‘Columban College, Ine. Department of Electronics Engineering ALY. 2015-2016, 1" Semester Olongapo City ‘A Project Submitted in Partial Fu Subject Requirements in ELES11 engages ‘and Acoustics) S sai ‘Submitted By: ngel, Mary Shy Lady P. ayoeboe, Charlene A. QO Bobis, Al John De Los Reyes, Allen B. S¥ Gonzales, Mare Anthony B. Miva, Aldrin Pats, Alvin P. Ss Reguindin, Dan Ruel F. Rodriguez, Al Jann > Respectfully Submitted To: Engr. Ray Paul G. Uman, ECT October 2015ACKNOWLEDGEMENT We, the researchers, would like to thank the following for extending their support and help to this endeavor: = To Engr. Ray Paul Uman, our course subject instructor, thank you for sweS endless advice and help. This studio design would not have been possible with adventurous attitude in this study. Thank you for all the learnings and wea we have gained in pursuing this course subject. * To apply the basic knowledge and theories that ween ts have gain during discussions to real world scenarios designing a es * To apply the techniques that learned from ditfe?Ent communications subjects broadcasting station. especially those relating to the radio ations system. © To be acquainted with the mage -vices that is used in the broadcasting systems. S © To be updated on what a Tete trends in broadcasting through researches tobe conducted. * To get hold of n Qa information about what are the improvement and development Noon ing services. * To canbe ‘hasic ideas and facts that have been accumulated during the years the field of Electronics Engineering. ‘course of this design, the proponents will be benefited personally. Projects fs will build up their confidence in practicing what the proponents have gained. 1¢ proponents were able to boosts up their self-esteem and enthusiasm in facing real- world applications. Group activities like this will extend the relationship and commitment founded through exchange of ideas, brainstorming and by continually socializing. As a result, it will be an advantage once they step with their own careerLipadGapoRadyo aims to serve the people of Olongapo with high qudivy, reliable and informative broadcasting services. LipadGapoRadyoseeks to = that are faith-based, educates, informs and inspires all its listeners. ipoRadyo tends to nourish the spiritual and moral values extending the > faith of the public listeners. It aims to provide knowledgeable programs Rane convey ideas that are desirable to the public. This station will endow equifabia, I&al news trending within ka up to date facts and ideas ¥y putting their thoughts and opinions into the covered area, It targets to impart current concerning sports, culture, lifestyle, busi public. This station expresses humor ai " wow ‘Felation of the listeners. Through the services rendered, LipadGapoRadyo CSwn)its everything to the public as the pioneer of a brighter AM radio broadcasting) hearable means,strength \ To foresee LipadGapoRadyo as a transpiring, le ig and the unsurpassed ANPoroadcast service provider giving infinite, dependable and enlightening progcams. ipadGapoRadyo sions its capability to transform and cultivate its listeners leading to a productive and prolific citizen.geared up to build a fruitful camaraderie intended to sustain and fertile the city of Olongapo.TIME SLOT PROGRAM AIRED 4:00 AM—4:01 AM Opening Prayer 4:01 AM—4:03 AM National Anthem 4:03 AM—4:05 AM Olongapo Hymn \\) 4:05 AM — 4:08 AM Radio Hymn 4:08 AM—4:10 AM Radio Introdycfjoa) Y 4:10 AM—5:00 AM Hataw at IndaksaUmaga 5:00 AM—7:00 AM Pagaspaspg Walia 7:00 AM—8:00 AM KalusuganMoSagotniKuyaYato 8:00 AM—9:30 AM Kasi om the Past 9:30 AM 10:00 AM Weather You Like it Or Not with Kuya Drin 10:00 AM — 10:30 AM. obit Recipe Para Buhay Healihy 10:30 AM — 11:00 AM Shy may Chika 11:00 PM — 11:30 PM Knock knocksa Work 11:30 AM - 1:00 PM BalitaktakansaTanghalian 1:00 PM-3:00 PM_¢~ KapagTumibokangPuso with DJ Boc 3:00 PM —3:01 PM. Three O"elock Prayer De LoSPORT Hinagpis ng IsangApi Smdy Hard, Study Smart with Kuya Mare LimalagablabnaBalita 230 Po —8: 30 PM Banat Pa More 8:30 PM—9:30 PM HighTechTonight A N9:30 PM — 