15dB
Isaac Hayes
18. (MON)
19. (EFX)
()
13. AC
AC
AC
20.
AC
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
27
32
22
(Powerpod 74078010621082 Plus)
LED
25
23
29
16
24
30
26
27
23
28
24
29.
12dB
Powerpod
Powerpod
7407801062
10621082
Plus
Plus10Powerpod
22
Main L-R
25.
EQLED
Monitor
31. (Powerpod 1082 Plus)
16
26.
Main L/R/
27.
31
Main L-R
28.
PlusAUX
/Main L/R
740780,
Main LeftRightPowerpod
10621082 Plus()
Monitor()
12 Main 12
Powerpod
620
MainPowerpod
Main
28
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
33.
XLR
33
LED
34.
Main/Monitor-MonitorMain
Main L/Main R-Main L/R/
Main-Main LeftMain Right
(L+R)Powerpod 780 PlusPowerpod 1062
PlusPowerpod 1082 Plus
MonoMain/Monitor/A
39
B(L+R)
35.
Monitor
38
36.
37
Main L-R
35
37.
/Main
L/R(Main
Mono)Monitor0dB
+4dBu0
Powerpod 620 Plus5
36
34
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
29
620 PLUS
740 PLUS
780 PLUS
1062 PLUS
1082 PLUS
N/A
8/
70
135
200
200
270
4/
100
200
300
300
400
200
400
N/A
N/A
N/A
(1KHz@0dBu,20Hz~20KHz,/
,
N/A
<-64dB
<-64dB
<-64dB
<-64dB
+1/-3dB
+0/-2dB
+0/-2dB
+0/-2dB
+0/-2dB
:20Hz~20KHz,IHF-A,/,,L/R
,
<-78dBu
<-78dBu
<-78dBu
<-78dBu
<-78dBu
<-63dBu
<-63dBu
<-63dBu
<-63dBu
<-63dBu
@100 watts,
4 ohms <0.5%
@100 watts,
4 ohms <0.5%
@100 watts,
4 ohms <0.5%
@100 watts,
4 ohms <0.5%
<0.06%
<0.3%
<0.3%
<0.3%
<0.3%
6,2
(470)
4,2
(470)
4,2
(470)
8,2
(470)
8,2
(470)
,1KHz,20Hz~20KHz
,1KHz @ +14dBu,
20Hz~20KHz,
/
/
RCA
RCA
RCA
RCA
RCA
1 x 1/4"TRS,
1 x 1/4"TRS,
1 x 1/4"TRS,
2 x 1/4"TRS,
2 x 1/4"TRS,
N/A
N/A
N/A
2 x 1/4" TRS,
.
2 x 1/4" TRS,
.
1 x 1/4"TRS,
1 x 1/4"TRS,
1 x 1/4"TRS,
N/A
N/A
1 x 1/4"TRS,
1 x 1/4"TRS,
1 x 1/4"TRS,
1 x 1/4"TRS,
1 x 1/4"TRS,
1 x 1/4"TRS,
1 x 1/4"TRS,
1 x 1/4"TRS,
1 x 1/4"TRS,
/
2T
N/A
N/A
N/A
TRS
TRS
RCA
RCA
RCA
RCA
RCA
5 x 1/4" TRS
5 x 1/4" TRS
4 x 1/4" TRS
4 x 1/4" TRS
4 x 1/4" TRS
&/
30
N/A
N/A
N/A
N/A
N/A
N/A
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
,()
,()
,()
,()
,()
+48VDC
+48VDC
+48VDC
+48VDC
+48VDC
16,
16,
16,
16,
16,
:/
:
/
:
/
:
/
:
/
2 x 7
2 x 7
2 x 7
2 x 7
80dB
80dB
80dB
80dB
80dB
2, 15dB
3, 15dB
3, 15dB
3, 15dB
3, 15dB
80Hz
80Hz
80Hz
80Hz
80Hz
N/A
2.5KHz
2.5KHz
2.5KHz
2.5KHz
12KHz
12KHz
12KHz
12KHz
12KHz
()
100-120VAC,
220-240VAC,
50/60 Hz
100-120VAC,
220-240VAC,
