Sie sind auf Seite 1von 301

Fake Book Version 2.

C treble

This Fake Book has been assembled with tunes that have been written prior to 1923 which makes
them out of copyright in the USA. This Fakebook has been produced in the following versions:
C Treble
Bb Treble
Eb Treble
Bass Clef
F Horn
If you want versions in other keys or want more tunes added, feel free to contact me.
kyeates@yahoo.com
Kevin Yeates
The Creole Jazz Band
The Creole Jazz Band wordmark was created by Madeline Koeberling. Thanks to Madelines patience
with us, her incredibly thorough analysis of our needs, her research, and of course her creativity,
she was able to develop this outstanding logo. Madeline can be contacted through her website at:
www.madelinekoeberling.ca

12th Street Rag ................................................. 1


A Good Man Is Hard To Find ............................. 146
Aint We Got Fun ................................................... 280
Afghanistan ............................................................. 8
After The Ball Is Over ........................................ 248
After Youve Gone ................................................. 270
Aggravatin Papa ..................................................... 210
Alabama Jubilee ..................................................... 174
Alcoholic Blues ........................................................ 90
Alexanders Ragtime Band ............................... 92
Alice Blue Gown ....................................................... 43
All The Girls Go Crazy ........................ 252
Amazing Grace ......................................................... 154
American Patrol ............................... 217
And They Called It Dixieland ............................... 262
Any Time ........................... 261
April Showers .......................... 228
Are You From Dixie 297
At a Georgia Camp Meeting ................................ 25
At The Devils Ball ................................................... 220
At The Jazz Band Ball ............................................ 222
Aunt Hagars Blues .......................... 152
Avalon ................................. 154
Baby Wont You Please Come Home ..................... 277
Ballin The Jack ............................ 256
Barnyard Blues .. 230
Beale Street Blues .......................... 234
Bill Bailey .. 40
Blue and Broken Hearted ............................... 33
Blues My Naughty Sweetie Gives to Me .. 200
Bluin The Blues ................................... 258
Bugle Boy March. 176
By The Light of the Silvery Moon .................. 254
Careless Love ...... 182
Carolina In The Morning 290
Chicago .................... 276
China Boy ..... 42
Chinatown, My Chinatown .......................... 149
Cleopatra Had a Jazz Band .................................... 150
Creole Belles ........ 62
Curse of An Aching Heart ..................................... 202
Dangerous Blues .... 76
Dardanella .............. 272
Darktown Strutters Ball ....................................... 224
Dear Old Southland ................................................ 207
Dixieland Jazz Band One Step ............................ 168
Down Among The Sheltering Palms ..................... 34
Down By the Riverside ........................................... 99
Down Home Rag ....................................................... 165
Down In Borneo Isle ...... 192
Down In Honky Tonk Town .................................... 54

Down in Jungle Town ............................................... 56


Down Yonder ............................................................. 274
Easy Riders Gone .................................................... 132
Eccentric ..................................................................... 10
Eh La Bas ..................................................................... 133
Fidgety Feet .............................................................. 134
Flee As A Bird ............................................................ 31
Floatin Down That Old Green River ..................... 126
Floatin Down To Cotton Town ................................ 128
Foolish Questions ..................................................... 208
Frankie And Johnnie ................................................ 42
Get Out Of Here .. 148
Grizzly Bear Rag ....................................................... 70
He May Be Your Man ............................................... 72
Hesitating Blues ........................................................ 68
High Society ............................................................... 214
Hindustan ..................................................................... 2
Hot Lips ....................................................................... 178
I Aint Gonna Give None of My Jelly Roll . 32
I Aint Got Nobody . 294
I Cant Let Em Suffer ............................................. 96
I Never Knew I Could Love Anybody .................... 201
I Want To Do The Bear Cat Dance ...................... 268
I Wish I Could Shimmy Like My Sister Kate ..... 186
Ida, Sweet As Apple Cider ................................... 242
If You Were The Only Girl In The World . 282
In The Shade of the Old Apple Tree 296
In The Sweet By and By ... 260
Indiana ........................................................................ 4
Ja Da ........................................................................... 110
Japanese Sandman ................................................... 226
Jazz Baby ................................................................... 44
Jazz Me Blues ........................................................... 194
Jelly Roll Blues .......................................................... 196
Joe Averys Piece 37
Just A Closer Walk With Thee . 247
Just a Little While to Stay Here ......................... 30
King Chanticleer......................................................... 104
Lasses Candy .............................................................. 102
Lassus Trombone ..................................................... 284
Lazy Daddy .................................................................. 112
Limehouse Blues ......................................................... 114
Livery Stable Blues (Vocal) ..................................... 116
Livery Stable Blues .................................................. 230
Long Gone ................................................................... 142
Love Nest ................................................................... 188
Lovin Sam ................................................................... 158
Ma, Hes Making Eyes At Me .................................. 160
Maitland 89
Mama Dont Allow ...................................................... 13
Mandy ........................................................................... 14

Margie .......................................................................... 12
Memphis Blues ............................................................ 80
Midnight in Moscow ................................................... 81
Missouri Waltz .......................................................... 266
My Bucket's Got a Hole In It ................................ 95
My Daddy Rocks Me ................................................. 58
My Gal Sal .. 287
My Honeys Lovin Arms .......................................... 162
Oh ................................................................................. 15
Oh By Jingo ................................................................ 98
Oh Didnt He Ramble ............................................... 120
Old Rugged Cross .................................................... 206
Ole Miss ..................................................................... 198
On The Alamo ........................................................... 238
Orys Creole Trombone .......................................... 108
Ostrich Walk ........................................................... 264
Over in The Glory Land . 286
Over The Waves ..................................................... 140
Panama ....................................................................... 16
Pearls .......................................................................... 18
Poor Butterfly .......................................................... 103
Pretty Baby ............................................................... 38
Riverside Blues......................................................... 94
Rock A Bye Your Baby ............................................ 26
Rose of Washington Square ................................. 204
Rose Room ................................................................ 212
Royal Garden Blues ................................................ 141
Rufe Johnsons Harmony Band ............................ 170
Runnin' Wild ............................................................. 172
Sailing Down Chesapeake Bay .............................. 130
San .............................................................................. 22
Satanic Blues ............................................................ 74
Second Hand Rose ................................................. 156
Second Line ... 38
Sensation .................................................................. 24
Shake It and Break It .......................................... 166
Sheik of Araby ........................................................ 184
Shim-Me-Sha Wabble . 289
Shoot Em 283
Singin' The Blues .................................................... 155
Sister Kate ............................................................... 186
Skeleton Jangle ....................................................... 64
Sobbin' Blues ............................................................ 66
Some of These Days ............................................... 203
Some Sweet Day ...................................................... 240
Somebody Stole My Gal ......................................... 232
Somebody Stole My Gal (Foxtrot) 233
Someday Sweetheart ............................................. 244
St. James Infirmary .............................................. 164
St. Louis Blues .......................................................... 180
Stockyard Strut ...................................................... 236

Storyville Blues ........................................................ 82


Strut Miss Lizzie ..................................................... 84
Stumbling ................................................................... 21
Suez ............................................................................ 6
Swanee ........................................................................ 20
Taint Nothin Else But Jazz .................................. 88
T'aint Nobody's Business If I Do ....................... 86
Take Me To The Land Of Jazz ............................ 190
Take My Hand, Precious Lord ... 89
That Da Da Strain ............................................... 111
That Dixie Jazz .................................................... 120
Thats A Plenty ...................................................... 28
There'll Be Some Changes Made ...................... 60
This Little Light of Mine . 175
Tiger Rag ................................................................. 218
Til we Meet Again ................................................ 246
Tishomingo Blues .................................................. 78
Toot, Toot, Tootsie ............................................. 263
Tuck me to Sleep................................................... 183
Under The Bamboo Tree ..................................... 223
Wabash Blues ......................................................... 100
Waitin For The Robert E Lee ............................ 136
Walkin' the Dog ..................................................... 138
Washington and Lee Swing .................................. 36
Way Down Yonder in New Orleans .................... 122
Weary Blues . 288
When Ragtime Rosie Ragged The Rosary......... 124
When The Midnight Choo Choo Leaves ............. 250
When The Saints .................................................... 239
When You Wore A Tulip ....................................... 278
When Youre A Million Miles From Nowhere .... 161
Where Did Robinson Crusoe Go ............................ 118
WhiffenPoof Song ................................................... 229
Whispering ................................................................. 9
Wild Cherries Rag .................................................... 106
Willie The Weeper .. 46
World Is Waiting For The Sunrise ...................... 48
Yama Yama Man ......................................................... 49
Yellow Dog Blues ........................................................ 50
You Made Me Love You .. 292
Youve Got To See Your Mama Evry Night ......... 52

12th Street Rag

Euday L. Bowman - 1914

B7
B7
B7
B7

A E

B7

B7
E

B7

F7


B7

B7

E7

A7 E

A
B7
E
F7 B7


Standard Doo Wack-a-doo chorus

B E
B7

B7

B7

Back to top with Intro

B7 Etc

C E

Hindustan

Oliver Wallace & Harold Weeks 1918

q = 185

Cam - el trap pings

jin -

gle,

ring

Un der neaththe stars.

ing,

mem - o riesare bring -

ing,

Sing -

D7

D7

tin -


call ing me

gle,

With a sweet voice mingle,

Harp strings sweet ly

G&7

ing,

G7

a - far.

D7


Tem ple bells are

C

B

Hin

rest

paint - ed

pea - cock

C

Hin

C7

pur - ple

sun - bird

D7

met

D9

du

G7

her

and

the

world

a - cross

the

be

where

the

G7

where

the

Fm

stan

sand,

Fm

stan,

fan

flahsed

C7

we

G7

stan,

G+

D9

Hin

du

- van,

G+7

car - a

proud - ly spreads his

G7

G7

du

where

G7

stan,

G7

Gdim

tir - ed

G7

Hin

du

our

G7

G7

stopped to

G+

gan.

where

Indiana

q = 200

A F

Bb

al - ways

have

Bb

ver

Yet

G7

been

wand

land

and

sea

moon - beam

G7

on

the

wa

Casts

spell

o'er

vis

ion


gain

F#

fair

seem

'rer

to

ter

Bbm6

C7

me

Gm

C7

see

Gm7

Gm

F7

Bb

Bbm

be,

C7

Back home

a -

B F

E7 Eb7 D7

gain

C7


seems

that

see

A7

sends

all

its

Dm

G7

to

roam.

used

D7

then I

long

And

it

C7

C7

still

The new - mown

me.

G7

grance

A7

can - dle light

G7

fra

Bb

for

Dm

Wa - bash,

the gleam - ing

na

thru the syc - a - mores

hay

Bb

G7

Dm7

can

G7

F7

D7

E7 Eb7 D7

C F

in - di

shin - ing bright

fields

in

C7

A7

G7

From

the

When I dream a- bout the moon - light on the

C7


for my

In - di - an - a

home.

(C7)

Suez

Ferdie Grofe/Peter DeRose - 1922

E
D7
D7
G

Rhythm Vamp 4 bars

D7

D7

D7

D7

B G

D7

D7

D7

D7

Rhythm Vamp

D7

Rhythm Vamp:

G
D7

F7

C
B

B7

Solos Here
A&

D7

G7

D B7

C7

C7

G7

F7

C7

G7

G7

F7

F7

C7

A&

A&

Afghanistan

William Wilander & Harry Donelly - 1920

A F

B/F

In the land of Af-ghan-is-

tan,

In


by

E7

Af-

ghan- is-

the

E7

'Cross

the

fair

o-

E7


des -ert

a-

stole his Hin-du maid-en

C7

tan,

sis,

C7/E

There's

Wait- ing

E7

sand,

for you,

we

will

a-

way.

his dreams he's call- ing

E7

In

B7 E7


one to love her.

B/F

Hin-du man is lone- ly and blue.

that he was the

day,

F7
B

man.

C7 Break

her

But therecame an-oth-er one

E7

F Break

She sworeby thestars up a - bove

There's a Hin-du maidand a

F7
B

E7

to

her.

A/C A/C

car- a-

van

Break - Unison 1 bar

And for you on-

G7/B

find a

B C7/E
F
B7
E7





There will be

a bri- dal

day for you, my

i-

dol,

in

ly.

Af- ghan- is-

tem- ple,

tan.

Whispering
A E

B7

Hon - ey I have some thing

B7

you

to

tell

C7

der,

So that

whis - per

B E

G7

F7

can

D7

C&7

C7

F7

me,

Each

hear

B7

me,

C E

whis-

per- ing

why you'll nev- er


B7

lieve

me,

D7

know it's

to

lit-

grieve

me,

F7

Whis- per- ing that

one

dear, but

B7

F7

Whis-

cheer

B&7
you,

leave

so no one can

whis- per seems to

true, there'sno

C7

Whis -per- ing

B7

B7

tle

shoul

you.

my

me,

why you'll nev- er

head on

B7 F7

D7
C&7

Whis- per-ing while you cud-dle near

And it'sworth while list en ing

Put your lit - tle

B7

to.

G7

Schonberger - Coburn,
9
V. Rose - 1920

You're

me,

Whis-

per and

love

you.

per- ing

say that you

be-

Eccentric

10

F
F


A B

G7

C7

C7


C7

J. Russell Robinson - 1921

F7

F7

F7

F7

3

B
B
B7
B F7
F7

B E B7 E


F7

E
B7 E B7 E

B7

G7
C

B7 E

B7

Solos:
F7

11

Solos Begin Here first time

C B

C7


C7


B F7

D B

F7

F7

F7
B

D7

B
B

B
B
C7
F7

C7
F7
B

pp

D7

Tag

After last solo play "C" as


written then on to "D"

B C7 F7

F7

C7
F7
B

12

Margie

q = 160

Con Conrad & J. Russel Robinson

AF

You

talk

Here's

one

Gm

All

must

He holds her

tell

to

you;

sit

up -

close and starts to

on the

coo:

Eb7

C7

Gm

love af - fairs,

C7

Gm7

a - bout your

long they

night

C7

D7

Bb

can

G7

Bb

D7

stairs,

C7

My

lit - tle

13

Mar

Bb

Don't

for

G7

gie,

E7

get

have

bought

Mar

Bb

G7

Days

C7

A7

nev

er

blue.

all

is

said

and

done,

There

is

Gm7

Mar

C7
-

gie,

You've been

are

Mar - gie

it's

you."

world

to

ring

and

of

you

love

you,

ev - 'ry - thing, For

F7

me,

F+7

in - spir - a - tion,

my

Af - ter

F7

real - ly

break

home and

gie,

the

prom - ise

your

D7

tell

F+7

think - ing

E7

al - ways

I'll

I'm

gie,

Mar

F7

E7

Eb7

D7

on - ly

C7

"My

one,

Oh!

lit - tle

Mandy

14

A B

I was stroll - ing out one even

B
E
B



hear some bo - dy

F7

- ing

'neath the silv'-ry

C7

a fa mil - iar

ser - e

C7

- na - ding

there's a min is-ter

dy,

F7

han - dy,

han -

If we'd let him make a


here's the ring for your

fing

F7
B

- er

fee.

F7

this.

dy,

Oh

now

and it sure would be

So don't you

ling - er


is - n't it

G7

G7

It was just some-bod - y

B7

I could

So Istopped a while to

- thing like

moon.

miss.

some

want ed to

Man -

F7

tune.


word

F7

Not a

C7

sing - ing

lis - ten,

Irving Berlin - 1918

C7

a hum - ding -

er?

C7

F7
B

Come a long and let the wed ding chimes bring hap py times far Man dy

and me.

Oh!
B

15
Byron Gay/Arnold Johnson - 1919

F7

F7
B




E
F7

C7

C7

Break: 2 Bars

3
3

B B

F7
B


3
3

F7

B7

B B& B6 B&

1.

2.

F7
B

Panama

16

E
B7

B7

B7

F7

B A

1.


E7

C7

B7

E E7

F7

E7

A&7

2.

C7
E
F7
B7

B7

E7

B7


C7

B7

B7

William H Tyres - 1913

E7

E7


E7

G7

17

E7

D A

E7

E7

E7

pp
ff

E7
A

E A

E7

E7

A7

1.

E7 A
E7
A
A
A7
D


E7

2.E7

E7

E7

The Pearls

18

Jelly Roll Morton - 1919

D7

A E7 A
D7
A7
E7

A E7 A
E7

G7

B7

E7

G7

C7

A7

A7

D7


D7

C7

Break - 2 bars
G
D7
G

G

G7

G7

C Tuba Only

All

D7

G7

C7

19

D7

G7


E7

A7

D Tuba only

All

D7

G7

E7

G B7 E D

C D

G7


C7

A7

G7

A7

D7

G7

G7

G7



Tuba Only

C9

20

Swanee

A F

Swan

Swan ee.


folks

ee

D -i -x - i

see me no

more,

C7

Swan -ee,

G7

C7

by

B7

Swan ee.

C7

love the

Wait in' for me

C7

old

folks

C7

C7

will

am com ing back

G7

shore.

Swan -ee,

F&

The folks up north

Swan -ee,

C7

a mong
the

- my's

When I get to that Swan- ee

the

Swan - ee.

old

C7

- e - ven know my Mam

dear

be

in

C7

My

to

G7

C9

F
F C7

Pray - in' for me Down

C7

I'd give the world

F&

How I love you How I love you

C7

F&

Gorge Gershwin - 1919

to

Swan -ee,

at home.

D7C7 F

Stumbling

21
Zez Confrey - 1922

A
G

G7

E7

Stum-bling all a- round, Stum- bling all a- round, Stum- bling all a-round so

A7

Stumb-ling here and there, Stum- bling

A7

ev- 'ry- where, And

D7

A7

fell and when I rose,

B G

D7

felt

a- shamed.

And told her:

G7

E7

That's the la-test step, That's the la-test step, That's the la-teststep, My

A7

No-tice all the pep, No-tice all the pep, No-tice all the pep.

C6

bling,

hon-

ey,

tho' you are stum-

bling,

lit- tle bit, quite a lit-tle

bit.

She said: Stop mum-

D7
G
A7


just a lit-tle bit, just a

ny,

And when she bumped my nose,

fun-

on her toes,

I must de- clare:

I stepped right

like

it

San

22

Bass Intro

A7

King

San of Sen-

e-

One

day the queen came home,

sad

at

Sing
Told

queen
San

may,

sad

the

Saw

San

in

B7

Bu-

who'd gone ashe would a

way.
dore.

la-

To

On

A7

may,

the shore.

A7

roam.

On

re- frain

A7

on

A7

him she'd no more

Sat

the shore,

A7

ing

A7

gal

Bu- la-

ness on

shore

McPhail/Michels - 1920

his

dear

ly

her

DB7 A7

This was his

lay:

Then came his

lore:

C7

23

D7

B7

C7

loved
loved

me
me,

F7

had

done would be

Why did you


act
I knew you'd come

D F

If


You said you

G7

the

F7

thing

to

way?day.

to

you

true

What you have

D7

But my heart aches,

do.

But now you're mine

D7

And it will break dear,


For all the time dear.

G7


If

C7

you don'tcome back

And you're for - giv - en

ato

But if you
I knew you

C7

this
some

me,

D7

D7

G7 C7

Why have you gone


Have you comeback

loved

D7

ev- er been un-

My dar-ling Lo - na,

na,

way?
stay?

D7

D7

Oh, sweet-heart Lo-

B7

home a - gain

dear,
dear,

C7

to San.

by your lov - ing San.

24

Sensation

q = 180

A Bb

1917

Gm

Cm
F7
Bb
G7


1. C7

F7

2.
F7
Bb
Cm


B Eb

C7

F7

Bb

Bb7

Eb

B7

Fm7

Bb7

Eb


F7

Bb7

C7

Eb

Eb7


Ab Db

Ab Db

Bb7

Eb7

Ab

Db

Ab Db

Bb7

Eb7

Ab


Ab

Ab

Fdim

Eb

Db

Ab

Db

Bb7

Eb7


Back to B

1. Ab

Eb7

2.

Ab

Eb7

At a Georgia Camp Meeting



Bb

2 bars unison w/ Clarinet trill

F7

25

Bb

A Bb

Bb7

Eb




C7

F7

Bb F7

Bb

Bb

Bb7

Eb

Bb

2 bars unison

Bb

F7

Bb




B F7

Bb

Gdim

Bb

Eb

Edim

F7

Bb

Bb

Bb

G7

C7

F7

Fine

F7

Bb7

Bb

Back to "B" for solos, after last solo play "A" once

Rock a Bye Your Baby

26

Jean Schwartz - 1918

A C

Mam-my

sign.

Mam- my

mine,

B7

a-

When I'm in your fond em- brace,

way,

B7

Your roll- in' stone is

Just to see your smil- in' face,

B7

E
G7/D
G7

there to stay.

D7

Smile a wel-come

Lis-ten Mam-my

roll - in'

home to- day,

G7

way.

Your lit- tle roll- in'stone that rolled

G&7

strolled a-

G7

mine,

G7

G7/D

G7

mine:

27

Rock- A - Bye Your Ba-by With

G7


croon a tune

from the heart

from Vir-

gin-

C C

Weep no more my

Dix-

G7

ia,

dy,

when you croon,

G7

ie.

Just hang my cra- dle,

A7

D7

Right on that Mas- on-

Dix-on Line,

And swing it

To Ten- nes- see with all the love that's in

la- dy, sing

G7 F7 E7

G7

that song a- gain for

just as though you had

me on yourknee.

D7


by with

D7

And Old Black Joe,

A million ba-by kiss-es I'll de-liv-

Swan-ee

A7

G7

The min- ute that you sing the

me,

ya'

A7

rock- a- bye ba-

of

Dix- ie Mel- o-

Mam-my mine,

G7

G7
D7

G7

D7

G7

Riv-

Dix-

ie

er,

G7

mel- o-

Rock-

dy.

a-

bye

er,

your

That's A 'Plenty

28

Lew Pollack / Ray Gilbert 1914

A Dm

A7

Dm

Dm

A7

A7

B C7

2 bar break

C7


Dm

F# C7

C7
F





F
F7
Bb
F D7 G7
C7
F
A7
B



C Dm


A7

Dm

Bass

A7

Bass

Dm

bass

A7

Bass


Dm

F7

D Bb

A7 Ab7 G7

Bb
Bb
Cmi7 F7
Bb



C7
F7

E D

trombone, bass

F Bb

C7

F7

29

Bb

cornet,clarinet

A7 Ab7

G7


F7

G7


C7
F7
Bb
Bb
Cmi F7
Bb


G B
A7 Ab7
G7

C7
F7
Bb Eb7
Bb
F7

solo here

continue after last solo

A7 Ab7

FINE


F7

G7
Bb


C7
F7
Bb
Cmi7 F7

Just a Little While to Stay Here

30

A Ab

q = 160

Ab



Just

lit - tle while

Soon this life will

Ab

all

Ab7

Db

Ab

to

stay

here,

be

will

Db

Dbm

Ab

to

la

ly

jour

wait

Just

lit - tle

while

end.

Soon we'll take our

hev'n

bor,

in

the path that's

ney,

Be

at home

B Ab

Just

Ab

lit - tle more hard

Ab

Ab7

Then

state.

Bb7

we'll

Eb7

thru

the

Pearl

the beaut - ies

there

march - ing

Ab

Db Ab Eb7

In

this low and sin - ful

Wait - ing for our

pen,

all

straight,

ble

Dbm

go march - ing

Some sweet day we'll

there.

All

friends.

trou

Db

and

Eb+7

with

Ab

Eb7

nar - row

a - gain

Db

Heav - en's gates are stand - ing

And our trav - els here

Bb7

to

Fm7

Eb7

lit - tle while

Just a

Db Ab

ver,

Db

Ab

all

Ab

Gate.

to

share.

go

Ab

en - trance

F7

ver
ver,

Flee As A Bird

31
Mary S.B. Dana - 1857

A D

A7


Flee as

a bird to your moun-

er,

Wipe ev- 'ry fall- ing

A7

to the clear flow-ing foun-

He will for-sake thee oh nev-

B F

tain,

C D

fly-

er.

Ceasefromyour sor- row and cry-

A7

G6

thee,

Call and the Sav- iour will hear

thee.

ing,

Spendnot the mo- ment in sigh-

ing.

thee,

Thou who art wea- ry of sin.

ing,

A7

A7

The Sav-iour will wipe ev- 'ry tear,

A7

thou who art wea- ry-of sin.


Sav-iour will wipe-ev-'ry tear.