10:30 PM Evening Lullaby : : WalangLigtassa Akin ang poo PM LLSU TM Allas(INVESTIGIVE) 11:30 PM — 12:00 MN HulingHalakhak Pak na Pak 12:00 MN ~ 12:55 AM. SindaksaDilim 12:55 AM — 12:57AM AnunsyongPangradyo 12: 57 AM ~ 12:58 AM Closing Prayer 12:58 AM — 1:00 AM National Anthem Table 1. Weekday Programs 3SATURDAY SHOUTOUT 00 A. A, TIMESLOT PROGRAM AIRED 4:00 AM — 4:01 AM Opening Prayer 4:01 AM — 4:03 AM National Anthem 4:03 AM — 4:05 AM Olongapo Hymn Radio Hymn 4:08 AM — 4:10 AM Radio Introduction 4:10 AM—5:10 AM. MaiVa 5:10 AM-5:30 AM PabatiSandali DI om 5:30 AM—7:00 AM SabadoAnongBago 7:30 AM —9:30 AM Patokna Fok” 9:30 AM — 10:30 AM NegosyoUmasenso 10:30 AM — 11:30 AM Pa xeRWPubliko 11:30 AM ~ 1:30 PM Drama Rama 1:30 PM — 2:30 PM DD saritingatin 2:30 PM ~ 3:00 PM Knock knocksa Work 3:00 PM — 3:01 PM 2LXLY Thee O'clock Prayer 3:01 PM — 5:00 PM HarapHarapan 5:00 PM ~ 6:00 PM Dot Yourself 6:00 PM ~ 7:30 PM Una tHulingRatsada 7:30 PM —9: 30RMN7 BisitahinNatin 9:30 PM — 11:30 PM ‘Straight from the Heart 11:30 PMEY230/AM Advise ni DJ Pats 12:30 AM — 12:55 AM 25 Minutes Too Late 17588,41 ‘AnunsyongPangradyo 12:57 AM — 12:58 AM Closing Prayer National Anthem . Table 2. Saturday Programs4:00 A.M— 1:00 A.M. 4:00 AM — 4:01 AM Opening Prayer 4:01 AM - 4:03 AM. National Anthem 4:03 AM — 4:05 AM Olongapo Hymn 4:05 AM — 4:08 AM Radio Hymn 4:08 AM — 4:10 AM. Radio Introduction 4:10 AM — 6:10 AM Listen to His Words 7:10 AM — 8:10 AM Hill Songs ins GY 1:30 PM — 3:00 PM Notes to Heaven 3:00 PM — 6:00 PM Yiernoon Mass 6:00 PM — 8:00 PM Evening Mass 8:00 PM ~ 11:30 PM. SQW Cure for the Heart 11:30 PM — 12:57 AM The Healing Priest 12:57 AM ~ 12:58 AM Closing Prayer 12:58 AM— 1:00 AM National AnthemWEEKDAY PROGRAMS 4:00 AM ~1:00 AM WS ‘A.50-minute music segment that features refreshing, lively and energizing music exercise and other morning routines that surely wakes you up from bed lead by station’s very own DI Dan. This 2-hour program is entitled to give the fresh and latest news from also gives updates about public scenarios from markets, malls situations along important hi; Oldies song from 70’s to 90°s aired 1 hour and 30 minutes for relaxation and reminiscing the past. It contains different types of songs including mellow, rock and jazz. A 30-minute segment designed to air @Qdat@¥ about the weather condition mainly in Olongapo City and also for opal ring one of the residents DJ, Kuya Drin. It gives the citizen advices of w| s best to see the sunshine or just stay in the wrt of their bed. ‘This 30-minute segment features not just new recipes for the modem society but also brings recipes from different cultures including those which are way back from our ancestors. This segme minutes and alerts the listeners about hottest news update in the jowbiz and the tending issues in the social networking sites, i for business news update that takes 30-minutes for those looking for jobs. business minded people. It also airs the trending works for today and how to make money easier. This 1-hour and 30-minutes features the latest and informative news around Olongapo City and in other places. It updates the people about polities, crimes, and public scenarios. ‘A 2-hour segment featuring DJ Boc giving listeners love advices and allowing them chance to share their own experiences. It also includes “blind dates” which is partnering two opposite people and giving them the decision if they want to give 6chance for love to grow. 29-minutes segment entitled to give sports update. ‘A I-hour segment showcasing a drama with a spice of real-life story. It tells the life of, S a girl experiencing different heartbreaking challenges but can still move forward with a, SS strong heart and faith to God. Cs This I-hour program talks about techniques on how to manage your time wi experiencing the last-minute-cramming-life of students. |I-hour and 30-minutes news alert for the evening airing the up-to- around the world. ‘A comedy segment featuring nonstop jokes. ‘5S-minutes horror story segment from the listener in true to life base story. fe 4. Weekday Program DescriptionSATURDAY SHOUTOUT 4:00 AM — 1:00 AM happenings. “Malva” A I-hour informative segment discussion and explanation on the natural phenomenon “PabatiSandali DJ Len” WO A 20-minutes program reading text messages from the listener to greet their love we on air. > “SabadoAnongBago” ‘A weekend morning news covering the latest and hot issues happens aréynd. 