Beruflich Dokumente
Kultur Dokumente
as a Schoolboy
jwr47
I
A
E
U
H
1 Source: counterfeiting concept Multo enim gravius est corrumpere fidem, per quam est animae vita, quam falsare
pecuniam, per quam temporali vitae subvenitur. II-IIae q. 11 a. 3 co. Thomas Aquinas/Summa Theologiae/Part
IIb/Q11
2 Sources in Dutch or German: Dagboekfragmenten (1960-1972) - Dagboekfragmenten 1991-2010- Ein Jahr Voller
Farben (2010) - Tagebuchfragmente 1954-2011 - Tagebuchfragmente: Eine Reise in Die Schweiz (2011) Dagboekfragmenten 2012-2013 (Missing volumes may be found in an overview: JWR's Dokumentenliste)
These drawings have been made in lessons dated a few weeks later. The sample drawings of the
teacher probably had identical colors or at least similar colors.
In due time my mother returned the carefully conserved exercise book and I remembered the most
impressive initial lesson with Adam and Eve. I even remembered my seat position in class: a back
row at the right side. Also I clearly remembered the brightness of the colors. The explanation for
these colors red & blue and why they after the Fall of Man had been changed to purple seemed to
have vanished. Nowhere in the exercise book and in my memories any trace could be found. An
elementary information had been missing. The information had been given without a clue. I never
found a serious answer to this question.
During the lessons the texts had been written with a pencil. Later the texts were to be overwritten
with a dip pen, which had to be dipped in a shared inkwell in the middle of the children' desks.
Apart from my exercise book I also received the children' catechism and a photograph of those
days. Recently we had great fun in reproducing the answers to the catechisms' questions: why are
we on earth (Why did God create us)? The response is: we are on earth to know God, to love him,
to serve him ... 4 and of course we all shared the correct responses for the questions of the first page.
Five-Teen5
Sometimes however I found magic words, which seemed to be working properly, such as the
formula fifteen, which almost forgotten had been stored away in one of my remotest memorial
archives. Fifteen or spoken in Dutch Five-Teen had been my filler word, which instinctively
had to be inserted to bridge a short, empty thinking phase.
Initially my memory fails to reproduce realistic samples for my magic word Fifteen. Vaguely I
remember I used it by inaudibly whispering Five-Teen to gain some time. Time to bridge
awkward or void pauses in discussions, in dialogues in classes, in discourses. After all in puberty
my brains sometimes stuck up in eternal cycles. It's the curse of a slow logic processor connected
to bundle of overshooting communication channels: a 10K brain attached to a 9600 baud mouth.
Regularly I have been stopped by a police officer for bicycling without a light and of course we
knew we had to prepare a good story for driving in the dark. I just bought a new lamp and now I
am on my way home to exchange the light, sir!. The response needed to be produced at a flash. If
it came too slow or stammered the story lost credibility. And instinctively Five Teen seemed to be
the exact pause to prepare the answer...
Strictly spoken Five-Teen really consists of two syllables, which started somewhat denigrating
with a pessimistic Five to be followed by a promising and inspiring Teen. In fact Fifteen
never let me down and as in Belisa's magic words I managed to keep the word secret till today,
as it now after fifty years doesn't matter any more. Embarrassing moments need not to be resolved
by fifteen but may be compensated by more sophisticated ways of overcoming the void thinking
phases.
At the end of puberty I must have lost the magic of the secret word Five-Teen, which had been
locked up in my unused memorial cavities. Wherever my thoughts felt in need for stop words I had
learned to find out newer and better methods to fill the gaps without magic.Fifteen belonged to
the category infantile behavior, which is used for childish plays and must be laid aside to become
an adult. I hadn't forgot the brand and immediately remembered while reading Eva Luna
s Two Words, but I had lost the word's creation, its purpose and its practical use. The lost images
however may be returning any time, any day now,... maybe tomorrow, or even after mumbling...
.Five-teen.
5 Five-Teen
A schoolboy
The history of mankind
In retrospect the magic formula Five-Teen may have opened my eyes for symbolism in Roman
and Greek alphabet and counting symbols. Counting with the help of Roman alphabetic symbols
had been taught at an episcopal college, in which half of the teachers were secular and the other half
priests. Most laymen had families and left school in the afternoon, but the priests were responsible
for the most important subjects
Latin, Greek and classic history had been devoted to Storms, whose phantom image still stands
upright at the middle of the central window, leaning on the heater with half-closed narrowed eyes,
his arms folded and holding a cigarette between his forefinger and middle finger.
Smoking had been common and he may have smoked four cigarettes within the fifty minutes of an
hour. At the end of the hour I was allowed to leave the classroom and ring the bell with a special
key. I had been seated in the front row, because I was known to intensely fix the teacher with my
wide awake eyes.
In a way Storms somehow looked like Socrates and I remember how his face could become stormy
severe in examining the dead-silent class and cross-fire bad grades among the pupils in the room.
Storms had been renowned as the best of all teachers and was to leave in pension after I left college.
He was famous for his experience and reached the highest summit of authority of the teaching staff.
I saw nobody ever doubting his decisions. His authority had been founded on superior knowledge.
He never ever needed force for disciplinary action or ordered anyone to write lines of punishment or
any piece of text, which had been considered a bad kind of punishment anyway.
He highlighted his authority by crossing-out pages long passages in the official textbook for classic
history The History of Mankind Hellas and Rome 7. To me as a schoolboy this looked like a
blasphemy, which only was to be permitted to teachers with exceptional authority. The Selected
Chapter titled Greek Religion had been skipped. And later I found references to Frazer's The
Golden Bough (1922) and Erwin Rohde's Psyche (1908)8.
Those days in the early sixties books still had been considered holy as far as the had passed the
censorship phase and hadn't wound up in the index. Of course for us only one censor really counted
that much: the Church! Whatever landed on the index had to be considered a taboo. The Index
librorum prohibitorum was to be abolished 1968 by Pope Paul VI. All of our textbooks only
contained censored and approved information, in which Storms was allowed to cross-out large
amounts.
The texts which had survived this cross-examination were considered as full-proof and had to be
accepted as am absolute truth. A second opinion or a third source usually failed by absence. No
doubt we were sure to learn the plain truth.
In retrospect I decided to return to this phase and study the textbook with so many crossed-out lines.
I needed to verify the former certainties and compare what had been taught to alternative sources.
At the gymnasium I had not been a student, but a schoolboy, who apart from religion had
accepted anything taught in the lessons and stored the wisdom in my memorial archive. Some of
my experiences at college and at the university had been documented in my diary notes9.
By now I knew religion and some parts of classic history had been infected by brainwashing
methods and now 50 years later the time had come to separate the chaff from the wheat.
7 In Dutch: De geschiedenis van de mensheid. Deel V (hellas en rome) door H.G.M A.B. Van Gool (1962)
8 In Dutch: De geschiedenis van de mensheid. Deel V pag. 121)
9 In Dutch: Dagboekfragmenten (1960-1972)
The college had been a pure boys school, in which a small percentage had been enclosed in a
boarding school. My nickname was Caracas, because my parent lived there and I had lived for some
time in those remote paradise areas abroad. At the boarding school only a few friends arose and they
often disappeared by relocation, repeating classes or simply removal by bad grades. I myself
however was lucky and quickly rushed through the classes. The 6th grade examination class
however turned out to be a lonely year, after my few friends had left their 5-year college period and
only a few external fellows were left over. The last year remains a boring lost year in my memory.
According to the rules in an episcopal college I had to endure several religious exercises at school.
Unconvinced of religious fundamentals I did not have intense or confidential contacts to the staff.
I remember to have visited Storms now and then, seated in an apartment full of antique stuff, high
oaken furniture, bookshelves up to the roofs, busy with coin collections, studying, sometimes busy
in reproducing photographs in his dark room. He always friendly responded my shy questions,
mostly translation problems in my homework. In my eyes these items were huge problems and to
him it seemed to be a piece of cake...
I knew Storms like his idol Socrates would have accepted the Truth and the Truth only as his master
and I virtually heard him command me to find out the Truth. For the sake of the Truth so to say...
10
50
Derived from the psi-sign, which in the west had not been written ,
but
100
500
CI
1000
Derived from the phi-sign leading to CI. This sign CI has been
in use for inscriptions up to the XVIIIth century.
M = 1000 Mille has been used in parallel ever since the 1st century
AD
1 Derivation of the Roman numbering system according to The History of Mankind. Part V
At first sight this numbering system looks rather chaotic and unsystematic. But if we do not start at
an origin with alphabetical symbols, but instead some rather unrelated ad lib symbols, another
systemic approach may become visible. The derivation may be a common basis: something that
starts by using a common core for several functional branches.
10 In Dutch: The History of Mankind. Part V (hellas en rome) door H.G.M A.B. Van Gool (5e druk, 1962), pag. 83
One day I noticed that the Roman and Greek numbering systems had been based on quite different
fundamentals. The Greek had chosen letters, which referred to the Greek words for these numbers.
The Romans seemed to have chosen another way. I noticed the common idea of using an I and a V
for both initial number characters and for the initial letters of IV-piter. I thought of asking Storms
for this topic, but didn't really risk to aks...
Herostrates
A most remarkable situation occurred at Storm's description of Artemis' temple at Ephesis, which
356 BC had been destroyed by a young man, who intended to become famous by burning down one
of the Seven Wonders of the Ancient World. Initially Storms refused to unveil the bastard's name
but in the end he revealed the name of Herostratus.
I asked him why he had preferred to keep the name a secret and in the end gave in to tell us who did
it he explained that such criminal behavior should be kept anonymous as long as possible, but in the
end the truth had to prevail in marginal cases.
12 The linguistic-oriented branch had been named in contrast to the technical-oriented branch
An overdose of brandy
It was a bright Sunday morning I woke up around 10 o'clock by the sunlight pouring into the
windows and hitting my eyes. I wasn't feeling good with half of my face in my vomit. I felt cold
and saw I had been deposited in a caravan, wearing my full clothing. The caravan was located near
a large farm I never had visited before, but in the window I noticed the tall cathedral's tower and I
knew I was across the river in the harbor area of the town.
I knew I had to knock at the farm, excuse me for my vomit and cleanup the mess. And ashamed I
was invited into the house where the family had just finished breakfast. I was invited to wash
myself and drink a cup of coffee before they gave me some cleaning materials to remove the vomit
from the caravan's bed. I tried to tell them I had been deceived by the full glass of brandy, which I
should have refused to empty, but I was aware they had some problems in believing me.
And then after I had my coffee I crossed the old bridge across the river Roer, passed Ann's cafeteria
and returned to school, which in the meantime had opened the gates and allowed me to return and
sneak unnoticed into my room, where I took a handful of active coal to detoxify the remaining
traces of alcohol in my body. It was a bright sunny day and I went down and took a seat in the
sunshine, where I found a couple of other fellows. Nobody really knew what had happened and
apart from my boring headache and my half closed eyes against the sunlight they couldn't see my
state of mind. I wasn't going to tell them what had happened last night.
And after half an hour Storms came out for his Sunday morning walk. He greeted us, took a glance
at my buckled face and noticed the black traces of my Norit active coal medicine at the corners of
my mouth. With his usual piercing look he asked me how I was doing. My accompanying fellows
supposed he would be interested whether I felt nervous before my exams, but I knew better...
I didn't want to tell him the truth and said I feel fine, Sir. Thank you!. He waited a few seconds
which felt like an eternity to me - and left us to walk away. I sighed and I knew he had seen the
truth through my shield. Three days later my group had their oral examinations. Storms had given
me an excellent score. As a matter of fact all students had succeeded to pass their examinations.
I remembered what had happened a year ago at the 17 th birthday of my girlfriend, at which her
father had handed me a large glass of coke & cognac, which had made me fall asleep in a rocking
chair. I had been sleeping all night like a rock. I hadn't really taken too much alcohol, but probably
taken it too fast.
After my blackout I asked H. how I behaved that evening after having visited his home. He felt
embarrassed and somewhat awkward, but in the end told me how we must have walked the city and
visited locations, where I had to be guided to come and go. Initially they had helped me in climbing
the fence to the school but had to stop me at the risk of falling and breaking my neck. Nobody really
knew who had accompanied me to the caravan. It was a frightening experience, but I was young
and I simply had tried how far I could go. I could have killed somebody or get killed by anybody
else. I realized I had gone far enough. I knew R. didn't like me and deliberately might have poured
too much brandy into my glass. I am not sure, but I never met him again. These things had to be
learned. I had learned it at school. That's what schools were supposed to teach. But now I was to be
a student and prudent...
I knew I would have to leave college within a few days. There was nothing to withhold me from
packing my bags. And a few days later I had to drag a heavy trunk to the railroad station to my
hometown Eindhoven where I had chosen to study for 6 more years. I had chosen electrotechnical
engineering.
The antenna-laboratory
In 1972 I emigrated to Germany and learned how to engineer microwave antennas16. One of the first
projects referred to the reflections in antenna-communications 17. By using Hewlett Packard's brandnew calculators HP9825 and fine microwave tools I managed to automatize antenna measurements.
These tools allowed me to digitize measurement data and process these data in vast amounts.
Measurement precision improved to 0.1 dB at frequency intervals of 20MHz. These features
produced antenna gain-curves with previously unknown strange sinusoidal variations, which had
been interpreted by my boss as reflection signals. He explained me how to calculate the reflection
path and the reflection signal losses from the maximums and minimums of the variations. At the
400m test site there seemed to be three forms of reflections. In the range of 1m extra trajectory we
found reflections at the feed systems inside both transmitter and receiver antennas. Additionally
ground reflections caused extra trajectories in the range of a few meters. And the third component
produced an extra trajectory of 800m by bouncing the signals between both antennas.
