Beruflich Dokumente
Kultur Dokumente
by Mark Fowler
Based mostly on:
2 straight-forward articles by David Hamburger in Acoustic
Guitar Magazine (August & September 2003)
http://acousticguitar.com/lessons/Chord_Names/1.html
http://acousticguitar.com/lessons/Chord_Names2/1.html
What Makes Music Work, a book by P. Seyer, A. Novick, & P. Harmon
http://www.lovemusiclovedance.com/what_makes_music_work.htm
An amazingly simple but effective little book!!
Chords & Progressions for Jazz and Popular Guitar, a book by Arnie Berle
Wikipedia Entry
http://en.wikipedia.org/wiki/Chord_notation
Next
1/44
Part Ib
What notes are in the weird chords?
Part II
How do you play the weird chords?
Part III
When do you use the weird chords?
Next
2/44
Part Ia
What Notes Are In The
Normal Chords?
Next
3/44
What is a Chord?
Three or more different notes played together
What Is an Interval?
A measure of the distance between two notes
Interval names are based on positions in scales
Actually, they are really based on the # of half steps
between the notes
Note: 2 notes a half step
apart are one fret apart
Next
4/44
Major
7th
Bb
Major
6th
G#
Perfect
5th
F#
F
Perfect 4th
H
Minor
3rd
Major
3rd
Eb
D
C#
C
Major
2nd
Next
5/44
A 4th up is
a 5th down
5ths
Adjacent Strgs
Maj 3rds
Min 3rds
Skipped Strgs
Next
6/44
Minor
R35
R b3 5
Diminished
Augmented
R b3 b5
R 3 #5
B
Bb
A
G#
G
Gb
B
Bb
A
G#
G
Gb
B
Bb
A
G#
G
Gb
B
Bb
A
G#
G
Gb
F
E
Eb
D
C#
C
Perfect 5th
Major 3rd
F
E
Eb
D
C#
Perfect 5th
Minor 3rd
F
E
Eb
D
C#
C
Flat 5th
Minor 3rd
F
E
Eb
D
C#
Sharp 5th
Major 3rd
7/44
C Major
4 1 0 1 x
3 2 0 1 0
Major
R35
C Eb G C
R b3 5 R
Minor
R b3 5
B
Bb
A
G#
G
Gb
B
Bb
A
G#
G
Gb
F
E
Eb
D
C#
C
Perfect 5th
Major 3rd
F
E
Eb
D
C#
C
Perfect 5th
Minor 3rd
Next
8/44
D Minor
0 0 1 3 2
0 0 2 3 1
ADADF
5 R 5 R b3
Major
R35
Minor
R b3 5
D
C#
C
D
C#
C
B
Bb
A
G#
G
F#
B
Bb
F
E
Eb
D
Perfect 5th
Perfect 5th
Major 3rd
G#
G
F#
F
E
Eb
D
Minor 3rd
Next
9/44
Part Ib
What Notes Are In These
Weird Chords?
Next
10/44
Bigger Intervals
(shown relative to C in C major scale)
C
1
D
2
E F
3 4
G A
5 6
B
7
C
8
D E F G A B C
9 10 11 12 13 14 15
Next
11/44
Add b7
Add 7
Add 6
Add b7
Maj7
1 357
7
1 3 5 b7
m6
1
5 6
m(maj7)
1 b3 5 7
Maj6/9
13569
Maj9
13579
9
1 3 5 b7 9
m6/9
1 b3 5 6 9
m(maj9)
1 b3 5 7 9
Maj13
1 3 5 7 9 (11) 13
11
1 (3) 5 b7 9 11
13
1 3 5 b7 9 (11) 13
b3
Add bb7
Add 7
Maj6
1 356
Maj11
1 (3) 5 7 9 11
Dim Triad
Minor Triad
Notes in ( ) are
usually omitted.
It is common to
leave out other
notes too,
especially on
guitar
m7
1 5 b7
b3
dim 7
1 b3 b5 bb7
m9
5 b7 9
b3
b3
m11
5 b7 9 11
b3
m13
5
9 (11) 13
= 6!!
b7
Next
12/44
Part II
How Do You Play These
Weird Chords?