50/60 Hz
(xx)
470x260x275 mm
(8.5x10.2x10.8)
475x280x280 mm
(18.7"x11"x11")
471x265x275 mm
(18.5"x10.4"x10.8")
480x325x280 mm
(18.9"x12.8"x11")
480x325x280 mm
(18.9"x12.8"x11")
12kg (26.4lbs)
15.5kg (34.1lbs)
13.5kg (29.7lbs)
21.5kg (47.4lbs)
22.5kg (49.6lbs)
(1KHz@-60dBu,
)
()
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
31
32
Program
Parameter
Variable Range
Hall
Reverb Time
0.3 - 10 sec
Room
Reverb Time
Plate
Reverb Time
0.3 - 10 sec
Cathedral
Reverb Time
0.3 - 10 sec
Arena
Reverb Time
0.3 - 10 sec
Spring
Reverb Time
0.3 - 10 sec
Opera
Reverb Time
0.3 - 10 sec
Rev Vocal
Reverb Time
0.3 - 10 sec
Slap Delay
Delay Time
0 - 800 ms
10
Echo
Delay Time
0 - 800 ms
11
Multi-Pong
Delay Time
0 - 800 ms
12
Karaoke
13
Chorus + Rev
Depth
0 - 100%
14
Flange + Rev
Modulation Frequency
0.05 - 4.00 Hz
15
Phaser + Rev
Modulation Frequency
0.05 - 4.00 Hz
16
Tap Delay
Feedback Gain
0 - 99%
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
APPLICATIONS
APLICACIONES
KEYBOARD
TECLADO
VOCAL MICROPHONE
MICRFONOS DE VOZ
VOCAL MICROPHONE
MICRFONOS DE VOZ
EFX PROCESSOR
PROCESADOR DE EFECTO
MICROPHONE
MICRFONO
BASS GUITAR
GUITARRA BASS
MICROPHONE
MICRFONO
ELECTRIC GUITAR
GUITARRA ELCTICA
GUITAR AMP
AMPLIFICADOR
DE GUITARRA
PC
FLOOR MONITORS
MONITORES DE PISO
POWERPOD 620
/ 740
/ 780
FLOOR MONITORS
MONITORES DE PISO
/ 1062
/ 1082
33
BASS
BAJO
KEYBOARD
TECLADO
DRUM MACHINE
CAJA DE RITMO
GUITAR
GUITARRA
FLOOR MONITORS
MONITORES DE PISO
VOCAL MICROPHONE
MICRFONOS DE VOZ
FOOT SWITCH
INTERRUPTOR DE PEDAL
VOCAL MICROPHONE
MICRFONOS DE VOZ
CD PLAYER
REPRODUCTOR DE CD
CD
DAT RECORDER
GRABADORA DE DATO
DAT
FLOOR MONITORS
MONITORES DE PISO
34
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
KEYBOARD
TECLADO
ACTIVE SPEAKER
ALTAVOZ ACTIVO
DRUM MACHINE
CAJA DE RITMO
CD PLAYER
REPRODUCTOR DE CD
CD
BASS
BAJO
MICROPHONE
MICRFONO
FOOT SWITCH
INTERRUPTOR DE PEDAL
MICROPHONE
MICRFONO
ELECTRIC GUITAR
GUITARRA ELCTICA
EFX PROCESSOR
PROCESADOR
DE EFECTO
PC
FLOOR MONITORS
MONITORES DE PISO
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
35
ELECTRIC GUITAR
GUITARRA ELCTICA
KEYBOARD
TECLADO
FOOT SWITCH
INTERRUPTOR DE PEDAL
MICROPHONE
MICRFONO
MICROPHONE
MICRFONO
FLOOR MONITORS
MONITORES DE PISO
36
BASS GUITAR
GUITARRA BASS