Around 1980 I abandoned the antenna technology and switched to the development of a 34/35-MBit
communication system for microwave links. Having completed that design I switched to CADtechnology for printed circuit boards and IT-data management. At that time around 1990 I also
intensified my philosophical studies.
The antenna laboratory has been operating until 2006 and had been closed from that date 18. Jacques
Storms died 1975 at the age of 73 in a traffic accident. I had left college and the town after my
examination 1966 and I had not seen my teacher again...
16 Tagebuchfragmente 1972-1990; RB Archief JWR 1970-1995; Maxwell's Legacy; Notes to the Casimir Effect
17 Reflector Antennas Revisited
18 Diary Fragments From Death to Rebirth
19 Memories of Scents
Missing an Exam
Never mind. Please come into my office, the professor said and he invited me to enter his office
and sit down at the conference desk.
He put on his jacket and closed the small window, which had been opened wide in the February's
cold. The window had been designed small to prevent suicides from the seventh floor and had not
been opened long enough to remove all of the peculiar lovers' scent I smelled. I thought of the
problem of changing the secretary's title from Ms. Y to Mrs. Y, but had to clean my memory for
more serious thoughts.
The professor seated himself and started his questions about the logic families. I felt puzzled and try
to concentrate on my answers. And although the professor probably tried to be benign he had me
sacked. My note simply was insufficient.
I asked him when I would be able to come back for another exam, as this would be one of the
terminal exams in my study. Of course as a student we might expect to try another exam within a
month or so.
Oh yes, he said, well, these examinations cannot be repeated at intervals under 1 year. I may try
again next year. This blow ruined my plans and I remember this day very well, because it changed
my life and in retrospect I think the professor had been irritated by his coitus, which had been
interrupted by me.
I left the office and noticed the secretary had left the room. The window had been opened wide and
the frosty February air pulled along the cabinet to the open door, spreading paper leafs to the floor.
Of course I didn't pick them up. I had learned to be so careful to keep the professor's privacy at any
cost, or else he might be powerful enough to throw me out of the course.
Civil servant
I had to rearrange some of my tight planning scheme and decided to start a job at the university. In
the predefined year I had plenty of time to finish my last couple of exams and complete my study.
The job started May 1971 and lasted up to October 1971 and provided me with some money and
insurances. I was living in a comfortable attic, going steady with a girlfriend and enjoyed the
comfortable life of easy studying.
Nobody hurried me to complete my work, but I started writing applications to various companies. I
noticed a steep rise in the unemployment numbers and I cursed at my professor H., who had
delayed my final exam to February 1972.
26 February1972 Tuesday
I reappointed to my digital switching technology III for the next chance next year. I followed the
same procedure and noticed the secretary once again blushed as I knocked on her door for my
exam.
The professor also remembered what had been happening and made a big smile as he invited me
into his office. The windows were closed now and the air was as fresh as a Dutch February can be.
This time the exam had been easy and it happened the be the last of my series of exams altogether.
The professor knew it, but somehow he intimidated me by setting the validity at an unusual, very
short termination date: the 1st of February 1973. That was quite unusual, as all of my successful
examinations had been signed at 5 years validity.
Still I had to wait a few weeks for the festivities of final examination, but at the 9 th of March 1972
another professor handed out the certificate for electrical engineering.
I had my diploma, but no employment seemed to be available for these kind of students. Only a few
Dutch companies needed engineering capacity at all and these companies had decided to wait for
the end of the crisis to start planning any extension of their capacities. I had to look for a job
elsewhere...
20 Maxwell's Legacy; Notes to the Casimir Effect; Tagebuchfragmente 1972-1990; RB Archief JWR 1970-1995;
21 Reflector Antennas Revisited
22 Diary Fragments From Death to Rebirth
Texts between brackets, which might be relevant but did not belong to his lectures such as
the chapters Archilochos and Elegy, which should not be learned.
Additional text lines, which he considered relevant. As an example he completed the text by
adding Ephialtes23 as the Traitor of Thermopylae.
As far as I remember Jacques Storms never had been troubled by receiving a nickname. I guess this
unique absence of a nickname had been based on the fact that Storms never had been seen in
trouble. Other teachers received their nicknames because they always lost control, blundered, forgot
to button their shorts or pants, couldn't explain things or regularly made al sorts of mistakes.
To be sure I checked the list of teachers I found for my last year in college, in which I had
documented the nicknames for all teachers except for Storms' lessons: den Dirk (the director),
Knoebel, Doister, Tijl, de Soep, Ticheltje, Charlie, Toestand, de Pin, Toffe Tis, van Pispot tot
Pannenkoek, Big bad Lei...
Of course this is a ridiculous behavior, but as a philosopher Storms would have commented this
behavior by: "Sunt pueri pueri, pueri puerilia tractant" "Children are children and children do
childish things" .
In contrast Storms always had things under control. That's why he failed to be nicknamed .
Unfortunately I left college 1966 and never saw my admirable teacher in Latin Greek and history
again.
23 Ephialtes betrayed his homeland by showing the Persians a path around the Greek position at the pass of
Thermopylae, which helped them win the Battle of Thermopylae in 480 BC.
Twining
In English the words two, twice, twin, twine, twill, tweed seemed to be related to weaving. The
words two, twice and twin obviously had to be understood as a couple, describing two objects.
In ancient times especially twins as two individuals, who are linked in a special way seemed to be
religious symbols, which also had been a main theme in Musil's The Man Without Qualities in
which the protagonist Anders chooses his younger sister Agathe as his twin sister.
Twine however refers to weaving technology and is related to twin: [Old English twn; related to
Old Frisian twne, Dutch twijn twine, Lithuanian dvynu twins; see twin]27:
1. To twist together (threads, for example); intertwine.
To form by twisting, intertwining, or interlacing: twined the cord from plant fibers.
2. To become twisted, interlaced, or interwoven: The branches of one tree twined with those of
another.
3. Something formed by twining: a twine of leaves.
And the divine Biblical order to use byssus to twine fibers, especially blue and crimson to produce
purple seemed to be sacred technology. Therefore I invested considerable effort to find out where
these symbolic elements had been used.
24 Und er fertigte den Vorhang aus blauem und rotem Purpur, karmesinfarbigem Zeug und Byssos und brachte Kerube
darauf an. (2.Chronik 3:14) - Textbibel 1899
25 Pinna nobilis - Byssus often refers to the long, fine, silky threads secreted by the large Mediterranean pen shell,
Pinna nobilis. The byssus threads from this Pinna species can be up to 6 cm in length and have historically been
made into cloth.[
26 Quelle: 2.Chronik 3:14 - Darby Bible Translation
27 Collins English Dictionary Complete and Unabridged HarperCollins Publishers 1991, 1994, 1998, 2000, 2003
Twill weave
A twill weave is the second most basic weave that can be made on a fairly simple loom. I included
this twill sample because it perfectly illustrates how weaving red & blue may result in the illusion
of a magenta color.
6: Detail in diamond twill, with weaving edge (left), blue warp, red weft
Original file licensed by Bullenwchter. under the Creative Commons AttributionShare Alike 3.0 Unported license.
Tweed
Tweed is usually woven with a plain weave, twill or herringbone structure. In tweed color effects in
the yarn may be obtained by mixing dyed wool before it is spun. The original name of the cloth was
tweel, Scots for twill, it being woven in a twilled rather than a plain pattern.
The same process is valid for the ligature , which in Scandinavia also refers to matrimony, law,
ceremony and tradition.
In cuneiform the concatenation of simple roots results in a family of words. From a repetitive
concatenation of ay (water), which originally had been considered semen or seed-water,
the twofold repetition resulted in father, the threefold repetition in grandfather and so on...31:
a-aya-ayaya-ayayaya-...32
ad-adda-adadda
abba-ababba-adda'abba
The word a (water), which originally had been understood as semen-water and had been
associated with a cry and in a first generation step resulted in aya (father) and in a second step in
ayaya (grandfather-symbol). We now may easily imagine how the great-great-grandfather might
be formed by prolonging the sequence. In Dutch the standard pedigree may be formed with 513
ancestors33.
Ayaya (~2000 BCE)
"Grandfather"
(3x: old babylonian)
wr. ayayax(|a.a.a|); a
Table 2: Overview of the words "Grandfather" (ayaya) - father (aya) and Water (a)
In a first concept34 dated 2014 I designed the derivation of divine names from the original voweltriad I, A en U, which resulted in the names Dyaus, Dieu and Ia'u by concatenating the series of
individual vowels and combining cuneiform graphical symbols.
Even the ego-pronouns iau, ieu and iou as well as other derivations of these words may have been
generated from the the original vowel-triad I, A and U.
In the oldest cuneiform samples God had been interpreted as a triad of stars 35, which later
had been reduced to a singular star36.
The old Logo for tri may also be written as a triad of stars such as
. May this
concept already be considered as the origin for a Trigrammaton such as IAU or IA?
31 Overview of the Sumerian Word-trees for Grandfather
32 The Sumerian Water-Codes
33 See: verwantschap
34 Notes to the Vowels A, I, U
35 See fig. 1, in Tengri, Khuday, Deos and God - The word "God" in various languages
36 Source: Tengri, Khuday, Deos and God - The word "God" in various languages
and The Gentile Names of God by Gordon Holmes Fraser
37 We may remember EI had been inscribed above the entrance to the Apollo-temple in Delphi ( E - of the Word Ei
Engraven Over the Gate of Apollos Temple at Delphi) and that Greek scripture at that time might be read in a
forward or backward mode.
This is Dante's text, in which he applies I and El in Italian text and the corresponding English
translation40:
La lingua ch'io parlai fu tutta spenta
innanzi che a l'ovra inconsummabile
fosse la gente di Nembrt attenta:
ch nullo effetto mai razonabile,
per lo piacere uman che rinovella
seguendo il cielo, sempre fu durabile.
Opera naturale ch'uom favella;
ma cos o cos, natura lascia
poi fare a voi secondo che v'abbella.
Pria ch'i' scendessi a l'infernale ambascia,
I s'appellava in terra il sommo bene
onde vien la letizia che mi fascia;
e El si chiam poi: e ci convene,
ch l'uso d'i mortali come fronda
in ramo, che sen va e altra vene.
Dante suggests the evolution of the divine name had been based on the need to make the name
identifiable in a growing population with different tongues:
I El
38
39
40
41
Especially our gender may alienate us from our original identity. As a male or female individual we
slightly deviate from the original Creator and become anders (the German and Dutch word for
different). Therefore the human being is advised to live as a man without qualities, which for a
male partner might be done by marrying a female partner to form an androgynous couple of twins.
Originally the English word man had been derived from the German first man Mannus, who in
its initial form had been understood as an androgynous concept: equally male and female.
This is the central idea of Musil's The Man Without Qualities, which in fact in German should be
titled Der Mensch ohne Eigenschaften translated as The Human Being Without Qualities.
In his own pice de rsistance or livsfrisen Musil names his alter ego Ulrich, who is a
mathematician. Originally however - we know from his diaries - he would have named Ulrich
Anders ( different). And we will have to read a complete volume to identify the final concept
in which Musil describes Ulrich's relation to his 5 years younger sister Agathe, which he may have
intended to join in a symbolic androgynous relation.
The fries as an autobiographical artwork by Edvard Munch
Edvard Munch needed 30 to 40 years to complete his Livsfrisen, in which the symbolism is
concentrated in fertility symbolism and androgynous joints. Sample paintings are Encounter in
Space, Metabolism, Street of Village, etc.
Goethe's Color Theory (1774 1791 - 1810)
In fact Goethe always considered his color theory as his most important effort, which outweighed
his literary work42:
During more than 40 years Goethe studied the properties of light and documented his
color theory, which he considered as more important than his poetic work. Even at the
date of his deathbed ( 22. Mrz 1832) he had planned to start an investigation of colors
with his daughter in law Ottily.
In the forum-entry Weiss - White Blanc it is claimed that Goethe had defined the colors yellow
and blue as primary colors. Yellow and blue are also the basic symbols in Goethe's early successful
novel The Sorrows of Young Werther (1774), which had been published 14 years earlier.
Goethe based his antipodal colors blue and yellow on his own research. He added red as a third,
extra primary color.
Francisco de Miranda (1785-1792)
The colors blue, yellow and red may have been chosen for the three flags of Columbia, Venezuela
and Ecuador at a discussion between the south-American leader Francisco de Miranda and
Wolfgang von Goethe at Weimar in 1785.
In a letter to count Semyon Vorontsov dated 1792 Miranda claims, the three basic colors (yellow,
blue and red) had been based on Goethe's color theory, which he had discussed with Goethe at a
winter evening in 1785. Fascinated by Miranda's experiences Goethe is supposed to have said:
It is not that the world is made of yellows, blues and reds; it is that in this manner, as if
in an infinite combination of these three colors, we human beings see it. []
42 Source: Goethe selbst war berzeugt, dass seine Farbenlehre wichtiger war als alles, was er als Poet geleistet hat.
(German source: Stadt Wetzlar)
A country [Goethe concluded] starts out from a name and a flag, and it then becomes
them, just as a man fulfils his destiny43.
In his military diary Miranda however describes another derivation, in which yellow, blue and red
had been inspired from the flag of the Burgers' Guard (Brgerwache) of Hamburg, which he had
visited on one of his travels to Germany44.
43 Venezuelan flag
44 Flag of Venezuela
About Literature
Literature
One of the first works I 1966 discovered as a student must have been Joyce's Ulysses and A
Portrait of the Artist as a Young Man, which had been popular in students' circles of those days. At
college these works had been considered subversive, heretical, or immoral45.
In contrast my girlfriend's uncle Theo also advised me to study Teilhard de Chardin, who turned out
to also have written heretic books., which remained unpublished for years. Theo gave me his
manuscripts of lectures he had held in the USA.