7 “Patokna Old” ‘A enjoyable 2-Hours morning melody segment that plays different Kins ohold songs: genre. Faw “NegosyoUmasenso” A radio talk show segment from successful businessman to showcase their business techniques. A show that conduct knowledge in business and can start at home/small scale and in a very affordable way. “PayosaPubliko” ‘A I-Hour informative question and answer radiestaik about the legal concerns in laws that every citizens should know. A segi Clarifies the thoughts that is misunderstood througif help of an attorney. “Drama Rama” ‘A 2-hours program listening to a toycl ama episode that catches the emotions of a istener. *"SarilingAtin” A nonstop music segment mé€smeftzing the famous undying original pop music (OPM). “Knock Knocksa Work” A program enti 1'¥e information and announcement for job seeker and ‘A 1 Hour evening news updates in important latest is “BisitahinNatin” ‘A 2-Hour segment that explores and promotes the Olongapo City tourism. It encourages visiting a certain area to have a memorable experience with famil relatives and friends. “Harap-Harapan” QR ‘Aradio live show inside the studio which goal is to give peace and advice to those who are having misunderstanding in a certain area of situation where two party listener involve. “Straight from the Heart” Y ‘A music segment to air famous love songs of the century that marks in our heart. “Advise ni DJ Pats” 1-Hour awaiting segment features advices from famous DJ Pats sues happens in a daySUNDAY LOVE 4:00 AM -1:00 AM Sunday masses aired following the Mass schedule of Columban Church. S A L-hour program telling bible stories relating to personal lives of the listeners, | Collection of Christian songs played I-hour to catch the heart of the listeners. A program aired 50 minutes to share the personal experience of the listeners in terms of forgiveness and acceptance realized through the words of God. On aired preaching with the station’s resident priest. if the word of God. An hour of gi ight of different encouraging and inspiring verses in the bible. Live radio broadcast of the afternoon and evening mass of the selected Churches around Olongapo City. A series of inspiring story and advice that can catch the listener’s heart. A three hours, of calming and helping listeners suffering from profound emotions. ‘A healing ceremony to be conducted by station’s resident priest. fable 6. Sunday Program Description 10S * O wee GAPO Ss x o e S &COVERED EEO UENCE, LOCATION FORMAT. News, Talkback News, DWHL Radyo Apo 756 GO AM 1008 756 kHz 1008 kHz Radyo Olongapo 1422 DZOR 1422 kHz fusb = 1310 Bandwidth = 10 kHz vr Figure 1. Frequency Map Figure 1 shows the frequency map of the DWLG Lipad Gapo Radyo AM broadcasting station showing its allocated bandwidth, the lower and upper sidebands and their corresponding frequencies. 12fe= 1008 kHz fe = 1305 kHz fsb = 1003 kHz Bandwidth = 10 kHz Bandwidth = 10 kz DWGO DWLG & Figure 2. Frequency aN v Figure 2 shows the frequency smi DWLG Lipad Gapo Radyo AM broadcasting station showing itspara mpared to its nearby stations, the DWGO GO AM 1008 and DZOR Rad} Olongapo 1422 DZOR, showing their operating bandwidth and their = fing frequencies. 9 oe S ® 1Bsuaqaw “bs OOS | NVId NOILLW201 OAGVA OdV9 Vd ion Plan Figure 3 StudioLocatic‘The following factors are briefly analyzed before the site was chosen: ipated expansion. © 2. Sufficient parking space for employees and guests. ep 1, Adequate for immediate building needs and ant 3. Accessibility from high speed or uncongested roads, 4. Control of all points of entry. 5 ~ 5. Relation of site to environmental elements: re weather. Y 6. Transmission efficiency. 