CD PLAYER
REPRODUCTOR DE CD
CD
FLOOR MONITORS
MONITORES DE PISO
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
ELECTRIC GUITAR
GUITARRA ELCTICA
BASS GUITAR
GUITARRA BASS
BASS GUITAR
GUITARRA BASS
DRUM MACHINE
CAJA DE RITMO
CD PLAYER
REPRODUCTOR DE CD
CD
FLOOR MONITORS
MONITORES DE PISO
DAT RECORDER
GRABADORA DE DATO
DAT
PROCESSOR
PROCESADOR
MICROPHONE
MICRFONO
MICROPHONE
MICRFONO
PROCESSOR
PROCESADOR
KEYBOARD
TECLADO
ELECTRIC GUITAR
GUITARRA ELCTICA
FOOT SWITCH
INTERRUPTOR DE PEDAL
RIGHT
DERECHO
LEFT
IZQUIERDO
RIGHT SPEAKERS
ALTAVOCES DERECHOS
POWERPOD 620
LEFT SPEAKERS
ALTAVOCES IZQUIERDOS
/ 740
/ 780
/ 1062
/ 1082
37
DIMENSIONS
DIMENSIONES
440 mm (17.3" )
471 mm (18.5")
471 mm (18.5")
471 mm (18.5")
471 mm (18.5")
245 mm (9.6")
265 mm (10.4")
265 mm (10.4")
285 mm (11.2")
285 mm (11.2")
275 mm (10.8")
275 mm (10.8")
275 mm (10.8")
275 mm (10.8")
275 mm (10.8")
38
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
BLOCK DIAGRAMS
DIAGRAMAS DE BLOQUE
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
39
40
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
POWERPOD 620
/ 740
/ 780
/ 1062
/ 1082
41
HA
HA
HIGH
EQ
MID
EQ
MID
LOW
LOW
CHANNEL_5/6
HIGH
CHANNEL_1/2/3/4
PAD (-25)
HA
PAD (-25)
CHANNEL_7/8/9
HIGH
LEVEL
MON
LEVEL
LOW
MON
EQ
MID
PAN
EFX
PAN
EFX
LEVEL
MON
MON
EQ
LEVEL
MON
LEVEL
LEVEL
BAL
EFX
BAL
HPF
HPF
HPF
CH1~6
RUMBLE FILTER
-10~+10dB
5K
8-BAND GEQ
80 160
8-BAND GEQ
8-BAND GEQ
5K
RUMBLE FILTERA
CH1_6
80 160
16/PROGRAM
10K
10K
TO MON
TO MAIN
PARAMETER
DIGITAL ECHO
ON/OFF
Peak
~
~
+48V
Lo_Z
+48V
Hi_Z
Lo_Z
SUPER Hi-Z
MIC
LINE L
(MONO)
LINE R
(MONO) L
AUX_IN
TAPE IN
CH1_6 L
CH1_6 R
CH1_6 MON
EFX
MON
MAIN L
MAIN R
CH1_6 L
CH1_6 R
CH1_6 MON
EFX
MON
MAIN L
MAIN R
EQ IN
MAIN LEVEL
MON LEVEL
LEFT/RIGHT
MAIN/MON
REC OUT
L
EQ IN
L
R
DISPLAY
DISPLAY
STEREO
MAIN/MON
L (MONO)
MAIN OUT
AMP SELECT
MON OUT
EFX OUT
FOOT SW
LIMITER
AMP
AMP IN/L
AMP IN/R
AMP
LIMITER
SPK_L A
SPK_L B
BRIDGE
SPK_R A
SPK_R B
LEFT
RIGHT
/ 1082
/ 1062
/ 780
/ 740
POWERPOD 620
42
~
~
TO PURCHASE ADDITIONAL
PHONIC GEAR AND ACCESSORIES
To purchase Phonic gear and optional
accessories, contact any authorized
Phonic distributor. For a list of Phonic
distributors please visit our website at
www.phonic.com and click on Get Gear.
