Club in Solihull town centre, and the other Halyna Wheatley who is an academic coach at Solihull Sixth form college. We thought it would be a great idea to interview Malik and were really glad when he agreed to do a short interview for us. We were pleased because the mise en scene and location of his mobile phone shop meant that it was a busy period for walkers-by and the whole shop was filled with mobile phone accessories this became our backdrop for the interview with Malik, which looked great. This further represented that he knows a lot about phones and can cater for a variety of phones. Interviewing Malik gave us confidence for our documentary because it means we have someone that the target audience will be able to trust and know his point of view is an important one for our topic of mobile phone obsession. We also enjoyed interviewing with Halyna, this gave us a more rounded view f the effect specifically on individuals, family time and education. This was great because it was what we planned to talk about and the fact she talked about this from her own perspective gave us more confidence in that our documentary could turn out really good, now that we have these two experts on film. The fact that these two experts age range was 37-50 will be good for the target audience of our documentary because it should create meaning and the younger generation to look up to and trust these experts meaning that they might be represented in a way that could change the audiences view point. We made sure that the camera on the tripod was at eye level to both experts and also aimed to put them in the right hand side of the camera shot. This is a typical code and convention we are trying to remember when it comes to filming. We did this with Halyna by using an over-the-shoulder shot, where I (Gina) was interviewing and listening to her responses. With Malik, we just centred the camera more left so that he was right centred and the mobile phone accessories were his backdrop. We aimed to make sure that the mobile phones were fitted in the camera focus correctly so that it would create a certain meaning for the audience to understand immediately, before the occupation of Malik is introduced on screen, that he is an expert in the mobile phone industry. We interviewed a number of SSFC students, as well as parents/family members/general public in Solihull Town centre. We chose to stay in one location for the different days to film Voxpops which prevented any members of our target audience from getting confused and prevented making an unclear message to them. This is also a typical code and convention used in documentaries which is why we kept the camera in one location at a time. At the start of the filming for our documentary we were aiming to make sure we were gatekeeping and keeping both points of view alive. However, part-way through filming we realised that the end result we would like is for the audience to believe they could be addicted to their phones, or believe it is possible. Therefore we began to mediate our filming so that most opinions expressed much more towards yes mobile phones are obsessive. However, we chose not to mediate all filming, for example one of the students we have interviewed for our Voxpops explained that he doesnt think he is obsessed at all. This has given us a chance to show to our target audience that we are not trying to make the documentary biased, but we are trying to create an overall conclusive decision.