7. Cost. 9 S¥ 16STATION LOCATION MAP Figure 4, Station Location Map> Figure 5. Station Vicinity Map1. Adequate space. ‘The following factors are briefly analyzed before the site was chosen: RS 2. Adequate ventilation and air-conditioning. > 3. Adequate lighting, and airports. 4. Location in relation to the population to be xP other installations 5. Conductivity of the soil at and im (aby adjacent to the site, 6. Conductivity of the 7. Security and Cost path bet 20 i Site and the target area,TRANSMITTER LOCATION MAP > Figure 6. Transmitter Location Map 21y S14 Jo 28n0} 5207 Sexap: ret ornate pen joaqe7095 = My f x {210989 8904 8 020 i Reread wy Cy, wupinersay pue < Ley usinm san o 4 a, ; x 3 - ey Auer wr, et fouotrouota as Hans vn Figure 7. Transmitter Vicinity MapConsidering the frequency of the Lipad Gapo Radyo which is 1305 kHz. and is < operating at Medium Frequency (MF), the mast radiator fits as the antenna to be used. © Mast ri itor is designed to operate at low frequenci particularly for Broadcasting. A mast radiator is a radio mast or tower in a form of monopole which the entire structure acts as the antenna, The metal mast is seeayetaes to the transmitter while its base is mounted on a nonconductive supp. late it from the ground, It is usually mounted on a thick ceramic ee the compressive wi strength to support the tower's weight and the dielectric srehg! hstand the high RF voltage applied by the transmitter. The RF power vey the antenna is supplied by an antenna tuner unit, housed in a small ws d helix. bui ng placed next to the mast while the cable supplying the cu Ss bolted to the tower. The height of a mast radiator depends on the trans frequency, demographics, and the terrain, The mast radiator is located at s ince from the bui fing in order to reduce the field strength induced AS eto the building and also to prevent the building from distorting the 3. SY pattern. Bene that is generally used for medium-frequency broadcasting is ~s form vertical with its lower end near ground. The design is that, the 400 series cables, like LCU400, have a tough weatherproof UV resistant thermoplastic elastomer (TPE) jacket and a service life in excess of 20 years. APA tape and tinned copper braid provide LCU400 with RF shielding in excess of 90dB, and a 2.74mm stranded bare copper core provides a low capacitance and high conductance, Introducing DB-FLEX DB-FLEX is our flagship subtype of LMR400 cabling, designed for maximum weather resistance and usability. LCU400 DB-FLEX sports a 7-strand bare copper centre conductor which permits repeated bending and much greater flexibility, allowing an imilar to Times Microwave's LMR-400 UltraFlex. DB- incredibly tight bend radius - FLEX has a UV-stable TPE (Thermoplastic Elastomer) jacket designed for harsh outdoor environments while maintaining maximum flexibility and mini ing plastic memory (for improved wall-cavity feeding). Importance of LCU400 Cable Q When it comes to high frequency networks, such as 3G, 4G, WiFi and microwave band communications, cable loss becomes a big factor affecting both signal quality and strength, L400 series cable such as our LCU400 have one quarter the loss of standard 28grade cables like RGS8, and one third the loss of LCU195 series cable. This means for the same loss incurred using 10m of RGS8, 40m of LCU400 can be used. SPECIFICATION Length: ‘Nominal Delay: Resistance: 502 ‘Signal Loss: 0.46dB/m @ 850MHz, 0. Bln RIN ‘Frequency Range: 0-6GHz Velocity of Propagation: 15m (cellular bands) we” Maximur Recommended | 77% i 4.19ns/m Table 9. Electrical Spec of LMR4000 ‘Conductor Diameter —— 0.9mm Insulating Material Outer Shield Material Gas-injected FHDPE = (i) Aluminum Foil-Polyester Tape-Aluminum Foil 100%Coverage - (2) Tinned Copper 90% Coverage Polyethylene (Smm) ® Outer Jacket Merial e Table 10. Mechanical Specifications of LMR4000 29 S ELECTRICAL SPECIFICATIONS: R YS S$ S&S gicurens Studio Equi < d SpecificationFigure 11. Yamaha MI24/14FX angA{G9pY4FX Mixing Console DESCRIPTION oe 24 or 32 Input Channels Choose i je 24-channel MG24/14EX or the 32-channel MG32/14MX according. needs. All other features are the same, The MG24/14FX