Next
13/44
An Example
C7
C Major
3 2 0 1 0
3 2 4 1 x
C E Bb C
R 3 b7 R
CEG CE
R 35 R 3
Major
R 3 5 b7
B
Bb
A
G#
G
Gb
B
Bb
A
G#
G
Gb
F
E
Eb
D
C#
C
Major 3rd
3 2 4 1 x
Dom 7
R35
Perfect 5th
For this
form we
sacrifice
the 5th !
This now
becomes
Movable
D7
F
E
Eb
D
C#
C
b7th
D F# C D
R 3 b7 R
E7
Perfect 5th
3 2 4 1 x
V
Major 3rd
E G# D E
R 3 b7 R
Next
14/44
A Structure-Based Approach:
A
AMaj7
A7
0 2 1 3 0
0 2 1 3 0
0 2 0 3 0
A E A C# E
R5 R3 5
A E G# C# E
R5 73 5
A E G C# E
R 5 b7 3 5
CMaj7
C7
1 2 3 4 1
1 3 2 4 1
1 3 1 4 1
Make It Movable:
III
III
CGC EG
R5 R 3 5
III
CGB EG
R5 7 3 5
C G Bb E G
R 5 b7 3 5
Next
15/44
Gmaj7
G7
3 2 0 0 0 4
3 2 0 0 0 1
3 2 0 0 0 1
3 2 0 0 0 0
GB DGBG
R 3 5 R 3R
G B D G B F#
R 3 5 R 37
GB DGBF
R 3 5 R 3 b7
GB DGBE
R 3 5 R 36
Dmaj7
D7
D6
0 0 1 3 2
0 0 1 1 1
0 0 2 1 3
0 0 2 0 3
A D A D F#
5 R 5 R 3
A D A C # F#
5 R 5 7 3
A D A C F#
5 R 5 b7 3
A D A C F#
5 R 5 6 3
Next
16/44
G
1 3 4 2 1 1
III
G7
1 3 x 2 1 1
1 3 x 2 1 1
GD
R 5
GD
R 5
III
GDGB DG
R 5R 3 5R
B EG
3 6R
B F G
3 b7 R
G
1
Gmaj7
4 3 2
III
4 2 1
III
GDGB DG
R 5R 3 5R
G7
1
2 4 3
III
G
R
F# B D
7 3 5
G6
2
1 4 3
G
R
E BD
6 3 5
III
G
R
F BD
3 5
b7
Next
17/44
And More:
A
1 3 4 2 1 1
V
A E A C# E A
R 5R 3 5R
Ammaj7
Am
1 3 4 1 1 1
1 3 2 1 1 1
AEA C EA
R 5 R b3 5 R
2 x 1 3 3 3
1 3 1 1 1 1
Am6
Am7
A E G# C E A
R 5 7 b3 5 R
V
AEG C EA
R 5 b7 b3 5 R
A F# C E A
R 6 b3 5 R
2 x 3 3 3 3
V
A
R
G C EA
5R
Certified
Jazzers
Form
Next
b7 b3
18/44
3 2 4 1 x
Dom 9
R 3 5 b7 9
D
C#
9th
C E Bb C
R 3 b7 R
Recall:
For this
form we
sacrificed
the 5th !
IV
C
B
Bb
A
G#
G
Gb
b7th
F
E
Eb
D
C#
3rd
C9
2 1 3 4 x
C9
D F# C E A
R 3 b7 9 5
2 1 3 3 3
5th
E9
2 1 3 3 3
V
C E Bb D
R 3 b7 9
Here we
gain back
the 5th !
C E Bb D G
R 3 b7 9 5
E G# D F# B
R 3 b7 9 5
Next
19/44
Part III
How Do You Use These
Weird Chords?
