Beruflich Dokumente
Kultur Dokumente
UNIT-I-PREHISTORIC AGE
Learning outcome/Syllabus
Introducing concepts of culture and civilization
Paleolithic and Neolithic Culture
Art forms and evolution of shelter
Megaliths
Agricultural revolution and its impact on culture and civilization
THE BEGINNING
Relationship between Architecture & Human being:
The first human generation lacked confidence in their own standing within the
nature
As they moved about in search of tolerable climate and food, the special
environments they gave shape to were tentative and unobtrusive , an architecture
in the pleats of the earth
The shelter, for most part, was there ready to be used, in the caves that had to be
wrested from predators (wild animals)
But whether shelter was natural or manufactured, the inhabitants transformed it
into architecture through purposeful use
And here a chief invention, fire, proven to be a great place-maker
It drove the wild beasts form the caves and kept them at bay, it made the home of
the moment safe
The burning fire moulds an ambience of companionship
A station for the hunters to pause
Cook his game
Harden his tools
Communicate with his band of fellows
The path is 20 meters wide and opens into the oval room, the so called hall of bulls
Hall of the Bulls
A dark ledge here and throughout the cave separates the lower level from the
upper level which includes the ceiling, and is covered by a thin coat of calcite on
which the painting was applied . There was no painting below the ledge
The far end of the wall is taken up by a
frieze of four immense bulls in thick
black outline.
The space, in fact, is not all together
empty
Here and all along the remaining walls of the rotunda there is a seemingly random
arrangement of smaller animals-horses, deer and bears
The composition avoids a single favored focus, and no strict picture frames
delineate groupings of images
But there are accents we can detect and visual correspondences even where
paintings have been superimposed on others of different date
At the farthest end just before entering the tunnel , a large painted panel shows
three horses, one of them stumbling backwards, all four legs in the air
The turn into the tunnel and the exaggerated height of the gallery at this point
heighten the effect of the fall
Big wounded
INTERIORS
Question
Why did early Stone Age people adopt art as a tool of expression?
Explanation can be found in constant struggle between life and death for survival
Art provides a means to explore the struggle
TEMPORARY STRUCTURES
Hut at Terra Amanta, France
Early stone people constructed temporary shelters using available materials
One of earliest known example discovered in 1966 at Terra Amata in France
Dates back to 400,000 years
Oval in shape and constructed of tree branches
Terra amanta holds the oldest artificial structures of which we have evidence
The site was discovered in 1966 during construction at the cliff road to Monte carlo
It was a stone age camp, used for a number of years, it seems, always briefly
during the late spring
In a cove by the beach, traces of some 20 huts were found, often disposed on top
of one and other on a sandbar, on the beach itself, and on a dune
They were oval in shape and measured about 8 to 15 meters in length and 4 to 6
meters in width
Prepared by V.Manimegalai, AP,SOA,AMACE
Small bands of about 15 persons built and occupied them for limited hunting
forays; the huts then were left to collapse and new huts put up over them or else
nearby, by next years party
Hearth
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Mud Construction
Gradual improvement in technology led to mud construction and
architecture
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Dolmen is the name sometimes applied to two or more upright stones supporting
a horizontal slab.
These dolmens or cromlechs often stand within sacred circles of massive
monoliths, supporting horizontal slabs, as at Stonehenge.
It seems to be erected by primitive people for the worship of the sun.
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Horizontal cap
Upright stone
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Horizontal cap
Upright stone
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trilithons
Monumental circle
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One of the most popular beliefs was that Stonehenge was built by the Druids.
These high priests of the Celts were said to have constructed it for sacrificial
ceremonies.
While there are still some who believe they were the ones who built it, carbondating research has proven that Stonehenge was built before the druids entered
this land.
The Celts came from Ireland, much later than the building of Stonehenge.
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The Art
The bluestones were thought for much of the 20th century to have been
transported by humans from the Preseli Hills, 250 kilometres (160 mi) away in
modern day Pembrokeshire in Wales.
A newer theory is that they were brought from glacial deposits much nearer the
site, which had been carried down from the northern side of the Preselis to
southern England by the Irish Sea Glacier.
Chemical tests on teeth from an ancient burial near Stonehenge indicate that
this person in this grave grew up around the Mediterranean Sea. The bones
belong to a teenager who died 3,550 years ago and was buried with a
distinctive amber necklace. While findings are preliminary, experts hope to find
out more
At least twenty-five of the Aubrey Holes are known to have contained later,
intrusive, cremation burials dating to the two centuries after the monument's
inception. It seems that whatever the holes' initial function, it changed to
become a funerary one during Phase 2. Thirty further cremations were placed
in the enclosure's ditch and at other points within the monument, mostly in the
eastern half.
Fragments of unburnt human bone have also been found in the ditch-fill.
Stonehenge is therefore interpreted as functioning as an enclosed cremation
cemetery at this time, the earliest known cremation cemetery in the British
Isles.
of Stonehenge:
Each stone had clearly been worked with the final visual effect in mind; the
pillars widen slightly towards the top, in order that their perspective remains
constant when viewed from the ground. The lintel stones curve slightly to
continue the circular appearance of the earlier monument. The inward-facing
surfaces of the stones are smoother and more finely worked than the outer
surfaces.
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Graffiti on the sarsen stones. Below the graffiti are ancient carvings of a dagger
and an axe.
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