Beruflich Dokumente
Kultur Dokumente
DEACONS
Rev. Mr. Nicholas A. Kipper
Diocese of Linocln
Rev. Mr. Pang Joseph Shiu Tcheou
Diocese of Harrisburg
Rev. Mr. Christopher R. Cooke
Archdiocese of Philadelphia
Rev. Mr. Ik-Joon Choi
Archdiocese of Philadelphia
LECTOR
Bjorn Lundberg
Diocese of Arlington
MASTER OF CEREMONIES
Rafael Rodriguez
SERVERS
Christopher Miller, thurifer
Scott Yates Matthew Rolling
Michael Ventre, book bearer Michael Zimmer, crucifer
Matthew Rawe Sam Pynes
Michael O’Donnell Seth Donahue
Ian Werner Tyler Minchow
MUSIC DIRECTOR
Mr. Scott Rieker
ORGANIST
Mr. Michael Emmerich
CANTOR
Mrs. Sarah Moje
GUITARISTS
Karen Gokie
Kim Wilson
BRASS QUARTET
Brian Botsford, trumpet
Joe Smith, trumpet
Tyler Hottovy, trombone
Gary Jungck, tuba
CHOIR
Robyn Furasek
Amy Groathouse
Judy Fulton
Karen Gokie
Becky Mach
Phil Rosno
Darren Furasek
Dennis Klimes
Ryan Miller
Tyler Hale
Jennifer Van Dyke
Emily Nannen
Mary Zimmer
Amy Niewald
Brian Havlat
Kim Wilson
Annie Leiter
THE ORDER OF MASS
THE LITURGY OF THE WORD AND LITURGY OF THE EUCAHRIST TOOGETHER FORM “ONE SINGLE
ACT OF WORSHIP”; THE EUCHARISTIC TABLE SET FOR US IS THE TABLE BOTH OF THE WORD OF
GOD AND OF THE BODY OF THE LORD. -- CATECHSIM OF THE CATHOLIC CHURCH
The Mass, or some sort of congregational gathering, has been the center of Chris-
tian worship since the Last Supper. While certain things have been adapted to ac-
commodate the specific needs of a time or place, the key elements have remained
intact since the beginning: the reading of Scripture, the instruction by the priest,
and the commemoration of the Paschal Mystery (in other words, the mystery of
salvation: the life, death and resurrection of Jesus, most especially those events
from the Last Supper through the Resurrection on Easter) through the Eucharist
(Holy Communion). The texts of the Ordinary of the Mass (those parts which are
said or sung at every Mass) have also remained virtually unchanged – the Gloria
being the newest, and added in 400AD. Consequently, there is a long history of
devout men and women adding music to the Mass, according to their culture, to
add beauty to the rites, to help people concentrate better, and to understand the
mysteries more fully. Even though the musical expression, and sometimes the
language, may be different at different points in the service, the texts and the Mass
itself are the same as they have been from the beginning. *
PRELUDES
O Bone Jesu Giovanni Pierluigi da Palestrina
(c.1514-1594)
Christus Vincit Nicola A. Montani
(1880-1948)
Surrexit Christus Jacques Berthier
(1923-1994)
Translations and explanations are available at the end of this program booklet.
PROCESSIONAL HYMN At the Lamb’s High Feast
Rieker, arr.
TEXT: Ad regias agni dapes; Latin, 4th C.; Tr. by Robert Campbell, 1814-1868, alt.
TUNE: SALZBURG, 77 77 D; Jakob Hintze, 1622-1702; Harm. by J.S. Bach, 1685-1750; Arr. Scott Rieker. Copyright © 2005
KYRIE Kyrie I
Jacques Berthier
Copyright © 1978, 1980 and 1981, Les Presses de Taizé (France). All Rights Reserved. Used with Permission.
Scott Rieker, arr.
GLORIA Papal Mass
Charles Callahan
Copyright © 1999, Birnamwood Publications. All Rights Reserved. Used with Permission.
THE LITURGY OF THE WORD
The readings in the Catholic Church are assigned throughout the calendar year in
a three-year cycle, so that in the course of three years, the gospels in their entirety,
most of the New Testament, and a good portion of the Old Testament, are read at
Mass. Since, as Christians believe, God entered time, time is now holy, and the
different seasons of the year celebrate the mystery of salvation, from the birth
to the death and resurrection of Jesus, and other events which bear directly on
that. During the Seasons of Christmas and Easter, and the preparatory seasons
of Advent and Lent, humankindʼs need for salvation and Godʼs direct intervention
to supply this need are the focus of the liturgy. In between these times, Ordinary
Time (“ordinary” in the sense of “ordinal” or an “ordered” counting of the weeks
between the major liturgical seasons) focuses on the broader scope of salvation
and manʼs response thereto.