After some studies I stopped reading these books as novels, but as the authors' keys to their inner
drive for writing and their pice de rsistance or livsfrisen I already had identified in singular
cases. A great number of these livsfrisen passed my eyes and inspired my reading in that special
direction the authors reserve for the category of insider readers. I now will list a short summary of
some literary sources which for various reasons I considered as pice de rsistance:
Relevant notes to these books have been documented in Auserwhlte Funoten (324 pages),
Uitverkoren Voetnoten (254 pages), en Selected Footnotes (122 pages).
The Counterfeiters by Andr Gide
In his dedication to his friend Roger Martin du Gard46 Andr Gide explicitly considered his work
The Counterfeiters (1925) as his first novel.
The central motif in Andr Gide's novel Les faux-monnayeurs (The Counterfeiters, 1925) refers to
the identification of Real and False, honesty and -ethical or intellectual- counterfeiting, such as
Thomas Aquinas illustrated counterfeiting in a religious context: (the Counterfeiting-concept)
For it is a much graver matter to corrupt the faith which quickens the soul, than to forge
money, which supports temporal life.47
Almost all characters in the novel seem to be dominated by counterfeiting: not only count
Passavant, Profitendieu, Vincent and Azais, but also Bernard and Olivier, Georges, grandfather La
Prouse, Laura and even Edouard regularly may counterfeit moral, justice or feelings.
In his diary the protagonist defines the core of the work as follows:
I am beginning to catch sight of what I might call the deep-lying subject of my book.
It is it will be- no doubt, the rivalry between the real world and the representation of it
which we make ourselves. The manner in which the world of appearances imposes itself
upon us, and the manner in which we try to impose on the outside world our own
interpretation- this is the drama of our lives. 48
The central deep-lying subject of the novel is that of the original (real) and the copy (false), and
what differentiates them both in
1. the external plot of the counterfeit gold coins
2. and in the portrayal of the characters' feelings and their relationships.
I think this main theme may be symbolized by Potemkin villages 49 or a scenery at a stage, which
isolates and veils the brick wall at the theater's backside from the illusion whch are dominating our
lives.
As a child I was used to believe these legends and take the stories for granted, because the adults
had been reliable in all respects. In the end the trusted relation too often ends as a fake illusion,
which is to be proven by removing the scenery of the Potemkin frontside.
Wherever I looked I found Potemkin villages, in religion, in politics and in the monetary markets.
Andr Gide's talisman
Boris carried a bit of parchment around his neck in a little sachet, along with the religious
medallions his mother forces him to wear. There were six words on it, written in capital
letters in a childish, painstaking hand six words whose meaning he never would tell me:
GAS TELEPHONE ... ONE HUNDRED THOUSAND RUBLES.
But it means nothing it's magic, he used always to answer whenever I pressed him. I
know now that these enigmatic words are in Baptistin's handwriting-the grand master and
professor of magic and that these six words were the boy's formula of incantation....50
Just like myself and Edouard knew Andr Gide himself also wrote diaries, because the plain truth
must be found by each individual's own experience. I felt more comfortable after I found out that
Andr Gide's talisman gas telephone ... one hundred thousand Rubles which merely deviated
in details from my own magic formula Five Teen. In fact both used numbers and this resemblance
as well as the diaries seemed to join our efforts to unveil the counterfeiting methods. Reading The
Counterfeiters turned out to be an encouraging experience...
Herman Hesse's three biographies in The Glass Bead Game
The three biographies51 of Josef Knecht have been considered as the most valuable part of The
Glass Bead Game, which symbolizes the idea of synthesizing all sciences and all languages towards
a universal language52, in which synthesis involves language, music, enigmatic letter coding, the
weaving of Byssus53 (sea silk54) and tweed.55
Most of these correlations between archaic symbols had also been found in the families of
cuneiform symbols such as the words for water, cry, father, grandfather, etc. I searched for
vowels in Hesse's work, but didn't find vowel references. Hesse however concentrates on music:
The origins of music arose from archaic eras. Arising from the scale and originating
from the Giant One56.
49 Source: Potemkin village
50 Search results: "The counterfeiters" "Baptistin Kraft"
51 Three biographies have been conserved for Joseph Knecht and we consider these to be the most valuable part of this
book Page 119 in Glasperlenspiel, Hermann Hesse (1943), Suhrkamp, 7 th Volume of the Jubilumsausgabe
(1971)
52 originally also imagined by Gottfried Leibniz as a characteristica universalis
53 14 And he made the veil of blue, and purple, and crimson, and byssus, and made cherubim upon it.
54 Pinna nobilis - Byssus often refers to the long, fine, silky threads secreted by the large Mediterranean pen shell,
Pinna nobilis. The byssus threads from this Pinna species can be up to 6 cm in length and have historically been
made into cloth.[
55 (German) ber Den Versuch Einer Universalsprache Im Glasperlenspiel
56 (German) Die Ursprnge der Musik liegen weit zurck. Sie entsteht aus dem Ma und wurzelt in dem groen Einen.
The Giant One creates both antipodes. Both antipodes form the powers of Darkness and
Light.
In standard German these substantives are written in capital letters, but in the English translation the
capital letters symbolize the Biblical respect for the Giant One, Darkness and Light.
The Lyre
The lyre (Grieks ) is a string instrument known for its use in Greek classical antiquity
and later periods.
The number of strings on the classical lyre varied at different epochs, and possibly in different
localitiesfour, seven and ten having been favorite numbers. 57.
We might suggest the lyre's strings may have been associated with vowels such as I, A, U for the 3string lyre, and for the 7-string lyre and the associated planets58.
This musically based foundation of the Glass Bead Game as a universal language also involves
hierarchical dialects relating to the categories: vowels, letters, language, planets.
I discovered Leonard Bernstein's lectures to understand symphonic music as a composition of
motives ( the words) and phrases ( the sentences), which may be joined to paragraphs and
stories. And Hesse's work The Glass Bead Game had been composed as a basic triad of his own
biographies.
The three vowels A, I and U, which had been added to the Aryan (Old Persian) alphabet by Darius I
(the Great) 522-486 BCE formed the fundamental vowel-triad, which according to Bernstein had to
be repeated over and over to form agreeable music.
In old-Babylonian and Sumerian cuneiform the fundamental vowel a had been chosen to refer to
water or semen, from which the cry aya and father had been derived, whereas the threefold
repetition ayaya resulted in a grandfather59. All these processes had been tried out to form an
interwoven religious concept. The basic process seemed to be an integration of all human activity
(music, weaving, colors, language with its vowels and words, laws, matrimony) to prove the
universality of religion.
Das groe Eine erzeugt die zwei Pole: die zwei Pole erzeugen die Kraft des Dunkeln und des Lichten. Das
Glasperlenspiel: Versuch einer Lebensbeschreibung....
57 Source: lyre
58 The seven planets are documented in the days of the week: (1) Sun, (2) Moon, (3) Jupiter, (4) Mercury, (5) Mars,
(6) Venus, (7) Saturn
59 Overview of the Sumerian Word-trees for Grandfather
In college we collectively did read The Little Prince (1943) in French and my schoolbook had been
filled with various notes. I did lend my book to my girlfriend and discovered she had added some
extra notes in her characteristic female handwriting60.
There had been a period of a few months in which we corresponded by regularly writing one letter /
week. She named these letters Billet-doux, in French love-letters. She was a shy young girl of
only 16 and wanted to leave her parental house as soon as possible, but I felt unable to offer her a
solution for this problem and one holiday I lost her to a senior student.
The way how I lost her has been described in The Oasis in Wind, Sand and Stars (1939) by
Antoine de Saint-Exupry, in which he also describes how he found the characteristic animals
which he made immortal in The Little Prince.
The story Oasis describes how Saint-Exupry discovered a paradise after an emergency landing
in the neighborhood of Concordia (Entre Rios, Argentine) and what happened during his stay at the
guest family with their couple of daughters and the menagerie of exotic animals such as iguanidae,
mongoose, a sort of fennec fox and the bees.
One day at dinner he experiences a strange whistle under the table. Something rustled and slithered
between his legs, what the youngest daughter commented as a venomous snake: They usually
return to their home at 10:00 pm. In the daytime they are hunting.
Saint-Exupry admires the cool authority of these silently smiling girls, who are ruling the house
with their petrified visages. From his own sisters he knew they used to categorized men according
to their masculinity at a scale between 11 and 19. Of course he felt they expected him to do his best
to raise his score ...
And much later he remembered this episode and asks himself what may have happened to these
girls. The transition from girl to woman is a breathtaking affair and one day the woman inside a girl
will take over the command. At that time she longs to meet a #19-category, who is going to fill her
heart. Then she inevitably will run into an imbecile, who recites her poems and she will let herself
be guided away like a princess into slavery. That's exactly how I lost my princess, to a #19, at that
time in 1965, when I was just #18 years...
As a strange coincidence I discovered an interesting evidence of Saint-Exupry's episode in the
web, in the documentaries such as Oasis - Saint Exupery en Concordia 61 and El castillo de SaintExupry62. Some of the dialogues are in French & Spanish, others in English.
At his stay in Concordia Saint-Exupry must gave been 33 years old. At that time the girls Suzanna
and Edda Fuchs Valon are 16 respectively 9 years old. I checked the website Concordia - Instituto
Saint Exupry for the ages63.
And I know Oasis and The Little Prince and the included notes of my girlfriend will always be
connected. And having understood how Saint-Exupry interpreted his adventures I admired his
poetry even more. It seemed to be important to know how the poet developed his ideas and
transformed these to his poetry. That's what weaving thoughts is doing in the background.
60
61
62
63
The girls' handwriting could easily be identified, because it had been totally different from boyish handwriting.
Oasis - le docu-fiction inspir de Terre des hommes 50 minuten lang
Inspiratiebronnen Voor Antoine de Saint-Exupry
La familia en cuestin era la formada por Georges Fuchs Vallon, industrial francs que ... Las hijas se llamaban
Suzanne y Edda Fuchs Vallon de 16 y 9 aos, ...
In The Man Without Qualities64 the Austrian writer Robert Musil buried the spiritual heart of his
pice de rsistance or livsfrisen in chapter 25 The Siamese Twins 65, in which he describes the
secret androgynous relation to his sister Agathe.
They experience a mystically incestuous stirring upon meeting after their father's death.
They see themselves as soulmates, or, as the book says, "Siamese twins". 66
I myself consider the vast rest of the novel as a gigantic burial pyramid or tomb 67. I am not sure
whether the vast pyramid had been designed as an impressive monument for the androgynous
concept or had it eventually been conceived to hide the incestuous brother & sister-relation?
In contrast to Goethe's color wheel with 3 primary colors Musil chose four primary colors yellow,
blue, red and green from Ewald Hering's color wheel (1874) 68 to symbolize this androgynous
relation between the brother & sister.
I studied the antipodal colors blue & yellow, red & green in Musil's chapter 25 The Siamese
Twins and documented the results in The Color Symbolism of Philosophers and a few other
studies69:
We might dress ourselves in an opposite pattern, Agathe delightedly responded. Yellow
one of us, and the other blue, or red opposite to green. And our hair might be colored
violet or purpleand I bow myself to a hump and you your belly to a bump. And yet we
will represent a couple of twins70
The sequence of reading these manuscripts played a serious role, because the impact of a work
considerably may be enforced by preceding lecture71.
Goethe's Werther and the Color Theory
Published 1774 Goethe's Werther has been based on the antipodal color pair blue and yellow, which
also had been considered as complementary antipodal opposite set at the color wheel by Ewald
Hering.
Goethe's color wheel however had been based on the primary colors yellow and blue, which were to
be joined by another primary color red72.
In analogy to Goethe Novalis (1772 1801) in his work Heinrich von Ofterdingen also uses yellow
and blue73 as antipodal symbols74.
64 The Color Symbolism of Philosophers
65 Notes to Robert Musil's 'Salvator'-Project In Search for a Keynote in Robert Musil's Man Without Qualities Alles is Anders in de Verlosser Van Robert Musil -The Color Symbolism of Philosophers
66 Plot summary in The Man Without Qualities
67 A Mausoleum of Words Musil's Design of The Man Without..
68 Source: Ewald Hering Colors
69 Notes to Robert Musil's 'Salvator'-Project, In Search for a Keynote in Robert Musil's Man Without Qualitiies.
The chronological list of studies is documented in Proceedings in the Pronouns' Etymology
70 Own translation from German to English - Page 904-905 in Rowohlt's Gesammelte Werke von Robert Musil (1978)
- Der Mann ohne Eigenschaften Teil 3 Ins tausendjhrige Reich (chapter 25, The Siamese Twins).
Original: Wir knnen uns ja auch gerade entgegengesetzt kleiden entgegnete Agathe belustigt. Gelb der eine, wenn
der andere blau ist, oder rot neben grn, und das Haar knnen wir violett oder purpurn frben, und ich mache mir
einen Buckel und du dir einen Bauch: und trotzdem sind wir Zwillinge! (904-905) Kapitel 25 - Projekt GutenbergDE - Spiegel Online
71 German: Von Der Lesefolge Bei Philosophischen Studien
72 Symbolism in Antipodal Colors - explaining the backgrounds
73 "blue flower"
74 Gelb und blau -- zwei von den wichtigsten Farben der Romantik. (Novalis: Hymnen an die Nacht)
In the winter of 1875 the revolutionary leader Miranda visits Goethe in Weimar and discusses the
symbolism of flags for the newly created Great Columbia state (Venezuela, Columbia and Ecuador).
Goethe advises him to use red, yellow and blue for the flag's design75.