Next
20/44
ii:Am
iii:Bm
IV:C
V:D
vi:Em
vii:F#o
C
B
Bb
A
G#
G
F#
F#
A
G#
G
F#
F#
F#
F#
E
Eb
E
Eb
D
C#
C
B
Bb
A
G#
G
5th
3rd
D
C#
C
B
Bb
A
G#
G
5th
b3rd
5th
5th
E
Eb
E
Eb
E
Eb
D
C#
C
D
C#
C
D
C#
C
D
C#
C
B
Bb
B
Bb
B
Bb
B
Bb
B
Bb
A
G#
G
A
G#
G
A
G#
G
A
G#
G
A
G#
G
D
C#
C
b3rd
3rd
b5th
b3rd
F#
F
E
Eb
3rd
b3rd
Bb
A
G#
G
E
Eb
5th
5th
Next
21/44
IV
Dom7
ii, iii, vi
min7
vi
Em7
vii
F#o7
Next
22/44
I:Gmaj6
IV:Cmaj6
Maj 7th
B
Bb
A
G#
G
F#
Maj 7th
F#
F#
E
Eb
E
Eb
D
C#
C
B
Bb
A
G#
G
5th
3rd
D
C#
C
B
Bb
A
G#
G
Maj 6th
5th
3rd
B
Bb
A
G#
5th
F
E
Eb
G
F#
Maj 6th
5th
3rd
E
Eb
C#
C
C#
C
B
Bb
A
G#
G
B
Bb
A
G#
G
3rd
Next
23/44
V:D
iii:Bm
vi:Em
Eb
D
C#
b7th
C#
B
Bb
A
G#
5th
G#
b7th
Bb
A
G#
G
F#
F#
F#
b7th
3rd
E
Eb
D
E
Eb
D
C#
C
C#
C
C#
C
B
Bb
A
G#
G
B
Bb
A
G#
G
5th
b3rd
b7th
F#
5th
E
Eb
B
Bb
A
G#
G
B
Bb
A
G#
G
5th
b3rd
F
E
Eb
b3rd
D
C#
C
B
Bb
A
G#
G
Next
24/44
IV
Dom7
ii, iii, vi
min7
Next
26/44
D7
D7
3 2 4 1 x
1 3 1 4 1
2 4 3
X
III
D F# C D
R 3 b7 R
D
R
C F# A
b7 3 5
D A C F# A
R 5 b7 3 5
A D A C F#
5 R 5 b7 3
Next
27/44
D7
D7
3
I
V
I
A Part: | G / / / | / / / / | / / / / | D7 / / / | / / / / | / / / / | G / / / |
Could use this, for now
D7
D7
I
IV
V
I
B Part: | G / / / | / / / / | C / / / | / / / / | D7 / / / | / / / / | G / / / | / / / / |
IV
V
I
I
| G / / / | / / / / | C / / / | / / / / | D7 / / / | / / / / | / / / / | G / / / |
Next
28/44
IV
Dom7
ii, iii, vi
min7
Next
29/44
G6
1 3 x 2 1 1
III
1 4 3
G
R
E BD
6 3 5
III
GD
R 5
B EG
3 6R
GB DGBE
R 3 5 R 36
Next
30/44
G6
G6
1 3 x 2 41
3 2 0 0 00
I
V
I
A Part: | G6 / / / | / / / / | / / / / | D7 / / / | / / / / | / / / / | G6 / / / |
I
IV
V
I
B Part: | G6 / / / | / / / / | C / / / | / / / / | D7 / / / | / / / / | G6 / / / | / / / / |
IV
V
I
I
| G6 / / / | / / / / | C / / / | / / / / | D7 / / / | / / / / | / / / / | G6 / / / |
Next
31/44
IV
Dom7
ii, iii, vi
min7
AECG
Next
32/44
Am7
2 x 3 3 3 3
x 0 3 3 3 3
V
A
R
G C EA
5R
b7 b3
A G C EA
R b7 b3 5 R
A E G CE
R 5 b7 b3 5
Next
33/44
for now
I
V
I
A Part: | G6 / / / | / / / / | / / / / | D7 / / / | / / / / | / / / / | G6 / / / |
G6
for now
for now
3 2 0 0 00
Am7
Am7
2 x 3 3 33
x 0 2 0 10
D7
for now
I
ii7
V
I
B Part: | G6 / / / | / / / / |Am7 / / / | / / / / | D7 / / / | / / / / | G6 / / / | / / / / |
V
I
ii7
I