A7

A7

on his bos- om will bear

Shel-tered so ten- der- ly there.


He

Where you may wash and be clean.

C7

Hastethen,Thehours are

A7

tear.


Fly for the aven -ger is near

Thou who art wea- ry of sin.


Go

A7

tain,

He will pro-tect thee for- ev-

G7 B7

Oh
The

A7 D

I Ain't Gonna Give Nobody


None of My Jelly Roll

32

Clarence Williams & Spencer Williams - 1919


Lit

A B

F7

tle

His sister

Green from New Or leans, a greed y

boy was he.

Til ly

Green was real ly mean, and ver - y

stin

He al - ways

She al - ways

want ed lots of

F7


Toot

jel ly

roll,

be

lit

bod y

ain't gon na' give no

bod y

F7

none

can - dy that was made.


hide it

she would try.

F7

you'd hear Til ly cry:

ly

F7

C7(b5)/F

C7

jel

to you.

of my Toot sie

none of my

One

tle Wil ly said:

gan to hang a round,

G7

ain't gon na' give no

to

F C7/G

When the kids would ask her for a bite,

B B

the best

sie Roll,

When the kids

just to keep him com pan - y.

When her mom bought her a

kids

his mom bought him a

C7

gy, too.

want ed some of what you had but gave she noth - ing

Wil ly

day

F7

Roll,
roll.

would - n't give you a piece of my sweet, not to save your soul!

(Toot sic
(jel

ly

Rol!)

roll)

(save your soul!)

G7

33

C7

Dad dy told me to

day,

Just be fore he went a

way,

Mom ma told me to

day,

Just be fore she went a

way;

C7


be a

good boy, He'd

If I'd

be

bring me

toy;

good lit tle

in curls!

If I'd

Two Bar Break

And I'm my Dad - dy's

girl,

She

G7

You know there ain't no need

and joy!

F7

might

put

my

pride
hair

C7

in your just hang- in' a- round,

You

F7

(hang- -in'- a- round)

D7

know you want it, but I'm- a gon- na' turn you down.

E
E
B
G7

My Toot sic Roll is sweet!


jel

And youknow it can't be beat!

ly roll is sweet!

B/F

G7

Interlude to Second Verse


B
D
C7
F7

C7

F7

know you want it, but you can't have it! I

ain't a gon -na' give you none!

Back To "A"
C7
F7

34

Down Among The Sheltering Palms


C

I'm way

down

You're way

out

east,

down

east,

west,

out

takes

G7

love

six

you

be

G7

And my soul is crav - ing, crav - ing for you,

west,

G9

Just

days

to

you

know,

It

go there with

a train, Just

one

with

you

G7

And my heart is pin - ing, pin - ing for you,

so,

G7

Abe Olman - 1914

gain.

week more

C7

long

to

be,

and I'll

35

B F

Down

wait

Out

C F7

How

G7

for me;

C7

where

my love

is

me

the

sun

goes

down

a-

Oh hon- ey

to

G9

wait

bout eight.

How

C7

C7

burn- ing, burn- ing, burn- ing,

Oh hon- ey

old Gold- en Gate,

D7

D7

Shel- ter- ing Palms,

G9

yearn- ing, yearn- ing, yearn- ing

down by the

Oh hon- ey wait for me;

Meet

G7

a- mong the shel- ter- ing palms,

G7

D7



my heart

is

be

Down

C9

for

me.

A - mong

the

Washington and Lee Swing

36

T. Allen and M. Sheafe - 1910

q = 240


Bb


B Bb

Bb

Eb

F7

C7

A Bb

Bb7


Eb

F7

Bb

G7

F7

Bb

Bb

Joe Avery Blues

A B

B
F7

All Play Everytime


B

37
Joe Avery

B7


1. F7

2. F7

E7 Solos start here

B
F7


C B

F7

B7

E7
B

F7


Tag
B

F7

Solos start at "B"

Pretty Baby

38

B7

A E

Egbert Van Alstyne & Gus Kahn - 1916

E7


You ask me why I'm al -ways teas - ing

Pret - ty

just

ba - by

F7

B7

Ba - by;

you,


for you're

E7

ba - by

me.

Your

cun -ning lit - tle dim -ples and your

stare,

I real - ly thought that I was pleas - ing

F7

You hate to have me call you

you,

B7

to

B7

B7


Your ba - by talk and ba - by walk and

C7

cur - ly

F7

ba - by smile makes life worth - while, You're just as sweet as you can

hair,

B B7

Your

be.

Ev' ry

39

B B7

bod y loves a ba by that's why I'm in love with you,Pret ty Ba by,

B7

like

be

your

sis

to

Ba

B7

by,

ter, broth er,

dad

Pret ty

Ba

D7

C7

by.

might as well be you,

too,

F7

And I'd


Pret

ty

Won't you come and let rne rock you in

F7

B7

B7

cra dle of love, And we'll cud dle all the time.

Pret ty Ba by.

E7

and moth - er

B&

B7

Ba

my

Oh! I want a lov in' ba by and it


Pret ty

by

of

mine.

40
Hughie Cannon, 1902

A Dm

On

Bill Bailey

one

sum - mer

morn - ing



la - dy

ya

Dm

married a

&O

like an old

Dm

C0

round.

And to that

the

sun

was

that

prune - fed

cro

- wd

shin - ing

fine.

The

A7

Dm

hung clothes on

the

line

in

her back

A7

ha

rd.

calf and with a

big

gang

She cried out

lou

Bell -

down.

She

took and throwed her

C0

C7

weep - in'

brake - man

and

er - in'

rd,

old Bill Bail - ey she

C7

ho - ney of

A7

hang - in'

d,

C7

B F

Won't

She

you

come

moans

C7

I'll

do

cook - ing

the

C7

know

I've

'Mem - ber

that

no - thing

but

Bb

know

I'm

to

G7

wr

Bail - ley

won't

you

fine

tooth

C7

well

please

come

the

rent.

- ong

drove

you

D7

Bb

out,

with

Gm

comb.

pay

you

blame,

G7

I'll

Bbm

home?

- ng

- y eve that

rain

come

lo

C+

F7

ho - ney,

done

day

you

C7

whole

won't

C0

the

Bill Bail - ley,

home

41

ain't

that

D7

shame!

Bill

home

Frankie And Johnnie

42

C7

C7

to the

B7

swore to be true

to each

said to the fat

bar-

G7

"Has my

lov-

He was my

man,

But he's done me

wrong".

na

boy

go

sleep,

B Ab

Eb7

Sand - man soon

will come,

Ab


Bud - dha smiles

on

theirwatch

they keep,

as the stars

a- bove.

Ab

Eb7

Ab

soft - ly

hum.

don't peep,

D7

Moon - man loves

While

Close your eyes

F F E7 Eb7

Bbm

you,

G9

Winfree/Boutelje - 1922

She

China Boy

They

of beer.

F B7

in- est man been here?

wrong.

while

ten- der,

But he done her

true

man,

Just as

He was her

A F

G7

oth- er,

q = 160

Chi

Just for a buck- et

C7

F F7

Oh, Lord- y how they could love!

cor- ner,

C7

Frank- ie and John- nie were lov- ers.


Frank- ie went down

Traditional

C7

Chi - na

boy

you too.

go

C7

So,

sleep.

43

Alice Blue Gown


A

In

my

D7

sweet

G7

in

to

town,

As

win - dow

I'd

man - ner

of

fash - ion

G7

to

smile

all

A7

Dm

wilt - ed

world seemed

Dm

sweet

A7

lit -

wore

it,

D7

G7

tle

I'd

I'll

Fm

- lice

ev - 'ry

G+

primp, pass - ing

when I

A7

E7

al - ways

G7

Blue

Gown.

A7

- dore

was

in

Then in

'Til

it

And the

round,

But

G7

by;

eye,

frown,

felt

G7

Dm

Gown,

down

Blue

shy,

A - lice

and

shop

proud

ev - 'ry

lit - tle

D7

B

wan - dered

first

both

Harry Tierney & Joseph McCarthy


1919

it,

My

Jazz Baby

44

M.K. Jerome & Blanche Merrill - 1918

A C
C
G7

My dad-dy was a rag- time trom-bone play-er,

G7

cab-

a-

ret- er.

They met one day at


D7

syn- co- pa- ted wed-ding

G7

and then came

My mam-my was a rag-time

E7E
A

tan- go

C7

me.

tea,

Folks think

Therewas


the way

F7 D7
G7

walk is

BC

Jazz

a fad,

But it's a birth-day pres-ent frommy mam-my and dad.

C
G7
C

Ba-by,

I want to be jazz- ing all the time.

I'm a

There's some-thing

C
D7
G7
G&

G7

in thetone of a sax- o-phone,

thatmakes me do a lit- tle wig-gle all my own. CauseI'm a

C7
F
F

C C

Jazz

Ba-by,

Full of jazz-bo har- mo- ny.

That"Walk the Dog"and"Ball the Jack"that

D7
C
C
C
G7
G&


causedall the talk,

is

just a cop- y

of the way I

nat-'ral- ly walk! 'Cause I'm a

Jazz

D F

Ba- by,

Rocked to

cra- dle went to

A7

D7

kle Toe".

Ev-

er

since

To

G7

45

me!

and

fro

to the

start- ed

D7

and fro,

by that's

sleep while the

tune of the "Tic-

G7

Lit- tle Jazz Ba-

D7

in

to grow,I'd

love to hear the mu- sic play- in', See my dear old mam-my sway- in'. Jazz, jazz, jazz,that's

all

All

ev-

er knew,

D7

day

long

G7

Jazz, jazz,jazz,That's all

I want

to do,

nev-

A7

er would

C G7

G7

Play me

get thru.

a lit-tle jazz!

G&


'Cause I'm a

after last solo play C to end

Jazz

Ba- by,

C7

Full of jazz-bo har- mo-

ny.

That

D7
C
C

"Walkthe Dog"and"Ball theJack" thatcausedall the talk,

is

just a

cop-y of theway I

D7
G7
C Solos at D

G7 G&

nat-'ral- ly walk!'Cause I'm a Jazz

Ba-by,

Lit-tle Jazz Ba- by that's me!

Willie The Weeper

46

A Fm

C7

Fm

Cm


Have you heard thesto- ry folks of Will- ie the weep

C7

chim - ney

Bbm6

C7

light

dream - in'

ha - bit

C7

some one shout- ed Will - ie

that knocked him

sil - ly.

Bbm6

Fm

and

he


G7

Right

be

C7

a - round saw a

C7

had.

Cm

turned

Fm

Fm

C7

C7

List- en let me tell you'bout the dream he

At the north pole

bad,

B Fm

er? Will ie's oc cu pa tion was a

Fm

had

Fm


had it

He

er

sweep

Fm

G7

fore

him


in the ze - ro breeze,

cut - ie lit - tle ho ney in her

B - V - D's

C Eb7

Ab

want it good

and

Eb

bis

cuits

Eb7

tell

Bb

strong

eight een inch- es

me

what would you do?


you'd

Eb

lock

weep

er

the

Eb7

Bbm

you could have

Bb7

door

and

like

cry for

more.

Ab

all

F7

Bb

there's some thing tells me

now

if

your dreams come true?

F7

want to have

Bbm Bb7

Ab

long.


Ab

ee

Ab

Eb7

says I want my coff -

Ab

F7

son

some one said, hey cut - ie

Bbm Bb7

zin',

Ab

Bet ter list- en to rea -

Bbm Bb7 Eb7

He walked a - round his feet were free-

47

that


will - ie

the

48

The World Is Waiting For the Sunrise


Eugene Lockhart & Ernest Seity - 1919

F&

A B

Dear

one,

D7

F&

thrush

And

on

my

high,

rose

His

heart

sleep - y

E6

is

call

F&

dew.

B F G7

with

mate

F7
-

ing

the

'ry

F&

for

F7

heav-

ing

Ev

is

wait-

is

C7

B B

world

rise,

G7

the

sun-

is

The

D7

call-

ing,

you.

The Yama Yama Man

49

Collin Davis & Karl Hoschna - 1908

A B A/C

B/D

F7

F7

Ev

'ry

lit tle tot at night is a fraid of the dark,you know.

Great

big

sca ry eyes you see so you cov er up

A/C

B/D


Some

big

But

that

Ya rna man they see,

up your head,

C7

F7


when

off to bed they go.

Ya ma man is there, stand ing right be side your bed!

B B

F7

F7

B7


Ya- ma, Ya- ma,the

If

May-be-he's hid-

Ter- ri-ble eyes

a doubt, If

he

F7

F7

F7

can!

B7

in' be-hind the chair,

Read - y to spring

B G7 C7

Run to your Ma-

and a long bo-ney hand.

C7

G7

you don't wateh out he'll get you with-out-

Ya- ma man,

ma cuz' herecomes the Ya-

ma

Ya-

out at you un- a-ware!

F7

ma

man!

F7

50

Yellow Dog Blues



E'er since Miss

A C


be;

F7

Ev - 'ry cross tie


Way down where

the

B C

Ca - ble grams come of

Mon- ey don't 'xact - ly

F7

G7


Has

e - ven a

Down where the

ba - you, burg

and

bog.

Ri -

Dog.

der's gone?
the

C7

Te - le grams go

grow on

cot ton stalks it growns with ease,

trees, On

F7

"Bam"

no grand - stand

Is

like Old Back

ru - ral

South - ern

of

de - lie - ver

cross the

y.
Dog.

an'

in qui - ry

No

ev - 'ry where that

And

G7

sym- pa - thy

Let - ters come from down in

race horse, race track

morn.

South ern cross

and

Ea - sy

my

night

Won der where

F7

You can hear her moan ing

G7

Ri der took.

Su - san John son lost her Jock ey Lee,There has beenmuch ex cite ment,
Yel low Dog
Dis trict like a book, In- deed I know theroute that

C7

more to

W.C Handy 1914

Un - cle

Sam

Buck shot

land.

G7

All day the


Ev - e - ry

C C


phone

rings

D7

our

far - mers

play.

mes sage comes,


Yel - low
Dog

Blues

D F

Bdim

F7

Bb

sy

Ri - der

Ea - sy

Ri - der's

but the hike

C7

cross the

Seen him here,

south bound'ratt - ler

and he was on the

F7

hog.

Bb7

a - way,

got a stay

so he

C7

C7

Yel - low

Bb7

far.

ain't

On a

C7

G7 C7

This
This

Dear Sue your

to - day,

C7

Ab7 Bb Bdim

F7

struck this burg

side door Pull man car.


C7

B7

from Ten - nes - see.


day.
the live - long

Ea -

good ti - dings,

Down where the boll wev'l works

glee,

last

hearts with
the

At

a - ret,

While

a cab

is

But it's not for me,

kit chen there

Fill

C7

51

Dog.

He's

had to vamp it

gone where the South ern

C7

Solos at "D"

You've Got To See Your Mamma Ev'ry Night

52

A Bb

Bbdim

Billy Rose & Con Conrad - 1923

Bb

Bbdim


Dadd - y
Dadd - y

dear
dear

list - en here
when you're near

Bb

your mam ma's feel- in' blue.


well ev' - ry thing's o - kay

F7

Bbdim

Bb

Bb


I don't see much of you,
but when you stay a - way

Bbdim

Bb

Ma ma's cheek
where you
go,


you
share

and that will ne


ver do.
I mope a - round all day.

the door
my love

Bbdim

Bb

Needs a
kiss or two.
and what makes you gay.

Bb

C7

B7 C7

I'm not show


I don't want

but I must lay down the law.


with a - noth - er
tur - tle dove

Once a week
I must know,

in'
to

You've got to

B Bb

F7

53

Bb


see your ma - ma

ev- er - y night

or youcan't see your ma ma at all

Bb

F7


Kiss your ma - ma and treat her right

or she won't be

Bb

Eb7


Bb

ev- er - y night

C Bb

F#

or you can't see your ma ma at all

F7

sat a - lone.

Cm7

F#m7 F7

Bb

Bb

did not call

F#

Tues day night

Bb

F7

you dodged my path

F#m7F7

F7

you

did notphone

F7

Bb

and Thurs day night it was the same old stall



Cm7

F#

Wednes day night you

Bb

Bb

see your ma ma

Fri day night

F7

Now
Now

can'tfif- ty
com pan - y
well you
fif - ty me you've gotto
kind of man who gives his love on the in - stal ment plan,

if youwant my
I don't want the

Bb

at home when you call

Eb

Mon day night

You've go to

Bb

Bb

F#

F7

Sat- ur - day

you took yourbath

F7

Bb

Sun daynight youcalled on me but you broughtthreegirls forsome com pan y you'vegotto

54

Down in Honky-Tonk Town


Chris Smith & Charles McCarron - 1915

D7
E
D7
E

To his E - li- za May,

Bill John- son said one day,

"We've been to

E D7
E D7
G A
G7

near-ly ev'-

ry place in

G7

B E

If you sug-gest to me,

A G7
A G7

nov- el- ty,

town.

We both will

go and do

D7

E D7

brown!"

there is this place I hear,

straight from Mose, whobrings the clothes.

the thing up

some oth-er

D7
E
D7
E

His sweet- tie said, "My Dear,

down where the gals

D7

I got it

C

It's Hon- ky Ton-

D7(b5)
G7

are brown. That's where the mu- sic

grows.

ky Town,

C C

Come, Hon- ey,

D7

let's go

down

to Hon- ky

G7

D7

There'l! be

sing-

danc -cin'

ing

to

pi-

a-

no


D C

He plays pi-

D7


stay a year,

G7


danc-ing with a

wait- ers,

a- no queer,

where

sing-

played

by

all the

ing

syn-

Ton- ky Town,

it's un- der- neath the ground,

fun is found.

co-


Mis-

55

pa-

ters,

G7

ter

Brown.

D7

He on- ly plays by ear,

You want to

G7

The mu- sic that you hear, would ev- en start a

don- key,

D7

G7

Down in Hon - key Ton - ky

Town.

mon- key,

Down in Jungle Town

56

Edward Madden and


Theodore Morse - 1908

Verse
A Gm


in Jun - gle

Down

A7

D7

Soon

F9

spoon

wagged his

noo - dle,

when he chat


room for two

he

was Jun - gle

teredYou're a pret - ty

with - out a

came out to

Mon - key Doo - dle

moon;

shy bab - oon

Bb

the moon shines down

be neath the

frown;

Town,

King,

Big Bam - boo

thing

So prom - ise you'll

She felt flat tered

be

F7

true!"

57

Chorus
B

Bb

C7

Down

F7

moon

F7

To

Sings that mel - o -

mon - key

Bb

ser - en -

Bb B

F7

maid,

D7

up

I'll

mon key doo - dle - doo way Down In

C7

Jun


in

the

tree,

Bb

dy.

F7

that chim - pan - zee

Cm7

pret - ty

Then you'll hear

hon - ey -

C7

When

C Bb

F7

Bb

town,

is com - ing soon.

ade,

jun - gle

in

F7

Bb

gle

Town.

be

true

to

my

58

My Daddy Rocks Me
J. Berni Barbour - 1922

q = 100

Fm

Bbm

I've got

Ab

He makes

me

Bb7


got

a great big

C7


on his

knee,while

Fm

Sweet - ie,

G7

hap -

Ab

chair, and

Cm/Ab

Bb7

he's al ways gay. I've

me

G7/D

to a

Eb

ev - 'ry night you'll find us

Bbm/Db

he rocks

Cm/G

I'm glad to say

Eb

Fm

so sweet to me.

py.

Fm/c

no one could be

Cm

rock ing

Db6

rock - y

mel - o - dy.

there.

I'm

Fm/C

My ba- by

59

B Fm Fm/Eb Fm/Db

Fm

with one stead - y

rocks me

Db7

C7

with all his heart and soul.

Fm Bbm

C7 Fm/c

C7 Fm

roll.

Fm/C

Bbm

Fm

Fm Fm7/Eb

My ba- by rocks me

We'll al ways spoon while the


Wrap'd in

a blank

et

of

Most ev' - ry eve - ning at


Talk

Gm7

C7


lights are low.

Fm

Fm7/Eb D Bbm/Db

birch can - oes,

Fm/Db

C7

He hates to

leave me when it's time to

We get to geth
You need a



with one stead - y

Gm7/D C7/E Fm Fm/Eb

love and charns, I'm sit ting pret


half past nine,

C7

a - bout row - boats and

Fm

roll.

go.

My ba- by rocks me

ty when I'm in his arms.


er and theworld is mine.

chair to rock a - way your blues.

G C7

Fm

roll.

C7

Fm

60

There'll Be Some Changes Made


Higgins/Overstreet - 1921

A B

C7

F7

nev - er

C7

for the

new,

When you grow old

do.

you

F7

years gone

C7

He

on

I'm

B7

made some chang - es

F7 F&

I loved a man for ma ny

B&

C13

go - in'g

to

that would

C7

make

A7

F7

some

long;

I thought his love for me would nev - er

by,

don't last

You're jere to- day and thento - mor- row you're gone.

C7

ButI've found out that this will

D7

They say don't change the old

C7

F7 B

nev - er

E6

changes

do,

die.

D9

D7

from now

F7

too.

For there's

B G7

61

change in

the

C7

weath

er there's a

G7

C7

and my name,

strut my stuff,

'cause

D7

the

sea,

My walk will be dif 'rent, my talk

me,

F7

change my way of liv- in', if that ain't e- nough,

C7

D7

Noth in' a bout me is goin'to

G7

change in

sofrom now on there'll be a change in

C7

be the

same, I'm goin'to

Then I'll change the way that I

G7

no- bod- y wants

you when you're old and gray,

B
C7 F7
G7 C7

There'll Be Some Chan- ges Made to- day,

F7 B

There'll Be Some Chan- ges Made.

62

Creole Belles

Bb

C7

Bb


G7

Bb

C7

C7
F7

1.

C7

F7

Bb

Bb

G7

C7

D7

E7


C#7


F7

F7

C7

1900

Bb

F7

Bb

Bb
Bb

G7
C.


2.

C7
F7

Bb

Interlude

F7

Eb

ba
dar

by
lin'

I love her
I'll call her


my
my

D Bb
C7


F7


Bb

Bb

My cre - ole belle


When stars shine

F7

F7

Bb7

Cre - ole
Cre - ole

Bb

Bb

G7
C.

Bb


my Cre ole Belle
my Cre -ole Belle.

Bb

my dar - lin'
my lit - tle

well
mine,

Belle.
Belle.

F7

C7

My Cre - ole
When stars

Bb

NC

My lit - tle dar - lin'


my dar - lin' ba - by

I love her well


I'll call her mine,

Belle
shine

F7

Bb

Eb

63

Bb

F7

C7
F7

Solos at "C"; Out Chorus use Melody from "A."

F7


Bb

64
q = 182

Skeleton Jangle
Ab

Bass

A Ab


F7

Eb7

Eb7


Bbm


Ab

Eb7

Bb7

Eb


B C7

Eb7

Eb7

Ab

Eb7

Bb7

Eb7

Db F7

F7

Eb7

Eb7

Bb7

Eb


Bb7

C7

Bbm

Ab7



Ab

F7

Eb7

Nick LaRocca - 1918

Ab

F7



Eb7

Ab

Break

65

C C7

F7

Bb7

Eb7

Ab


Unison for 2 bars

Bb7

C7

F7

Eb7

Ab




D C7

Unison 2 Bars

F7

Bb7



Eb7

Ab

Eb7/Bb

C7


F7


Eb7

Ab

Eb7

Bb7


Ab

Eb7

Ab

66

Kassel and Berton - 1922

Sobbin' Blues

q = 164

C+

C+

C+

C+


mf

pp

mf

AF

mf

Bbm F

Bb7

Cm6

D7

pp

F7

Bb

G7

C7

Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars

C7
B F



Bb

C7

Bb7 A7 Ab7

Swing

G7

C7

F7

Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars

C7
F

Bb


C F

C7

Bb7 A7 Ab7 G7

C+


Swing

C7

C+

Repeat only for Solos

F7

67

C+

C+





D F

mf

pp

mf

Bb7

pp

C7

Bb7

Bb7

C7

Bb7

Bb7

C7

Solos on "B" & "C" Section:


After last solo play to bottom.

Hesitating Blues

68

W.C. Handy - 1915

A F

Hel - lo Cen tral what's the mat- ter with this line? I want to
Sun -day night my beau pro posed
to
me. Said she'd be

talk to that
hap py if his

C#

was whis - key, and you were a

Dm

Bb

C7

cup I`d

dive

to thebot - tom

will
will
do

long
long
long

G7

I have
I have
I have

C7

What you say can't


I
de - clined him
I
had wo - man,

F/C C#

Dm

Bb

talk to my Brown?
just for a
stall,
She
was tall.