has 16 ‘mos otonertne channels while the MG32/14EX has 24. Both offer four stereo ‘re anes in addition to the mono mic/line channels. ‘Low-noise, High-precision Mic Preamps with Phantom Power All 16 mic preamps in the MG24/14EX and all 24 mic preamps in the MG32/I4FX are of exemplary quality. They offer low-noise, transparent amplificati with the widest possible range of dynamic and condenser microphones, 31Which add up to cleaner, better-sounding mixes. All mic preamps feature switchable phantom power for phantom-powered studio condenser microphones. Phantom power is switchable in 8-channel groups Lluminated Switches Mluminated ON (channel), PFL (Pre-Fader Listen), and = stag) switches let you confirm critical console settings at a glance. 14 Buses in All For Flexible Signal Routing “ Tn addition to lots of input channels, live s Kronen applications usually demand a number of additional mixes € bayall¥ in the form of group sub- mixes and aux sends for external signal, ig and monitor mixes. In both the MG24/14FX and MG32/14FX youghave\y total of 14 mix buses: the main stereo program bus, four stereo e) Pairs for convenient channel grouping, six auxiliary busses (four ogy effect sends), and ap effect busses that feed the dual high-performance built- in effect meer mee : Ss mono input channels feature insert 1/0 patch points so you can insert mpressors, EQ, or other extra signal-processing gear into the channel signal path as for pre- or post-fader operation and two set up as required. 323-band Mid-sweep Channel EQ and HPF The 3-band equalizers with a sweepablemidband provided on all input channels are designed for exceptionally smooth, intuitive response that can help you to create © cleaner, tighter mixes. All mono microphone input channels also feature a switel > high-pass filter that can be used to cut out unwanted low-frequency noise. Dual SPX Digital Effects > In the MG24/14FX and MG32/14FX you have ce two high- performance digital signal processing stages, fed by sepdte ¥ffect buses, so you can enhance your mix with two separate effects eS time. And the effects are provided by the very latest Yamaha DSP you know you're getting the best. Each stage provides a selection a fessional — quality SPX digital effects, including reverb, dela . pitch ee rus, phasing, vocal doubling, distortion, and more. Parameter controls, requirement are We synchronized Talkback gh SSrinusication capability is ‘ping a show running smoothly. The MG24/14FX and MG32/14FX both feature a ‘be adjusted to tailor the effects to your sonic and Tap delay makes it easy t produce tempo- iportant for efficient setup as well as for talkback system that allows the FOH engineer to communicate with the monitor engineer, performers, or other staff to keep the team operating at optimum efficiency. 33Balanced XLR Stereo and Mono Outputs Professional connectivity is provided by reliable XLR type balanced stereo and mono outputs. eS Sweepable LPF for Mono out One of the many uses for a mono output is (0 drive a subwoofer § MG24/I4PX and MG32/I4PX make this easier than ever weepable filter on the mono outputs. QY low. Vi Figure 12, Inspiron 23 5000 Series All-in-One Desktop ECIFICATION Processor Pentium-G3220 DC [4th Generation Intel® Core™ Pentium (3M Cache,3.3GHz)] 13-4130 [4th Generation Intel® Core™ 13-4130 processor (3M Cache, 3.4 GHz)] 34i5-4440S [4th Generation Intel® Core™ i5-4440s processor (6M Cache, up to 3.2 GHz)] i7-4770S [4th Generation Intel® Core™ i7-4770s processor (8M Cache, up to 3.9 = GHD] © Operating System § Windows® 8.1 Ubuntu Memory DDR3 Memory (Non-ECC only) 1600MHz 2GB DDR3 SO-DIMM AT 1600MHZ-1X2G) 4GB DDR3 SO-DIMM AT 1600MHZ-1 6GB DDR3 SO-DIMM AT 1600) aL 3B/1x2GB 8GB DDR3 SO-DIMM AT I Kase 12GB DDR3 SO-DIMM AT 1680MHZ-1x4GB/1x8GB Hard Drive >) 500GB 5400 S Ned ITB fA 2.5" Optical ua pm. tray load 9.5mm. DVD Drive (Reads and Writes to DVD/CD) ideo Card Intel HD (Integrated) on PDC Intel HD4400 (Integrated) on i3 35Intel HD4600 (Integrated) 01 Optional AMD Radeon R7 M270 Display All-In-One 23" 1920 x 1080 (Full HD) IPS/WLED Capacitive