| G6 / / / | / / / / |Am7 / / / | / / / / | D7 / / / | / / / / | / / / / | G6 / / / |
Next
34/44
C#o7
1 3 1 4 1
1 3 1 4 1
III
III
C G Bb E G
R 5 b7 3 5
C7
C# G Bb E
R b5 bb7 b3
C#o7
3 2 4 1 x
3 2 4 1 x
Bb
Bb
CE C
R 3 b7 R
C# G
E
b3 bb7 R b3
36/44
C# 7
I
IV
IV#7
I
B Part: | G / / / | / / / / | C / / / | / / C#7 / | D7 / / / | / / / / | G / / / | / / / / |
IV#7 V
IV
I
I
| G / / / | / / / / | C / / / | / / C#7 / | D7 / / / | / / / / | / / / / | G / / / |
Next
37/44
G#o7
2 4 3
III
1 3 1
G7
G#o7
0 0 0 2
0 1 0 2
D GBF
5 R 3 b7
Next
III
G
R
F BD
3 5
b7
38/44
D7
for now
Example #2
for now
I
V
I
A Part: | G6 / / / | / / / / | / / / / | D7 / / / | / / / / | / / / / | G6 / / / |
for now
Am7
for now
G6
3 2 0 0 00
G#7
x x 0 1 02
I#7
x 0 2 0 10
for now
D7
for now
ii7
V
I
B Part:| G6 / / / | / / G#7 / |Am7 / / / | / / / / | D7 / / / | / / / / | G6 / / / | / / / / |
ii7
V
I
|G6 / / / | / / G#7 / |Am7 / / / | / / / / | D7 / / / | / / / / | / / / / | G6 / / / |
I
I#7
Next
39/44
IV
Dom7
ii, iii, vi
min7
Next
40/44
IV
D F# C E A
R 3 b7 9 5
ADAC E
5 R 5 b7 9
Next
41/44
for now
D9
D9
for now
I
V
I
A Part: | G6 / / / | / / / / | / / / / | D9 / / / | / / / / | / / / / | G6 / / / |
G6
3 2 0 0 00
D9
for now
D9
for now
I
IV
V
I
B Part: | G6 / / / | / / / / | C / / / | / / / / | D9 / / / | / / / / | G6 / / / | / / / / |
IV
V
I
I
| G6 / / / | / / / / | C / / / | / / / / | D9 / / / | / / / / | / / / / | G6 / / / |
Next
42/44
D9
G6
3 2 0 0 00
3 2 0 0 00
I
V
I
A Part: | G6 / / / | / / / / | / / / / | D9 / / / | / / / / | / / / / | G6 / / / |
The ii V I progression shows up all over in Jazz!!!
G6
3 2 0 0 00
G#7
Am7
x x 0 1 02
x 0 2 0 10
I#7
D9
G6
3 2 0 0 00
ii7
V
I
B Part:| G6 / / / | / / G#7 / |Am7 / / / | / / / / | D9 / / / | / / / / | G6 / / / | / / / / |
ii7
V
I
|G6 / / / | / / G#7 / |Am7 / / / | / / / / | D9 / / / | / / / / | / / / / | G6 / / / |
I
I#7
Next
43/44
D9
G6
3
5
I
V
I
A Part: | G6 / / / | / / / / | / / / / | D9 / / / | / / / / | / / / / | G6 / / / |
The ii V I progression shows up all over in Jazz!!!
G6
3
G#7
Am7
3
5
G6
D9
I#7
ii7
V
I
B Part:| G6 / / / | / / G#7 / |Am7 / / / | / / / / | D9 / / / | / / / / | G6 / / / | / / / / |
ii7
V
I
|G6 / / / | / / G#7 / |Am7 / / / | / / / / | D9 / / / | / / / / | / / / / | G6 / / / |
I
I#7
STOP 44/44