Bb

to wait?
to wait?
to wait?

F Bb7

Bb

wires all down. Tell me how long


Can - non Ball. Hon -ey how long
par - a - sol.
Oh, How long

F7


A storm
He left
She
make

Why do you hes - i - tate?


Why do you hes - i - tate?
do I have to hes
i - tate?

and

Please give me 2 - 9 - 8
Come be my wife my Kate,
Can I
get it now, or

B Bb

High Brown
mine. Tell me how
wif - ie I'd be
Said he, "How
nev - er come up,
Oh, How

If

F/C


will
will
do

I have to wait?
I have to wait?
I have to wait?

last night
that night
me think

blowed the
on the
'bout my


Oh,won't you
Will he
Can I

69

C7


tell me now,
come back now,
get it now,

C Bb


na - tion is


I'd

be his,

left

me

Pro - cras - ti -

Bb7

So all the wise owls say,

To- mor row's not to -

He'd be mine,

Eb

togrieve and pine,

F7

Why do you hes i - tate?


or will he hes - i - tate?
i - tate?
do I have to hes -

Some- bod - y's bound to


F7

"one stitch in time

Bb

day.

And if you

off,

D Bb

Bb7

Bb

put

the thief of time,

may save nine",

C7


F7

G7

My best friend's gone a

The Hes - i - ta ting

Bb

Blues.

a lone

Eb7

Left

Bb7
-

Eb

And I'd be feel ing gay.

lose.

Bb7

F7

way,

He's gone and

Bb

Grizzly Bear Rag

70

George Botsford - 1910

D7

G7

C7







Bass
AF

C7

D7

G7

C7

Break

C7

G7

B C7

C7

D7

C7

C7






CF

C7

C7

D7

G7

C7

71

Fine
F


C7

G7

C7

D B

B7

G7

F7

C7


F7

B7 G7


F7

Break

C7

C7

D7

G7

1. B

Stop time as Marked


F7

2.
Break
B

Back to "B" - Play to Fine

He May Be Your Man

72

(But He Comes To See Me Sometimes)


Lemuel Fowler - 1922

Eb

F7

Bb7

Eb Ab7




A Eb

Eb

B7

Eb

Bb7

Miss
Miss

Eb

Eb7

Ab

Min - nie Lee

from Ten - nes - see

was known to be

Eb

C7

F7

She would al - ways strut her

out at

They would al - ways dis - a - gree.


had

night

B7

she loved him night

and

day.

Moon - shine Hall,

where ev - 'ry - bod-

y'd

go,

Bb7

F7

Bb7

but Min - nie on Min - nie said "I

ly sighed,
will tell

then
you

at


Un - til Min - nie

Was Miss Min - nie,

Bb7

Poor Sa - die near - ly dies,

drink - in'plen - ty and hug - gin' Lu - dy's beau.

Bb7

she

F7

shook a shim - my and stole his heart a - way.

Snow,

Down at the ball,

beau

Now Sa - die

Eb7

stuff.

Eb

When her man went

Eb

an - y - where

Eb

could be.

Bb7

An - y - time and

quiterough.

Lu - dy Green was some l'il queen, and jeal - ous as

Eb

Lu - dy was mad

I
heard her
now
so you'll

Bb7

say:
know"

as well,

He

Eb

F7

Bb7




may

Ab7

Bb7

G7

vam - pire

thatis

Bb7

al - ways got me on

ture,

But

I can cert' nly take you

man from you.

Eb

My wick - ed walk,I've got the kind of eyes that seem to talk, It's

F7

Bb7

G7


gon - na take him for my

Eb

Eb7

own,

I
I'm

just
just

want,
right

my own.

F7

be your man but he comes to see me

Ab

I love you man and I'm

C7

I don't mean,
Ain't no need

Bb7

to
to




may

Bb7

no need of cry - in'and it's no use to weep andmourn.

Eb

Eb

C Eb

but
'cause

Eb

his mind.

My wick - ed smile,

F7

Ab7

Cm



ain't no

Eb



And when he's with you he's

Eb7

some - times.

be your man but he comes to see me

Ab

Eb

73

to be so bold,
of get - tin' rough,

get
do

you
my

told,
stuff

Eb

some - times.

Ab7

Eb

Bb+

He

Bb7

74

Satanic Blues

Bb

Bb7

Eb

Ebm

Bb

A Bb

Fdim

Cm7

Bb

Bb

Bb7

Eb

Eb

Bb

Dm

Bb

F9


C7



B Bb Eb

F7

Bb

Eb

Bb

Bb

Bb

Eb

C7

1.

F7

Eb

Bb

Bb

2.

F7

Bb
Bb F

75

C Eb

Eb

C7

F7

F7



Bb

Eb

G7

C7

Bb7

Eb

Eb

C7

F7

F7



Ab

Ebdim

Eb

Bbm C7

F7

Bb7

Eb E F

Back to "A"

Dangerous Blues

76

1921

A F

Ta

de dadade dum

ta

C7

de

da

da

B F F6F& F

C7

I meanthosedang -'rous

soft and

D7

sweet

blues.

C/G

me and see just

C7

just what it means.

blues,

sosweetandpret ty

C7

look at

F F7 F E7

I'vegotthosedang -'rous

Oh,

de dadade dum

means,

take a

de dum me

da da de dum

Ta

C7

what that ta

it seems.

ta

mel -o-dy is inthe air,you

hearthemplayit ev -'ry -whereyou go

de dadade dum

D7

F6F&

Lord

D7

Can'tyouhearthe mu-sic play-ing

C/G

It's the kind thatmakesyou wan - na shakeyour feet.

G7

C7/G

C7/BC7


I thinkI'mslip - pin'

I knowI'mslip - pin'

ta da da, ta da da,

ta dade dum.

77

C F F6 F& F

C7

justhearthosewear-y

Oh,


thekindI'dhate to

G C


ev - en sleep a wink,

C7


Oh,

A7

lose,

those

They're

G C

dang-er -ous blues.

F6 F&

so we -ary ho - ney,

blues,

I can'tev -en think, can't

G G7

Ev' ry time I hearthose dang' rous blues I want to sink,


I've got those dang' rous

blues.

F B7 F

Tishomingo Blues

78
q = 132

Ab

Eb7

Spencer Williams - 1917

Eb7

Bb7

A Ab

Eb7

Ab7


Oh Mis - si - sip - pi,
To - night I'm Pray - in'

Oh Mis - si - sip - pi,


To - night I'm say - in'

Db

you
in
sad - ness
train that takes me,

Eb7

moon swings
al - ways

Ab

low,
gay,

That's
That's

Ab7

goin' to Tish - o - min - go

Bb7

where
why

I
you

Db

Ab

the win - try winds don't blow.


way down old Dix - ie
way,

South - ern
folks
are

Down where
the
Where South - ern

I want to be where,
To Tish - o - min - go

My heart cries out for


Oh Lord please bless the

Dbm

Ab

Eb7

want to
hear me

be - cause I'm sad to -

go.
say,

I'm
I'm

Ab

Ab7

day.

Db7

E7

I wish to lin - ger,

Eb7

way down old Dix - ie

Ab

in

Ab7

down in Mis - si - sip - pi,

Db

They get you dip - py,


sist

C7

temp - ta - tion,

Eb7

I wish to

Oh how I wish that I was back a - gain,

Bb7

Eb7

a place, where they make you wel - come all the time.

Ab

way.

Opt. Break on Solos


Eb7

Bb7

with a race,

Oh my wea - ry heart cries out in pain,

Ab


Eb7

Ab

79

lin - ger,

Db

A - mong the cy - press

Ab

Ab7

trees.

C7

E7

I just can't re - fuse

Bb7

Eb7

Where they play the wea - ry

with their stange mel - o - dies.

Fm

Way

To re

Ab


In Tish - o - min - go

Ab

blues.

Memphis Blues

80

A B7

F7

E E7 A7 A6

B7

W.C Handy - 1912

B7

B7
E


B7

E
E7 D7 D7



C7

F7

B7
F7
B7
E E7


A7

D7

B A

A
E7


B7
E7

A A7 D7 D A

Midnight in Moscow

q = 160

A Cm

Fm G7


Eb

Cm


G7

Cm

Cm

G7

Ab Bb7

Fm

Cm

Eb

Dm7 G7

Fm

Cm

Dm7 G7

Cm

Cm G7

81

Cm

Cm

Stop time- first beat of bar only

B Cm

Fm6

Cm

Cm

Eb

Ab

Eb


Fm



Cm

Fm

Cm

Time

G7

Cm


G7

Cm

Fm

Cm

G7

Cm


Dm7 G7


Cm

The Storyville Blues

82

Trad.

q = 132

Ab

Eb7

A Ab

Ab Ab7 Db Dbm

Ab7

Db

Ab

Bb7

Eb7

Db

Ab

Db

F7

Ab7

Db

Bb7

Eb7


Ab

Eb7

Ab

Ab7

Eb7

Eb7

Ab

Dbm

Ab

Bb7


B Ab

Ab

Eb7

Ab

Ab

Ab


Eb7

Ab7

Db

Dbm

Ab Ab7 Db Dbm

Ab

Eb7

83
Time

C Ab

Ab7

DBm

Ab

Db

Drum Roll - Piano Roll - Sustained Bass

Bb7

Eb7


Ab Eb7

Ab

Ab

Ab

Ab7

Eb7

Ab Ab7 Db Dbm

Tag

Ab

rit.

Db

F7

Dbm

Ab

Back to "B" for Solos

Db

Ab

Ab7 Db Dbm

Ab

Strut Miss Lizzie

84

Turner Layton & Henry Creamer - 1921

A Gm

Bb

B Eb

D7

Ebm

C7

F7

Get bu - sy

move so pret - ty,

Gm

men

C7

D7

Gm

you

meet

F7

Eb7

Bb

Bb7

G7

Bb

for the

Bb

Bb7

Is the whole town talk.

D7

Gm

F7

When you

D7

The oth - er girl - ies frown.

Gm

Won't you

It's a pi - ty,

Bb

F+

Bb


Cm

Bb

folks all state the way you syn - co - pate

Gm

I want to see you walk,


Ebm

D7

F7

Eb

Gm

Bb

strut Miss Liz - zie

Cm

C7

Gm

But the

Bb

like the way you shake your feet,

Oh, youknock 'em diz - zy,

Bb

Bb

Bb7

Eb

Ebm

Vocal to "C"

Strut Miss Liz - zie Brown.( I'll bet you've got the cut - est lit - tle strut in town!) Go

85

Bb
C Bb

Bb

Bb

Bb

C7

street,

By the

school,

Pat your feet you

Bb

Bb

F7

down the

Bb

Bb

Strut your stuff,

Bb

Bb

Bb

Thru the al - ley,

Bb7/Ab

Bb

Eb/G

Bb

Dodge the cans,

Gb7

Cool your dogs we're com - in' thru, Get

G7

step - pin' fool.

C7 F7 Bb

Trot your toot - sies

use your "Kerch",


Bb

Bb

by the church.

C7

F7

Shake Miss Sal - ly's

pots and pans.

Bb

C7

set for Len - ox

Av - en - ue. Won't you

F7 Bb Bb7

Back to "B: for Solos

86

Tain't Nobody's Biz-ness If I Do


Porter Grainger & Everett Robbins - 1922

A B

D7 G D7

G7

There ain't noth- in'


Aft-

I can do, nor noth- in' I can say,


all, the way to do is
do just as you please,

er

D7

cize

me

But I'm gon- na'

their

talk-

in'.

Of- ten times the

critof

G7

C
C

want to

C7

an- y- way,

B B

If

If

'Tain't

No- bod- y's

just

if they all

as

ones that talk will

F7

de- spise

me.
in'.

G B7 E E

should take

a no- tion

like

do

And beg your par- don for their squawk-

D7
dis-

Re- gard- less

G7

And don't care

get down on theirknees,

That folks don't

G7 G7

G7

To jump

my lov -er

F7

And leave him

F&7

Biz- ness

If

in

D7

Do.

G7

F&7

the o- cean,

to

for an -oth-

Rath- er
If

I go

er,

than
to

87


D7

per-

on

Sun -day,

F7

Tain't no - bod - y's

C B B


If

'Tain't

D7

B7

choose

that

you

Then

cab-

a-

ret

F&7

biz - ness

if

No- bod -y's

F&7

Biz- ness

If

would shoot me,


on

D7 G7

C7

Do.

Drive

me

right

in-

to

my

last

nick- el

And

it

leaves

me

in

'Tain't

No- bod -y's

F7

Biz- ness

F&7

If

ceil- in',

Do.

B B

pan- ion

the

F&7

B7

B/D

say "Take all mine, Hon -ey",

com-

best

Mon- day,

do.

And

mon- ey

F7

To dance up- on

should get the feel- in'


no

C7

D7 G B7

If my friend ain't got

se- cute me,

church

If

let

my

If

I give

him

the can -yon,


a

pick -le,

C7

F&7

T'aint Nothin Else But Jazz

88

Maceo Pinkard - 1921

E A7 E A7 E

I'm blue,

G7

Thru and thru,

'Cause they're gon- na take jazz a- way.

EE
B F7 B

On my knees, I'm ask- ing you please,

A7 C7 F7
B&7

B7

Just to pay at- ten- tion to mewhile I say:

D7 B7 B&7

Can't you see it's wrong to con- demn a song.Jazz has sim- ply got to stay, Now!



High- brow mu- sic real- ly

B7

F7

is a treat,

In an op-'ra house it can't be beat.

But what makes you wan- nashake yo' feet?

E7

In so- ci- e- ty of style and grace,

B&7
E/B

lit- tle bit of wob- blin',

E/G

F7

'Tain't

is

de- vine.

Ev-'ry lit- tle move- ment

jazz,

Still what makes you shiv- er

F7
B7 E C7

noth- in' else but

noth- in' else but jazz, Babe!

B&7

F E/G

sure- ly

'Tain't

B7/F F7
B&7
A

has

just a

Lit-tle bit of tod- dlin'. Waltz-in'- round is might-y fine,



Gli-din'

Babe!

'Tain't

an- y

B7

noth- in' else but

C7

time?

jazz.

Maitland

89

Same Melody as "Take My Hand, Precious Lord"


Ab



Ab

Ab

Ab7

Ab

Ab7

Db

Eb7

Eb7

Ab

Db

Db Dbm Ab

Alcoholic Blues

90

Albert Von Tilzer 1919

A F

Bbm

F7

C7

C7

B
F

C F


Db7 C7


C7

Pro - hi - bi- tion, that's the name,

Gm

Vamp

Bb

pro - a - bi - tion

G7

G7

C7

drives me in - sane.

C7

I'm so thirs - ty

soon I'll die,

I'm sim- ply gon - na 'vap - o- rate or just run dry. When

91

C7

Mis - ter Hoo - ver said to cut my din - ner down,

G7

G7

cut

my

but

D F

C7

blues,

I've got the Blues,

blues,

I've got the

in - side

I've got

cut

my

coal,

my

soul.

I've

my heart to cheer,

the


got

the

F7

al - co - hol - ic

since they am - pu - ta - ted

Blues,

Bars are closed and night clubs too,

Bbm

deep

no more beer

sug - ar

now they've cut

Bb

I did - n't hes - i- tate I did - n't frown.

C7

blues.

There's

booze.

good - byewhis - key

used to make me fris - ky.

lord - y lord - y

what

to

do,
Solos at "D"

C7

Db7 C7

So long hi ball, good - bye gin,

tell me when you're com - in'

back a - gain.

So long hi ball, good - bye gin,

tell me when you're com - in'

back a - gain.

92

Alexander's Ragtime Band


Irving Berlin, 1911

VERSE
AC

C7

G7


Oh, ma hon - ey,

Oh, ma hon - ey,

Oh, ma hon - ey,

Oh, ma hon - ey,

Bet - ter hur - ry and let's me - an - der,

There's a fid- dle with notes that screech - es,

D7

G7


Ain't you go - in'

To thelead - er man,

rag - gedme - terman?

Like a chick - en,

Like a chick - en,

And the clar i - net

is a col - ored pet,

Ain't you go - in',

G7


Oh, ma hon - ey,

Come and lis - ten,

Oh, ma

Come and lis - ten,

C7

grand - stand,

brass

band,

come

some - how,

now,

hon - ey,

C0


Ain't

Let me take you to

Al - ex - an - der's

To a class - i - cal band what's peach - es,

G7

you com - in'a - long?

Bet - ter hur - ry a - long.

C7


Come on and

93

B F

hear,

Bb

hear,


Come on and


Bb

Come on and hear!

It'sthe best band in

ne - ver heard be fore.

G7

take you by

Bb

band.


hear,

the hand.

the

land. Theycanplay a bugle calllikeyou

Up to theman.

F7

Come on a

Come on and

hear,

long.

the


Let me

Who'sthelea - der of the

And if youcare to hear the Swa nee Ri- verplayed in

just

Bb

Up to the man!

war. That's


Bb

Bb

F7

ho ney lamb. Come on a long.

Come on and

Bb

best - est band what am,

C7

Bb

der's Rag time Band.

So na - tur - al that youwant to go to

Al ex an
-

hear,

Bb

C7

C7

Al - ex an der's Rag time

Fdim

rag time. Come on and

Band,

Riverside Blues

94

Thomas A. Dorsey & Richard M. Jones


A E

G7

B&7

A7
E
E A7



C F

E A 1. E
E E7

B&7

break
E 2 bar unison

F7

G7

B7

B7

2.

B7

everybody plays this figure behind clarinet lead

B E

B7
E
G7


B7

F7

E 2 bar clarinet break

B7

E7

E A E

B7

C E
A
E
A

E7


F7

Play 2 bar unison on out-chorus

B7

E E7 E A

Solos at "C"

My Bucket's Got a Hole In It

q = 174

F7

C7

Bb7

F7

Bb7


C7

95

Bb

F7

CHORUS
Yeah! My Bucket's Got A Hole In It
Yeah! My Bucket's Got A Hole In It
Yeah! My Bucket's Got A Hole In It
I can't buy no beer.
Well I'm standin' on a corner - With a bucket in my hand
I'm waitin' for a woman - That ain't got no man.
CHORUS
Well, I went upon the mountain - I looked down in the sea
I seen the crabs and the fishes - Doin' the be-bop- bee.
CHORUS
Well, there ain't no use - of me workin' so hard
When I got a woman - in the boss man's yard.
CHORUS
Well, me and my baby - we just bought a Ford
And now we sit together - on the running board.
CHORUS

96

I Can't Let 'Em Suffer


Henry Creamer & Turner Layton - 1918

A E

love

to

F7

see

the

F
B7

Love to

B7

fel lows

love

to

hap- py

see them smile.

B&

all

the

while.

B7/F

Thatshowsthey're jol- ly and ev-

F7

see

the

B7

fel lows

hap- py

B&

all

the

E
G D7 G
B/F

It's cru- el,

So

cru- el,

To

let them

plead.

'ry- thing.

while.

B7


Oh, I

97

B7

can't

plead.

let 'em suf-fer

E
B7

for the

B7

want of

love.

It's a shame to let 'em

E
B7

No I shan't let'em suf-fer

for thewant of love,

When I know justwhat they

E E7
E7 A

need. Nowthere's no use tryin'to stall,

I just can'tsavethem all!

F7

cry:

B7

just got to take'em

in my lov- in' arms,

C D

just got to make'em

I'll

F/C D7 B7/D

F7

can't let 'em suf-fer,

fall.

ThenI've

Got to keep'em out of harm.

G/B

B7/A

Un-

B7

ThenI've

My hon-ey love.

Lov- in' kiss-es

E/G

til they're

For thewant of

be my tur-tle dove,

pro- vide,

I'mbound to

E
B7
E


E7

B7

"Oh, Comeand kiss me, Sweet- ie",

Butwhen they

love!

sat- is-

C7/G

C7

fied.


'Cause I

98

Oh By Jingo

q = 180

AF

C+7

C+7


Oh, by Gee! by Gosh, by

G7

Gum By

Juv,

We will build for you

Oh, by Jin go said, by Gosh,

A7 Bm A7/C#

me."

Juv, by Jin - go,


So they

by

Dm

You will be

Then we'll putthem

in the Fol

Bb

lies,

"By Jim in - y, Please don'tboth er

Gee.

our fav'rite nut,

F7

D7

C7

We'll have a lot of lit tle Oh! by Gol lies,

C+7

Gdim

hut.

G7

Oh! by Jin go, won't you hear our

G7

C+7

Gdim

love?

G7

C7

BF

Albert von Tizler


1919

all went a way sing ing Oh! By Gee, By Gosh by Gum, by

F#dim

By Gee,you're the

C7/G

C7

on - ly

girl for

me.

Bb7

Down By The Riverside


q = 180

AF

Gon - na

lay down

C7

lay down

my

C7

down

B Bb

by

the


stu - dy

C7

war no

C7


stu - dy

Bb


that war

C7

stu

ain't

dy

Down by

sword and shield

C7

riv

Bb

er

the riv - er


side.

more I ain't gon - na

no


gon - na

C7

war

stu - dy

stu - dy

no


more

Bb

I ain't gon - na

more

war no

gon - na

Ain't

Gon - na

the riv - er side

side.

down by

the riv - er side,

the riv - er - side,

down by

my sword and shield

C7

down by

99

ain't gon - na stu - dy war no more

war

no

more

more.

you know

I'll

100

Wabash Blues
q = 120

Bb

Bb

Gm


Near - ly

C7

Wa

bro - ken heart - ed since the

F7

Bb

bask

home,

Gm

Bb

C7

Now ev

- 'ry

I had a

Bb7

day I'm so lone -

D7

In - di - an - na's sweet and it's

F7

roam,

I now can see,

once start - ed from my

Eb

Bb

to

Bb

placethat'shard tobeat but thenI longed

Bb7

day that

girl was


some it's

Bb

My old home stead

F#7

as

sweet as could be,

F7

mis

- er

Bb

y.

101
Solos

at B

B Bb7

Bb7

Eb

Oh,

F#dim Eb7 Ab

B7

lone

Bb7

Eb

some soul am

I,

that I could die.

Haunts

Eb

Eb

Bb7

Eb

me in my dreams,

Eb

shoes

To

Bb

Eb

Eb

Bb7

lose

those Wa bash

Gm

Bb

dle lightthat gleams.

F#dim Eb7 Ab

feel

Eb Gm Ab A

my walk- in'

I'll pack

B7

dues.

Eb

Can

Bb7

I got my

Bb7

Eb

Bb7

Bb7

know

Bb7


Bb7

Ab

Bb7

those Wa bash Blues

Eb

Eb Gm Ab A

Eb

Eb

Blues.

F#

Db7

Thru the syc a more the can dlelight is shin ing bright, Mem-'ry brings thescent of new mown

F#

Db7

C7

Bb

I'll

be

C7

hay to me each night,

I amstart ing for thatspot no need to ask me when,

Bb7

leav - ing hoof printst'ward the

Eb

old home road

Bb

a - gain.

Back to B

102

Lasses Candy
Nick LaRocca - 1919

A E7

E7

F7

F7

B7

B B

E7 E7

A
E7
F7

B B

B7

E7

E7

B7 E7

G7 G7

103

Poor Butterfly
q = 120

Golden/Hubbel - 1916

Ab E7 Bbm7 A Eb9

Poor But -ter - fly

C+7

pass

Bb7

C+7

come

know that he

be

The

me

by

C7

F9

and

by.