Apart from these three South American flags we know the origin of the Philippine flag (1898) with
its white triangle at the left side, a blue band at the upper side and a red band at the lower side may
be found in masonic roots. Now the Proclamation of Philippine Independence signed in 1898 by
Aguinaldo and 96 other Filipino leaders documented that the colors red, white and blue refer to the
Star-Spangled US-Banner (1777) which had inherited its colors from the British Union Flag (Union
Jack, 1606) :
...and the colors blue, red and white, commemorate those of the flag of the United States
of North America in manifestation of our profound gratitude towards that great nation
for the disinterested protection she is extending to us and will continue to extend to us76.
The British Union Flag seems to have been designed for contrasting other flags ships, because
some differences hath arisen between Our subjects of South and North Britaine travelling by
Seas. The other ships probably sailed for Holland or France, both of which applied red, white and
blue as their national colors.
By James I of England, King of Scots, Orders in Council, 1606:
By the King: Whereas, some differences hath arisen between Our subjects of South and
North Britaine travelling by Seas, about the bearing of their Flagges: For the avoiding of
all contentions hereafter. We have, with the advice of our Council, ordered: That from
henceforth all our Subjects of this Isle and Kingdome of Great Britaine, and all our
members thereof, shall beare in their main-toppe the Red Crosse, commonly called St.
Georges Crosse, and the White Crosse, commonly called St. Andrews Crosse, joyned
together according to the forme made by our heralds, and sent by Us to our Admerall to
be published to our Subjects: and in their fore-toppe our Subjects of South Britaine shall
weare the Red Crosse onely as they were wont, and our Subjects of North Britaine in
their fore-toppe the White Crosse onely as they were accustomed. 1606[3]
The flag of Hati had been made 1806 by Jean-Jacques Dessalines with a blue upper band and a red
lower band (which might be extended with as white panel bearing the coat of arms. These colors
have been inherited from the French Tricolor in which the white as a symbol of the former white
leadership had been removed77. The blue color symbolized the black populations and the red color
the mulattoes.
Dem Prinzip, Gegenstze zu vereinen, entsprechend, ergnzt Novalis die Farbe Blau im Heinrich von Ofterdingen mit
der Farbe Gelb oder Gold. Darauf hat Gza Molnr in einer berzeugenden Studie hingewiesen. So ist nicht, wie
Novalis selbst sagt, Alles blau in meinem Buche, sondern es wird dem Blau immer wieder das Gelb in Form von
Gold entgegengesetzt. Blau und Gelb werden so als zwei Pole in ein harmonisch oszillierendes Zusammenspiel
gebracht. (Zur Farbsymbolik der blauen Blume von Novalis)
75 Miranda's Conversation With Goethe in Weimar (1785)
76 The Philippine flag - its masonic roots
77 Haitian Masonry and Agape The Colors of the Flags
About Music
And then there was music: Take Five by Dave Brubeck and Schlafe mein Prinzchen by Papa
Bue's Viking Jazz Band (1960), which I already had enjoyed at college.
French songs such as Gilbert Bcaud's Et maintenant (1962) and Nathalie, Charles
Aznavour's Je te rchaufferai but also Bob Dylan all along with It Takes A Lot To Laugh, It
Takes A Train To Cry, Jacques Brel and his Marieke.
There had been a time we listened more French songs than English music. And German and
Dutch were rare anyway...
In 1959-60, at the time I was living in Caracas, Venezuela, the traditional Venezuelan music
still had managed to survive the impact from foreign sources. From my Venezuelan episode
I had managed to conserve a few souvenirs and the music of my favorite long play records 78.
Those days Venezuela looked like a paradise to me, but nowadays it may have turned into
hell. The 15 minutes taxi-drive from Caracas downtown to the airport La Guaira officially
now costs $ 15879. In the black market the dollars may be exchanged at a rate, which allow
us to drive the same trajectory by taxi for $ 2,50.
Classical music had to wait some years until its concepts had been explained and demonstrated by
Leonard Bernstein.
At Saturday night, 10.10.2015, I once again enjoyed Leonard Bernstein's West Side Story (1961),
whose famous sentimental melodies reminded me to my early youth, in which I must have been
much more sensitive to music than today.
Yes, of course I remembered Maria and "I feel pretty", the girl with her long black hair, who
also had been playing a fine role in Splendor in the Grass80. In this movie the actress Natalie
Wood is playing a role in which she is to commit suicide by swimming to a waterfall, but
ultimately she is saved81. In real life however she dies too early in 198182.
Apart form Maria there is that superb dynamic and innovative song America for which a
later revival version (America [subITA]) exists, which still confirms the enormous effort of
Rita Moreno in her role...
Hearing "Tonight Quintet and Chorus" I automatically enjoyed the accompanying whistling to this
melody, in which lots of alternate keys seem to be mixed up to combinations.
At the early sixties I remember to have whistled this melody like a nightingale. And even now, more
than 50 years later, the transitions between these keys seem to be easier than for any other song. The
muscles in my face seemed to be controlled by preprogrammed movements, which had been stored
with all extra variants Bernstein had provided.
My favorite song somehow, somewhere still managed to impress my mood:
"Somewhere" there is a place for us. Hold my hand and we're half way there, Hold my hand
and I'll take you there Some day, some day, somewhere, somewhere.
Whistling technique
Oh yes, I was surprised that my whistling technique automatically switch between outward bound
and inward bound air-flows, which could be alternated at any sound. Also I noticed I could apply a
tremolo for any tone. The tremolo more or less automatically arose as soon as the tone's length
surpassed a certain limit.
And I noticed that I whistled the first, the third and some following tones in "Somewhere" outward
bound and the second tone inward bound. In fact I never had noticed these details. It somehow
seemed to belong to my inner version of this song "Somewhere".
The Bernstein Story
One of the impressive qualities in Bernstein's work is his concentrated and impressive way of
conducting the orchestra, which is demonstrated in the documentary Bernstein Story83 in honor of
his 25th date of death.
Also his methods in educating the youth to enjoy and understand music, which had been recorded at
television sessions around 1962 are marvelous and in a didactic view comparable to the high quality
Feynman Lectures on Physics.
Bernstein's explanation of Symphonic Music
In What is Melody? Bernstein (in the video starting at 5:35) describes the composition of
symphonic music such as Beethoven's 5th symphonie, in which the theme and notably the repetition
of a theme with small variations plays the leading role for their agreeable feeling at the auditorium.
According to Bernstein (at ca. 10:00 in the video What is Melody?) the threefold repetitions with
variations of a theme may be identifiable in millions of symphonic music sections.
After completing the topic (12:50) Bernstein proceeds in explaining the motive and the phrases,
which may be identified in Wagner's Tristan en Isolde as concatenated motives. Bernstein
compares this to the construct of sentences (phrases) as a sequence of words (motives), from
which a story is to be generated from a series of paragraphs.
I was aware how symphonic music seemed to use the same synthesis of motives and phrases, which
in a language as vowels and words compose a complete story. Bernstein even uses language as a
model to illustrate his concept of sentences (phrases) and words (motives).
In part 2 (3:38) he adds the counterpoint in an explanation of Mozart's Symphonie #40 in G Minor
KV550 and in Wagner's Tristan en Isolde.
A abbreviated overview of Bernstein's videos refers to:
Leonard Bernstein: Young People's Concerts | What is Melody? (Part 1 of 4), in which he
explains Mozart's concepts in a superb way ...
Bernstein, The greatest 5 min. in music education
The Unanswered Question: Lecture 1 - Musical Phonology / Leonard Bernstein / Norton (6
lectures)
Leonard Bernstein - The Making of West Side Story (FULL) Full power! Unbelievable.
And from Caracas an extra Leonard Bernstein's Symphonic Dances by the Simon Bolivar
Youth Orchestra with Gustavo Dudamel as a conductor.
About Philosophy
Some fellow students advised me to read other heretics the Kabbalah and Blavatsky's Unveiled Isis
and Secret Doctrine and did lend me their copies to read. And indeed these works confirmed my
ideas concerning the symbolism of the vowels I and U. The divine names for the sky-gods
obviously largely had been named as series of vowels. Had this been a good reason for ancient
languages to omit the vowels from their alphabets?
The idea to symbolize a male individual by a vowel I and a female individual by a vowel U
interested me, especially because this coding system had been considered as a secret.
And although religion didn't convince me the history of this manipulative counterfeit itself looked
like a most fertile topic of study.
Especially the application of vowels had not been restricted to divine names, but also extended to
the ego-pronouns' category such as IEU, IAU, IOU, the names for Tuesday and Thursday for the
days of the week, which in English are still being written in capital letters probably for their
religious symbolism. After all the days of the week represent the names of the 7 former gods.
In Latin a lot of most important word derivations such as Juglans, iustitia (justice), istus (just),
iubre, iugum (yoke)... have been based on the vowel sequence IU.
The I and U represent two forms of vowel sounds, which are being generated at the extreme frontsection of the mouth, respectively at the extreme backside section of the mouth. These vowels I and
U had been considered as antipodes, whereas the vowel A requires a completely opened windpipe
(trachea). The vowels are the sounds which are the most qualified elements to symbolize an eternal
process and eternity.
The advice "Always end the name of your child with a vowel, so that when you yell the name will
carry." is quit illustrative for the impact a vowel may have.84
In English U and I may also represent You and I, which is illustrated in the following joke:
"A gentleman entered the room of Dr. Barton, Warden of Merton College, and told him
that Dr. Vowel was dead. 'What!' said he, 'Dr. Vowel dead! Well, thank heaven it was
neither U nor I.'" 85
The U and I also had been used as symbols for social harmony. IU-piter and IHVH symbolize the
deity of social harmony between U and I, which completes the symbolism of the vowel series in the
ego-pronouns IEU, IAU, IOU and the divine names such as Dieu, Diau, Diou.
Yahoo
Of course even Yahoo in the 4th part of Gullliver's Travels by the Irish author Swift also represents
the human image of Yahu (IHVH) himself and therefore Victorian clerical circles (such as BulwerLytton and E. Gosse86) considered the name's concept as a blasphemy87.
Swift describes the Yahoos as being filthy and with unpleasant habits. The Yahoos are primitive
creatures obsessed with "pretty stones" they find by digging in mud, thus representing the
distasteful materialism and ignorant elitism Swift encountered in Britain. Hence the term "yahoo"
has come to mean "a crude, brutish or obscenely coarse person"88.
84 Bill Cosby, Fatherhood. Doubleday, 1986) vowel (sounds and letters)
85 Gleanings From the Harvest-Fields of Literature, Science and Art: A Melange of Excerpta, Curious, Humorous, and
Instructive, ed. by Charles C. Bombaugh. T. Newton Kurtz, 1860) vowel (sounds and letters)
86 Quoted in (German) Die Klassiker der englischen Literatur - Katalog der - Autoren: Uwe Bker, Horst Breuer
und Rolf Breuer, ETB ECON Taschenbuch Verlag
87 Von Der Lesefolge Bei Philosophischen Studien
88 Source: Yahoo
Al these details required considerable time for verification which could not be invested at my
college study. Only an experienced student will be able to extend his studies far enough to see
through the scenery and remove the Potemkin villages.
At times I ask myself whether Storms ever had perceived this detail, studied and eventually had
denied to accept the idea for reasons of incorrectness or blasphemy.
And did Jonathan Swift, who had achieved a title DD (Divinitatis Doctor89, Latin for "Doctor of
Divinity", an advanced or honorary academic degree in divinity), himself realize that Yahoo in fact
was to be understood as a genuine series of vowels? And of course the name Divinitatis Doctor
itself also is a genuine Potemkin village, but these details needed time to be found.
Vowing is be done with a voice and vowels
The Online Etymology Dictionary lists a correlation between the vowel-based words voice (voiz),
vow (voe) and vowel (voieul). I wasn't surprised the vows referred to the vowels and the voice.
From their correlation I would suggest to insert a missing i inside vow (voie) to complete the
derivation scheme, in which the voiz (voice) generated the voieul (vowels) to produce a voie (vow):
voice (voiz) vowel (voieul) vow (voie)
vow (n.)
"solemn promise," c. 1300, from Anglo-French and Old French voe (Modern French
vu), from Latin votum "a promise to a god, solemn pledge, dedication; that which is
promised; a wish, desire, longing, prayer," noun use of neuter of votus, past participle of
vovere "to promise solemnly, pledge, dedicate, vow," from PIE root *wegwh- "to speak
solemnly, vow, preach" (cognates: Sanskrit vaghat- "one who offers a sacrifice;" Greek
eukhe "vow, wish," eukhomai "I pray"). Meaning "solemn engagement to devote
oneself to a religious order or life" is from c. 1400; earlier "to bind oneself" to chastity
(early 14c.).
vowel (n.)
c. 1300, from Old French voieul (Modern French voyelle), from Latin vocalis, in littera
vocalis, literally "vocal letter," from vox (genitive vocis) "voice" (see voice (n.)). Vowel
shift in reference to the pronunciation change between Middle and Modern English is
attested from 1909. The Hawaiian word hooiaioia, meaning "certified," has the most
consecutive vowels of any word in current human speech; the English record-holder is
queueing.
voice (n.)
late 13c., "sound made by the human mouth," from Old French voiz "voice, speech;
word, saying, rumor, report" (Modern French voix), from Latin vocem (nominative vox)
"voice, sound, utterance, cry, call, speech, sentence, language, word" (source also of
Italian voce, Spanish voz), related to vocare "to call," from PIE root *wekw- "give vocal
utterance, speak" (cognates: Sanskrit vakti "speaks, says," vacas- "word;" Avestan vac"speak, say;" Greek eipon (aorist) "spoke, said," epos "word;" Old Prussian wackis
"cry;" German er-whnen "to mention").
89 In February 1702, Swift received his Doctor of Divinity degree from Trinity College, Dublin.
And Adam clepide the name of his wijf Eue, for sche was the moder of alle men
lyuynge.90
The 1-lettered name I also named IEVE had created a first human being to his ymage and liknesse,
male and female 91 and she (Eve) had been named EUE.
