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2 The pronoun I began to be 'capitalized' around the middle of the 13th century. But this
was not true capitalization. Note that it was long before the printing press: all texts were
in manuscript.
Before the 11th century, the letter i was normally just a short vertical line, without a dot,
. The j did not exist as a separate letter. When an was written as a separate word or
mark, as the Roman numeral /I and the pronoun /I, or when it was the last one of a
group of 's, it began to be written elongated, somewhat like a straighter (without a dot).
This elongation of the separate, single was probably done in order to avoid confusion
with punctuation marks. That of the last of a group was mostly in order to avoid
confusion between u and , between n and , and between m and , which often look
identical in manuscripts: from then on, such groups looked like and (without dots).
I believe that this convention of elongating the pronoun I had already been established
by the time the dot was first used. Because a long without a dot looks much like a
capital Iwhich has been written the same way since Antiquity, it was later assumed
to be a capital. (Incidentally, the dot was then usually written as a very short diagonal
line above the or .)
3 England is where the capital I first reared its dotless head. In Old and Middle
English, when I was still ic, ich or some variation thereof before phonetic
changes in the spoken language led to a stripped-down written form the first-person
pronoun was not majuscule in most cases. The generally accepted linguistic
explanation for the capital I is that it could not stand alone, uncapitalized, as a single
letter, which allows for the possibility that early manuscripts and typography played a
major role in shaping the national character of English-speaking countries.
Graphically, single letters are a problem, says Charles Bigelow, a type historian and a
designer of the Lucida and Wingdings font families. They look like they broke off from a
word or got lost or had some other accident. When I shrunk to a single letter, Bigelow
explains, one little letter had to represent an important word, but it was too wimpy,
graphically speaking, to carry the semantic burden, so the scribes made it bigger, which
means taller, which means equivalent to a capital.
The growing I became prevalent in the 13th and 14th centuries, with a Geoffrey
Chaucer manuscript of The Canterbury Tales among the first evidence of this
grammatical shift. Initially, distinctions were made between graphic marks denoting an
I at the beginning of a sentence versus a midphrase first-person pronoun. Yet these
variations eventually fell by the wayside, leaving us with our all-purpose capital I, a
potent change apparently made for simplicitys sake.