Then I nev - er

sigh or

But - ter - fly.

ful,

I'm sure

cry,

he

But

she

E7 Bbm7

Ab

Ab

Ab

as

The moon and

faith

Ab

low,

mo - ments

And

Eb9

Abmaj7

Fm

in - to years,

Dbm6

Poor

Eb9

die.

so.

he don't come back

him

She mur - murs

to

Bbm7

The hours pass

Poor But -ter -

Ab

smiles thru her tears,

B Eb9

in - to hours,

F7

Eb8

F9

for she loved

Bb7

Ab

'neath the blos- soms wait - ing

fly

Abmaj7

if

Bdim

just must

104

King Chanticleer
Nat D Ayer & Seymour Brown, 1910

A C

Ab7/Gb

B+

C/G

D7


D7

Ab7/Gb

D7

C/Bb

D75

C/A

G7

D7

B+

C/G

C/G

Play cues 1x for Repeat:

G7

Ab

D7

C/A

D7

C/Bb

G7

Ab

D7

G7

C/G

D F

Trombone Solo - 16 Bars


Eb

Eb


Ab

D7

D75


G7

Bb7

CHORUS:

Eb

F7



F Eb

105

Eb

Bb

F7

Bb7

Eb

F7

Bb7

F7

Bb7


Bb7

Eb7

Eb Ab7

Eb

Solos at "E":

Wild Cherries Rag

106

Ted Snyder - 1909

A C

E7

G7

A7

A7

C C


G7

E7

A7
D
G7



A7

G7
C
A7
D

A7


G7

107

@C

D
D7

C7

C/E

C7

D7 C7

D D

A7

A7

A7

C7

A7

G7

C7

D7

D7(b5)

D7

C7

C/E

D D7

C7

Bass Solo - Stop Time

C7

G7

C7

G7

C7

D.S Back to "C" al Coda

Coda

Ory's Creole Trombone

108

Edward "Kid" Ory - 1921

Trombone solo

C7

C7

D7

G7

C7

C7

C7

G7

F C7 F

C7

G7

B G7

C7

G7

D7

C7

D7 2.

G7

C7

1.

109

C7

F7

C B

C7

F7

F7

D D7

Trombone Solo

Solos

B
C7

Trombone solo

C7

C7

F7

F7

B
C
C F7
B
C7

F7

TAG Trombone

After last solo play "D" to end and then tag

C7

F7

Ja Da

110

Bob Carlton - 1918

q = 132

E7 Eb7 D7


Ja - da

G7

Ja - da

Ja - da Ja - da Jing, Jing,

Ja da

C7


That's a fun - ny lit - tle bit of

C7

Jing,

Oh


yeah!

G7

Jing.

C7

Jing.

so sooth - ing and ap -

G7

C7

Ja - da Ja - da Jing, Jing,

Ja da

Ja - da

It's

E7 Eb7 D7

It goes Ja da

D7

mel - o - dy,

peal - ling to me,

G7

Ja da

Ja - da Ja - da Jing, Jing

E7 Eb7 D7

C7

Ja - da Jing, Jing,

Jing!

That Da Da Strain
q = 152

D7

A Gm

D7

111
Smith and Medina - 1922

Gm

C7

F7


B Bb

D7

G7

C7

F7




Bb


C7

D7

Bb

Cm7

F7


G7

Bb

Eb7

Bb

Solos on B

Lazy Daddy

112

Bb

Bb7


Bb7

Eb

C7

Bb

Bb7

Eb

Bb

Eb

B Bb

Bb

G7

F7

F7

Bb/F

C7

C7

C7

F7



F7

Clarinet Break - 2 Bars:

Eb

Clarinet Break - 2 Bars

Bb

Bb

Bb

Eb

ODJB, 1918

G7

F7

Bb

C7

F7/C

F7

Bb

Bb

Bb

F7

Bb

Clarinet Break - 2 Bars

G7

C7

F7

Eb

Bb Ebm6


Eb

Eb

Clarinet Break - 2 Bars

113

Bb7

Eb

Eb

Bb

Bb

fine

Bb7

Trombone Break

Eb

Eb

Trombone Break

Eb

Eb

Bb7

Trombone Break

Eb

F7

Bb7

Eb

Eb/Bb

Eb

Eb


C+

F7

Trombone Break

Ab

Bb7

Eb

Eb

F7

Back to "B" al fine

114

Limehouse Blues

q = 184

AF

Eb

Am

Oh

Dear

Am

I'm

wear

And
And

they
Those

'Cause no one seems to

seem all a - round,


weird Chi - na blues,

land,

Am

Eb

C7

day,

un - der - stand.


Like a
Nev - er

play,

A7

E7

Where you can hear those blues all

Bb

Eb

to

or - ange blos- som

Lime - house,

Right here in

Am

Where yel- low Chin - kies love

Dear,

E7

Eb

Lime - house

In

B F7

In
Oh

Dm

Db

long, long sigh.


go
a - way.

Bbm7 Eb7 Ab7

Queer

sob

sound,

Oh, Hon - ey lamb they seem to say:

Sad,

mad

blues,

For all the while they seem to say:

115

Db7

Oh! Lime - house

kid

Bb7

Go - ing the way

C7

Db7

Fm7

Oh! Lime - house

Bb7

Oh!

Oh!

Bb7

Oh! Lime - house

That the rest of them did

no - bod-y's child,

Db7

kid.

Ab

blues

Eb7

I've

the

those sad Chin - a blues,

blues,

Oh! Oh!

C7 B7

Ab

and

Ab7

Db7

real Lime - house

Learned from the chink - ies

Poor bro ken blos - som

Haunt- ing and taunt - ing you'rejust kind o' wild.

C7 B7

F7

Rings on your fin-

gers and

Ab9 for repeat


Bbm

F7



tearsfor your crown,

Bbm

Bbm7(b5)

Eb7

That is the sto

- ry

Ab


of

old


Chin - a town.

116

Livery Stable Blues (Vocal)

A E E

Way down in

Al-


a- bam,

It was in

E7

B7

sta- ble brush

he

play,

to

B7
F7



on one string,

Bir- ming- ham,

There was

In-stead of work-ing all day,

B&7

la- zy color-ed- fel-low named Lee,-

F7

up- on the

C7

the

hor- ses he'd sing,

E A7

this sad and lone-some- mel- o-

dy,

and play up-

117

B E

Oh hon - ey lis - ten here

Oh hon-ey,-lis-ten- here,

E7


sta- ble

blues.

hon- ey you know why

I've got those liv- 'ry

Al- a- bam- a ba- by,

sta- ble

she'll drive a-way

B7

A7

F7

ba- by

blues.

mine,

I'se g'wine back to my


C7

she prom - ised that she'd mar-ry-

B7 B7

I was - n't born for this,

I've lost my pep com- plete,

B7 B7
E E7
A
AA E

Oh, law-dy- me,

I have got those blues,

B7


C E7

Oh how I miss your kiss,

I've got those mean old liv-'ry

C7

B7

me some-day,

Those liv -'ry sta - ble blues they're the blu - est kinfd of blues!

118

Where Did Robinson Crusoe Go?

Verse

Young/Lewis/ Meyer - 1916

A F

Thous - ands of years

south - ern

C7

C7

a - go or may - be

more,

D7

Rob - in - son

shore,

no rent

to

pay

and

C7

His good man Fri - day was his

on - ly

lend,

D7

day, but

They built

F7

day,

o - bey,

D7

lit

on fine

they didn -'t

tle

G7

hut,

bor - row or

lived there 'til

Fri -

C7

Sat - ur - day

to

friend,

wife

soe land - ed

no

C7

B F

G7

Cru

- land on a

out on an is

G7

night


it

was

shut.

And

C F

Where did

- in - son

Rob

G7

Cru - soe

C7

Ev -'ry

would start in

G7

morn - ing they'd come

stag - ger - ing


G7

must be wild wom

With

in

men,

so Where

G7

Fri - day on


On

Sat

did

C7

ur - day

Rob

night?

in - son

this

can - ni - bal trim - min' andwhere there are wild

C7

men

roam,

home.

G7

night?

C7

D D7

is - land lived wild

to

ur day

they

Sun - day

With Fri - day on Sat -

go

Sat - ur - day night

G7

Then on

D7

119

men there

D7

Cru - soe

go

Solos at "B"

Oh, Didn't He Ramble

120

Traditional

A B

B

B F7 B F7

B F7



Drums


B B

head was

in

the

by

ble?

said:

ble, Didn't he

B F7

All

mar- ket,

F7

Well his

girls came run- ning

ram

To Dixieland 2-beat swing feel

a- round the

town.

ram-

Didn't he

his

feet were

F7


in

"Look at that mar- ket

ble?

ram-

street.

All

the

F7

F7

He ram-bled all

ble,

wo - men cut him down.

meat!" Oh didn't he

B
F7 B

He ram bled
- 'til the

the

a- round,


Didn't he

ram-

F7

Didn't he

Mama Don't Allow


B


Ma-ma- don't 'low

no

B7


Ma-ma- don't 'low

no

cor- net play'n'round here!

F7

No

cor- net play'n'round here!

B
B7


We don'tcare

121

No

She

Ma ma don't'low

no

Don't

She Don't

what Ma-ma- don't'low,he's gon-na'- playthat cor- net

B
F7

cor net play'n'round here!

No

an- y how.

She

Don't

That Dixie Jazz

122

James P. Maguire & Warren DeWitt - 1919

A E
B7

Have youheardthe la-teststrain?

B7

It will lin-ger

in your brain.

For it's a

B7
E
C7
F7
B7




rag-gy new mel-

o- dy,

So fullof har- mo-ny, You'll want to hear

E
B7

It's


B7

Oh,

a brand new South-ern drag,

B&

babe,

C7

What do you say?

It's a

F7

Dix- ie

Come let us hear

gain.

B7

dan- dy

it a-

theband

rag.

B7

play.

123



That Dix-ie

C7

jazz!

That Dix-ie

B7
E


Dix-ie jazz!

C7

right,

Hold to me

F7

tick- le

C E7

Lis-


F7

Lis-

jazz!

toe.

tight.

Oh, Hon- ey!


Dix- ie

jazz!

ing.

B7

let's

coax a

moan

B7



ten to that syn-co- pa tion

Fromleft to

It makesme want to do the shuf-fle andthe

Come,

ten can'tyou hearthatman just

C7

F7

That

My how I love to hearthat

G7

Oh, just see'em sway-ing whenthey'replay-

F7

F7

It's the

C7

best

go!

fromhis trom- bone.

I've ev- er known.

That

Dix- ie

jazz!

124

Way Down Yonder in New Orleans


Henry Creamer & J. Turner Layton - 1922

B7
E

F7


My how I love to hear that dear old Dix-

A F

ie

B7

jazz.

That Dix-ie Jazz!

C7

Guess!

Where do youthink I'm go

Guess!

What do youthink I'm think in'when you think I'm think in' wrong?


Guess!

Where do youthink I'm go

Guess!

What do youthink I'm think in'when I'mthink

in'when thewinds start blow in' strong?

A7

in'when thenights start grow in' long?

in'

I
I

all night long?

G7(b5)

C7


ain't go

in' East,

ain't think in' this,

I ain't go

in' West, I ain't go in' o ver the cuck oo's nest.

I ain't think in' that,

that

D7 D7(b5) G7

heart does not start

to

I love best,

pit a

pat

My

can not be think in' a bout your hat.

bound for the town

I'm

Where life
un

less

C7

is

one sweet song;

hear this

song;

125

B C7

G7


Way down you

C7

C7

there's a gar - den of

E - den,

that's what I

flash - ing eyes,

B6 F&7

give your la - dy fair,

a lit - tlesmile.

lit - tle while.

D7


wear - ing

ti - ful queens,

lit - tle blue

F7

Stop!

Oh won't you

There

Stop!

jeans,

you bet your life you'll lin - ger there,

is

They've got

with those beau

F7(4)

B A7A7 G7

C7

Cre - ole ba bies with

mean.

soft - ly whis - per with ten - der sighs,

scenes,

F F7 C7

F&7

C7(4)

C&7

of dream - y

in the land

G7


C7

New Or - leans,

der in

G7

F&7

hea

ven right here on earth,

an

gels right here on earth,

F7

G7 C7

way down yon der in

New

F6

Or - leans.

126

When Ragtime Rosie Ragged The Rosary


Lewis Muir & Edgar Leslie - 1911

F7

A7

A7

F7

A7 C A7

F7

F7

Verse:

A B

Par-son Lee in

but our

F7

up and

B B

or- gan man ain't here.

vol- un-

teer

Now I'd

to help us

gal named Rag-time Ro-sie stood up andsaid that she could play,

light- ed

said"Folks I'm aw- ful

F7

like some-one

out".

and

F7

sat

he

said"Just step this

down to

pray,

way",

And the

F7

Then

came a

to stand

When a

B7
E

ac-cents loud and clear,

Ten- nes-see in

sor- ry

B7

The par-son seemed de-

F7

con- gre- ga- tion all

shout!

When

F&

F7
B

Rag-time Ro- sie ragged the Ros- a- ry,

Then he turned a- round on- ly


C7

so sweet,

Break for Spoken Vocal

It was such

It charmed their feet and set'em

D B

That instead of prayin' Rosie got the folks to swayin'

B7

To that tune

to see:

Break for Spoken Vocal

Deacon Alexander Started in to reprimand her

F7

127

a treat,

F7

danc-

in'

and

pran- cin'

to the

F7 Break for Spoken Vocal


Rag-time two-step 'til that Par-son Lee, Why, he forgot the sermon and began to speak in German

List- nin'

to

want you folks

Rag- time

Ro-

that

B7

low- down mel-

sie

C7

o- dy.

B7

to know

that this ain't

ragged the

F7

ros-

a- ry.

F7

Then

no

he

said

"I

show"

When

min- strel

E7

F&

128

Floatin' Down That Old Green River


Cooper - 1915

A F

F F7 E7Eb7 D7

I've been float - in'

down that

C7

a - lone,

get

that

C7

back

I was

whole

Green

home

to

you!

the

C7

one thing I could do;

F7 E7 Eb7

drink

G7

G7

on - ly

And there was

to

a bar

The ship gotwrecked with

cap - tain and crew,

D7

had

I got stuck on

Wish - in' that I was home.

Bb


F7

old Green Riv - er on the good ship "Rock and Rye,"

there all

wad - ed too far,

But I

G7

D7

Riv - er

dry

to

No Repeat First Time - On To Vocal

Solos at "A"

129
Verse Interlude:

F#

C7

F#

C7

Verse - Vocal:

F#

Half past

C7

F#

C7

four,

Dan

C7

F F7 E7 Eb7 D7

G7

ve

D7

And

For Dan

F#

C7

like

C7

ry wild!

C7


this

is

what

Dan - ny

been

all

re - plied:

But then his wife's eyes grew

to comehome and go to

child,

"Where have you

G7

G7

half the night

smiled,

He came a' creep - in' to his wif - ey's door.

F#

Dan - ny

bed.

G7

Mc - Graw,

She had beenwaitin' up

C7

C7

night?"

she cried,

Back to "A"

I've been
Back to "A" for Vocal and Solos

130

Floatin' Down To Cotton Town


F. Henri Klickman - 1919

A B

D F7

I just dropped in to see you all and


on

my

way.

I'm go- in'

C7

C7/G

that

be

fine?

Mis- ter

F C7 C7/G

hur- ry and sail

me,

leave to- day,

back to

To

by

No

more I'll

C7

Cap- tain, don't fail

C7/G

that

gal of

F7
mine:

hand.

F7

Dix- ie-

Line,

sun- ny

the

I'm

came to shake you

The min-ute when I cross that Dix-ie

F&

F7

F7

D F7

say,

B B

That's why

land,

F&

F&

pine,

me,

won't

just

131

Float- in'

F7

Float- in'

whis-

C7

dark-

down,

on

the

my

riv-

er down to

tle

toot!

toot!

C7

ies

sing-

in',

D B

Hon- ey

my

you and

Al-

a-

wel-come me

a-

toot-

in'

down,

Cot- ton

ban- jos

bam;

float- in'

lit- tle

C7/G F7/A
B

ey,

Town.

a-

way,

C7

hon- ey

B7

While

G7

C7

gain,

Float- in'Down To

day.

I'll come back to

G7

Cot-ton

those

F7

lamb,

G7 F7

And

ring-in''til the break of

fields of

G7

Just hear that

F7 Break 2 bars

lamb,

G7

hon-

C7

C7/G

F7/A

G7

sug- ar

Town.

cane


seem to

Sailing Down Chesapeake Bay

132

Verse

Havez - Batsford - 1913

B7

Come on

B7

Nan-

Come on

is

love-

Bal-

Cap-

ly

on

the

Ban- jos

Ches-

moon,

B7

Ches- a- peake,

a- peake Bay,


all

be sore.

'Cause we can't swim,

a good old tune,

Mis- ter,

Sail- in' down Ches-

Set-tle down close

Up on deck

Sail- in' down Ches-

B7

If we're late we'll

to spoon.

ring- in'


B7

E
B7

dress on,

ti- more,

boat's gone.

steam-

'n let us catch that boat,

there's a place

best

we can't float.

B7

put your

a- board for

Come on

cy 'fore the


B B7

cy

Nan-

Ev- 'ry- thing

All

'neath the

a- peake,

a- peake

Bay.

All

sil-

v'ry

a- board for

No Repeat 1st time

133

C E

B7

B7

to this

pier.

It's the

And

F7

Old

B7

we can make it

if

Dom-

in- ion

Line.

Bal-

F7

ti- more.

F7

yearn- in',She's the Queen of

F7

the Ches- a- peake Bay!

Nev- er

B7

fear,

G7

Head- in'

B7

Just hear the pad-dles turn- in',

C7

we hur- ry,

Say, don't she look pret-ty as she hugs the shore,

D B7

Head- in' here,

'Round the bend I think I see a steam- er, Dear,

for

Hear my heart a'

Solos on Verse

Easy Rider's Gone

134

Shelton Brooks

q = 120

Bb7

won - der where my

E7

Bb

Ea - sy Ri - der's gone to - day

He

If

he was here he'd win the race

C7

Cash

in our tick ets for a

jol - ly joy ride right a - way

Bb7



los - ing all

my

E7



knows just what to

mon - ey that is why I'm

Bb

blue.

do.

I'd

an - y horse that Jock - ey's

1. Bb

C7

F7

Ea - sy

Ri - der's gone.

on,

F7

I'm


Gmin

If notfirst he'd get a

Eb7

D7

ne - ver told me

D7

he was goin'a - way.

place.

F7


Gm

Eb7

To

F7

put all my junk in

pawn

C7


Oh

win a race he

2. Bb

gone

where

my

won - der

to bet on

Eh Las Bas

135
Traditional

A Ab


Eh la

(band sings echo)

bas,

E7

Ab

Eh la

Eb7

Eh la

Sis Boom Bah

Ab

Eh la bas

Well I

Ca - jun

in

a pinch

so

I can say

I don't know what it means.

But it

Cre ole way,

Ab

but the

is Lais - sez les bon temps rou - lez!.

So

let the good times roll my

E7

like down in New Or - leans,

would,

love to hear that clari - net burn

Eb7

like

la

sounds real good, like I knew it

sang that Ca - jun French in a fine ol'

on - ly

bas,

Solos here after Vocal

Or - y

Ab

Eh la

bas,

can't speak French, not

E7

Tra la

B Ab

Eh la bas,

Bas,

Eb7

Eb7

and hear them trom bone gliss - es

friends, and let the

mus - ic

play,

Ab

nev - er

To

to sing French when Itake my turn but thatain't the kinda band that this is

mor - row may

I'd

come to be,

so let's love

it

up

to - day

Eh la
Eh la

Vocal Back to Top

Fidgety Feet

136

The Original Dixieland Jazz Band - 1918


F7

A B

E
B F7 B
B7 E

C7
F7
B




2Bar break
B

B7
E
E
B

1.
C7
F7
B

B E

Stop time - 4 bars


G7
A

F7
E
B7

B7

C7

2.

B
B7

3

B7

E
C7


G7

B7
E
E7

F7

137

C
A E7 A

F7

E7
A

F7

A7

B7

B7

E7

D7

1.

E7

C7

A7

E7

2.

138

Waitin' For The Robert E Lee


Lewis F. Muir & L. Wolfe Gilbert - 1912


Way

down on the levwhis- tles are blow-

The

G&

ee
in',

C7

in
old
Al- a- bamthe smoke-stacks are show-

y,

in',

C&
F
C

Dad- dy and Mamropes they are throw-


night
all

D7

you
is

can
har-

find
mo-

in'
er,

the
He

G7

banis

jos

arc
the

syndance-

hum- min'and sway-

that's come to
by

car- ry

the

on the good old

C7

in', it's the good


there, Why,

dog-

G7

cot- ton

light
where

they
en

are
the

waitpreach-

coing

pateach-

tin'.
er.

What's that they're sayWere you


a- round

there you'll al- ways be found

While
Ev-

in'?
there?

D7

all,
ous,


in',

D7

E7

my, On a moon
in' to the place

them
ni-

What's that they're sayHave you been down

C&

G&

and Eph-riam and Samex- cuse me, I'm go-

in',


B C

my,

There's
The

a- way.

Rob- ert E. Lee.

in'?
While they keep playthere? If you ev- er go

E7

ship
gone,

F7

Rob- ert

Lee

Here comes my ba-

G7/D C7/E

139

Watch them shuf-

C7

Go

take your

best

gal

real

pal,

Go


the

Wait - in'

C&

ee,

for

the

said

Rob - ert

E.

Lee.

lev-

ee, And

Hear that mus-

mate,

the

to

C7

great,

C7

C7

flin' throng.

It's sim- ply

lev-

join that shuf-

long.

C7

flin' a-

C7

DF

See them shuf-

down to

C7

long.

flin' a-

C7

Wait- in'

ic and

on

the

song.

lev- ee,

For Repeat:
G7
F7

140

Walkin' the Dog

q = 164

Shelton Brooks - 1917

A Bb

Bb

F7

Bb


Now lis ten hon- ey'bout a

F7

F# C7


bout ten days, It'sthese, It's a
"Tan - go bug!" But now,

Bb

Been'rig - i - na ted for a -

Most ev 'ry bod - y was a

Hug",

F#

C7

F7

bear!,

and some how,

Bb

new dance craze,

You all were craz - y 'bout the "Bunn - ny

And it's a new step

a fun- ny two step.

The fun- ny Dog walk

is all the town talk.

F7

Bb


hall,

In ev 'ry pri vate home this dance is

known.

F7

D7


one and all,

If you'll just give me

on the phone, Hear ing

a chance,

Bb

In ev 'ry cab - a - ret and danc ing

F7

Bb

You see them do - ing it, yes,


I called a friend of mine up

G7


I'll

C7

F7

in - tro duce this dance:

on his Gram- o phone: This "Dog - gone" rag - gy tone:

141

B Bb

Eb

Get'way back,

Bb


Grab your gal,

and snap your fin gers,

Eb

and don't you lin ger

Bb

the"Tex - as Tom my",

slow,

Bb7

F7

Get o ver Sal- ly,

one and all,

F7

Eb

Bb

Bb

C7

Bb

Eb

that will show,

Do that slow drag


'round the hall.

Drop!

the

Do that step,

F7

Like you're sit ting on

Bb

Bb

F7

dance called"Walk - in' the Dog".

Bb

log, Rise

142

q = 120

Over The Waves

A Bb


When

you are in

twin - kle a - bove

B Eb

Waltz - ing

an - y

My

Eb


So

a - long

Bb7


the

Words

near.

When

Bb

Bb


sweet

won - der - ful

beat

blue

like

Thrilled be

touch of your

heart starts to

C7

Eb

breeze drift - ing

won - der

the

F7

of

hand,

and

Eb

like a child when a birth - day

F7

F7

the sand

kiss me my

Stars

Eb

time you are hold - ing me

in

and the

C Bb

you

It's the love - li - est time of the year.

Bb

love,

o - ver

Bb

year.

al - most can touch them from here.

And you

you are in

ryhme

It's the love - li - est night of the

love


fall in - to

F7

is

Bb

It's the lov - li - est night of the year.

near.

Royal Garden Blues

143
Clarence & Spencer Williams - 1919

A C7

A
B
F&7
F7
F

B
C7
D7C7
F B7 F C7

F&7

F&7

Stop time - Play downbeats 4 bars


F7 Clarinet

B F7 Cornet

F7

C7

C F7

Trombone

Tuba

F7

D7 C7



F B7

F C7

F7

D B
B7
E7


F7

G7
C7

E7

E7

E7

Back to "D" for Solos

Long Gone

144

W.C. Handy & Chris Smith - 1920

A A7/C
D
E7/D
A
E7
A

Did you

A A

E7

ev-er

hear the sto- ry

of

Long John Dean?

Long

John stood on

the

rail- road

by.

Late

last

Ought'a

seen

B A


Long

Long

Was sent

Bowl ing Green,


to come

A7/C

gone,

night

he

made

his

B7

get-

from Ken- tuck- y,

D E7/D

Long

train

E7/D

yes- ter- day,

came just

John grabbin'

and what I mean,

to the jail-house

bold bank rob-ber from

F7

Waitin' for freight

A7/C

E7
F7 B7

Gone

tie,

Freight train

Long

puffin' and flyin',

E7

a-

way.

that

blind.

He

was

E7
F7 B7


Gone,

ain't he luck- y?

A
E7

Long Gone John from Bowl-ing Green.