The first reading is from the Old Testament, and shows a prefiguring of the mys-
tery, which is revealed in the New Testament. The sung Responsorial Psalm an-
tiphon is repeated after every strophe of the Psalm, and allows a meditation to
connect the themes in the Old Testament with the New. The second reading is from
the New Testament, often from the writings of St. Paul, and shows the application
for the theme of the day in the listenerʼs daily life. The gospel is the high point of
the Liturgy of the Word, since it is the recounting of the actual words and deeds of
Jesus. Out of respect, the people stand, and to show its solemn nature; it begins
with the alleluia and a preparatory dialogue. On particularly special feast days, a
Sequence highlighting the celebration of the day precedes the gospel as well.*
FIRST READING Deuteronomy 8:2-3, 14b-16a
He gave you a food unknown to you and your fathers.
Copyright © 1978, Owen Alstott. Published by Oregon Catholic Press. All Rights Reserved. Used with Permission.
Copyright © 1988, Owen Alstott. Published by Oregon Catholic Press. All Rights Reserved. Used with Permission.
GREAT AMEN Heritage Mass
Owen Alstott
Copyright © 1988, Owen Alstott. Published by Oregon Catholic Press. All Rights Reserved. Used with Permission.
Copyright © 1978, Owen Alstott. Published by Oregon Catholic Press. All Rights Reserved. Used with Permission.
GUIDELINES FOR RECEIVING HOLY COMMUNION
For Catholics:
Catholics fully participate in the celebration of the Eucharist when
they receive Holy Communion in fulfillment of Christ’s command to
eat His Body and drink His Blood. In order to be properly disposed
to receive Communion, communicants should not be conscious of
grave sin, have fasted for an hour and seek to live in charity and
love with their neighbors. Persons conscious of grave sin must
first be reconciled with God and the Church through the sacrament
of Penance. A frequent reception of the sacrament of Penance is
encouraged for all.
For Non-Christians:
We also welcome to this celebration those who do not share our faith
in Jesus. While we cannot extend to them an invitation to receive
Communion, we do invite them to be united with us in prayer.
THE CHURCH AND THE WORLD HAVE A GREAT NEED FOR EUCHARISTIC WORSHIP. JESUS AWAITS
US IN THIS SACRAMENT OF LOVE. LET US NOT REFUSE THE TIME TO GO TO MEET HIM IN ADORA-
TION, IN CONTEMPLATION FULL OF FAIUTH, AND OPEN TO MAKING AMENDS FOR THE SEROIUS
OFFENSES AND CRIMES OF THE WORLD. LET OUR ADORATION NEVER CEASE.
-- POPE JOHN PAUL II (DOMINICAE CENEA)
COMMUNION HYMNS This Is Jesus
Jim Cowan; Rieker, arr.
TEXT: Jim Cowan (b. 1952); Copyright © 1987. All Rights Reserved. Used with Permission
TUNE: Jim Cowan (b. 1952); Copyright © 1987. All Rights Reserved. Used with Permission.
Choral Arrangement: Scott Rieker (b. 1976); Copyright © 2005. All Rights Reserved. Used with Permission.
Ubi Caritas
Jacques Berthier
TEXT: 1 Cor. 13:2-8, Where charity and love are found, Gos is there. Taizé Community, 1978
TUNE: Jacques Berthier (1923-1994); Copyright © 1979, Les Presses de Taizé
HAVING PASSED FROM THIS WORLD TO THE FATHER, CHRIST GIVES US IN THE EUCHARIST
THE PLEDGE OF GLORY WITH HIM. PARTICIPATION IN THE HOLY SACRIFICE IDENTIFIES US
WITH HIS HEART, SUSTAINS OUR STRENGTH ALONG THE PILGRIMAGE OF THIS LIFE, MAKES
US LONG FOR ETERNAL LIFE, AND UNITES US EVEN NOW TO THE CHURCH IN HEAVEN, THE
BLESSED VIRGIN MARY, AND ALL THE SAINTS.
CATECHISM OF THE CATHOLIC CHURCH
A WORD OF THANKS
I
wish to thank everyone, those who were able to attend this Mass
of thanksgiving and those who could not, who have helped me by
their prayers, example, and encouragement to respond to God’s
call to the priesthood.
Thank you to all who have assisted in making this Mass a beauti-
ful sacrifice of praise to God—especially the priests, servers, and
choir—and to those who have helped with all the physical prepara-
tions for this day. A special word of thanks to Mr. Scott Rieker who
directed the choir and assembled this program booklet.
To all, thank you for your love and support. I know I would not be a
priest today, and maybe not even a Christian, without your prayers.
Be assured of my prayers for you at the altar of God.