Adam and God both named themselves Y:
10 And Adam
seide, Y herde thi vois in paradijs, and Y drede, for Y was nakid, and Y
hidde me.
15 Y schal
sette enemytees bitwixe thee and the womman, and bitwixe thi seed and hir
seed;
The concatenation of the human race started by splitting up the divine image YEUE in Adam (Y)
and Eve (Eue):
This concept of the creation legend followed the same concept as in the concatenation of the divine
name:
Dante suggests the evolution of the divine name had been based on the need to make the name
identifiable in a growing population with different tongues:
I El
The Roman numbering system started with I and seemed to generate its follower elements from the
previous items:
Comparing this to the Roman numbering system at least suggests to assume one common root
element I and a subsequent generation of following elements from this common root for all these
derivations.
The concatenation of the divine name may be formulated by a growing chain of vowels:
Omphalos
W. H. Roscher in a recent monograph has shown that the Greeks, like many other peoples,
conceived of the earth as a flat disk with a central point called its omphalos or 'navel,' and further
that within the limits of Greece a variety of towns claimed to possess this all-important center.
He makes out a case not only for Delphoi, but also for other Apolline seatsBranchidai, Delos,
Gryneion, Patara, etc. the omphalos at Delphoi, like the omphalos at Byzantion, was originally
topped by an Agyies-pillar99.
In the temple at Delphoi visitors were shown three symbols resembling the letter E a wooden
original said to have been put up by the sages, a bronze copy of it presented by the Athenians, and a
golden replica dedicated by the empress Livia (Plout. de E apud Delphos).
Coppers of Delphoi struck by Hadrian and by Faustina Senior represent the facade of the temple
with E in the centre of it.
At 1st of March 2014 I visited the episcopal residence in Wrzburg and admired the marvelous
wealth of the precious architecture, artwork and the secretly hidden details which may have been
restricted to the medieval rulers' caste.
Originally from 1230 up to 1644 the Booz and Jachin103 pillars had been installed at the
entrance hall of the Wrzburg Kilian-cathedral. They had been designed around 1230 as
equivalents to the Jerusalem temple, which according to the legend had been created by
Hiram of Tyre.
Both pillars had been inscribed with their names Booz and Iachim respectively 104. The
original red paint may be observed at several locations. Other colors are very scarce or
missing.
The Iachim pillar has been equipped with a singular more complicated 4 level knot, whereas
the Booz pillar uses two dual level knots
The red and black color contrasts of the painted pillars suggested to investigate the traces of red
color at the former pillars at the Wrzburg cathedral, which I had discovered a few months ago.
The slate color
In a photograph the left pillar may look relatively blue, but my inspection reveals the slate stone is
really black. In fact slate is defined as a dark bluish gray color107. Slate gray is a gray color with a
slight azure tinge that is a representation of the average color of the material slate. As a tertiary
color, slate is an equal mix of purple and green pigments108.
Maybe the slate color also had been considered as the locally available best fit choice for the
symbolical color blue as quoted in the Bible. The slate pillar may not have been painted at all and
originally also the red pillar may have been an unpainted red sandstone element.
Open letter to the guild of the Mainz sculptors- and stonemasonry
A few months ago unfortunately it may have been the carnivals season I did write a rather
hilarious open letter to the guild of the Mainz sculptors- and stonemasonry 109 and asked them
what - for heavens sake had inspired them to use different colors in repairing the two pillars next
to the cathedral's main entrance. I never received a response to this letter and must admit I never
expected to receive one either...
English
I, we
free, happy, good
Heights (spiritually high)
vital
praises
most high ( God)
politics
Baldhead (someone without Dreadlocks),
suppressor
to understand
oppressor
cigarette
library
Table 3 Some I-words in the dialect Iaric (from the source: Rastafari)
110Rastafari Language
111I words in Rastafari vocabulary
112u, uw, U of Uw
113The Majestic Singular in William of Orange's Letter
114Addressed to the reformed community in London (Aan de Nederlandse gereformeerde gemeente te Londen)
115 den staet (translated: the state)
116The personal pronoun for the first person singular
117 for ternity - A World made of Word(s)
118 Etymology for Dy, Tiw and (I) - for ternity - A World made of Word(s) (The Creation Legend
encoded in a Singular Vowel)
as matrimony
It must be noted that the Dutch word echt has been derived from old-German wa and
corresponds to the Scandinavian vowel ligature , which had been documented by the Grimm
brothers in their German dictionary:
Ehe, f. matrimonium. das goth. aivs m. bedeutete , aevum, welchen gr. und lat.
wrtern es ganz entspricht, das ahd. wa f. sowol aevum als auch lex, gleichsam ewige
ordnung, regel, recht und matrimonium, ein von gott eingesetztes band zwischen mann
und weib....
My translation:
Ehe, f. matrimony, Gothic aivs m., referring to , aevum, which exactly corresponds
to the respective Greek and Latin words; the ahd. wa f. as well aevum as lex, being
equivalent to eternal order, rule, law and matrimony, as a link created by God between
husband and wife....
And also the i-structure is a typical vowel-based construct. The word i itself refers to eternal
and is well known in Greek . Various old-German words do contain a great number of vowels
and most of these are based on the sacred i-core, such as: inig (unique), ia (mother in
poetic words) and iga (property).
The husband receives the household's paternal authority. His wife is obliged to be servile to
her husband, but she also has a right to be protected and receive alimony according to her
social position (#748).
As the husband is the head of the household, his wife is not allowed to leave unless she is in
a disastrous position. The choice of the living place is the husband's decision and his wife
will have to follow, unless.... (#747).
Obstructing procreation, that is: depriving sexual intercourse by any means from its natural
course is always a cardinal sin (#749). Especially women must take care to avoid
inconvenience in allowing consummation (#751). Inf the partner seriously requests
consummation a refusal is an aggravated sin (#754).
It must be noted that a marriage contract which has been restricted by a calendar-based
method may be considered invalid if during the fertility period consummation is inhibited
(#760).
A female person may not be saying Mass unless no male servants are available and there are
good reasons for this situation. Anyway she is not allowed to have access to the altar and is
restricted to answer from a distance. (#547)
From liturgical prescriptions it became clear that not only women, but except for special countries
such as the Philippines also the color blue had been forbidden at the altar. 123 Generally acceptable
liturgical colors were green, violet, white, red, rose and black. Red was the color for cardinals.
These special restrictions poked me to investigate the correlations between the color blue and
female, respectively red and male symbolism.
In the Church's organization Heribert Jone's law book was so famous even Graham Greene
references to amoral authority the Jone in his novel "Monsignore Quijote".
Strange as it may seem Jone's laws for restricting the access of female persons and blue colors to
the altar exactly matched the symbolism of a red-colored Adam and a blue-colored Eve I had been
taught at elementary school. And I noticed not only Adam had been colored red, but also God
Himself, whereas St. Mary had been painted blue, just like Eve...
Terra Promissa
Terra Promissa by Henri de Greeve Pr.124 (1941) represents the classical educational book for
engaged couples around 1940. This manual clearly defines the marital roles for husband and wife in
matrimonial relations such as:
This inequality had been instructed and implanted to my parents as biblical truths. At their youth
their birthplace Roermond had been drenched in this sanctifying doctrine. My father's notes at the
sideline certify both of my parents have studied this manual.
My mother however did not respond these notes such as Did your read this, Mary?, but she
certainly had felt the inequality between husband and wife.
In this situation we might even consider that the words I and adam may have alternatives for
the first man and that subsections of the human race may have used adam as an ego-pronoun
whereas others used adam as a label for the first human being.
Modern 'Potemkin-villages'
The entire monetary system and large parts of modern economy is based on Potemkin-villages. The
liquidity crisis is far from over. Central banks try to cleanup the mess by overflowing the monetary
system with freshly printed money, but at the same time they remove the last traces of trust. At the
beginning of the escalation phase after the Lehman crisis I started a diary titled The End-Phase of
Fiat-Money. 130
Scenery
I asked myself why intelligent people such as Potemkin, Storms, Heribert Jone, Henri de Greeve
Pr., and bankers like Mr. Bernanke or Mr. Draghi may have created these kinds of scenery just to
deceive their fellow men.
Certainly each designer of Potemkin-villages starts a deceit in full confidence of the quality of his
swindling mechanism. Indeed uneducated people will interpret the scenery as reality with a higher
tolerance level than educated people. In the course of time as education proceeds the counterfeit
must be adapted to the education level. Improved education rejects the ancient scenery. In religion
(the belief) replacement of Potemkin villages are hardly possible, because modifications will not
be tolerated.
In banking business the leading bankers managed to find economist professors, who have been
honored with Nobel-prizes to publish evidence of a successful application of an fiat-money based
economy.
A few years from now this theory will be unveiled as a scam, a Potemkin village, but up till today
the scenery is kept upright and must be repaired by the PPT131 day after day, night after night.
130 (in Dutch) Dagboek over het einde van het fiatgeld
131 The Plunge Protection Team, is a nickname for the Working Group on Financial Markets, which is responsible for
repairing monetary damage and catastrophes.
133 The A.E.I.O.U-device of Frederick III (German) Die AEIOU-Signatur des Kaisers Friedrich III
134 (German) Jahrbuch fr Alterthumskunde, Band 021, 1856 - Georg Christian Friedrich Lisch:
Siegel der Herzogin Hedwig von Meklenburg, Aebtissin des Klosters Ribnitz, 1423, + 1467, und der Herzogin
Elisabeth, Hedwigs Nachfolgerin
135 Anna (1390-1467), abbess in Ribnitz Abbey (1423-1467)
136 Daughter of Johan II. ( 1416), Duke of Mecklenburg-Stargard, 1408 Ruler of Sternberg, Friedland, Frstenberg
and Lychen, Katharine (Wilheida) of Lithuania
137 Daughter of Henry IV. of Mecklenburg, (14171477) Henry the Fat), and NOT the daughter (1467 1503) of duke
Henry III. of Meklenburg=Schwerin, as it has been written in the Yearbook 1856.
Symbolic colors for red, blue, purple (for royals) and yellow (for traitors)
Numerous samples of the symbolism of primary colors such as red, blue, purple (for royals) and
yellow have been documented in:
The Hermetic Codex, Illuminated Manuscripts, Blue and Red Symbolism in Freemasonary,
Widukind's Tomb, Some Color Keys in Paintings, Notes to the Biblical Origin of the Red,
White and Blue, Symbolism in Antipodal Colors, Capita Selecta on Red and Blue
Coloration, Blue and Red in Medieval Garments, Yellow for Judas, Yellow for Saint Peter,
The Symbolism of Yellow in Painting the Apostles, Color Coding in the Last Supper (by
Leonardo Da Vinci), Color Codings in the Last Supper (Overview), Lamentation for Tyre,
Colored Idols - The international exhibition Bunte Gtter
At the left side I am passing a football terrain which has been built on a 3m high elevated
foundation. At the bottom of the 3m stone wall a reddish, rust-colored oily fluid appears, which
reminds me of chronic chemical poisoning. Burned remnants of rubber and blackened metallic
wires indicate a regularly frequented burning place for old tires.
There is no gate to the village behind the white wall section and I will have to wade through some
bushes towards a chopped gateway to a dead-end street...
This way I arrive at the utmost, up to 45 tapered corner between the railroad track and the canal, in
which a triangular plaza is enclosed by the homes of the outcast caravan dwellers. Whereas one side
is limited by the canal, a second side is restricted by a 5m high stone wall of the railroad track and
a third side limited by the 3m high foundation for the football terrain.
The center of the triangular section contains an enormous, but abandoned playground. One
inhabitant marches around and is inspecting his belongings in the gardens near his bungalow. Two
dogs start barking, but silently accompany me on my walk across the triangular area. The houses or
caravans all seem to have been covered by synthetic facades. In a penultimate house I observe a
white-haired man, who is overlooking the triangle. No children may be observed. The outcasts have
turned into graybeards.
And ultimately after the last house a fast car approaches and signals the access to the entrance-way
at the backside of the homes. As a pedestrian I have right of way at the pavement. I am seeing his
gray eyes, who may be as aged as mine and see into his tired leopard eyes, which he slowly closes,
after he has seen me. Then he waits with his eyes closed, until he knows I must have cleared his
way. He knows I do not belong to his kin or neighbors and will leave the place anyway. He must
have forgotten my existence by now.
That's how I leave the triangular settlement of the outcasts, who are living only 3km apart from the
Augustine monastery, but probably never had been allowed to visit these buildings. Only a 3km
straight trajectory is separating the outcasts from the elites....
Reading Kurt Tucholsky's "Pyrenees book" I discovered Oskar Panizza's integral Text of his
Catholic prayer. Tucholsky's biography of the author Oskar Panizza is quite dramatic:
he died, wasted; his books banned, scattered all around, out of print, and essentials
never reprinted... .
This however isn't valid in 2015 anymore. Most of his work even is made available in the web for
free.
In 1920 Kurt Tucholsky described Panizza as follows: at the time his brains were intact he was the
boldest and bravest, the most brilliant and revolutionary prophet of his (German) land, in whose
shadow Heine may be named a tame lemonade and who fought against the Church and State ()
until the bitter end.
Most interesting is his Catholic Prayer the idea of comparing the prayer to weaving and a woven
material:
...and I woke up; and now I realized: what I had heard was the noise of prayers in a
Catholic Church; and the woven material they had created was named -: a prayer.143
which perfectly suited to the weaving methods and woven materials God orders his people to be
made as the priests' garments and temple decorations in Exodus 25:4.
Now how did Oskar Panizza interpret the noise he heard? Slightly shortened he describes it as
follows:
At first, I really thought there were chaff-cutting machines at work, hidden somewhere
in the cellar, or that a traction engine was threshing grain behind the choir, but I soon
realized that recurring periods of a certain length could be regularly distinguished in the
purring noises, similarly to how certain designs and colours came and went over and
over again in automatic sequence in the cloth woven on those looms. And to my not
inconsiderable surprise, these designs were periods of speech and sets of sentences here.