Interlude

A F7
B7
E7
A F7
B7
E7


They

They

145

C A
E7
A

of-fered a re-ward

to bring him back,

E-ven put blood-hounds

caught him in Fris- co,and to seal his fate, San Quen-tin

Dog-

Now

lost

his

o- cean

John

es- caped,

the

F7

no-

bod-

knows

where

got

to

close

the

guard for-

D A

blood-hounds

on

F7

B7

E7

B7

Gol-

den

went.
gate.

F7

from Ken- tuck- y,

Long Gone,

Long Gone

from San Quen-tin,

Long Gone and

A7/C

D E7/D

But

scent,

Long Gone

E7

Long- John

E7/D

gone

jailed one ev-'ning late.

out

A7/C

on his track.

The

He

was
John's

B7

E7

Ain't he luck- y.
still

a' sprint- in'.

E7
A

Long gone,

and what I mean,

Long Gone John from Bowl- ing Green.

Long Gone

I'm tell-ing you,

Shut your mouth and

shut mine too.

146

A Good Man is Hard to Find


Eddie Green 1917

q = 100

A Bb

C9

Bbm

my man

Bdim

C7

the day that


my hap- pi ness is less to day,

mean.

and

that man I ev - er seen

me

BbBdim F7

was born,

treats

C7


I re - gret

all a - lone

My heart's sad and I am

Bb

F7

oh

F7

my heart is broke and that is why I

say.

Lord a

147

B G7

G7

C7

you al ways get

F7

he's your pal,

G7

you

G7


rave

look to find him fool - in''round with some oth - er gal then you

C7

C7

F7

Bb

Bbm

and you all crave you wan - na see

Bb F#7 F7

the oth - er kind just when you think that

Bb

F7

good man is hard to find

C7

Bb

him in hisgrave

so if your man is nice take

Bb

Bb

my ad - vice and hug him in the morn - in' kiss him ev' ry night

F#7

F7

Bb

C7

F7

treat him right cuz a good man now - a - days is hard to find,

give him plen - ty lov - in'

Bb F7

Bb F7


so hard to find.

Get Out Of Here


(And Go On Home)

148
q = 180


B B

B7

F7

F7

F7

1.

B7

B7

E7

B7

F7

B7

F7

2.

F7 B7

F7

F7

F7

149

Chinatown, My Chinatown

Jean Schwartz & William Jerome - 1906

A C

When the

town is fast a- sleep,

That's the

time the fes-tiveChink,

Starts to wink his dream-y

Chi- na

G7

Hearts that

G&7

town, my

know

G&7

E7

no

And it's

Chi-na town,

oth-er land

wink his oth-er eye.

D7

G7

La-

zi-

Where the

D7

G7 G&7

G7

lights are

low,

G7

Drift- ing

ly you'll hear him sigh:

Starts to

G7

G7

mid-night in the sky,

D7 A

eye,

to

and

C7 C&7

G&7

fro.

eyes

of

brown,

A7/E D

D7 G7
F6
C G6/B A7 D7 G7 C C

Dream- y,

dream- y,

Hearts seem light and

Chi- na- town,

life seems bright,

Al- mond

In dream- y

Chi- na- town.

Cleopatra Had A Jazz Band

150

Jack Coogan & Jimmy Morgan - 1917

A
G E7 A7

His- to-

ry

re-

In

E7

a dream it

So the wise men

A7

A7

prove that

heard pe- cu-liar mus-ic

takes me back

A7
E6
E6

on- ly goes to

peats it- self,

lieve they're right be- cause last night

B A

D7

A7

two

E6

D7

thou- sand years

A7


E-

gyp-tians were not

D7

a-

say.

I be -

D7 D D7 D&

play.

go.

Which

slow. Cle- o- pa-tra had a

B A7

D7

jazz band,

D7

G/B

She won Marc

An- to-

ny,

And while they played,

D7

She

She knew she had him all the while. In the sha-dow of the

D7
C A7

pyr- a- mids,

G7

E6 E7

B/F E7 D7

A7

swayed.

A7

With her syn- co- pa-ted har- mo- ny.

E7

A7/E

Ev-'ry night she gave a jazz dance,

E&

In her queer E -gyp-tian style.

A7

In her cas-tle on the Nile.

G7
D7

151

'Neath the old E gyp-tian


-

F7(b5)

said:"There'll be a wed - ding soon".

moon,

B B7

A7

D7

A Sphinx was look-ing on

C7 B7 E7

and

A7


But the real his- tor- ic

scan- dal,

was

G B B A6
D7
A6
D7
G
D7


Cle- o lost her san-dal as shedanced to the strains of the E- gyp-tian jazz band tune.

152

Aunt Hagar's Blues


A Eb

Bb+ Eb

W.C. HANDY 1921

Bb+ Eb

Eb7

Old dea - con Spliv - in,

His flock was giv - in'

Ab7

Fm

Bb7

Said he "No swing - in',

Fm7

Ab7

Oh my, just lis - ten!"

EbEb7AbAbm Eb

Eb7

My boys have just come home,

Bb7

Eb

They play it on the sax - o phone".

Bb7

a- bout the jazz - in'?

Bb7

and shout - ed out with all her might:

With la test mu - sic,

B Eb

Ab7

Bb7

Up jumped Aunt Ha - gar

Eb

No rag - time sing - in' to - night".

"Why all this razz - in',

the way of liv - in' right.

Eb Ab7

the dea - con shout - ed with a moan.

Eb

C Eb Eb7 Ab

Eb

Eb

B7

Bb7

Bb7

Eb

Hear Aunt Ha - gar's chil - dren har - mo - niz - ing. Hear thatsweet mel - o - dy,

Eb7
Ebm

B7

Bb7

like a choir

Bb7


good Lawd

Ebm

sent

Eb Eb7 Ab

it

Eb

down

to

Bb7


Oh,

Eb

me.

Eb B7

blues,

F7

When I

Aunt

Eb

Bb7

Eb

Ha - gar's

Child - ren

When my feet say dance, I

Bb7

that mel - o - dy they call the

Eb

G7

hear

Bb7

Let the

'tain't no use o' teach - in'

Oh,

such mod u - la- tion,

just can't re - fuse,

Such jazz a - pa - tion

Eb

Eb7

'taint no use you preach - in',

Ab7

It's

while I sing those lov - in' Aunt Ha - gar's Blues.

join

C7


con- gre - ga - tion

If the dev - il brought it, the

right

Eb7

from on high broke loose.

B7

153

Blues.

Avalon

154

A C7

found my

B D7

love

in

A - va lon,

left my

love in

Be -

her and

A - va lon

trav - el on,

think I'll

va

And

E7 Eb7

dawn.

C7

way.

'til

bay,

Bbm6


Gm7

to

a -

dusk

D7

sailed

Gm

from

and

E7Eb7 D7

the

C+7

1920

Side

A - va lon,

C7

C+7

so

dream of

C7

Al Jolson

lon.

Amazing Grace

F7

Bb

C7

Bb

Dm

Singin' The Blues


q = 120

Ab

Ebmaj7


A Fm7

Bb7

F7

Cm7


Fm

C7

Bb7

Eb

Eb

Bb7

Eb

Eb

C Fm7

Fm


B G7

Gm

155
Con Conrod 1920


F7


Bb7

Bb7

Eb


F7

C7

Fm7 Cdim

2 - Bar Break

Ebdim

C7

Gbdim

Eb

Bb7

Eb

Second Hand Rose

156

James F. Hanley & Grant Clarke - 1921

A F

C7

C7

Fath- er has a bus-'ness,Strict- ly sec- ond hand,

G7


To

C7

ba- by grand.

G7

bused,

F F C7

D7

nev-er-

G7

pardon

Sec- ond hand

hose,

Sec- ond Hand


their

C7

Rose.

sec -ond hand beauxs.

I'm wear- ing

C7

That's why they call


the girls hand

E -ven our piE -ven my pa-

Fath- er bought for ten cents on the


Have some- bod- y else's
'ni- tials

lor,
'em,

C&7

All

C7

C7

It's no won- der that I feel a-

Sec- ond hand clothes,

me

D7

G7

me

have a thing that ain't been used:

hats,

Sec-ond hand shoes,

C7

G7

Sec-ond hand

Ev- 'ry- thing from tooth- picks,

E-ven things I'm wear-ing, Some- one wore be- fore.

Stuff in our a- part- ment, came from fath- er's store,

C7

C7 C&7

dolon

an- o
in the
ja- mas when I

lar.
'em.

157

C F F C7

G7

Sec-ond hand pearls,

I'm wear- ing sec- ond hand curls,

Sec-ond hand

I'm sick

rings,

F&7

oth- er

ies

F&

a- dore,

C&7

nev- er get

nev- er get what

He had

the nerve

-ven Jake the plumb- er, he's the

Once while stroll- ing

girl got my goat,


man I

do.

sec- ond hand things

sin- gle thing that's new.


girl-

of

F7

to tell me he's

thru the Ritz

G7

been

mar-ried be- fore!

Shenudged her friend and said "Oh look! There's my old fur coat!"

F C7

G7

Ev- 'ry-

one knows,

that I'm just

Sec- ond Hand Rose,

Ev- 'ry-

one knows,

that I'm just

Sec- ond Hand Rose,

G7

C7

From

Sec-

ond

Av-

e-

nue.

From

Sec-

ond

Av-

e-

nue.

C7

I'm wear- ing

Lovin' Sam
(The Sheik of Alabam')

158

A C



Lis ten sis
Ev -'ry hus

ters and bro - thers


band and lov - er,

C7

But let me tell you


Then here's my warn- in'


He's the great
Keep your gal

est of
un der

a bout a man I
and you can pass it

lov - ers
cov - er,

C7

There ain't a high brown gal in town


If Lov- in'Sam gives her the grin,

D7


To be the bride of
And in the morn- in'

G7

There ain't a wo man he can't vamp,


But if your gal you aim to keep,

G7

They say that he's the lov- in' champ,


Of course they say ad - vice is cheap,

D7

C7

I sup pose you've heard of the Sheik.


Bet ter take a
bit of ad - vice.

1922

know:
on:

C7

Ev - er kissed a girl on the cheek.


Sure as there's a deuce on the dice,

Who would n't throw her dad- dy down


Then you is out and Sam is in!

this col ored Ro - me - o.


your lov - in' ma ma's gone!

C7

Peo ple
Peo ple

C F

call

C7

him

G7

gals

go

Lov- in'

Sam,


love like Lov- in'

C7

down in Al - a -

Bb

ba - bies

D7

by,

Boy! He

C7

The

And when the

A7

Gm7

Sheik of

wick- ed

eye!

You couldhave your eggs and

bam'.

That's what he does n't do noth- in'else but!Could you

C7

ham,

In the fin est kit chens

F7

You'd make the high brown ba

Bbm

ia!

They

C7


Al

bies cry

for Cas - tor

rolls

He's a

Sam,

cry

man!

bam'.

G7

2 bar break

Does he strut?

DF

Am

Does he step?

Al - a

a heart break- in'

stroll- in'

He's the Sheik of

G7

mean love mak- in'

159

a -

all

love

bam'.

for

you like

Lov - in'

Sam,

Peo - ple

Ma He's Making Eyes At Me

160

Con Conrad - 1921

A E

B7

Lit- tle Lil- ly was

B7

oh! So sil- ly and

She would-n't bill and coo.

B E

"Ma,

B7 B B7

But she would cry:

F7

B7

B&7

at me!

C B7

fel-lows knew,

Ev 'ry sin-gle-nightsome smart fel-low would

up to her,

he's mak-ing eyes

B7

to cud dle

And all the

F7

try,

shy,

B7

C F7 B7

Ma,

he's aw-ful nice

B7

to me!

B7

I'm be- side him, Mer- cy! Let his con scienceguidehim
If you peek in, Can'tyouseeI'm goin' to weak en?

Mahe's al mostbreak-ingmyheart,

C E

Ma,

F7


B7

F7



he wants to

B7

mar-

Ev- 'ry min- ute


Me, I'm meet- ing

Ma,
on my should-er,for as - sis- tance!

B7

ry me,

F7

Be

my

B7

hon-

ey

G7

C7

bee.

he gets bold- er, Now he's lean- ing


with re - sis tance
I shall hol- ler

B7

E A7 E


he's kiss - ing

me!"

When You're A Million Miles From Nowhere

161

Walter Donaldson - 1919

A G7

You're a

C7

mile

leave

That keeps ring-

ing

the gates

of heav- en,

tle

D7

mil-

lion

C7/G

mile

miles

C7

from

You just

E7

A7 C
B7

from

home.

er's tears,

When you leave Moth-er's arms

G7

ears.

lit- tle

C7

moth-

your

when you're one

of

in

lit-

F7

You're a

one

A/C

C7

It's the song

C7

G7

C7/G

from no- where,

B/F

F7

from home.

lion miles

A7/C

F/A

mil-

C7

B G7

C7

G7

no- where,

B7

to roam.

When you're

162

My Honey's Lovin' Arms


Herman Ruby/Joseph Meyer - 1922

A F

B7

You've heard lov-ers,

C7

C7

pet;

I'm

They

so

simp-ly

G7

love your

place

com- fy

G7


One ca- ress,

get

ro-

man- tic,

to

bout their

C&7

A7

While I'm in

G9

G
C&7

and

whis-per low

to

Hon- ey

B7


They hold

C6

when

C7

G7

co- zy chair,

Hap- pi- ness,

now;

lov- in' arms,

nes- tle

Drive you fran-tic.

so diff-'rent-

go

G7

fret

Oh,

al- ways

diff-'rent,

love I know

B7

lov- ers

C&7

Love- sick

am

world of charms,

D7

lone-

Oh, what

Ba- by:

Seems to bless my

ly.

hap- py

pair!

C7

lit- tle hon-

ey.

163

C F

love you


G9

You'll find

'Cause

B7

my

when

the

C6

C7

to you

D7

on-

ly;

F7

world seems wrong,

Right in

my

When years have passed a- way

love be- longs

more each day,


I be- long

G7

C7

Hon-ey's

Lov- in'

know

that

B7

St. James Infirmary

164

A Dm

Bb7

A7 Dm

A7

Dm

Bb7 A7 Dm

Gm

When will I ev -er stop moan - in'?

When will I ev -er smile?

Gm

Dm

Bb7

A7

Bb7

A7


left me,She'll be gone a long longwhile.

Gm

for?

Gm Dm

My ba -by went and left me

B Dm

A7

My ba -by went and

Dm A7 Dm

Bb7

A7

Ne -ver to come back no more.

Dm

Dm

Bb7

Dm

let her

A7

go

God bless her

Dm

F7

- Wher ev - er she may be.

Bb7

A7

I went

A7

down to the Saint James In -firm -'ry


- My ba - by there she lay,
- by's chan - ces" - I asked old Doc - torSharp,
"What is my
ba
go,

Bb7 A7

I feel so blue and heart -bro -ken What am I liv -ing

Dm

D7

La - id

She can

Dm


out on a cold mar - ble ta - ble - Well, I looked and I turned
a - way.
"Boy, by six o' clock this eve'-nin, -She'll be play - in' her gol den harp. Let her
hunt this - wide - world o - ver
But she'll ne - ver find a man like me.

165
Wilbur C. Sweatman - 1911

Down Home Rag

B7
F7

A6/F
E C7 F7 B7
A E F7
E/G


E F7
A6/F
E/G
E C7 F7 B7
E

E6

E6


E7

F7 B7

E F7 B7
E

G7

G7

E7 D6 F G7 E7

E7

D D A
A
B7
E7
C A A7

A7
D D A
A A7 D A B7 E7 A

D A

B7

E7

B7 E7 A

Play "A" Once and end

166

Shake It & Break It


A F

C7


C F

C7

C7

F7

B F

Artie Matthews - 1915

Clarinet Break: 2 bars


F F7 B B

Break: 2 bars

B7

F F7 B B F

B7


F7

C7

F7

C7

C7

F7

167
Play "D" As AWritten - Repeat for Solos

D B

F7
B
B
F7

F7
B
B
G7

G7

After Last Solo


play "D" once as written then go on

B
F7

EF

Break: 2 bars

C7

B7

F F7 B B F

Fine

Dixieland Jazz Band One Step

168
q = 200

A Bb

Bb

F7
F7
C7
F7

Bb
Bb7
F
Bb
Bb

Bb

F7
F7
C7
F7

Bb
Bb7
F

Bb

Bb
Eb
Cm7



Fm7
Bb

Eb
Eb
Bb
Eb

Cm
C7

Fm F#dim Eb
Bb7
Eb7

169

Ab
Ab
C7
C7
F7

F7
Bb
Bb7

Cm

Eb
Eb

G7

Ab

Eb7

Cm

F7

Ab
C7
C7
F7
D Ab

F7
Bb
Bb7
Db

Ddim
Ab
F7
3

Bb7

Eb

Ab

Ab

170

Rufe Johnson's Harmony Band


Shleton Brooks & Maurice Abraham - 1914

A E F7 E B7

Rufe John-son leads a

band,

G
F6

Down in

Sa-

They all keep

nah,

Down

sway-

ing,

While Rufe

van-

nah-

'Man-

ci-

B7

hol-

i-

act

like

F7

G.
pa- tion

day,

fools,

in

You

is

play-

ing.

F7


Down in Sa-

but he will get your goat,

C C B/D

The

Day.

You'll

nah.

Plays rag-time mu--sic- sweet,

they par-

When

B7

van-

C7

A.

horse and

hear

man,

Sa-

Old Rufe can't read a note,

C7

G F6

van-

He real- ly can't be beat,

The peo- ple shake their feet,

B7

B F
C7

He's one grand lead- er

When he comes down the street,

F7 E B7

the

al - most

B7

peo-

ple

say:

hear

them

say:

When he plays

each

mules

they

ade

171

G7

C E

Here they come,

Just lis- ten

G7


F7

Say

Hon,

C7

played

that

by

ten

to

that

rump, rump.

lead-

B7

F7

hear

it

B7

groan- ing,

er

old cor- net,

C7

that

rump,

trom- bone moan- ing,

F7

ain't

Lis

Root -te-toot, toot- te-toot,toot-te-toot toot-te-toot.

G7

C7

E7

rump,

Lis-ten to that dog-gone flute,

Boy ain't he

He's go- ing

D A

to that drum,

beat- in' some,

It's

C7

man.

He's

F A
A
E
C7




got

F7

a world

wide

rep-

B7

Old Ruf- us

u-

ta- tion

John-son's Har-

mon -y

For play- ing

E
Band

syn- co-

pa- tion;

Solos at "C"

Runnin' Wild

172

Bdim

Db7

Gm7

C7

F7


My
When

Verse

A Bb

Bb7


gal and

I first

met

we

had a

that

gal of

Bb

Eb

fight

mine

D7

and

I'm

it

C7

thinks

now

that she's gone

I'll

when she

thought

she

had

she

Bb

Bb7

gon - na

show

her

she's all

Ma - ry

led

her

lit - tle

Bdim

won't sit home


til

the worm

right

by

my - self.

start - ed

shelf.

I'm

act - in'

mean.

Like

no

lone - some stuff for

lamb

she

led

Gm7

all

Db7

all

a - lone

She'll soon find that

I'm

had

to turn,

that's the rea - son

I'm

C7

F7

But

the

wrong

me

dream.

lay right on

Eb

guess she

me

all

seemed just like

Gm

Bb

the

Bb

me
time,

I
Un -

F7


Runn - in'
Runn - in'

wild,
wild

173

Chorus
B Bb

Bb7

lost con - trol,

Bb

Cm6 D7

Feel - in' gay,

all the

C Bb

nev - er

time,

Reck - less

C7

D7

Bb

while,


All a - lone

Care - free mind,



Al - ways

blue.

goin',

Eb

Al - ways showin'

G7

C7

Don't love no - bo - dy

F7

too,

I don't care,

Bbm6

Bb7

might - y bold.

Gm

don't know where,

Run - nin' wild,

F7

Eb

Run - nin'

Bb

Wild.

F7

It's not worth -

q = 160

174

Alabama Jubilee

A Bb

Gb7


Man - do

Bb

Com ethis way,

Bb

Mu - sic sweet,

C7

C7

F7

Goes right to you head and trick- les to your feet.

F7

C7

F7

mem - o- ry find - er ofnights down in old Al - a

B G7

C7

F7

'round like a clown,

Bb

bam: You ought to

C7

rat tles them bones,

Old Par- son Brown danc - in'

F7


Aunt Jem - i - ma who is past eight - y three

G7

G7


see Dea - con Jones when he

F7

Bb


It's a re mind - er a

gins,

Bet - ter hur - ry hon - ey dear, or you'll be miss - in'

Bb

rag - time treat,

F7

lay,

Gb7

Bb

Ev -'ry - bod - y tun - in' up, the fun be

Gm

don't de

F7

vi - o- lins,

lins,

Bb

George Cobb - 1915

Bb

Shout - in'"I'm full o' pep!

G7

Wtach yo' step, watch yo' step!" One leg - ged Joe danced a - round on his toe,

Cmin

Cmin

Threw a - way his cane and hol lered,"Let her

Eb

Bb

gang's all

here

for an

C7

C7


go!"

F7

Al - a - bam - a Jub - i -

Oh Hon - ey

lee.

Bb

Bb

D7

Hail,

Hail,

the

This Little Light of Mine


A B

B7

This lit - tle light of mine

I'm gon - na let it shine.

175

This lit - tle light of


mine


shine.

B B

I'm gon - na let it shine.

This lit - tle light of mine

Ev'- ry day

Ev'- ry day

shine,

Let it shine,

I'm gon - na let


I'm gon - na let

it
it

I'm gon - na let


I'm gon - na let

it
it

shine.
shine.


it
it

shine.
shine.

Let it

F7

let my

lit - tle light shine.

I'm gon - na let


I'm gon - na let

shine.
shine.

I'm gon - na

B7

Won't let
a - ny - one blow it out
I'll take this light all a - round the world,

I'm gon - na let my lit - tle light shine.

Won't let
a - ny - one blow it
out,
I'll take this light all a - round the world,

F7

Won't let
a - ny - one blow it
out
I'll take this light all a - round the world,

I'm gon - na let it

Bugle Boy March

176

A F

Tuba & Trmb.

C7

C7

G7

C7



B F

C7

C7


G7

C7

F7

Tuba Trmb.
C7

D7

F7

177

C B

D B

G7

F7

C7

C7

C7

F7

F7

B7

B7


C7

Last Time

1.

F7


Solos at "C"

178

Hot Lips

q = 180

1922

Db7


There's a

C7

boy that's

Fin - est since you're

Db7

They all

G7

call him


ev' - ry

bo - dy

in our

born,

band, And

how he blows that

Hot lips

for

on the floor just

He

horn,

When he starts you're

blows real red hot

floats that's what they

gone.

Eb7

notes,

Eb+7

say:He's got hot

And

B Ab

lips,

when he plays

Eb+7

Bb7

goes,

and shakes your

Bb+7

He draws out

toes

When he plays

Ab

Eb7

crowd,

proud,

like no one

Eb Bb+

Eb7

has.

Eb

shoes,

Boy how he

Eb+7

Blues .

I watch the

Eb7

through,

Eb+7

steps,

un - til he's

Eb7

Ab

Solo Break

Eb+7


Abm6

You're on your

Eb7

jazz,

Ab

Eb7

179

He

Ab7

They're cu- ckoo

can be

Eb+7

too.

his

mus - ic's

Stop Time

D Ab

Ab

C7

rare

you

must

C7

Fm

Fm

Time:

de - clare

you know the

Solos at "B"

Eb7

boy

is there,

with two hot

Ab

lips.

Eb+7

St. Louis Blues

180

W.C. Handy 1914

q = 100

A Em B7

Am



St.Lou- is

Wo- man

B7

Em D

Cb B7

hair.

You know the man I love,

B E7

the eve - nin' sun


like I
feel

Cb7

he done left
make my get

go down.
to - day.

B7

down.
-day.

E7

this town.
a - way.

Em

and for store bought

B7

see
I hate to
feel to - mor - row,

A7

B7

Be - 'cause my ba - by
I'll pack my trunk

would not have gone no where, no - where. O - h,

the eve - nin'sun go


like
I feel to

Am

Em F7

I hate to see,
to
mor - row

B7

Pulls that man a - round,

Ex -cept for pow - der

Em

Am Cb7

by her a -pron strings.

B7

F7F7b5 B7

There with her dia - mond rings,

B7

Feel
Got the

181

C E



St. Lou - is Blues,just as blue as

Fm

A7

Fm

can

E A E A

E A E7

be.