Sincerely in Christ and in His Blessed Mother,
THE PLENARY INDULGENCE
Any Catholic in the state of grace can receive a plenary indulgence
by devoutly participating in the first solemn Mass of thanksgiving
of a newly ordained priest. It may be attained by fulfilling usual
conditions, namely:
Translation:
O good Jesus!
have mercy on us,
because you created us
and you redeemed us
through your most precious blood.
CHRISTUS VINCIT
The acclamation “Christus Vincit” (Christ Conquers!) has accompa-
nied solemn liturgical celebrations since the very earliest days of the
Church. This setting was composed and arranged by Nicola A. Mon-
tani, and American composer, in 1939 for the election and coronation
of Pope Pius XII. Montani was an internationally famous author-
ity on Catholic liturgical music, the onetime editor of the Catholic
Choirmaster, founder of the Society of St. Gregory, instructor at Seton
College in New Jersey and other institutions. For his contribution to
the Catholic Church, he was knighted by the Pope.
Translation:
Christ Conquers! Christ Reigns! Christ Commands!
To Benedict, our Supreme Pontiff and universal father,
peace, long life and health forever.
To Fabian, our most reverend bishop, peace...
(translation continues...)
To Joseph, reverend priest, and all the clergy with him,
peace...
May a time of goodness come,
May the Peace of Christ come!
May the Reign of Christ come!
SURREXIT CHRISTUS
Many of the works of music included in this Mass grew out of the
Taizé Community, an ecumenical monastic community in rural
France. Taizé was founded in 1940 by Brother Roger, to promote
good works for the needy, and inter-denominational prayer through
music. Jacques Berthier was the composer Brother Roger entrusted
with the task of creating these unique, harmonic congregational
meditations. In addition to composing for Taizé, Berthier was an
influential composer in his own right.
Translation:
Christ is Risen, Alleluia!
Sing to the Lord, Alleluia!
O SACRUM CONVIVIUM
While Palestrina was creating the pinnacle of polyphonic liturgical
music in Rome, Tomás de Vittoria, was pushing the envelope in terms
of style and harmony in the courts and churches of Spain. His music
is less “perfect” than Palestrina’s, incorporating more chromatic al-
terations and rhythmic irregularities. For this work, he drew on the
text by St. Thomas Aquinas for the Second Vespers Antiphon for the
Feast of Corpus Christi.
Translation:
O sacred banquet, in which Christ is received, and we recall
the memory of his passion. Our minds are filled with grace and a
foretaste of the future glory [of heaven] is given to us. Alleluia.
UBI CARITAS
Another work from Jacques Berthier and the Taizé Community, this
is an adaptation of the famous chant of the same name.
Translation:
Where there is charity and love, there also is God.
TANTUM ERGO
The text of this motet is St. Thomas Aquinas’ Pange Lingua Gloriosi
hymn from the Holy Thursday Liturgy. The composer of this musical
setting is unknown, and this fact has caused confused attribution to
appear in numerous settings.
Translation:
Therefore, we bend low in homage before this Greatest of
Sacraments, and the old forms of instruction give way to this new
ritual while faith supplies what failing sense lack.
To the Father and to the Son, give praise and jubilation.
Likewise, let health, honor, power and blessing proceed from both,
who are equally to be praised. Amen.
Translation:
Praise the Lord, all you nations, Alleluia.
Acclaim Him, all you peoples, Alleluia.
PANIS ANGELICUS
St. Thomas Aquinas composed this text as the Hymn for Matins on
the Feast of Corpus Christi. Baini, an influential Roman composer
of the 19th Century, who strove to emulate the style of Palestrina,
composed this work as a tribute to Palestrina.
Translation:
The bread of angels has been made bread for mankind.
He gives the bread from heaven, which ends all symbols.
What a miraculous thing!
We are eating our Lord:
Poor, a servant; and humble.
COPYRIGHT NOTICE
All of the music reprinted in this program is either in the public domain, or it is
copyrighted as noted and reprinted with the permission of the copyright holder.
“We are constantly tempted to reduce the Eucharist to our own di-
mensions, while in reality it is we who must open ourselves up to the
dimensions of the Mystery.”
“Dear priests, who repeat the words of consecration each day, and
are witnesses and heralds of the great miracle of love which takes
place at your hands: be challenged by the grace of this special Year;
celebrate Holy Mass each day with the same joy and fervour with
which you celebrated your first Mass, and willingly spend time in
prayer before the tabernacle.”
“May all of you, the Christian faithful, rediscover the gift of the
Eucharist as light and strength for your daily lives in the world, in
the exercise of your respective professions amid so many different
situations. Rediscover this above all in order to experience fully the
beauty and the mission of the family.”