Blessed Virgin, Mary!, and now and in the hour of my death, were the figures and
nuances of sound which flowed past continuously, as if woven on canvas. And now I
did notice that this purring and humming came from the lips and mouths of the
cowering crowd of living people in the nave of the church. 144.
143 in Oskar Panizzas Beschreibung eines Gebets in einer Tiroler Kirche zitiert im Pyrenenbuch (1927), Tucholsky
144 Quoted from: Two Monasteries (Zwei Klster) Tucholsky Pyrenees Book - Posted on July 23, 2013 by Weltbuehne
In optimized prayers the number of repetitions must be reduced. This topic has not been discussed
by Tucholsky but I know where we will find some more details.
It has been studied by Leonard Bernstein, who in the theory of music claimed the 3-fold repetition
with some minor variations might be considered as the most pleasant impression tot the human
mind.
In What is Melody? Bernstein documents (in the Video from ~ 5:35) the composition
of a symphony such as Beethoven's 5 th symphony, in which the theme and the theme's
repetition with some minor variations plays the key-role. The 3-fold repetition with
some minor variations of the theme is the key to the most pleasant impressions.
According to Bernstein147 there are millions of those 3-fold repetition in symphonical
music.
7-Fold repetitions
The Greeks and strictly spoken also the Mithras liturgy148 seem to have increased the number of
vowels considerably to seven by extending the vowels in the alphabet to .
I also remembered Demetrius' recordings who in his essay De Elocutione said that the Egyptian
priests sung the seven vowels in their proper sequence at the adoration of their gods. 149
The seven temples of Harran also honored the number seven. 150 And seven is the maximal number
of individual actions the brain is supposed to manage151.
The effect of more than 7 repetitions
After more than 7 repetitions the brain's communication seems to be blocked. Extreme long
numbers and words are difficult to be remembered.
In Vowel-Sequences in Archaic Manuscripts I documented a very long vowel sequence referring to
an immortal name in the Mithras Liturgy152 153:
----------
EOEIA AEAEEA EEEE EEE EEE IEO EEO OEEEOE EEO EYO
154 This short story basically follows: Dream, lover of mine (Icelandic: "Sofdu st mn") written by Andri Snaer
Magnason (born 1973) from an unpublished manuscript and translated to German by Viola Lensch, found in the
German book "Flgelrauschen". However Andri Snaer Magnason does not explicitly explain the word he found!
(Written down 6:00 - 8:00 at 24.6.2008 in Vellir, Petursey, Myrdalur, 871 Vik, Iceland)
155(German:) In der Mitte Europas gibt es keine Liebe
156Ik houd van mijn hondje, mijn 8-jarige vriendinnetje Ans en frambozenijs - Translated: I like my dog, my 8-year
old girlfriend Ann and raspberry ice-cream
The personal pronoun "Tu" (confidential you) is being used for confidential relations
(e.g. husband and spouse), whereas "shoma" (respectful you) is signifying a more
distant and respectful relation (even between parents and children)157.
Originally the confidential word Tu may very well exclusively have been reserved for
conversations between husband and spouse to symbolize the divine matrimonial relation
between husband and spouse in a married couple. Of course this confidential you
(reserved for marital couples) has to be considered as the highest ranking title, which
should not be used for profane discussions.
I remember to have felt the stress to say "I love you" for the very first time. In those
days I heard some of the guys reporting their love-affairs and the strange experience in
describing deep feelings by a simple word "love". All "lovers" proudly described
phases, which we were allowed to monitor from nearby. Love seemed to behave like
butterflies, making you feel like regularly entering heaven or ... hell!
There was one thing I learned from these stories: love cannot be raised to any higher
summits! As soon as you have used the word you will have to repeat it again and again,
at any state of mind - in the highs and in the depressive lows. You will learn to repeat
the word up to a level of ridiculous incredibility and at these stages you will observe
how the word love is broken to pieces... I imagined how to express loving feelings in
depressive phases, observing my friends gradually being divorced from their deeply
loved ones and wind up with the broken bits and pieces of the word love.
In the end I seemed to be the last guy to be engaged to a girlfriend, to be acquainted to
you. You were wonderful, wearing long, reddish dark blond hair, rolling and flowing
over your young and tender breasts. You had greenish blue eyes, sparkling at my glance
and I expect these sparkles to be the last impressions to my mind...
I tried to avoid the worn-out word "love" and started searching for equivalents. The
word I was looking for certainly had nothing to do with ice cream, new cars or any
advertisement. Indeed it should definitely be referring to greenish blue eyes and long,
reddish dark blond hair... By then this seemed to be important to me.
Those days we did hear the ballads of Charles Aznavour, Franoise Hardy and Gilbert
Bcaud. These shared songs were to be implemented in the new word, as we seemed to
be sharing emotions by songs.
Above all you had to be included in the word I was looking for. Each and every
emotion, each single word we exchanged had to be stored inside. I thought of a word
containing each singular kiss, each finger-touch, as well as our children growing in your
corpse. Now the word started swelling, became pregnant and soon announced birth
itself.
However I still had avoided to say "I love you". Instead I tried to express feelings in
other ways. I did spend every free minute at your side and one day I did buy you 21
roses for your 21th birthday although you went on holidays with your parents the very
next day.
I remember I did not expect the words I love you from your lips. After so many years
this phrase might have raised strange feelings in our relation. We loved each other
without ever using these ridiculous vows and our love grew by and by.
We have loved more than forty years without ever needing the phrase I love you. But I
have always been watching our heart's pounding rhythm. I never seemed to be able to
quit searching for the Word, covering creation. There must be a Master Word
representing the eternal cycle of life and unification.
I understood the both of us, U and I, are surviving in our children by unification in these
sweet reunions we also called "love" and I understood to read the capital letters I for
myself and U for You as hieroglyphic symbols. And the word I was looking for would
have to refer to reuniting U and I in "IU". And I knew IU-piter had been a strange
Roman deity, which Valerius Soranus had named father AND mother of the gods158, both
male and female, in which the I-vowel is the father and the U-vowel the mother.
There seemed to be no need for anything else. From this single IU-word we might
derive any other word, including blue eyes, black hair, chocolate ice cream, fast cars,
and anything else...
I quickly learned we did not invent this word. Even before Soranus and St. Augustine
the word had existed for centuries. We simply lost it for some time. And just because
nobody is interested and it does not accelerate business people will soon forget the word
again.
Folks will still be whispering "I love you" every other day. Some day however they will
see these words may be phony. They will divorce and start new relations referring to the
same pattern. It will not help them to exchange partners. They will have to keep on
searching until they have found the word again. This word is so simple and so beautiful!
It must have been stored in our hearts forever.
Right now I feel like explaining the word to U all! I will have to tell U as soon as I
return home....
I IA IAU JEHOVAH
158In a poem Valerius Soranus addresses Jupiter as an all-powerful begetter who is both male and female. This
androgynous, unitarian conception of deity is quoted by St. Augustine as Jupiter, Lord over kings, over things, over
gods, Father and Mother of gods... (The City of God, Books IVII - The Fathers of the Church)
The core IAU may have been identical up to the phase of confusions.
This is a theory which still needs to be studied...
The experience of incomplete or misleading notebooks and information sources has not been
restricted to the documentation of history. Even the newspapers and the internet are reporting a
constant flow of crimes, deceits, manipulation, theft, corruption, bribery and blackmail. Impertinent
lies are considered as standard practice. Even the specification of emission gases at automobiles
cannot be organized without corruption. Then what are we expecting from racing cyclists, football
clubs, bankers and politicians?
Rastafari therefore introduced politricks for politics, truebrary for library, blindgaret for sigaret
just to name a few. In this short list of inspiring Iaric language we will find more truth in most of
these single entries than is found in all combined libraries of westernized book of laws...
Having resolved the concept for the origin of religion and the most important word we know (the
ego-pronoun159) as a series of vowels I decided to concentrate on another most important Potemkinvillage: the monetary system, which within a yew years collapsed from a rather useful system to a
corrupt gambling paradise and casino.
Politicians and bankers do not have any alternative chance than hiding their criminal affairs and
keep their Potemkin Ponzi facade upright until the ruined building collapses by its own gravity.
I'll try to write down my thoughts in my own words in chronological order. The records will be
documented by quotations and sources, but probably in its details have to be corrected or prolonged.
159 The ego-pronoun is always the first object in the Swadesh-lists, which never have been including a divine name.
160 (German) Gold Zurck - Der Spiegel 48/19
The Franc's inflation those days reached up to 10%. In this era France lost around 40% of the
national gold assets which a few years earlier had been restored by general De Gaulle.
In France the elite had started to transfer their assets to other places outside the borders. That's how
gold returned by airplanes to New York, USA, where it had come from 162. The illusion to stabilize a
badly managed economy by holding gold reserves turned into a disaster.
Even the British pound had to take some blows, but that didn't really matter. The French Franc was
the worst of all types of money163. The gold reserves and the political positions returned to their
original locations.
161 Eye witness report in a letter to F. dated 15 July 1968
162 (German) Gold Zurck - Der Spiegel 48/19
163 (German) Frankreich / Whrungskrise: Gold Zurck - Der Spiegel 48/19
Bernanke needs about 1 or 2 seconds to raise the scenery and pull it between gold and the
auditorium. He is aware that Ron Paul has only a few seconds speaking time left and waits like a
badly hit boxing champion with his response till the gong is going to rescue him: gold is a longstanding tradition.
A comfortable house at the Wilhelmina-place was the home of four female teachers, named
the Hess (?) sisters, of which three were teaching at the Maria school and the fourth at the
school of the poor children. Those days the girls felt honored if they were allowed to carry
their teacher's case, which was heavy with lots of homework notebooks.
In the first class of elementary school little Mary had been assigned a seat in the first row
next to a little girl Truus, who was very bright in learning. Except from little Mary none of
the other class-mates wished to take a seat next to this little girl who suffered from
dwarfism. The idea somebody wished to be seated next to her motivated her to invest more
effort for better scores.
At the nuns' school the girls were not allowed to wear too short sleeves and too short skirts.
Skirts were tested to cover the knees and sleeves had to reach to the elbow. Any offense
resulted in a reprimand and such girls had to be picked up at school to be guided home by
one of the parents.
Her elder sisters called such long sleeves granny sleeves and one of her sisters, who had
learned to sow clothes for the family, knew exactly how far you might go in offending
public standards. Elastic tape allowed the sowers to adapt clothing to flexible standards by
simply shifting skirts and sleeves upward or downward. The skirts and sleeves simply had
moved upward or downward by accident.
Once a year the school inspector came along and checked the school. The pupil who had the
finest handwriting was allowed to write down at the blackboard what the inspector had
formulated of course the most difficult words he could imagine -.
Little Mary learned swimming by herself and was allowed to visit the town's swimming pool
a natural pool next to the river Maas -. After the menarche she was not allowed to
swim while she was menstruating, which had to be checked by her elder sister Ann.
The anticlerical Marcel Pagnol helped me to find some wonderful French words such as filigree,
archiepiscopal and anticonstitutionnellement178, but that's the longest word in French, and of
course it is not related to dying and death. In Dutch I like the word schitterend above any other.
And in English we all remember Rosebud from the movie Citizen Kane".
In January 2013 however the Bundesbank ordered to repatriate 700 tonnes gold from New York and
Paris to Frankfurt. The operation was to begin 2013 and end 2020. In 2013 the shipments added up
to 37 tonnes, which had been remelted. In 2014 a total of 120 tonnes was repatriated184.
Warnings
In Germany numerous economists have warned that the Euro starts as a catastrophic concept.
Professor Wilhelm Hankel confirms that individual countries need the option to choose their
own optimal exchange rates and inflation rate192.
In an essay193 prof. Dr. Hans-Werner Sinn describes the German debt levels in relation tot
the GDP.
Professor Heiner Flassbeck advises to raise the unit labor costs around 50% in Germany to
effectively reach a 2% inflation level194. Of all European countries only France is managing
the monetary strategy on a correct track. All southern states must decrease their unit labor
costs, which might lead to distress and revolutions.
Politicians and economists who are against the Euro are being mobbed like leprous persons.
192 (German) Videos: Es war einmal der Euro - Whrungsgeschichte Wilhelm Hankel Wilhelm Hankel - Was kommt
nach dem Euro? Der Euro - Fluch oder Segen? - Prof. Dr. Wilhelm Hankel
193 (German) Das Dilemma des Euro - Die Enteignung ist unvermeidlich
194 Voordracht: Prof. Flassbeck : Wann startet Europa einen Neuanfang artikel: Wir haben kein GriechenlandProblem, wir haben ein Deutschland-Problem!
The first alarming TV-messages of the JFK-assassination already reported gun shots from different
directions, which implied the existence of a conspiracy. At least two shotguns had been used.
The testimony of Colonel Leroy Fletcher Prouty Mr. "X" in JFK 196
Leroy Fletcher Prouty, who represented Mr. "X" in the thriller JFK by Oliver Stone delivers a
convincing testimony of the environment of the assassination. According to Prouty the elite
manipulates history. The defense of the elite's power is ruled by the laws of Malthus and Darwin,
which are leading to lots of victims.
Kennedy knew the members of the Cuban forces. Cuba had 10 jet fighters and the US-forces were
able to destroy 7 of these jets. Kennedy ordered to bomb the remaining 3 fighters, but the bombers
failed to complete their mission. The operation at the Bay of Pigs now failed, as the slow B36transporter airplanes were unable to escape the 3 approaching jets.
