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Still I Rise

You may write me down in history • The use of the pronoun ‘you’ immediately differentiates the persona from her
With your bitter, twisted lies. intended audience. The persona asserts: ‘You may write me down in history / With
You may trod me in the very dirt your bitter, twisted lies’. The persona feels that her identity has been wilfully
negatively misinterpreted. She continues: ‘You may trod me in the very dirt / But
But still, like dust, I’ll rise. still, like dust, I’ll rise’. The past participle ‘trod’ sounds hard, and is perhaps meant
to reflect the aggressive nature of the action of the person / people who is / are
repressing the persona. The persona’s choice of natural imagery (‘like dust’) makes
it seem inevitable that she will ‘rise’.
Does my sassiness upset you?
Why are you beset with gloom? • The second verse begins with a rhetorical question: ‘Does my sassiness upset you?’
‘Cause I walk like I’ve got oil wells This implies that the intended audience is ‘upset’ (disturbed) by her ‘sassiness’
(saucy nature). The adjective ‘sassy’ is colloquial, especially used in America.
Pumping in my living room.
America is home to the African American poet Maya Angelou.
This is followed by another question: Why are you beset with gloom?’ The persona
answers this question herself: ‘Cause I walk like I’ve got oil wells / Pumping in my
living room’. Consider this simile carefully. Does it simply create an image of the
persona walking with energy and enthusiasm? Does it imply that she is walking as
if she has a fortune? However you interpret the simile, it is clear that the intended
audience of the poem is disturbed by the buoyant nature of the persona.

Just like moons and like suns, • The persona again uses natural imagery (‘like moons and like suns, / With the
With the certainty of tides, certainty of tides’) to express the inevitability of her ‘rise’. Notice that she repeats
Just like hopes springing high, the phrase ‘I rise’ (and will continue to do so throughout the poem) to underline her
Still I’ll rise. determination to rise and the inevitability of this.

Did you want to see me broken?


Bowed head and lowered eyes? • Like the second verse, the fourth verse begins with a rhetorical question: ‘Do you
want to see me broken?’ This could be interpreted either literally or
Shoulders falling down like teardrops,
metaphorically; it could refer to the persona being ‘broken’ physically or spiritually.
Weakened by my soulful cries. The second question (‘Bowed head and lowered eyes?’) implies that the intended
audience wanted to see the persona broken spiritually. The intended audience
wanted to see the persona’s ‘shoulders falling down like teardrops, / Weakened by
[her] soulful cries.’ The simile suggests that the intended audience wanted to see
the persona’s shoulders slumped due to sadness.
Does my haughtiness offend you?
Don’t you take it awful hard • The persona asks: ‘Does my haughtiness offend you?’ This creates the impression
that she may be ‘haughty’ (arrogant, self-admiring or disdainful). This may
‘Cause I laugh like I’ve got gold mines
‘offend’ the intended audience if it thought that the persona’s social status should
Diggin’ in my own back yard. not allow her any sense of pride. She continues: ‘Don’t take it awful hard / ‘Cause I
laugh like I’ve got gold mines / Diggin’ in my own back yard’. The simile
suggests that her laughter is triumphant…

You may shoot me with your words,


You may cut me with your eyes, • In a similar manner to the first verse, the persona asserts: ‘You may shoot me with
You may kill me with your hatefulness, your words, /You may cut me with your eyes, / You may kill me with your
hatefulness’. The language is violent (shoot, cut, kill) and underlines the sense of
But still, like air, I’ll rise. animosity that the persona feels is directed as her by the intended audience. It is
interesting to consider that her ancestors, who were slaves, would have been
literally shot, cut and killed. The persona adds: ‘But still, like air, I’ll rise’. Again,
she uses natural imagery (like air) to make it seem inevitable that she will ‘rise’.
Does my sexiness upset you?
Does it come as a surprise • The persona asks: ‘Does my sexiness upset you?’ Her question implies that she
That I dance like I’ve got diamonds recognises her own sexual appeal. She continues to ask: ‘Does it come as a surprise
/ That I dance like I’ve got diamonds / At the meeting of my thighs?’ She uses a
At the meeting of my thighs?
simile to demonstrate the precious nature of her sexuality.

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