A7

rock cast

in

That

E A E A E A E7


man got a heart like a

the sea,

Or

B7

else

1.

he

wouldn't have

gone

so

far

2.

Got the

me.

from

me.

182

Careless Love
A

C7

Love,

oh

love

D7

oh

gal,

and you

B F

If

C7

D7
to

Bbm

G7

air


Now

wear my

Bb

D7

pron high,

a - pron

G7

a - pron high,

Bbm

I'd build

my

high,

and he

nev

right

Bb

ma - ny

C7

fly

from

Bb

nest

way

up

Now

- er, nev - er pass - es

in

the

C7

C7

me.

F7

I'd

C7

fly

bird,

mine.

wear my

boys could not both - er

C7

C7

bad

where the

tree.

of

the heart

broke this heart of

C7

ly

lit - tle

were


tree

near

F7

C7

You

You've broke

love.

C7

thru my head like wine.

Bbm

care - less

G7

by.

Now

F7

wear

my

C7

Tuck Me To Sleep in My Old 'Tucky Home

183

George Meyer - 1921

A F

Tuck

F7

me

to

sleep

in

C7

cov - er


Just

let

the

sun

kiss

kiss - in'

I've been miss - in'

ain't had

G7

can


Tuck

C7

F/C

bit of

G7

rest,

since I

rest the

best

F7

me

to

sleep

in

my

left my

lay there stay there

nev - er no

more

in

like the

C7


nest.

C7

lov - in' arms.

her

F/C

'Tuck - y home,

let

G7

to roam.

gone.

mam - my's

C7

lone.

G7

old

ev - 'ry dawn,

from my mam - my since I'm

al - ways

home,

C7

leave me there a

cheeks

F7

my

'Tuck - y

F7

and

F/C

G7

F7

G7

skies

old

Dix - ie

me with

my


me

C7

184

The Sheik of Araby

q = 180

A Bbm

Gb7

ver

Bbm

the

bold

Sheik

of

Ebm

low

Bbm

Un


He

der

the

sings

to

wild

and

F7

Bbm

Ar - a

band

At

his

Bbm

Cm7

Cm7

Bbm

Cm7

by

Cm7

free

Ebm

com - mand

car - a - van.

love's

Gb7

Ebm

his

Bbm

Ebm

Bbm

F7

ar - ab

His

Fol

C7

des - ert

the

Rides

Gb7

C7

C7

F7

C7

call

of


her

shad - ow

to

Bbm

the

his

Cm7

Bbm

Cm7

palms,

F7

arms.

F7

I'm the

185

Bb


Sheik

F7


love

Dm


to

Cm


night

Bb


stars

F7

of

be -

your

when

that

Bb

Bdim

ar

F7

longs

to

Dbdim

tent

I'll

F7

F&

you're

Bb

Bdim

shine

F7

light

our

way

to

rule

F7

this

Sheik

of

land

Ar

Cm

F7

by

Bb

Cm

F7

creep

Gm

C7

F7

sleep

Cm

F7

bove

D7

D&

D7

you'll

C7

me

Bb

by

will

love

C7

The

D&

At

Cm
-

In -

me

Bb

Your

F7

Bb

with

F7

Cm

the

Bb

186

Sister Kate
A.J. PIRON - 1919

q = 164

Ab

Eb

C7

Fm

Bb7

Eb C7





A Bb7

Bb7

Eb

Went to a dance with my sis - ter Kate,

Eb


I re - a - lized a

Bb7

Bb7

Bb7


C7

trance,

F7

go - ing wild just

danced so great.

Eb

Cb7

Eb

Eb

and then I knew it was in her dance.


all the boys are

Eb

and I got wise to some - thing new,

two

I looked at Kate, she was in a

ev -'ry one there said she

Fm7

thing or

Bb7

o - ver Ka - tie's danc - ing style.

Eb

187

Chorus

F7

Bb7

Eb

Eb7

wish I could shim my like my sis - ter Kate, she shi - vers like the jel - ly

Bb7

Bb7


Eb


Eb

know last

nice.

ev' ry

Eb7

be

up

to

date

Eb

Kate

in our

C7

mean

when

Cb7

neigh - bor - hood

un - der - stood

I know I'm late

Fm

Ab

C7

Bb7

Eb7

boy

why all the boys treat sis - ter

night,

knows that she can shim - my and it's

Eb

Bb7

Kate so

Eb

my ma - ma want - ed to

on a plate.

can

shim - my

Bb7

Shim - my like my

sis - ter

like

my

Kate.

Eb

but I'll

Bb7

sis - ter

188

The Love Nest


Louis A. Hirsch & Otto Harbach - 1920

A E

B7

Man - y

F7(b5)

by - gone

D7

Long

or

wide

or

low.

B9

Jack built long

C7

days,

Yet

a -

F7

mill- ions sing

its

man.

of them all

They have built for

B7

some were tall

D7

man- sion, Inn,

F7
in

the best one

built

D7

But

B7

Since the world be - gan.

Some were small, and

there have been

B7

build - ers

Pal - ace, cot - tage

go.

`Twas

B7

praise.

Just

189

B E

B7

E7

co-zy and warm.

C E

F7

B7

B7

E7

Best of

Bet- ter

C7
F


is

vine,

love nest,

than

B7

pal- ace

You can call home.

E7

dream room for


with

Then a

all room,

B7

G7/D

tea set of blue.

two.

kit-chen where some ram-bler ros- es twine.

small room,

down on a

an- da with some sort of cling- ing

ver-

C7
F
C


Then a

Like a dove nest,

B7

farm.

E7

love nest,

gild- ed

G7 G7(b5)

dome,

190

Take Me To the Land of Jazz


Bert Kalmer, Edgar Leslie, Pete Wendling - 1919

A C7

There's

F7

mu- sic

in

the breeze,

and

F7

grow

on trees.

trom- bones

C7
G7
C7
G7(b5)
F7

You hear moan- in'


C7

ev-'ry

F7

ca- bar- et,

and groan- in'

it's the

G7

to hear it,

and tune- ful har- mo- nies.

C7
F7

long

C7

must be near it,

on- ly

C7

thing they play!

G7(b5)

In

Well, I

F7

and that's why

I say:

191

Chorus:
B
B

C7

Take me to the land of jazz,

Play the

Take me to the land of Jazz,

Let me hear the music New Or- leans has,

F7

wan' na step,

like it

C7


to

hot,

kind-a' blues like Mem- phis has,

a tune that's full

of

and you know that's what that

Pickin' 'em up and

layin' 'em down,

Come and take the

lat- est dare,

C7

F7

gen -u- ine pep!


ci-

ty's got!

D7

Learn

to

do the "Griz-zly-

Teach them how all

o- ver

town,

Bear".

C7
G7
F7


I'll give you fair warn- in',

love that syn- co-

I won't be home- 'til morn-

pa- tion,

At

F7

my

des-

tin-

a-

dan - cin' 'til the

sun comes up,

In the lov - in' land of jazz.

run - nin' wild and

livin'

In the lov - in' land of jazz.

it

up,

I'll be

tion!

in'.

Just

192

Down In Borneo Isle


Herny Creamer & J. Turner Layton - 1917

A C

Far

G7

a- way

in

Jun- gle land,

Tuba-

B7

Tuba- Toms- etc

B7

In the

eve-

does the Boo-

ning

Jun- gle,

Where they play

Jun- gle,

Tuba- Toms- etc.

up-

on the sand,

Toms

Jun- gle,

Jun- gle land,

Jun- gle,

F7

B7

Jun- gle sand.

B&
E

when the day

la Boo- la.

And

is cool- er

they say

ev- 'ry-

that


bod-

mon- key band,

B
F7
B7

Tum- bles,
Stum- bles,
As they bun- gle thru the jun- gle.

193

B7

Down

in Bor- ne- o,

And

those

Down in Bor- ne- o,

Oh, Oh, Oh,

B7

To

see

D7

real

wild

Oh,

the mus- ic slow,

Oh,

Oh, Oh, Oh!

F7

Down

in

danc- ing

a- round,

swim- min'!

C7 C

All theywear is a smile,

lights are low,

B7

How

B7

in

Bor- ne- o Isle.

eve- ning when the

wo- men

Where I want to go,

And ev-'ry

men

in

B7/F

wild

those

Down

Bor- ne- o,

B7/F B7/D

love to

D B7

Down in

B7

C7

Bor- ne- o

Oh,

Oh,

they toad- al-

E A7 E
Isle.

o,

194

The Jazz Me Blues


Tom Delaney
1921

A Eb

Down in Louis - i - an - a in that sun - ny

clime - They play a class of mu - sic that is

F7
Bb7
Eb




su - per

fine - And it makes no dif - fer - ence if

break

Eb

hear that jazz band

mu - sic

Eb

fill

the

air

play - ing

all

shine - You can

rain or

the

Eb

time

it

break

Eb

Then

to

Eb



be in

its

Bb7

sounds so pe - cu - liar 'cause the mu - sic's queer

F7
Bb

How its sweet vi - bra - tion seems to

you

the whole world seems to

Bb7
Eb

rhyme You want noth - ing else but jazz - band mu - sic

all the

time

195

Bb7

Bb
Bb7
Bb
Bb7

Ev -'ry one that's nigh nev - er seems to sigh Hear them loud - ly

C7


Jazz

F7

Don't stop the mu - sic it's

man

Jazz

man

G7

cry:

Oh!

(Jazz man!) You

break

Bb7
Eb



know I want to hear it

both

day and

night and if you don't blow it hot then I

Eb7 D7 Db7 C7

don't feel right Now if it's rag - time


(Jazz

Eb

Time)

Cmin

Take your time don't rush

F7

F7

Please Sir will you play it in jazz - time

G7

Don't want it fast

dog - gone real - gone

Bb7

Don't want it slow,

C7

it

play

it

sweet and

jazz - band "Jazz

low

Eb Ab7

Me" blues.

I've got those

Eb

D7 Db7

Solos at "C"

Jelly Roll Blues

196

Jelly Roll Morton - 1905

F7

Ensemble

Stop Time Banjo Solo - 7 beats

A B

Trombone Solo
3 Beats

Cornet solo 3 beats

F7

Ensemble

B
B7 E

F7

C7

F7

B B7

F7

Stop time 3 bars - ad lib breaks

B B

D7

C7

F7

D7

B7




B B7

F7

F7

197
Stop time 3 bars - ad lib breaks

B7

F7
C7
F7
B B7 E E B
F7

4 bar interlude - clarinet trill, drum roll

B7

B7

B7

B7

B7

D E
G7
E
E7

A
E
A

B7

F7

B7

B7

Back to "D" for Solos

198

Ole Miss

A C7

C7



C7

C7



B B

A7

C7

W.C. Handy - 1916

F
F7

F

E7

F7

D7

B6

C7


C7

C7

C7



F7
B
D F

G7


A7

C7

199

C7

C7

F7

G7

C7


D7

D7

Back to "D" for Solos


Then Play "C" and "D out.

200

Blues My Naughty Sweetie Gives To Me


1919

h = 100


D7

Gm

Ebdim

There are

C
Abdim Cm


that you get from
that will give you
to an -oth- er


Gm

Blues
Blues
Blues

Eb7

pain,
pain,
guy,

your one and on your one and on all of your mon -

G7 Cm

that you get from wor - ry


that you get when sin - gle
that you get fromsweet - ie

Blues
Blues
Blues

Gm

Gm

There are
There are
When she

D7

And there are Blues when you're lone


And there are Blues when you're lone
And there are Blues when your hon

A7

ly, The Blues you can nev - er ex - plain;


ly, The Blues you can nev - er ex - plain;
ey, And Blues when she tells
you a
lie;

Ebdim

Gm

that you get from long - ing


that you get from long - ing
that you get when mar - ried

G7 Cm

D7
G7

But the
To hold
Wish ing

blu
some that

Are the sort of Blues that's on my


But the kind of Blues that
al - way
But the kind of Blues that's good and

mind,
stabs,
blue,

C7
F7
C7
F9
Bb



mean est kind, The Blues my naught - y sweet - ie gives to
tax - i cabs, The Blues my naught - y sweet - ie gives to
wine for two, The kind of Blues my sweet - ie gives to

me.
me.
me.

- ly
- ly
- ey

For
For
spends

D7

Blues
Blues
phones

There are
There are
There are

D7

est Blues that be


one on your knee,
you could be free,

C7

They're the ve - ry
Come from hi - ring
Comes from hav - ing

(D7)


There are
There are
There are

I Never Knew I Could Love Anybody

201

h = 84

A G

G+

C6/G

I nev er knew

I could - n't

you;

E7

A7

eyes

And

G6

sin -

C G

A7

smile

Cm

gle

could

could

Hon - ey

be

so

G+

nev - er

like

knew

could

I'm

lov

ing

D7

Hon - ey, like I'm lov - ing

pair

of

ize

what a

D7

D7

do;

can't

eat,


nev - er knew

D7

sweet,

C6/G

D7

could

G7

can't sleep,

A7

ba - by

re - al

A7

bod - y,

love an - y

I could

E7

F6

1920

love

F6

an - y -

you.

E7

bod

y,

The Curse of An Aching Heart

202

Al Piantadosi - 1913

made

me

is-


G7

you,

soul

That's the

D7/F

curse

me

F7

me

'ry


of

an

dream,

you're not

F7

un-

You fooled

true

ach-

ing

heart.

A7

You

me from

and down

died.

you're

F7

hope

down

B7

And though

C7

in

ev-

day,

You dragged

F7

and

to-

with-

tered each

You

B7

am

C7

the

B B

start.

what

fied.

til

D7

F7

sat-

shat-

the

B/F

D7

still

love

Some of These Days


A G7



Some of these days

F7

so

F7

kiss - in'

E7

lone - ly

Cm

just for me

you al - ways got your way,

C7

grieve me

F7

hon - ey

Fm

Some of these days

C7

hug - gin'

you'll miss my

Fm

lone - ly,

C7

your gon - na miss me hon - ey.

F7

G7

you'll miss me

B E7

Cm

Cm

you'll feel

G7

203

you'll miss my

B7

B7

when you're a - way.

on -

ly,

Fm

C7

And when you leave

B7

me

hon - ey

cuz you know

F7

You'll be so

Adim

I know you'll


you know

you'll miss your ba - by

oh some of these days.

204

Rose of Washington Square


James F. Halnley - 1919

A A

D
E7
A

A gar-denthat nev-er knows sun-shine

A7

Onceshel-tered a beau- ti - ful rose.

B7

E7

sha-dows it grew with-out sun-light- or dew, as a child of the cit-

In the

y grows.

D
E7
A
C
C

but- ter-fly flew to the gar- den, from out of the blue sky a- bove,

flut-ter,-

G7

bees,

E7


with a

D7

won-der-ful tale

of

love,


of

D7

D7

of the brooks and

the heart of the rose set a-

mea-dows and

He

G7

trees.

told her of birds and of

He

whis- pered,

205

G7
C

Rose,

where

of Wash- ing-tonSquare

the

sun

shines,

Rose,

Rose,

C G7

I'll nev-er de- part,

D7

I'll bring the


spar-kle with dew

for

my

D7

Rose

should blos-som

Na- ture

G7

but be the queen

of

G7

did not mean

some fair gar- den,

but dwell in yourheart,

your love to care,

F6 C

sun-beams from the Hea-vens to you,

A7

E7

D7

G&7

a flow-er so Fair

that you should blush un-seen

C C

G7

G7

and give you

of Wash- ing-ton Square.

kis-ses that

206

The Old Rugged Cross


George Bernard - 1913

G7

C&

F F

A
F
F
F
C C C C7

D7

B G7

G7

Ritard

G7

G7


C7

C F7 C


B7

A7

F&

F6 G7

F F C

Dear Old Southland

207

Henry Creamer & Turner Layton - 1921

A F
E& A/E
C7/E
F
E&
A/E
C7/E






Iwant to stray

B
D

to the town I was born, Myhometown,

B7

C7

I want toplay

E&

A/E

A/E

A7

want to hear

I used to steal it.

dear old Moth-er

C7/E

in thecot-ton and corn, To feel it,

F
E&

My lit-tle home town.

each

morn,

Tuba

B7
C7
F
A

say-ing "Go long, golong,

B F

F&

Dear,
Dear,

G7

Dear Old South-land,

F&

I hear

you

call-

for you

my

heart

Dear Old South land,

C7

golong, go long to school".

C7

F D7

ing

to

me.

is yearn- ing.

And

long,

how

long

to

roam

back

And

long

just

to

see

once

more

the

to

my

old

land

love

C7/G

C7

home.

that Swan- ee

shore.

Ken- tuck-

B7

208

Foolish Questions

q = 152

1915

G7
C7
F
F D7

Now you've
Now

A F

all heardfool - ish

then

ques tions

there'sthat

and you no

per - son

say the ele vator per - son

ask you

won - der

doubt

why

who's al ways hanging 'around the place

And

should for - get

And

to

close the door,

C7

fool - ish

ques tion but ex pect a sen si ble re - ply

he watch - es you take your shav - ing brush andstart to lath er up your face.
you should hap

pen

to tumble

let's say for - ty

down

Say

give your

ra - zor

its

you hit

the bot tom and

you

when

firstthing she'll do

know that

is

fool will

fool will stick his stick

when you take your girl some can - dy


as

just

wrin kle up her nose and

his

ven floors.

af - ter

to you and

down theshaft and

G7

C7

ask "Is

it

for

"Are you

And
And

tea

The

wave

You

me?"

ask "Are you gonna shave?


ask,

Like

you're lying there in - ert

D7

up

se

prelim - in - ar - y


come

Some

one will

Now let's

hurt?"

Some

B F

Foo

lish ques tion

209

no

doubt

you re - ply

No it's for

your

your

reply

is

No I'm not

pre -

I hope

I hope that
you re - ply
You utter your dy ing moan


Ma

or your Pa

or

it's for

pared for shav- ing

just love

aw

some oth er guy

the taste of

gi - nal he would have want- ed it that


com - ing

of time

1.2.

G7

C7

down this



hear them ev'ry day.


way,

just

Ned

And he

And as you're

just want ed you to

like to take my shav

Ned was al ways so ori -

la - ter on.

It usual- ly saves a

slow.

lot

D7


A - no ther fool ish ques tion

way.
way.

You'll

way.
way.

C E

Then there'sthis fel - low

asks you why you're all dressed up and

re - turn- ing from the

soap.

And now I'll take it a and paint my - self up this

see it
ing brush

ful hurry and this ele vator'sjust too

No, he just though


No, I was
in

C7

he'd have the fu ne - ral - now and then die


an

fu -

ne - ral

of

ring ing out your hank- ie he'll ask

who meets you on your

B7

this is what you say. You're

dear

B7

"Is

old

bro - ther

Ned dead?"

210

Aggravatin' Papa
Roy Turk & Russell Robinson - 1922

A E




I know a trif-

lin' man,

B7

Helives in Birm- ing- ham,


oth- er night,

lin' Sam".

E
E

B7

They call him"Trif-

'Way down in Al-

a- bam'.

B
C7
F7

He had a

fight

with a

gal named Man-dy

F7

C7

F7

plain- ly sta-

B E

ted she was ag- gra- va-

C7

F7

ted,An she shout-ed out to

B7

"Ag-gra-va-tin'pa-pa, Don't you try to two-time me,

C7

F7
B7
E




Ag- gra- va-tin' pa- pa,

Treat me kind or let me

be,

Now the

F7

Brymm,

And she

B7

him:

I saiddon'ttwo-time me.

E7

I meanjust letme be.

211

A
E E7

B7

List- en while I

E
C7

get you told,

Stop mess-in''round, sweet jel- ly

F7

you step out with a highbrown ba-by,

C E

C7


Ag-gra-va-tin'pa-pa,

F7

I'll smackyoudown and I don'tmean may-be!

E7

I'll do an- y-thing you

say,

yes, an- y- thing you say.

But when you go strut- tin',

If

Break 2 bars

B7

roll.

Doyour strut-tin'round my

D7

B7

way.

So pa- pa,
Now pa- pa,
Now pa- pa,

Stop Time - Play beats 1 & 4 as marked

A
A
E7 E7
E7 A
A

Justtreatme pret- ty,

Beniceand sweet,'Cause I pos-sess a fort y four thatdon't re-peat!

You best becare-ful,-

As yon can be, 'Cause I can beat you do- in'whatyou'redoin to me,

Once youwerestead-y

C7


Ag- gra- va-tin' pa- pa,

Once youwere true, But pa-pa, nowsweetma-macan't de-pend on you,

F7

B7

E E7 A A

Don't you try to two-time me!

-2-

B7

Rose Room

212

Harry Williams and Art Hickman - 1917

A A

I want to take you to a

ros - es

lit - tle

A lit - tle room where all the

room,

I want to lead you in - to

bloom.

in the trees,

A7


sing us a song

A7

E7

Na - ture's

Hall,

Where ev' ry year the ros - es give a

They have an or - ches - tra up

ball.

For their mu - si- cians are the bird s and bees.

E7

And the will

A A7 A7B7(b5) A

As we are stroll - ing a - long.

E5 E

In sun - ny

B Bb7

Eb7

Rose - land,

Ab7

Dbm

Where sum - mer breez - es

all the ros - es

Bb7

Danc - ing

shin

Bb7

'tis

Bb7

Rose - land,

ing".

Ab

F7

Eb7

is more than ev - er

ev - er then

ing,

Ab

de - sign

Db

am

pin

Ab

Ab

Be - side a beau - ti - ful rose.

ing,

ing

F7

to be sweet - ly re - clin

Eb7

The moon when

ing,

May

sway

Pin - ing

"A

For

Eb7

- ing,

Db

while the mead - ow brook flows.

Ab7

Dbm

are

are play

There

the hon - ey bees are

Where

Ab

213

ing, Some - where in

214

Bb

High Society

F7

1901

A F7

Bb

D7 Gm


Gm

B F7

D7

Gm

Bb

Gm

C7

D7

C7

F7

Bb

Bb7

Eb

Edim

Bb

C7

Bb7

Bb

F7

3
Eb
Ab
Eb
C
Solos Here




Bb7

D7


Ab

Eb

Adim

Eb


Bb7

C7

F7

Bb7

Ab

Bb7

Eb
F7

F7

Bb

Eb

Eb

Bb+7

Eb7

F7

Eb

D Cm

G7

G7

Cm

G7

G7

Bb7

Ab

Eb

Eb

Bb+7

Eb

Eb7

C7

F7


Bb7

Ab

Bb7

F7

Eb

Ab

Adim

Eb

Eb

D7

Cm

Fm

Bb7

Fm

E Cm

Eb

Tuba

215

Alphonse Picou Clarinet Solo

216

Eb

C Eb3
3

Eb

Ab

Eb

Bb7

Eb

F7

Eb

Bb7

E
Eb



Ab

Ab


Eb

Eb

Eb

Adim

3
Eb
3

F7

Bb7

Eb

American Patrol

217
F.W. Meacham - 1891

G7

C7

C7

F
F7
B
G7
C7

B C7

F7

C7

F
F
C7

Tiger Rag

218

The Original Dixieland Jazz Band - 1917

A B

1.

C7

2.

F7

Cues are Trombone/Tuba

B
C7

F7
B

C7 F

F
C7

B7 Solo Break

F7
B7

F7
B

Solo Break

B7

E
Solo Break

219

C7

E A


E7

E7

B7

E7

E7

Solo Break

F A

E7

A7

Solos at "E"



F7

B7

E7

At The Devil's Ball

220

Irving Berlin - 1913

I had a dreamlast night, Thatfilledmefull

G7


Dev - il

be - low.

In


Dev- il was giv-



gaz- ing

ing

at

his great

must con- fess

you,

to

big

fier-

E7

Ball.

the mer-ry crowd

D7

of fright: Idreamtthat I

I checkedmy

thatcame to

Wherethe

coat and

hat and

wit-ness the show.


ny there

hall,

G7

Therewere ma-

waswith the

knew.

start-ed-

And I

At

the

221

B C

D7

Dev-il's Ball,

At the Dev-il's Ball,


pret-ty-

G7

I saw thecute Mrs. Dev- il,so

G7

and fat,

Dressed in

lit-

Eph-re-ham,thelead-er man,wha led the band last


Dev-il's Ball,

In

G7


fun-ni-est dev-

il that

E7

I ev-er saw,

D7

G7




Oh! the lit - tle Dev - il,

Fall,

He playedthe mu-sic at the


D7

in- law,

Danc-ing-

I saw the

C7

Tak-ing the tick- etsfrom folks at the door,

D7

G7

of my moth-er

man's hat.