195 JFK Assassination Whistle blower Identified. Jeff Steinberg (for the Larouche Connection)
196 Played by Donald Sutherland
Kennedy decided that the CIA was an unreliable institution and ordered a reorganization, in which
the Joint Chief of State would be made responsible for such operations. He signed the National
Security Action Memorandum #55 at the 28th of June 1961.
Managed by the secret service in 1954 the US Army transported 1 million Vietnamese citizens from
the northern part of Vietnam to Saigon where these people were left without any prospective of a
living base. Up to 1963 the American administration merely provided Vietnam with some advisers.
Only a few military forces were available. In 1963 JFK planned to retreat all Americans from
Vietnam.
During the assassination of JFK colonel Prouty and a great number of army specialists were sent to
the South-pole, where he received a newspaper printed in Christchurch (NZ) with a report of the
assassination and a detailed biography of the murderer Oswald, including a photograph of
Oswald. This publication had been completed before the US-police even had managed to find
Oswald for interrogation. From this early publication Prouty concluded that Oswald had been
prepared to play the role of a pawn in this game.
In an interview with Leo Janos in Atlantic Monthly Magazine July 1973 Lyndon B. Johnson says
(1) he always believed in a conspiracy, (2) Oswald had not been a singular assassin and (3) "...we
had been operating a damned Murder Inc. in the Caribbean."197.
Hoover and LBJ (Lyndon B. Johnson) knew very well what had happened. JFK intended to reduce
war costs and the masters of war saw their profits vanish...
The witnesses in the History Channel documentaries
The History Channel banned censored episode The Men Who Killed Kennedy 7 "Smoking recorded
some witnesses and the recordings reveal several traces of secret services' activities:
JFK's bodyguards had been warned not to take place on Kennedy's Limousine. The
motorcyclists of the guards was ordered to keep a distance to the rear of the JFK's car.
Obviously two bullet holes had been clearly located at the larynx and at the right side of the
forehead. Both were entries. A newspaper article had been corrected and claimed the bullet
holes had their entries at the backside, which clearly indicated a manipulation.
A bullet hole also had hit the front window of JFK's car, which had to be flown to Detroit for
secretly repairing of the window and destruction of the defect window.
The photograph of the back of the head has been manipulated by filling the enormous hole
at the back of the head and veiling the destructive explosion of the brain, which had been
documented and diagnosed by the medical crew.
Photographs of the autopsy report have been manipulated as well in order to keep Oswald as
a solitary suspect. All front-side bullet holes had to be transformed from input to output
holes.
John Liggitt198 had been named as the embalmer for JFK. He returned from his job as a
stressed person. In Corpus Christi he saw the recordings of Oswald's assassination and was
reported as relieved.
197 "I never believed that Oswald acted alone, although I can accept that he pulled the trigger." Johnson said that when
he had taken office he found that "we had been operating a damned Murder Inc. in the Caribbean." The Last Days of
the President - The Atlantic
198 Some of the video's theses have been contradicted in The Reinvention of John Liggett
Alternative sources
Diagnoses of medical specialists and observations of journalists like Walter Cronkite referring to the
bullet holes in J.F. Kennedy's larynx and forehead are discussed in Fifty years of LIES: JFK, See the
evidence and judge for yourself. The found magic bullet is not really deformed at all!
During the assassination more than 3 shots have been registered, although some may have heard six
shots, which would imply a greater number of assassins.
The former FBI-agent Adams even counted 11 shots. He describes a bullet hole at the larynx and
identifies Joseph A. M. as an organizer of the conspiracy. 199
The assassination of Oswald
Table of Contents
From Edwards Notebook 1954..........................................................................................................3
The Creation Legend 1954..............................................................................................................4
At the Zoo 1960.................................................................................................................................8
A schoolboy.....................................................................................................................................9
The Power of a Scenery 1971..........................................................................................................17
Memories of Scents (1971)............................................................................................................18
The Truth behind the Scenery 1990.................................................................................................22
Preparing the research....................................................................................................................23
About the weaving technology......................................................................................................24
About Literature.............................................................................................................................31
About Music..................................................................................................................................37
About Philosophy .........................................................................................................................39
About the role of Vowels...............................................................................................................41
About the symbolism of pillars & omphalos.................................................................................42
About the Rastafari Concept..........................................................................................................45
About parental authority................................................................................................................48
About the scenery of Potemkin-villages........................................................................................51
About the Vowel sequence AEIOU scenery .................................................................................53
About the Colors Orange, Red, Rosa, White and Blue..................................................................54
About the 3 Miles Separation between the outcasts and elites......................................................55
About the vowel-sequences in divine names.................................................................................57
About the deterioration of words and wordings............................................................................60
The Synthesis of Philosophy 2015..............................................................................................65
The Crash 2015................................................................................................................................67
The Beginning and the End of the Euro........................................................................................68
The synthesis of the monetary system...........................................................................................77
The Secret Service 2015..................................................................................................................78
The secret service as a Potemkin scenery .....................................................................................79
Appendix I -2015 Synthesis Phase Counterfeiting (2)....................................................................86
Synthesis of Counterfeiting methods (in Religion and Economy)................................................86
Additional Color Symbolism.........................................................................................................87
Overview (and Access tool)...........................................................................................................87
Miranda & Goethe.........................................................................................................................88
The study of German and Walloon Dialects.................................................................................88
Appendix II - 2014 Synthesis Phase Linguistics (1).......................................................................89
The study of Sumerian Cuneiform, Gothic, Manx, Danish, Oscan...............................................89
Etymology......................................................................................................................................91
Overview of the Synthesis Phase...................................................................................................92
Overview of Symbolism in my Paintings......................................................................................96
Implementing the Ego-concept......................................................................................................96
Analyzing Emerson's work "Nature" & the Yahoos in Gulliver's Travels.....................................96
Robert Musil's Salvator (or Man without Qualities)-Project.....................................................96
Zeus & the pillars of the sky..........................................................................................................97
E-Vowel inscription at the Omphalos of Delphi ...........................................................................98
Androgynous symbols...................................................................................................................98
Red & Blue in Aachen and Maastricht..........................................................................................99
Appendix III - 2013 Vowel Symbolism.........................................................................................100
-words.......................................................................................................................................100
Alphabetical hieroglyphs.............................................................................................................100
The planetary symbolism.............................................................................................................101
The Number of Vowels in Alphabet.............................................................................................102
PIE Design...................................................................................................................................103
Archaic Vowel symbolism...........................................................................................................103
A Review of Vowel symbolism in IAU.......................................................................................104
Semiotics......................................................................................................................................105
Appendix IV - 2012 Vowel-oriented Symbolism..........................................................................107
Etymology....................................................................................................................................107
Savoy and Nimes.........................................................................................................................108
The Habsburg AEIOU-device......................................................................................................109
The PIE-Trinity-Concept.............................................................................................................109
Retrospects...................................................................................................................................110
Color Codes in Josephus' records................................................................................................110
Back to the Roots (Archetypes, Trinity, the Assyrian Ego- pronoun)..........................................110
Designing a High-Precision language..........................................................................................111
Color Symbolism.........................................................................................................................112
Rainbows in the Stuppach Madonna........................................................................................112
New Year .....................................................................................................................................113
Salutations....................................................................................................................................113
The Danish -pronoun................................................................................................................113
Mithras Liturgy............................................................................................................................114
Tuesday and Thursday.................................................................................................................114
The PIE-concept...........................................................................................................................114
Redundancy..................................................................................................................................115
Goethe's Color Theory.................................................................................................................115
Appendix V - 2011 Vowel-oriented Symbolism............................................................................116
Overview......................................................................................................................................116
Claudius' letters............................................................................................................................116
The Alpine Pronouns 2.................................................................................................................116
The Alpine Pronouns 1.................................................................................................................117
lfric's Sermon............................................................................................................................118
Dante............................................................................................................................................118
The Mystery of the Seven Vowels...............................................................................................118
Translation Errors in Exodus.......................................................................................................118
The Vowel's Symbolism...............................................................................................................119
The IU-Codes...............................................................................................................................119
Delphi's Letter E..........................................................................................................................119
Symbolism of Colors...................................................................................................................119
Appendix VI - 2010 The Ego-pronouns, PIE, Mirio...................................................................121
Wycliffe........................................................................................................................................121
The Ego-Pronouns.......................................................................................................................121
Widukind's Tomb.........................................................................................................................122
PIE-Concept.................................................................................................................................122
Frederi Mistral's poem Mirio.....................................................................................................123
Book of Common Prayer.............................................................................................................123
Red & Blue, Purple's Symbolism................................................................................................124
Fontevraud...................................................................................................................................124
Waiblingen...................................................................................................................................124
Freemasonary...............................................................................................................................124
Illuminated Manuscripts..............................................................................................................125
Notitia Dignitatum.......................................................................................................................125
Colored Idols................................................................................................................................125
St. Peter........................................................................................................................................125
Hieronymos Bosch ......................................................................................................................126
William of Orange.......................................................................................................................126
The Kingfisher ............................................................................................................................126
Color Codes.................................................................................................................................126
The Last Supper...........................................................................................................................127
Judas.............................................................................................................................................127
Appendix VII - 2009 Dyaus, Colors, Exodus, Flags, Hochdorf....................................................129
Red & Blue-combinations...........................................................................................................129
Red & Blue & Purple in the Bible...............................................................................................129
Hochdorf......................................................................................................................................129
Brabant.........................................................................................................................................130
Dyaeus.........................................................................................................................................130
The Glass Bead Game as a Scenario for the Crash of the Fiat.. 201- Uploaded 09/24/15
Studying these biographical characters I understood the three protagonists represented
human failures in efforts. Especially I understood the trio represented central bankers and
politicians, who started as rainmakers to summon the monetary rain falling, but failed and
used to be forced to offer themselves as a sacrifice for the good of the tribe. In the French
revolution these bankers had been guillotined.
Hermann Hesse could have stopped here, but he added two extra biographical elements. The
second character is the confessor, who represents the reciprocal confessions of the central
bankers and politicians, who allow themselves to be cleaned up after monetary crashes and
catastrophes. The crashes cannot be avoided or repaired, but by confessions the rainmakers
may be spared, kept alive and be sent into cultivated pensions (rated at $250k for a first
post-Fed speech).
The Keyword Surprise in in Th. Wilder's the Bridge of Saint Louis. - upload: 07/12/2015
This version fortunately had been followed by an analysis by Helmut Viebruck, who claims
that Thornton Wilder uses explicit verbal expressions to control our interpretation of the
novel's text. He also gives some samples of the keyword's usage.
The explicit keyword Helmut Viebruck specifies is surprise, which in English language
may be used in various ways for passive and active actions. In other languages the word
surprise may translate to different wordings, in which Thornton Wilder's concept may be
lost. And unfortunately German also uses different translations for surprise, which invited
me to read the book in its original version English.
201German version: Das Glasperlenspiel als eine Metapher fr das monetre Fiat
The Colors at the Main Gate of the Mainz Cathedral - uploaded: 06/15/2015
At the northern side of the Mainz Cathedral the main entrance provides access to the main
market of the city. The bronze doors have been cast around 1000 AD and the surrounding
pillar section has been dated 1200AD.
Next to the bronze doors we may identify two pillars with Corinthian capitals. The pillars
have been replaced in earlier eras. One of the pillars has been painted black, the other one
red. Originally both pillars had been made from black slate.
The red and black color contrasts of the painted pillars suggested to investigate the traces of
red color at the former pillars at the Wrzburg cathedral, which I had discovered a few
months ago. Mainz and Wrzburg are being connected by the river Main and of course the
color symbolism of the pillars might have been synchronized around 1200AD.
Notes to the German Dialect-Words for the Ego-Pronoun "I" - Uploaded 3.1.2015
The German dialects often reveal an impressive variance in the dialect-words for the EgoPronoun (I). The following variants have been found at Wiktionary's entry Ich- dialect
variants. The words for Tuesday often carry the local divine names, mostly Tiw (or maybe
Tuisto respectively Tuisto), Tir or Ziu (Zeus), sometimes also Ares respectively Mars. Of
course these days and/or gods may also refer to the planets (Jupiter, respectively Mars).
The Strange Link Between Sumerian A & E-Words and Scandinavian -Words 12/1/2014
The simplest words are the 1-vowel words, which exist in archaic Sumerian and ancient
Scandinavian dictionaries.
In The Proto-Sumerian Language Invention Process John A. Halloran claims that earliest
words had been designed as vowel-only words (e.g., a, 'water')
In this paper I analyzed the cuneiform words of old-Persian scripture, which has been
documented in Old Iranian Online: Old Persian: Master Glossary.
The most interesting words of the Old Iranian cuneiform "syllabary are the old-Persian egopronoun Adam (I), its accusative mm (me), the you-pronoun tuva (you), the
equivalent word for Eve: Jva (Life), and Baga (God).
Etymology
Sometimes the Hebrew letter Hei directly seemed to have been copied from Hebrew to the
German language, especially in Heirat (German: marriage) and Ehe (German:
matrimony). The correlation between the vowel Hei and ewig (German for eternal)
and eeuwig (Dutch for eternal) seems to be obvious.
The concatenation method had been derived from Plato's legend for splitting up the first
human creatures into halves, which might have been modeled in splitting up divine names
such as YHWH or its vowel representative Ieve203.
In his work Kabbala the author Papus gives a sample of a split-up Ieve-composition in I
(I explained as - eternity) and the trailing eve (representing the not-I).
The split-up (IU I and U) had been explained as a split-up of the I (the Ego) and the
not-I (all others the plural form for you).
203See the Patristic writings in which is listed: "JEVE", (Iao); (Iaou), (Ieuo), (Aia), or
(pronounced /ja'v/ ), Ehyeh, Jehjeh, (with references to the Catholic Encyclopedia (1910) and B.D. Eerdmans)
(source: Tetragrammaton)
Red & Blue in Salvador Dali's Illustrations for Dante's "The Divine Comedy"
Red & Blue intensely have been applied by Salvador Dali in his 100 Illustrations to The
Divine Comedy. In 1957, the Italian government commissioned Salvador Dal to paint a
series of 100 watercolor illustrations of Dantes Divine Comedy, the greatest literary work
written in the Italian language. The illustrations were to be finished by 1965, the 700th
anniversary of the poets birth.