You may also contact Phonic directly and
we will assist you in locating a distributor
near you.
SERVICIO Y REPARACIN
WARRANTY INFORMATION
INFORMACIN DE LA GARANTIA
CUSTOMER SERVICE
TECHNICAL SUPPORT
AND
Phonic
Phonic
Phonic
www.phonic.com Get Gear
Phonic
Phonic
PhonicPhonic
http://www.phonic.com/where/
Phonic
Phonic
1Phonic
RMA
http://www.phonic.com/warranty/
http://www.phonic.com/support/
support@phonic.com http://www.phonic.com
Recording
Grabacin
Play
1. When you first turn the Powerpod on, the USB
recorders display will show the word ON
2. Insert an appropriately formatted (FAT32) USB flash
disc.
3. The USB recorder will indicate the file type about to
be played (MP3 or WAV) and automatically find the
first available track. The screen will then indicate II
001. Tracks are ordered alphanumerically, with
MP3 files playing first, followed by WAV files.
4. Press the Play/Pause button to play the current
track, or the Back and Next buttons to skip forward
and backward s between tracks.
5. If you are currently playing the final MP3 file on the
USB disc, pushing the >>| button will skip to the first
WAV track. Similarly, if the final WAV track is
playing, pushing >>| will skip back to the first MP3
track.
6. Playback on the USB recorder is set to continuously
playback audio files, therefore pushing play will play
all files in sequence. Once all files have played, they
will then be repeated.
7. When in play or pause mode, pushing and holding
the Play/Pause button for 2 seconds will revert to
the very first track on the USB flash drive.
Reproducir
1. Cuando usted encienda por primera vez el Powerpod,
la grabadora USB se mostrar en ON.
2. Inserte apropiadamente el USB flash disc formateado
(FAT32).
3. La grabadora USB le indicar el tipo de archive que
usted est reproduciendo (MP3 o WAV) y
automticamente localiza la primera pista disponible.
La pantalla le indicar II 001. Las pistas estn orden
alfanumrica con los archivos MP3 para reproducir
primero, permitiendo que los archivos WAV.
4. Pulse Play/Pause para reproducir la pista actual o los
botones de Back y Next para mover hacia delante o
detrs entre las pistas.
5. Si usted est actualmente reproduciendo el archivo
MP3 en el disco USB, puse el botn >>| para
esquivar hasta la primera pista WAV, pulse >>| y
regresar a la primer pista WAV. Igualmente, si la
pista final WAV est reproduciendo, pulse >>| y
regresar a la primera pista MP3.
6. Reproduccin en la grabadora USB es envida
continuamente para reproduccin de archivos audio,
por lo tanto, al presionar play todo los archivos se
reproducirn en secuencia. Una vez que todos los
archivos hayan sido reproducidos, estos mismos se
repetirn.
7. Cuando est en el modo play o pause, presione y
mantenga dicho botn Play/Pause por 2 segundos y
regresar a la primera pista en su USB flash drive.
support@phonic.com http://www.phonic.com
Powerpod
USB
USB
3LCD4
USB
320kbpsWAVMP3
1. PowerpodUSB
ON
2. (FAT32)USB
3. USB
(MP3WAV)
II 001
MP3
WAV
4. /
5. USB
MP3>>|
WAV
WAV>>|MP3
6. USB
7. /
2USB
Recording
Grabacin
Record
1. When a USB disc is inserted, push the REC button to
activate record mode.
Grabacin
1. Cuando el disco USB insertado, pulse el botn REC
para activar el modo de grabacin.
1. USBREC
2. WAV()
USB12WAV
II/REC013
support@phonic.com http://www.phonic.com
3. /
/
4. /
/
5. REC
13REC
13WAV
II/REC 01414
6. /
7.
MP3
WAV
USB