G7

the Dev-il's- Hall.


I caught aglimpse

fire-

D7

tle red

D7

C C

D7

G7

Danc-ing with the

G7

at the Dev-il's-

Ball.

At

Dev-il,

the

At The Jazz Band Ball

222
q = 180

Original Dixieland Jazz band - 1918

A Gm



F7

Bb

G7

C7

F7



Gm



C7

F7

B G7

C7


G7

Eb

Bb

Bb

C7

F7

Edim

Bb

F7

Eb

C7

Bb

G7

C7

G7

C7


C7

G7

G7

Edim

F7




Bb

F7

Bb

Under The Bamboo Tree

223
Bob Cole - 1902

q = 164

A Ab

Bbm

Eb7

Ab

Down in the jun- gles lived a maid,

C7

Fm

And ev ry morn - ing

he would be


you like - a me

like

Eb7

I like - a say,

I love - a you and

Eb7


One live

as two,

up - on a Zu - lu

Ab

we like - a both the

I like - a change your

you true and

as one,

Eb7

and thento her he'd sing:

I like - a you and

two live

bam - boo tree,

Eb7 Db

Bb7

love to see.

Bbm

love - a

from Ma -ta boo- loo

down un -der neath a

this ve - ry day,

Ab

Eb7

Fm

a- wait- ing there his

B Ab

Eb7

C7

Bb7

a marked im -pres sion once she made ,

Bbm

Eb7 Db

of roy- al blood though dusk - y shade.


Ab

Bbm

a love

un -der the bam - boo

If

same,

Ab

Eb7


name.

if you

Ab

tree.

'Cause

me,

Darktown Strutter's Ball

224

Sheldon Brooks - 1917

A B

I've

C7



Dark town
"ba - by

"high

And each

C7

ver - y

swell

one

do

F7

there.

will

fair,

their

All the

best,

Just to

F7

I'll wear my high silk hat and a frock tail

coat,

You

And there'llbe danc ersfrom ev 'ry for eign

land,

The

and your new silk

F7

There

ain't

no

clog.

We'll

win

that

bout it

babe,

We'll be the

best dressed in

dol - lar

prize

When we step

out

and

shawl,

clas - sic, buck and wing, and the wood - en

all the rest.

F7 E7 D7

af -

D7

An ex - hi - bi - tion of the

Dolls",

wear your Par - is gown

in - vi - ta- tion to the

An

F7

It's

high toned neigh bors,

Ball.

browns" will be

out - class

good news hon - ey,

got some

We'll meet our

F7

F7

C7


the

"Walk the

hall.

F&7

doubt

a -

fif - ty

F7

Dog".

I'll be

225

G7

C7

B Bb

down to get you in a tax - i hon ey, You'd bet ter be read

F7


Now dear ie

Bb

Bb/D

late

G7

mem- ber when we

Bb

don'tbe

Iwant to

y a bouthalf past eight.

Cm7

be there when the bandstartsplay ing, Re -

C7

get therehon ey, The two stepsI'm goin'to have'em

Eb

Bb

A7


When they play the"Jel -

dance out both my shoes,

C7

F7

night at the Dar townStrutter's Ball.

all.

Goin'to

G7

To -

ly Roll Blues"

Bb Bdim Cm7

mor row

F7

F7

I'll be

Japanese Sandman

226

Raymond Egan & Richard Whiting - 1920

A F

D7

D9

B9 C7

Won't you strecth im ag i- na- tion for the mo ment and come with me.

D7 E

B6 B7 G/C


hast en to a na tion ly ing

o verthewest

C7

sea.

please

Hide be

A6

C&7

your

eyes.

F F7 B

There's a

sightthat will

Let us

C7

B7

hind the cher ry blos somshere's a

ern

F7

ba by with a la dy ofJa pan sing ing lu - la - bies.

Night winds breathe her sighs.


Here'sthe Jap- an-ese

B F

Sand

D7

man,

Sneak-

ing in with the

C7

dew.


E7

through,

And he'll give you to-

C C7

Then you'll be a bit old-

bold-


G7

hand

er

mor

Inthe dawn when you wake,

Trade him

man,

sil- ver


Here'sthe Jap- an-ese Sand

for

C7

trad ing new days for

new.

And you'll be a bit

C7

with the new day you make.

er

Justtostartlife a

F7

old.

B7

man,


Just an

man,

ofthe day thatis

row

He will take ev-'ry sor- row

Justan old sec-ond hand

He'll buy your old day from you.

G7

227

old

C7

sec- ond

April Showers

228

A D7



Tho' A - pril


that bloom in


Theybring the

E7


So if its

D7

maycome your way,

May.

flo - wers

Am

rain - ing

have no re - grets,

D7



is - n't rain ing rain you know,it's rain ing vi - o - lets. Andwhere you

Be cause it

A7

Show - ers

D7

Louis Silvers & Bud DeSylva


1921

D7

see

Am

dils,

when

hills,

you soon will see

look- ing for

A7

D7

ev - er

A - pril

So keep on

E7

song,

up - on the

clouds

E7

Cm

blue - bird,

Sho wers come a - long.

of daf- fo -

crowds

and

list -'ning for his

229

The Whiffenpoof Song

Tod B. Galloway - 1909

We're

B7

B7

A E

poor

ter-

F7

such

we,

B7

E7

Off

B7

Baa!

have

Baa!

who have

B&7

Doomed from here

Lord

sheep

Baa.

on a spree,

D7 D7C7

Baa!

Baa!

tle black

Baa!

ty.

as

F7

way.

E B7

ni-

our

We're lit-

Gen - tle-men song - sters

F7

a- stray,

who have lost

B7

B7

Baa!

B C

lit-tle lambs

Baa!

gone

to e-

mer-

Baa!

cy

A6 E

on

B7

Livery Stable Blues,

230

a la Muggsy Spanier

(Barnyard Blues)

Eb Eb7 Ab Ab Eb

B7

Bb7

Bb&7 Eb
A Eb

Bb7

Lopez & Nues, 1917

Eb

Eb7

Break - 1 Bar

Ab

Bass Drum

C7

F7


Eb

Eb

Bb7

Eb

1st time Only


Bass, Trombone, & Bass Drum

Eb7
B Eb

Ab

Eb

C7



Last Time: To Coda

F7

Bb7

Eb

Eb Bb7


Coda:

Eb

Eb

Trombone Gliss to "C"

Bb+7

Eb Fine

Bass Drum

C Eb

Harmonize

Clarinet Break

F7

Trombone

Eb

231

Ab

Cornet "Horse Whinny"

Bb7

Eb

Eb Bb7

Eb

1 X Only - Trombone

Eb

Solos

Eb7

Ab7

Eb

C7

F7

Bb7

Eb

Eb Bb Eb


Break: 3 Bars:

E Eb

Harmonize

Bb7

Clarinet Break

Ab

Cornet "Horse Whinny"

Trombone

Eb

C7

F7



Eb

Eb

Bb7

Eb

Back to "B" - Take CODA:

232

Somebody Stole My Gal


A E

E/F

B7

Gee but I'm lone - some,lone - some and blue,

C7

Leo Wood 1918

E/F B7

I've found out some - thing I nev - er knew.

F7

B7


I know now what it means to be sad,

C7


She on - ly left yes - ter

B E

C7

day,

B7/F

B7

F7

I ev - er had.

B7

Some - bo - dy stole her a - way.

B&7 E

Some- bod-y stole my

For I've lost the best gal

gal.

B7

Some- bod-y stole my

F7

Some- bod-y came and took her a- way.

Bass Pickups

D7 D7

pal.

bar break

B7

F7

She did-n't ev- en,

say she was leav- in'.

C E
G B7/F B7
B7
A7 G7

B7

The kis-ses I Iove

1. E

gal!

I know that she,


bro-

He's get- tin'now

E7

Gee!

so,

would come to

F7

ken heart- ed,

C7

B7

know.

me,

if she could see,

F7

B7

lone- some pal.

F7

Some bod- y stole

gal!

A7

But

her

my

Somebody Stole My Gal


(Foxtrot Version)

Bass Pickups

Some- bod- y stole my

F7


She did- n't

The kis- ses

B7

But

F7

love

ev-

en,

so,

Gee!

her

B7

Some bod- y

stole

bro-

my

would come to

ken

heart-

C7

took her

a- way.

leav-

in'.

He's get- tin' now

B7

and

B7
B&7 E

B&7 1. E

came

say she was

E7

I know that she,

see,

F7

B7

B E

E B7/F B7

B7

Some- bod- y stole my

Some- bod- y

F7

gal.

C7

Leo Wood - 1918

B&7

E7 D7 D7

pal.

E B7/F B7

233

F7

E
ed,

B7

me,

F7

lone-

know.

if she could

some pal.

E A7 E

gal!

F7

Beale St. Blues

234

Bb
F7
Bb
F7

Bb
F7
Bb

You'll

A Bb

see

pret - ty

see

Hog - Nose rest-'rants

Browns

Beale Street Could

Eb

Bb

tail

that

men_would

tell

of

have_to pack their

Eb

skilled,

Now

sham,

F7



bod - y

hets

beau - ti - ful

and

Chit - lin

If

Beale Street could

New Je - ru - sa - lem.

gowns,

You'll see

Ca - fe's,

You'll see
Mar - ried

talk,

Bb
Bb7

by - gone days.

And plac - es, once plac


Ex -cept one or

bags and walk.

Bb

You'll find that bus' ness nev - er

And

two,

es,
Who

clos - es

You'll see Gold - en balls e - nough

to

'til

some-

pave

the

And theblind man on the corner who sings these

Bb

killed.

You'll meet hon - est men,

nev - er drink booze,

1.

hand - me - downs.

Ebm

pick - pock - ets


just

Cm
Bb F C7 F7

or - mades and

Jugs

in

talk,

You'll
If

2.

Beale

F7
Bb Bb7

Street Blues..

Well I'd

235

Eb

Bb7

rath - er

be

goin' to

the river,

rath - er

be

Eb7

May - be bye
Than an - y place

there,

Ab

Abm

know.

and

bye.

know

Eb

an - y place I know.

Than

I said I'm goin' to the river,

And there's a rea - son why:

I said I'd rath - er be there,

Than

Be - cause

to

make


me

go.

Beale Street's done gone dry.


Beale Street's paved with gold.

an - y place I know

Bb7

the

ser

er's

wet

and

may

be

all right,but

Eb Eb7 Ab Abm Eb

E7 F7
f going back to "A"

gon - na

It's

For

Than an - y place

here,

I'd rath - er be here,

Eb

take

the

riv

New

York

geant

Well I'm
I'd

Stock Yard Strut

236
q = 195

Ab
Ab
Bb7
Bb7
Eb7

Eb7

Ab7

G7

Ab

Eb7

Ab

Ab7

Eb7



Ab

Eb7

Bb7

Ab

Ab

Ab

Ab

Bb7

Eb7

Ab

Ab

Eb7

Eb7

Ab

Eb7



Eb7

Eb7

Ab

Ab Break

Eb7

Eb7

Ab

Ab

Ab

Ab7

Ab7

Db

Db

Ddim

Ddim

Ab

Bb7

Eb7

Ab

Ab

Ab

Ab

Fm

Eb7

Eb7

Eb7

Eb7

Eb7

Ab

F7

Ab

Ab

Ab

Adim

Eb7


Eb7

237

Eb7

Ab

Ab

Ab

Ab

Ab7


Ab7


Ab

Db

Db

Ddim

Ddim

F7

Bb7

Eb7

Rhythm section plays charleston rhythm

Ab7 Abdim

Dbm7 Ab

Ab7 Abdim

Dbm7

Ab

On The Alamo

238

Isham Jones & Gus Kahn - 1922

A C7 D7 C

low

Where the moon swings

D7


C7

where

D7

ros-

es

wan-

der

E7

wait

D7

said

"I

dreams

it

D7

low,

by the gar-

G7

love

seems

D7

On

E7

G7

the

go

D7

I'll

On the night

E7

in


And

all

my

Where the moon swings

Al-

her

D7

so".

can hear

E7

you

A7

gate,

For she said

den

der

Break

fro.

the ten-

A7

G7

D7

night,

B C7 D7 C

G7

A7

and

In a gar-den

In

D7

D7

mo,

A7 F

D7

E7

of the sum- mer

to

grow,

E7

B7

light

D7

On the Al- a-

G7

fair

D7

a-

mo.

F7

When The Saints


A F

I am
Well I
Want to


land
help
ang

of
me
- el

C7

saints

F#dim

march - ing

in

in

Oh lord


When

the saints

go

march - ing
march - ing
march - ing

C7

y
in
the

in.
in.
in.

for
that
that
pro
trum - pets

Oh when the

saints

go

F7

want

to

march - ing

in.

Oh when the

this
to
the

C7

F7

go march - ing

Bbm7

C7

Plod - ding thru


For thestrength
Want to play in

Gett - ing read


I want to be
Want to
hear

Gm7

B dim

pil - grim
heav - en,
band,

When the saints come


When the saints come
When the saints come

num - ber

G7

a
wea - ry
each day
to
the heav'nly-

Bdim

B F

Bb

sin;
win,
band,

ci - ty,
cess - ion,
blow ing,

Bb

just
pray
join

Bb

F7

239

be

in

that

240

Some Sweet Day


Tony Jackson - Ed Rose - Abe Olman - 1917

q = 146

C/E

Al -

Eb

Cm

C/E

first

time

Eb



win-ter

G/D

you

E7

Dm

G7 G&

my poor

G7/D

C#

Dm

E7

Am

by

D7

my

D7

But

I'll

be

far

a -

to - day.

G7

way.

C G7

It's

G&


In

side,

But when

pear, Don't ev - en say good bye.

G7

me some - day,

G7 G&

For - ev - er

kind,

D7

has been in pain this

dis ap

me

heart

Am

Cm Eb G/D

sum mer's near

long for

time you're good and

D7

C#

though it's spring the birds don't sing You're leav ing


not the

G7/D

G7

way.

You're goin'to

'Cause when the

241

cold

G7

C7

wind does blow

soon will


friends

G7

melt

C7

turn a -

way,

I'll have

mine

C7/Bb

D7/A

D7

with its

ice

and its

snow,

Eb

G7/D

for each sor -

C7/Bb

row

D7/A

time will prove

Some Sweet Day.

I have

Then your heart

G7

felt.

And when your

D7

what I

C C7

say.

G7

(Yes, Some Sweet

Now's your

Day.)

time,

242

Ida, Sweet As Apple Cider


Eddie Munson & Eddie Leonard - 1903

A E
G B7


In the re-gion where the ros- es

B7
E
F7

on the air their sweet per- fume,

B7

call my own,

B E


When the sun is

Breath-ing out up-

Lives a dus- ky

maid I long to

For I know my love forher will nev-er die;

G B7

sink- in' in that gold- en West,

F7 B B7

love the best,

al- ways bloom,

B7

C7

Red Breast gone to seek their nests.

B7

B7

F7

B7

B7

Lit- tle Rob- in

Then I sneak down to that place I

C7

F7 B7

Ev-'ry ev'n-ing there a- lone I

sigh:

B&7

243


I-

B7

da,

Sweet as ap-ple

G7

Seems tho',

love

Come

F7

out,

per,

can't live with-out

C7

I-

da,

Sweet- er

than all I

in the silv- 'ry

B7

so soft and

B7

F7

you,

B7

G7

der,

of love we'll whis-

ci-

C7

know.

B7

i- dol-

F7

B7

you

I-

da,

'deed

do.

low.

moon-

light,

Lis- ten

ize

F7

Oh, Hon-ey

do!

ya,

B7

Solos at "C"

244

Someday Sweetheart
Spike Brothers & Carter - 1919

A F

told me that you loved me true,

D7

C7

me you'll sigh

be- lieved

in you.

it seems I'm al- ways blue.

You

a- way.


and the

Butthere'll come a day

F6

When you'refar

G7

and now some-how-

and

broke your vow

E7

You

D7

You'll sit

G7

days that have gone

by.

a-lone

C7

and cry

for

Some- day Sweet-

245

B F

C&7

heart,

G7

C7

done

C&7

gret

E7


did

C F9

G9

blues

C&7

sow


weep

be

sor-

to

my

the

poor


made

us

drift

and

can't

see

so shall you

some - day,

reap,

B7

sweet - heart.

E7 E7 D7

ry

for

heart.

bro-

ken,

a-

what you've

You

may

re-

The

C7

C7/G

vows you've

will ev- er come to

C7

may

that

now,

you

things you

part,

You're hap-

B6

how,

C7

the

wear-

you.

E7 E7 D7

dear, and what you

py

But

as

you

G7

reap will make you

C7

Some - day

Sweet -

'Til We Meet Again

246

1918

A Fm

C7

There's a
song in the land
Tho' good - bye means thebirth

Ab

falls
trace

C7

Eb


As a
When we

sol - dier
meet
in

boy
the

Smile the while you kiss me sad a - dieu

Then

C Ab

Dbm

the skies

Wed - ding bells

Ab7

ry.

Db

So wait

Ab

F7

will seem more blue,

Eb7

sweet e - cho
tear blight - ing

This
The

Eb7

Eb7+

Ab7

When the clouds roll

by

I'll come to you.

Bb7

Eb7

down

so mer - ri - ly,

Dbm Ab

Ab

Eb7

will ring

Fm

whis - pers good - bye


af - ter - a - while

Eb7

Eachsweet heart has heard with a


Hel - lo means the birth of a

Bb7

Eb7

O - ver high gar - den


walls
And the smile will
e - rase

B Ab

Db

Eb7 Ab

of the li - ly
of a tear drop

sigh.
smile

Fm

F7

and pray each night for me,


in

Eb7

lov - ers land

Ev - 'ry

Bb7

'Til

tear

Eb7

Eb+7

my dear - ie

Ab

will

be

Ab

we meet

a - gain.

a mem - o -

247

Just A Closer Walk


Bb


F7


Bb

F7

Bb7

F7

F7

Bb

Bb

Bb

Eb

F7

Bb



C7

Bb

248

After The Ball


q = 100

A Ab

E7

Begged

B A

Why

Charles K Harris - 1891

lit - tle maid

for

are

you


Db

Ddim7

Have

you

no

C Fm

had

Db

Ddim

Where

she

is

sto

sin

Ab

ba

C7

sweet -

Ab

now

en

ry

climbed an

old

Fm

live

a-

lone?

E7

bies,

have

you

heart,

pet,

Db

E7

years,

tears

B7

you

le please"

B7

F7

Ab

C7

why

man's knee,

unc -

gle,

"Do

E7

Ab

no home?

a -

will

soon

Ab

go;

E7

know.

249

D Ab

List

to

D
I

the

so

ry,

Af - ter the ball

E7

is

E7

A- ter the dan - cers leav -

F A

Ma - ny

a heart

E7

I'll

tell

it

all.

less,

af

ter

the

ball.

E7

of

ing

morn,

B7

F7

af - ter the stars are

ing,

Ma - ny the hopes that have van -

Af - ter thebreak

E7

ver

is break -

E7

C7

B7

F7

believed her faith -

gone.

if you could read them all

ished

B7

Af

E7
-

ter

the ball.

When The Midnight Choo-Choo


Leaves For Alabam'

250

Irving Berlin - 1912

I've

A E B&

E B& E

had a

might-y bu-sy-

The minute

that I reach the place,

up my drear-y-

kiss my

Pa and

The ver- y

day

key,

That opened

I went a- way.

I'm

goin' to

flat,Where ma- ny wear- y nights I

sat, Think- ing

of the folks down

Ma,

star, Shin- ing

o- ver Al-

a doz-entimes for ev-'ry

ba- ma's new mown

key,

B&
E E
F7

B7

me.

That is

hay.

I'll be

home who think of

F7

rust- y

Now I'H

I'm goin' to ov- er- feed my face, 'Cause I

good meal since the

E
B&
E

I've had to pack my things a- way.

give the land- lord back his


have n't had

day,

B7

sing-

ing

mer-

ri-

ly;

throw

my-

self

a-

way.

B7

a-

why you'll hear me


glad
e- nough to

When

that

251

mid-night choo- chooleaves for Al- a-

fare.

by the col-lar

C E7

stopthis train,

bam',

I'll be right there,

I'vegot my

E
B7

When I


F7

B7

B7 E

seethat dust-y haired con- duc- tor- man,

B7

And I'll hol - ler,

"Al- a- bam! Al- a-bam!"-

That's takin'me home a- gain.

Where my hon- ey- lamb

B7

I'llgrab him

That'swhere you

C7

Back home where I'll re- main,

G7

am.

I will be righttherewith bells,

When that old con-

C


B7

E B7

duc-tor yells, "All a-board!

All a-board!

All a-board for Al- a- bam'.When that

252

All The Girls Go Crazy


Stop Time-2 Bars:................................

Eb Eb
Eb
Bb
Eb

A

Kid Ory

1916

F7

Stop Time-2 Bars:.........................................

Bb

Bb7
Eb Eb Eb Eb
Bb

F7

Bb

Solos Begin Here

B Eb
Bb


girls
on

go
their

Bb


Hon ey'bout the way I
Craz - y 'bout the way I

Bb7

walk
walk.

Bb


craz

knees

y 'bout the way that

plead-in'

"Ba - by,"

Hon - ey 'bout the way I

walk

Craz - y 'bout the way I

walk

walk,

Bb

All the

F7

craz - y 'bout the way that I walk


knees say - in'
"Ba - by,"

Bb7

The way thatI walk


Sayin' "Ba by," -

Yes, all the


Yes, they fall

F7

Eb

girls
on

go
their

'Bout the way that I walk,


Say - in' "Ba - by,"

Bb7

They fall
On to "C" after last solo:

253

Chorus: 1st Time Soft:

C Eb
Bb

F7
Bb
Bb7

Bb

Eb

F7
Bb
Bb7

Climax Chorus: ad lib:

Eb

Bb


Bb7

Bb

Eb

F7

F7

Bb

Bb Eb7
Bb

254

By the Light of the Silvery Moon


Gus Edwards & Edward Madden
1909

AC

Cdim

G7

Cdim

Place

park

scene

dark,

Sil - v'ry

moon

Act

two,

scene

new,

Ros - es

bloom - ing all

A7

Dm

Dm

E7

G7



me,

you,

Sound

Cast

three,

you,

me

Preach - er with

Cdim

G7

Act

one,

be

Choir

sings,

bell

D7

Di

- a -

Preach - er,

rings

G7

Em

Am

spoon?"

My

cue,

with

you,

more."

Act

two,

all

through,

on

G7

the breeze.

look - ing

face.

Cm6

logue,

"where

woud

you like to

are

wed

for

"You

Am7 D7

Un - der - neath the


Ev - r'y

the trees,

Dm7

sol - emn

gun

thru

of kiss - es float - ing

two,

a - round the place.

Cast

is shin - ing

Dm7

Dm

sil - v'ry

night the same en -

e - ver

G7

moon.
core.

By the

255

B C

D7

Light

of

G7

the

to my ho - ney I'll

spoon,


moon,

Keep

Moon,

croon

C#0

G7

love's

C7

D7

Fm

Am

beams

will

bring

love's

dreams,

we'll

E7

soon,

A7

D7

G7

By

the sil - ve - ry

Moon.

want

A7

be

cud

Dm

Your

to

Ho - ney

Dm

June,

tune;

A7

- in' in

a shin

sil - ve - ry

E7

sil - v'ry

dl - ing

256

Ballin' The Jack


Chris Smith - 1913

A G

Folks

in

It's

A7

being done

C7

'bout to

at

all

F7

G7

down in Geor- gia came;

I'm

the

on-

ly

now has got the craze,

It's

the

the

par-

ty

in-

That

is

why

rave

Give

me

cre-

dit

Play some good

Rag

C7

A7

E7

try

to

do

to know

F7

done in

it

there,

it

so!

thing or

two,

you prance;

G7

will show this

the dance, Join right

in

now

do you'll

say

that

it's

bear!

steps

to

you

I'll

show:

When

Once

a - gain

the

new dance
cie

- ty

mod- ern days,

D7

that will make

so-

per- son who's to blame,

D7

for spring- ing some- thing new;


all

bout

tro- duced
a-

All

best dance

Since that

ca- bar- ets,

I'm

the

in- sane

go

E7

E7

Geor- gia's

D7

so!