The color symbolism clearly follows the rules red for male, blue for female persons as given
in The Hermetic Codex II and A Lifetime's Coloring Book (1954-2014), e.g. blue for
Beatrice and orange for Dante.
A complete set of illustrations can be previewed at Salvador Dali Divine Comedy 1963,
from which I selected those which obviously had been painted in red & blue. Most of Dali's
watercolor illustrations use orange or red for male and blue for female persons. I highlighted
some of the most remarkable color combinations
Black Traces in White Noise (analyzing Emerson's work "Nature") Upl. 29.8.2014
Ralph Waldo Emerson's work Nature reveals some prophetic visions on linguistic roots and
especially antipodal symbolism. Emerson describes how antipodes need to be joined to
procreate life. His interpretation of right (straight) as correct or good and wrong (twisted) as
incorrect or bad however seems to be as uncertain as the interpretations of light as
knowledge and darkness as ignorance.
My analysis in this paper illustrates how twisted (wrong) may be interpreted as good
(correct) and straight (right) may be interpreted as bad (incorrect).
A Mausoleum of Words Musil's Design of The Man Without Qualities Upl. 08/5/14
Initially Musil had planned to create a fictive biography, in which a sibling love had to be
playing a central but not an evidently dominant role. In this novel Musil chose the chapter
The Siamese Twins as a central core. Inside ourselves we all may identify the twin sister
as a mental Utopian half, respectively as a manifested alter Ego idea of ourselves.
205Title in German language: Der Mann, der nur aus Wrtern besteht
Musil symbolizes the color contrast of clothing as the significant difference between both
mythical Siamese Twins, represented by the siblings Ulrich and Agathe, by their clothing
colors. In his design papers Musil had named these primary colors red, green, blue and
yellow as bordered areas.
In Search for a Keynote in Robert Musil's Man without Qualities" - Uploaded 07/22/14
Wading through Musil's voluminous, complex manuscripts including his sketches, diaries
and other 8pt-shorthand coded writings it took me some time to identify the keynote in
Robert Musil's Man Without Qualities.
Having found some of the keys the keynote soon became clear to me. Musil is one of the
great authors who returned back to the androgynous roots of mystical experience.
1.
2.
3.
4.
5.
6.
Androgynous symbols
Red & Blue and Other Symbolism at the Heart of Europe published 4/1/2014
Looking for the heart of Europe I visited Aachen and Maastricht.
I checked colors in a number of ancient paintings, frescoes and sculptures, which were
supposed to depict Charlemagne, saints and noblemen. Indeed nobility referred to the
biblical colors red, blue and purple as they had been defined before translators started
misinterpreting yellow for blue.
Charlemagne used the same basic principle in concentrating his (holy?) vowels in his
monogram, which seems to have been designed as a cartouche made of surrounding and
protecting consonants.
Red and Blue in the Paintings Titled Cleansing the Temple - Published on Dec 02, 2013
Visiting the National Museum, Warsaw, Poland I observed Bernardo Bellotto's (Canaletto)
painting titled Jesus Cleansing the Temple, in which:
-- Jesus was wearing the traditional red & blue garments and
-- the most prominent female visitors did wear a yellow and the most prominent male visitor
did wear a green robe.
I wondered if a statistical analysis of these paintings would reveal a trendsetting for these
colors and investigated some web-images for the standard colors, the alternatives and for
Giotto's series of images in which the cleansing of the temple had been included.
An Analysis of Language - Testing Google's Ngram Tool - Published on Nov 25, 2013
Using Google's Ngram Viewers we may analyze the development of the verbal spectrum of
the words in our language. The software uses a base of 5 million digitized books which have
been published between 2005 and 2008. The application of the tool is simple and may be
found at Ngram Viewer.
Some test results produced extraordinary results, which I tried to trace back to their roots.
Most of the strange effects had been found in the samples of referenced manuscripts.
The tool is easy to use and very fast. Initially a number of crashes occurred, but the system
recovered quickly.
Alphabetical hieroglyphs
PIE Design
The Vowels' Symbolism in Archaic Hymns Notes to the vowels in De Elocutione of Demetrius - Published: 03 / 24 / 2013
A remarkable historical remark to divine names in Egyptian religion may be found in the
work De Elocutione of Demetrius and this seems to refer to the archaic vowels, which may
have been uttered in their succession A-E-H-I-O-U-:
"In Egypt the priests, when singing hymns in praise of the gods, employ the seven vowels,
which they utter in due succession ; and the sound of these letters is so euphonious that men
listen to it in preference to flute and lyre."
The principal application of vowels is to produce sounds with an open vowel tract. The role
of the consonants is to define the exact timing for the opening and closing phases in
controlling the vowel tract.
In order to analyze the vowels' symbolism the following report lists all references to the
vowels in De Elocutione.
Notes on the Vowels (as a Foundation for the Symbolism of the Claudian Letters)
Studying the Claudian letters I identified the vowels as the purest of all characters. Although
some vowels must be considered impure some fundamentals have been well-known for
ages. Only the true vowels may be considered for sacred symbolism such as vows, which
excludes semivowels and consonants.
Nearly all languages have at least three phonemic vowels, usually /i/, /a/, /u/. [i] and [u] are
the close or high vowels, [a] is a open or low vowel, for which the tongue is positioned low
in the mouth. In the PIE-sky-god's name Dyaus, respectively Dius the high vowels (I, Y,
and U) are enclosing the low vowels (A, ). This overview certainly explains why I, U and
A have been seen as the most important and fundamental vowels.
Semiotics
Decoding the shibboleths may often be difficult for various reasons, mostly for the loss of
the original symbolism. Generally shibboleths however must have been referring to
important archaic structures, such as marriage, maturity, readiness for childbirth, birth,
death, rebirth, religious concepts, clan-membership, etc.
Images of God - The Origin of the Ego-Pronouns in God's Name - Published: 11/29/2012
Hidden in some of our common words languages probably hold some of the oldest historical
records we might decipher. Deciphering however suggests that someone must have
undertaken the trouble to encrypt a message we may have lost.
The message I found is a strange correlation between some European Ego-pronouns214 and
the words for the Proto-Indo-European sky-god Dyaus. The correlation seems to be varying
over the European continent and may have disappeared in large areas. Still a number of
these links may have survived the turbulence in a series of migrations of peoples. This report
will be dedicated to the possible impact of the mass migrations on the concentration of the
Ego-Pronouns in God's Name.
210snack
211elevator
212subway
213broken tyre
214The personal pronouns for the first person singular
The Ego-pronouns and Divine Names in Savoy French Dialects - Published: 11/16/2012
Savoy-French is the name for a French dialect, which has been spoken in the landlocked
duchy Savoy. It has been independent between 1416 - 1714, then belonged to the kingdom
of Sicily and from 1720 to the kingdom of Sardinia. From 1792 Savoy has been occupied by
and from 1805 it belongs to France. These relations probably had some impact on the
dialects.
Jeudi is de diu, literally translated Diu's day: God's day. A voluminous dictionary
defines the variants for the word God and the ego-pronoun 215 kunnen zijn216. The divine
names are correlating to the sky-god Dyaus, Zeus, respectively Jupiter and the equivalent
Nordic god Tyr.
In the central area of Savoy the ego-pronoun is DE, whereas God is named DYU or
deje, dezye in which the ego-pronoun seems to be a sort of preposition for the divine
name.
All samples in the table suggest a strong correlation between the word God and the egopronoun.
The PIE-Trinity-Concept
colors (Table) are consistent in explaining the seven earth-bound elements in the vowels,
metals, planets, days of the week and the rainbow.
Retrospects
The Symbolism of the Colors Purple, White, Red and Blue - Published: 09 / 04 / 2012
Josephus seems to have categorized red and blue as images of the fire and the sky. In
contrast purple and white have been considered as representing their sources (the sea,
respectively the earth).
Red and Blue in C.G. Jung's "The Red Book" - Published: 07 / 16 / 2012
The bipolarity, the androgyny, the coloring of initials, the colors' red and blue in Jung's
masterpiece corresponds to similar symbolism in a great number of medieval manuscripts.
Jung created this document as his private overview and record of his own experiences.
Color Symbolism
Why Blue has been Made an Inferior Color (explaining the symbolism in positive Red and
negative Blue) - Published: 04 / 23 / 2012
To my opinion the avoidance of blue had nothing to with the development of dyes and other
forms of artificial coloring. The main reason for avoiding the word blue had been its evil
character. It has been a bad omen like the evil eye and the word must have been avoided at
any cost. On the other hand blue had to be accepted as a normal antipodal force in life, in
which fertility required the synergy of good male and evil female forces for procreation.
These fertility forces had to be honored in the temples and required to decorate the sacred
locations with red and blue.
False Rainbow Symbols (in symbolic and religious paintings) - Published: 04 / 09 / 2012
Having identified the false rainbow(s) in the Stuppach Madonna I started a search for some
other samples of similar deviations from traditional symbolism in order to study the idea of
intentional symbolic ordering of colors in the rainbows.
New Year
Salutations
Mithras Liturgy
The PIE-concept
Redundancy
Claudius' letters
lfric's Sermon
Analysis of lfric's Language (Old English text - before 1025) Published: 06 / 21 / 2011
In this sermon (lfric's Sermon, before 1025) of Old English a number of words have been
explained in relation to their possible German roots. Some of these words (such as Tha, The,
Gelyfath, Ne, Thurh, Agenne, etc.) however may also be explained in relation to Dutch and
French roots or even to alternative German or Latin roots.
Dante
The IU-Codes
Delphi's Letter E
E - of the E-symbol Engraven Over the Gate of Apollos Temple at Delphi Published: 01 / 20
/ 2011 - Reads: 758
The shortest of all aphorisms is the E-vowel, inscribed above the entrance portal. The vowel
has been explained as a monotheistic concept Thou art one, resembling the biblical response
I Am that I Am to Moses, when he asked for God's name (Exodus 3:14). Simultaneously the
E-concept may also be the valid answer to the enigma of the ieu-pronouns and the Dieunames in Provencal language.
Symbolism of Colors
Symbolism of Purple and Scarlet in Greek and Roman Societies Published: 01 / 19 / 2011
In order to investigate the symbolism of purple and scarlet in Greek and Roman societies I
searched the "The Parallel Lives" by Plutarch for quotations of purple and scarlet, which
seem to be the most prominent symbolic colors from the beginning of Roman history until
Plutarch's writings around 100 AD.
The Central Religious Images in the Garden of Earthly Delights Published: 12 / 09 / 2010 Reads: 991
The central religious image of the Garden of Earthly Delights may be identified in the
androgynous symbolism of the red pillar over a blue pond in the fountain(s) of fertility and
love.
The Ego-Pronouns
Widukind's Tomb
PIE-Concept
The PIE Concept - Decoding the Proto Indo European Language Published: 10 / 08 / 2010
This overview investigates the correlation between a number of divine names, the pronouns
and their bipolar elements. European languages derived their linguistic concepts from the
common Indo-European sky-god Dyaus, which in its purest form has been copied to god's
name (Diu) in Provenal language.
Fontevraud
Waiblingen
Freemasonary
Illuminated Manuscripts
Notitia Dignitatum
Colored Idols
St. Peter
Capita Selecta for the religious symbols Red and Blue Published: 06 / 26 / 2010
Most of the illuminated medieval manuscripts do contain scriptures in alternated red and
blue lines, initials or letters. Sometimes gold, purple or green will be applied for extra
decorations. Yellow will largely be reserved for a traitor's symbol (e.g. Judas).
Hieronymos Bosch
Symbolism in the Garden of Delights by Hieronymos Bosch Published: 05 / 27 / 2010 Reads: 1062
The analysis clearly identifies rose-red and blue as the central symbolic elements, referring
to human fertility and the androgynous creation legend. Of course red and blue have been
identified in other documents and paintings, especially in the illuminated medieval Bible's
manuscripts and medieval religious icons and other paintings.
William of Orange
The Kingfisher
Color Codes
Color Codings in the Last Supper (Overview) Published: 04 / 17 / 2010 - Reads: 2421
Usually Judas will wear yellow, green or black (or combinations of these medieval evil
colors). Sometimes the artist will dress Judas in good colors (blue and red) and applies
evil colors for other disciples, in order to trigger the attention of the observers.
Color Coding in the Last Supper (by Leonardo Da Vinci) Published: 04 / 16 / 2010 - Reads:
2587
This analysis documents the color codes in the garments at The Last Supper (Leonardo da
Vinci) to investigate the thesis that in the Middle Age red & blue may have symbolized the
Good and yellow & green the Evil forces.
Judas
Gender References for Purple, Red and Blue Published: 01 / 18 / 2010 - Reads: 1285
Purple has always been a divine and imperial color. The divine commands in Exodus 28-28
and 39 (-21,22,30) clearly reveal a preference of blue for Aaron and his sons.
Paint It Purple - A short History of painting Red and Blue Published: 01 / 03 / 2010 - Reads:
2198
According to a number of divine commands in the Book Exodus and the second Book of
Chronicles the colors Purple, Red and Blue must have been religious symbols for a very
long time.
The Fundamental Color Symbols Blue and Red Published: 10 / 21 / 2009 - Reads: 4494
A great number of ancient -mostly religious - codings has been conserved in antiquities. One
of the fascinating topics in these areas is the use of colors as ancient symbols, which have
been documented in writings such as the Bible, in ancient sculptures and in ancient
buildings.
Hochdorf
Brabant
Dyaeus