E7

Give

me

cre-

dit

Old

folks, young folks,


lit- tle dance to

you,

while you got the chance,

F7

257

C G7

C7

First you put your two knees close up tight,

C7

F7

sway'em to the right,

Twist

a- round and twist

Stretch


le

and grace

that's

a- round with

G7

lov - in'armsstraight out in space,

G7

Swing your foot

what

Step a-round thefloor kind of

D7

D G7

Then you sway 'em to the left then you

call

E7

all

nice and light,

D7

Then you

your might,

C7

Then you

do the Ea- gle Rock with sty-

D7

way 'round then

bring it

F7

"Ball-

in

the

Jack".

back,

G7

Now

Solos at "C"

Bluin' The Blues

258
q = 120

Bb

Bb7

Henry Ragas 1918

Eb

F7


pp

Bb

Bb7


Eb7

Gb7

Bb

A7


C7



B Bb

F7

Ab7

G7

Bb

Bb


Gb7

Bb

Bb7


pp

Eb7


C7

Gb7


F7

Bb

Bb

A7 Ab7

F7

G7


Bb

C Bb

Gb7

Bb

259

Bb7


pp

Solos

Eb7


C7


D Bb

Bb

Bb7

A7 Ab7

Bb

Gb7

Bb

F7


Bb

Bb

F7

Bb7

A7 Ab7 G7

C7


F7

F7

G7

F7

Eb7

Gb7

pp

In the Sweet By and By

260

Joseph Philbrick Webster

A F

see

it

1. Theres

land that is fair - er than day,

And

2. We

shall

sing on that beau - ti - ful shore

The me - lo - di - ous songs of the

3. To

our

bount - i - ful

Fa ther a - bove,

C7

will

We

by

faith we
of - fer

can

ourtrib - ute of

far;

For

the

Fa - ther waits o - ver the

way

To

pre

blessed;

And

our

praise

For

the

spir - its shall sor - row no


glor - i - ous gift
of His

more,
love

Not
And

a
the

C7

pare

us

sigh
bless

for
ings

B F


sweet


sweet

dwell

the
that

C7

and


by

bless hal
-


by

by,

and by,

ing

place

there.

ing
low

of
our

rest.
days.

In

the

We shall meet on that beau - ti - ful shore;

C7

We shall meet on that beau - ti - ful shore.


In

the

261

Any Time
D7

G7

An - y

Bb

An - y

G7


prove

your love for me is

'bout

A7

An - y

true.

you,

want

1.


you.

me

back

F#0

That's the

So

an

- y

a -

gain,

C7

D7


that's the


An - y

That will

D7

me,

you'refeel ing

time

C7

time

you feel down heart -ed,

time

C7

G7

G7

An y

Bbm

blue,

you'refeel ing lon - ly,

time

C7

Herbert Lawson 1921

you're think ing

3
I'll be think ing

time

D7

time

you

C7

time

2.



you.

I'll

Bb

say

you

come back home

of

to

262

And They Called It Dixieland


Raymond Egan & Richard Whiting - 1916


They built a

F7

sum-mer breezeto

C7

lit-tle gar-den

D7 G7

for the rose, And they called it Dix- ie- land. They built a

keep the snows far a- way from Dix- ie-

G7

G7

C7

land.

They built the

C7

fin-est place I'veknown, When theybuiltmy home sweethome, Noth-ing was for-got- teninthe


land


of cot-

B
B


took an

an- gel


F7

bit

of heav- en

ton,from the

C7


clo- ver to the hon- ey

F7

comb,

And

D7

G7
C7

from the skies,

And they gave her heart to

D7

in her eyes,

Just as blue as blue can

C7
G7

me.

be.

then they


She had a

They put some

fine spring chick ens in the land, And taught my Mam myhow to use a fry-ing pan.They made it

F7

twice as nice as

D7

C7
F7
G7

Par- a- dise,

And theycalled it

Dix- ie-

land.

263

Toot, Toot, Tootsie

Gus Kahn, Ted Fiorito - 1922

A E


B7

Toot, Toot,

F7

B7

takes

me,

Kiss me,

A7

the

B7

Tut,

Toot-

B7

o- ver


nev-

er

know I'm

sie

don't

cry.

Toot - sie,

B&7

Good - bye.

a- gain.

fail,

in

If

jail,

F7

that

F7

E9

let- ter then you

Tut,

words can tell how sad it makes me

I'll

Toot, toot,

Do it

The choo choo train

no

and then,

mail,

you don't get



F7

Toot sie

F7 B&7

Watch for

don't cry,

Good- Bye!

a- way from you

B E

F7

Toot- sie,

Toot- sie,

B7

Toot, Toot,

B7


B7

Ostrich Walk
264

Original Dixieland Jazz Band - 1918

C7

G7

C7

G7
C7
D7

G7
C7
D7

F7

Cornet

D7


B F

C7

G7

G7

C7

C7

G7


Stop Time 4 bars
Trombone

Clarinet


C7

Trombone

1.F

2.

F B F

C7

Break

Break

Break

F
F
F Break
C7 Break

C7
F

Break

C7

265

G7

C7




C F

G7

F7

Cornet


D7


D F

G7

D7

C7

Clarinet

B Trombone

G7

C7
F

C7

C7

C7

C&7

C7
F

Stop Time 4 bars


F Trombone

G7 C7

sfz


Unison

F C&7

Missouri Waltz

266

AF

C7

your head

my breast while mom

Rest

Bb

sand - man

sigh

C7

ba

up - on

G7

my

by, slum - ber

C7

in

days

When

F0

by.


Strum,


Hum,

strum,

hum,

tune;

The

G7

fall - in' while the soft bree - zes

Way

down in Miss - our - i where I

I was a tin - y child up - on

Cm

my mom - my's knee; The

G7

old folks were hum - min',their ban - jos werestrum - min'so - o sweet

B Dm

C7

soon;

heard this mel - o - dy.

Bb

are

long gone

- my hums

com - in'

is

as

time

call - in' where shad - ows

is

Hush

a - bye,

John Eppel & J.R. Shannon


1914

C7

and

low.

A7

Dm

strum, strum,strum, seems I hear those ban - jo's play - in'once a - gain.

Dm

A7

hum, hum, hum, Tha - t same

Dm

old plaint - ive strain.

Dm

A7


Hear

that mourn - ful

Bb

Dm


A7

mel - o

song.


Bb

same


by,

Bb

Dix

ie - land

a - gain with

in dreams

me;

G7

Dm

C7

Way

down in Miss - our

time

C7

It

- i, where I learned this lull - a -

the stars were blink - in' and the moon

hear Mom - my Chloe, as

and the old folks were strum - min. that


when

C7

old re - frain.

G7

long,

Dix-ie it seems when you hear that old

seems like your mom - my was there once a - gain,

It just haunts you the wh - ole day


C7

Dm

Hush - a - bye my ba - by, go to sleep on mom - my'sknee.

C7

to

A7

Jour - ney back

dy,

and you wan - der in dreams back to

Dm

Dm

A7

267

G7

in days long a - go, sing - in'


"Hush

was climb - in' high,

C7

bye."

and I

268

I Want To Do the Bear Cat Dance


Shelton Brooks (1913)

q = 164


Miss

A D7

Sa die hall

went

to a

ball

tered

in the hall

they

Dm

the

Db

F/C

Sa - die watched them

G7

walked out

schol-ars

on

how

while

the

floor,

do the Bear

then

she


They were

G7

be - gan

Cat Dance.

C7

then thought she'd take a

Dm

G7

for

Just

G7

to

D7

June.

rag - time tune.

played a


all

in

D7

teach ing

night


as she en

balm - y

one

C7

G7

Miss

chance.

So she

C7

to

roar,

269

B F

C7

C7

I want to do it

D7

I want to do it

G7

bear, its' a bear, but

I don't care

I want to do it

F7

G7

now!

It's a

C7


want to do it an - y

how.

C7 F
C7 F
C7 F7

That tune is snap- py

D7

It makes you hap- py

G7


fess or keep it up,keep it

You feel you want to

C7

up, keep it up, 'cause I want to dothe Bear Cat

dance! Oh pro

dance.

270

After You've Gone


q = 110 - 120

1916

Bb

F7

Bb

Now won't you list - en hon - ey while I say

F7

D7


goin' a - way?

Cm7

F7

ba

Dm

by's heart.

Loved you

Cm

see

my

tears?

must part,

F7

G7

Bb7


Don't you break your

F7

You know that I've loved you for these ma - ny years,

F7

we

Bb

G7

both night

Don't say that

How could you tell me that you're

Gm7

and

Eb7

Bb7

Oh hon - ey

Day

Cm7

List - en

Gm7

F7


while

Bb

say.

ba - by can't you

271

B Eb

Ebm6

Af - ter you've gone,

de - ny - in'


Bb

Ebm6

When you grow lone - ly

G7

Af - ter you've gone

Eb

sad

There'll come a

G9

Cm7

when you'll re - gret it.

D7

Gm7

F7

Bb6

Af - ter you've gone A - way.

Some day


want me on - ly

you'll

G7

Bdim

time

Your heart will break like mine and

Cm7

had.

Bb


You'll feel

now don't for - get it, There'll come a time,

Cm7

F9

blue

you'll miss the dear - est pal you've ev - er

Af - ter you've gone,

You'll feel

Bb7

Ebm6

and left me cry - in'

G7

there's no

Bb

Bb7

Solos at "B"

Dardanella

272

Felix Bernard & Johnny Black - 1919

A C

Down

sighs,

Soon

will


re-

E7

shall re turn to Turk- e-

A7(b5)

D7


ask for her heart

By

She looks a - cross the seas and

eyes,

ni- an.

B7(b5)

And weaves her love spell so si-

ni - an

the Dar- da-nelles with glow-ing-

G7

Where Or- i- en-tal breez-es play,

There lives a lone-some maid Ar- me-

be-side the Dar-da- nel-la Bay,

G7

B A

G7

and

stan.

hand.

G7 Break

Bass

273

C
G7

Oh,

sweet Dar-da- nel- la,

I'm

knows my love for you,

D7

nel-

la,

D C



tent

Oh,

C
A7

To cap-ture-such a prize.

girl

Dar-da-

sigh,

My Or- i- en- tal,

C
G7

in my

ha-

just

to be true,

hear my

Oh Al-lah

Break 1 bar

G7

sweet Dar- da- nel- la,

A7

oh

Oh,

one

And he tells you

a luck- y fel-low

I love your ha-rem eyes.

G7

like

Pre-parethe wed-ding wine,

E7

the chil-dren-

of

the

E7/G

We'll build

Or- i-

be

ent.

C
G7

sweet Dar- da- nel- la,

There'll

F7 G

rem when you're mine.

D7

My star of love di- vine.

274

Down Yonder
L. Wolfe Gilbert - 1921

F7

Rail- road train,

F7


Put

Hus-

F7

lit-

tle

on,

Broth-

F7

Rail- road train,

tle

steam on

F7

Bus-

just

tle

on,

for

my

Swan-

ee

er

if

you

Yearn- ing

You'd want

to

B7

hur-


ry

Hur-

ry

like

nev-

B7

on-

ly

up

er

I've

got

shore,

some more.

B7

be- fore.

the blues.

B7

knew,

B7

too.

275

Down

yon-der some-one beck- ons to me,

E7

I seem to

F7

more and more,

B7

Down

Yon- der when the folks getthe news,

There's dad- dy

C7


my,

and mam-

F7

Wait- in' down yon-

B7

der or

ry,

I miss you

Break 2 Bars


sim-

E7

ply grand.

Don't

won- der at the Hul- la- ba- loos.

my,

my land, You're

C E B7
E
E7

B7/F

Swan- ee shore

Ev- 'ry day, my mam-

mem- o-

F7

see a race in

Be-tween theNatch-ez and the Rob-ert E. Lee.

yon-der some-one

B7

Down

B7

reck-ons on me.

E7

There's Eph- raim and Sam-

me.

Chicago

276

A E

B7

Fred Fisher - 1922

F7
B7
F7
B7
G

- ca - go,

Chi

F7

ca-

go,

Chi-

Chi- ca-

go,

That tod- dl'-in'town,

tod dl' in' town,

ca-

go,

I'll

B7

show you a- round,

Chi-

love it,

F7
E
F7

Bet your bot-tom dol-lar you lose the blues

F7

F7
B7


town that

B E

B7

Bil- ly

in Chi- ca-

Sun- day could not

E/G

put

just want to say,

C7

they don't do

of their life,

F7

ca

B7

go

E/G

go,

The

B7

F7

down!

D7(b5)
G7
C

Chi- ca-

On

F7
B7
F7
B7
G

StateStreet, that great street,

do things

go,

on Broad- way,

I saw

F7

Say,

a man,

B7

Chi - ca - go

my

home

he danced

E E
town!

just want to say,

They

They have the time the time


with his

F7

wife,

In Chi-

B7

Baby Won't You Please Come Home

277
Clarence Williams and
Charles Warfield - 1919

A Bb

Db

C7

I've got the blues,

C7

F7

feel so

Bb

D7 D7b5

F7

lone

C7

Db

ly,

F7

C7

Gm7

C7

when you're gone

Bb

F#

all for - lorn,

D7


F7

lone.

Bb

D7

When you left you broke my

Eb

wor - ry

all day

C7

in

Gm

grand.

Eb

C7

Gb9

Bb Ab7b5 G7

long.

Gm7

a -

F7

Cm7

D7

Eb

F7

nev -er no more to call your name.

vain,

heart,

"Cause

G7

hour in the day, you will hear me say,

"cause your mam - ma's all

home,

F#

I have tried

C7

G7

Ba - by won't you please come

C7

Gm7

I'm

by, As you won't you please come home,

F7

if

F7

Itsure ly would be

Bb7

I'm goin'to tel - e - graph you ba

I'd give the world

make you un -der - stand.

Db

Bb

Gm D+ Gm7

I could on - ly

Bb

Be - causeI nev -er thought we'd part.

Ev -'ry

C7

F7

Bb

Ba - by won't you please come home.

When You Wore A Tulip

278

Percy Wenrich & Jack Mahoney - 1914

A B

F7

sun

met you

was

in

kissed you

as

F7

down,

you

on

my

coat

you

pinned

C7

love

not changed your

you


yet

wore

ging han

tu - lip

rose

so

can't for - get

the

town,

The

Up -

hair,

gown.

rare.

lov - li - ness,you're just

your

in

F7

yel - low

placed a

has

old Ken tuck y

C7

an

in

gar - den

shin - ing

C7

Time

as sweet to

days that used

to

G7

me,

F7

be.

When

279

B B

you wore

C7

tul-

ip,

ca - ressed me,

bless - ing

C B

You made

down where

G7

sweet- er

F7

wore

life

the

'twas

no

one

when

blue

grass

than

jul-

ep,

when

big

tul-

ip,

and

B7

rose,

then Heav

G7

en

blessed me, what

you called

red

you wore

rose.

dear- ie,

grows,

me

C7

B7

D7

knows.

low

cheer- y,

B7

F7

red

big

sweet yel-

wore

When you

Your

lips

that

tul-

ip

'twas

were

and

280

Ain't We Got Fun

q = 185

A E

E7

Bill col - lec - tors gath - er

B7

hap - py

B D G7 B

be

B7

'Round an

D7

rath - er

C G7

bride of

on - ly

C C7 F7

so cheer - ful

Here's an ear - ful

Men who call for the rent.

chap - py And his

cot - tage next

Haunt the

D7

Men the gro - cer and butch - er sent

door.

in

Kahn & Egan Whiting


1921

Of the chat - ter you

C9/G

year,


But with

G7

Seem to

B E7 F B&

hear.

B7

Ev -'ry morn - ing,

Ev -'ry eve - ning,

Ain't we got

E
E7


Oh, but hon - ey

Ain't we got

We have'nt a

E - ven

B7

Tax

if

we

owe

the

col - lec - tor's

Ab

dear.

B7

get - ting

G7

There's noth - ing

sur


In the mean - time

We'll stay as we

Don't

clos - er

Still

dear,

Gm B7

gro - cer

Not much mon - ey,

fun!

way,

The rent's un - paid,

fun!

But an - y

car,

B7

Ab

Gm
D7

281

are,

we

have

fun?

E7

we

fun!

have

Cm
Fm
D7
E
Ab B7


er,

the rich get rich and the poor get poor - er

C7

in be - tween time

B7


Ain't We Got

Fun!

If You Were The Only


Girl In The World

282

Clifford & Nat Ayer - 1916

AC

you were the on-

ly

If

A7

D7 G7

A7

C D

you

F&/C

would

were

D7

were

D7

on

lov-ing

in

in the same

G7

would

G7/D

be

the

the

on-

G7

on-

say

such

won-

such

won-

ly

ly

old

der-ful

der -ful

A7

to-

day.

G7

way.

C E

our joy.

things to do,

girl

in

the

boy.

things to you,

ly

the world

on-

D7

G6

were the

With noth- ing to mar

G&7/E C/E

- den just made for two,

There

And

G&7
C

D7 G7

in the world,

G7

gar- den of

We could go

girl

G7

Noth- ing else would mat- ter

boy,

B C

D7

A&

world,

If

A7

and

283

Shoot 'Em
C

C7

F/C
D7
B

F/C
D7
B

F6

F6

284

Lassus Trombone
F
@

C7 F

C7

D7

G7

14

To Coda

D7

C7

1. F

2. F

21

26

G7

C7

G7

C7

G7

C7

285

32

G7

C7

1.

2.

D.S. al Coda ending

F7
B




TRIO

B7

F7

G7

C7

1. F

F7

1. B

C7

2. B

2. F

G7

Over in the Glory Land

286

James Acuff and Emmett Dean

q = 200

A Bb


I've a
What a
Now if

home
joy you

O - ver

Bb

long
kin
tell

O - ver

B Bb

Ov

Glor - y

Bb

pre ful
get

in

that

Glor

F7

Land,

be
saved
all

F7

in

that

Glor

Land.

Bb

Land,

Glor - y

Land,

Eb

Yes,

Land.

Land

F7

Eb

Yes,

O - ver in that Glor - y

Land.

sing - in'

ver in that

Glor - y hal le lu - ia

Bb

I
with
just

F7

Bb7

ver in that Glor - y

Bb

side,
be,
too,

I'm

O - ver in that Glor - y

Bb7

Land,

And
And
You

- vior's
ver
in'

bide,
see,
do,

Sa
e
com

Bb

er in that Glor - y

a I'll
I

by
my
there for
that I'm

where the saints


that my Lord
be
- fore

pared
thought
there

to
dred
them

ver in that

Weary Blues

q = 200

A F


C7

B F


C7

Bb

To Coda

Bb


D.C. al Coda
2. F

1.

F7

F7

C Bb

F7


Bb

F7



Bb

Bb

C7

C7

F7

287

Bb

Bb

F7


G7

Eb

Bb

Bb
F7
Bb
Solos at "C"

Carolina In The Morning

288

Wish - ing isgood

time wast - ed,

Still it's a

Wish - ing for sweets I've tast - ed,

hab - it they say.

That's all I

do

all

day.

May - be there's noth - ing in wish - ing, Butspeak - ing of wish - ing I'll say.

A C

C7

C6

D7

Noth - ing could be fi - ner than to be in Ca - ro - li - na in themor -

D7

D7

G7

D6

ning

Noone could be swee - ter than myswee - tie whenImeet herinthe mor


D7

Where the mor - ning

Whis - pe - ring pret - ty

C7

glo -ries

sto - ries

E7

A7

D7

A7

twine a - round

the door

G7

I long to hear once more

ning

289

C7

C6

D7

Strol - ling with mygir - lie where the dew ispear - ly ear - ly in the mor

G7

dawn

D6

C7

If I had A - lad - din's lamp for on-ly a day

ing.

D7

G7

I'd makea wish andhere's what I'd say

D7

ning

But - ter - flies all flut - ter up and kiss each lit - tle but - ter cup at

D7

A7

be in Ca - ro - li - na in the

Noth - ing could be fi ner thanto

D7

G7

mor

G&7

ning

My Gal Sal

290

Bb

They

cu

D7

Eb

called

her

Eb
-

liar

sort

heart that

was

of

C7

my

old

Eb

sor - rows

and

will - ing

to

G7

share.

dead on the

Your

C7

lev - el

was My

was

Bb

wild sort of

F7

Bb

Gal

Sal.

trou

D7

Eb

fell - ow

she was

all 'round good

Bb7

Cm

care

Gm

pe -

With a

pal.

Gm

an

Bb

gal,

Sal,

F7

Bb

mel - low,

lous

friv - o

Bb

Paul Dresser
1905

bles

al

ways

Bb

de - vil,

but

Shim-Me-Sha Wabble
A C

G7

G7


G7

G7

C7

G7

D7

G7

G7

D7

C C


B G7

291

B7

D7

G7

G7

D7

G7

G7

G7

You Made Me Love You

292

James Monaco &


Josephy Mc Carthy
1913

q = 112

C7

I`be been

G7

right or

Your love

G7

I feel

D7

G7

worr - ied

wrong.

D7

makes

blue?

I can't

G7

long,

me

E7

Once I

D7

E7

used

just

to

say,

Why oh

laugh at

D7


cry - ing,

no usr de - ny - ing

That no one else but you will

I'm

what I

way.

if

help

speak this

C7

Don't know

all day

E&7

C7

why

should

you

But now I'm

G7

do.

You made

G7

you,

G7

Dm7

G7

want

you,

And all the time you knew it,

A7

Ab7

You

you

made

me

dear,

you

glad,

made me hap -

made

py some times,

me

feel

so

G7

But

Dm

there were times

G7

bad.

Dm

G7

You made me sigh for, I

G7

Dm7

C0

A7

A7

D7

did - n't wan - na do it,

D7

G7

I guess you al - ways knew it,

Dm7

did - n't wan - na do it, I

You made me

Dm7

me love

C0

293

Dm

did - n't wan - na tell you, I

B7

want some love, that's

Gim - me, gim - me

what I

Am7

D7

that I'd die for,

did - n't wan - na tell you,

E7

true,yes I do,'deed I

D7



cry

do,you know I do.

for, you know you got the brand of kiss - es


You know you made

G7

me

love

you.

294

I A'int Got Nobody

q = 124

F&

F6


There's a

say - ing

A7

love some - one

F&

F6

had

F&

lov - ing

now she`s done and

gal

left me,

I be - gan to think it's

G7

true

C7

C7

G7

and

G7(b5)

It's

a - bout you.

she has turned me

town,

C7

the sweet - est lit - tle thing in

C7

when they don't care


Once I

D7

aw - ful hard to

go - ing 'round and

E7(b5)

F&

down.

Now

295

B F9

F9 E9 E9 D9 G7


ain't got no - bod

F9

F9

E9

I'm

G7

come and take

C F7

D7

I'll

sing

you

If

you'll

F9

D7

no - bod

E9

ain't

got

cares

me?

G7

C7

for

all

the

time,

me.

mine,

G7

'Cause

G7(b5)

of

- bod

C7

G7

no

mom - ma

in'

D9

G7

wont'some - bod - y

C7

love songs hon - ey

E9

me.

ly,

G7

lone

be that lov -

F7

F A G7 C7

G7

F9

G7 C7

C7

D7

a chance with

G7

sad and

D7

and no - bod - y cares for

y,

E9 D9

so

G7 G7(b5)

and

In The Shade of the Old Apple Tree

296

q = 100

E. Van Alstyne

A G

In the shade of the old ap - ple tree

When the voice that

hear the dull buzz of the

you

With a

heart that

In the shade of

heard,

the

like the song


to

of

the

me


I could

D7

In theblos - soms as you said to

D7

bee

When thelove in youreyes I could see

bird Seemed to whis -per sweet mu - sic

D7

D7

A7

is

D7

old

true,

I'll be

ap - ple

wait - ing

tree

me

for

Are You From Dixie?


A C


Hel - lo there stran - ger how do you do?

BC

G7

Your smi - ling face seems to

long to be

D7

G6

I said from Dix - ie?


Tell me how be you,

C7

Dix - on

Dix - ie!

line,

Are you from

and thefriends I'm long - ing to see.

Al - a - ba - ma, Ten - nes - see or

be?

Where thefields of cot ton beck - on to me I'm glad to

see you,

me,

tell me can it

say to

G7

My sun - ny home - land,

Dix - ie?

I'm no de - tec -tive but I'vejust sur - mised,

You're from my own land,

say to you.

You're from the place where I

There's some - thing I'd like to

Don't be sur - prised, You're re - cog - nized!

297

Ca - ro - line,

Then you're from

An - y place be - low the Ma - son

'Cause

I'm

from

If you're from

Dix - ie

G7

Dix - ie

Hur - ray

for

too!