touch with 10 fingers Audio and Speakers HD Audio w/ Waves MaxxAudio Integrated Performance Speakers Camera 1.0MP 1280x720 HD Webcam Communications Networking and Wireless S Dell Wireless Combo. cay )2.1 1bgn + BT4.0) Intel® 3160AC + REA Wired QO 10/10 abit Ports = QV (3)OSD keys, (2) USB 3.0, Power, HDD LED, 4:1 MCR, GHS , ODD ejection Button, Power button Rear 36(5) USB 2.0, RJ-45 10/10/1000 Gigabit, Audio Line Out, HDMI in (1), HDMI out (1), Media Card Reader S 4:1 supports SDHC/SDXC up to UHS-1 (SD4.0) & Secure digital (SD) Multi Media Card (MMC) S Figure 13. SHURE SM7B © Q ‘The SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. 37‘The SM7B has been updated from earlier models with an improved bracket design that offers greater stability, In addition to its standard windscreen, it also = includes the ATWS windscreen for close-talk applications. sO TECHNICAL SPECIFICATIONS Polar Pattern Cardioid Ow) Frequency Response S0HZ-20kH7, Output Impedance 150 ohmg Color Black Connector * Weight 6S bs Included Accessories ‘Windscreen Table 11. SHURE SI cRical Specifications Figure 14, SHURE SMS8 38‘The legendary Shure SMS8 vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. Its tailored vocal = response for sound is a world standard for singing or speech. A highly effective, built- S in spherical filter minimizes wind and breath "pop" noise. A unidirectional (carioia)®) , pickup pattem isolates the main sound source while minimizing unwanted background noise. Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SMS8 will perform consistently, outdoors or indoors. WW TECHNICABSPREIFICATIONS Microphone Be Dynamic Polar Patterp“\ Cardioid Frequency Response SOHz-1SkHz 150 ohms Black LN Yonneetor XLR Weight 0.66 Ibs. Y Table 12. SHURE SMS8 Technical Specifications 39Figure 15, HD280PRO/HD Sik hones FEATURES S Closed dynamic bssaphongr Accurate, linear sount ctionfor critical monitoring applications Low impedance, a (64.2 impedance) Space savi 90dB Ss 1D: <0.005% (typical) Equivalent Input Noise: -129dBu (XLR, " » Maximum Input Level: +19dBu (cannon) weighted) ‘Maximum Instrument Input: +17dBu Input Impedance: 150-3000 Ohms adjustable (XLR) B>800K Ohms (Instrument) Maximum Output Level: +27dBu (XLR) Output Impedance: < 47 Ohms (XLR) Maximum Gain: 75dB Meter Calibration: 0 VU = +4dBu output (+4dB mode) 0 VU=-10dBY output (-10dB mode) High Pass Filter: single pole, 10-200 Hz adjustable Digital Section: A/D Frequency Response: @44,1KHz sample rate: 10Hz to 21.251 dB) @88.2KHz sample rate: 10Hz to 4 9 -1dB) @196KHz sample rate: ag (+0, -1dB) A/D Dynamic Range: >1 han} A/D THD: <0. A ae A/D Input Sen ©412dBu min " weighted (typical) AD Impedance: >10K Ohms equirements: USA - 105 to 125 VAC / 60 Hz Export units configured for eS, fry of destination QV Dimensions: (Hx W x D in) 3.50 x 19.0 x 8.75, Dimensions: (Hx W x D mm) 88 x 482 x 222 Weight: (Ib/kg) 10.5 /4.7> Figure 19. OPPO HA-1 HeadphOueAmplifier MA FEATURES Discrete Class-A headphone amp with clean, powerful toroidal transformer power High quality ESS Sabre DAC (ES9018) that accepts signals up to 24/192KHz Fully balanced 4-pin XLR headphone output as well as a standard 1/4” connection USB, Optical (Tos ink), Coaxial, and AES/EBU digital inputs RCA and dual 3-pin XLR balanced analog inputs Pre-amp outputs via RCA or XLR connections Bluetooth capable from any compatible device Accepts a digital signal from an iPod/iPhone/iPad Includes remote control, but can also be controlled by app from any Apple/Android device 45Trigger input and output to automatically turn on a connected power amp when using the pre-amp outputs SPECIFICATION + , Dimensions: (W x Hx D) 10.0 x 3.1 x 13.1 inches, 254 x 80 x 333 mm Weight: 13 Ibs. 5.9 kg Sampling Frequencies (Hz): 4.1K, 48K, 88.2K, 96K, 176.4K, 192K (USB - 352.8K, 384K) Bit Depth: 16-bit, 24-bit (USB - 32-bit) Output Power: 500mW@ 32ohms / 200mW @6000hms (RCA input), 2000mW @32ohms / 800mW @600ohms (XLR input) THD4N at 1k Hz: < 0,0018% (<-95 dB) (XLR input), < 0,0056% (< -85 dB) (RCA input) Channel Separation:> 120 dB (XLR input), > 90 dB (RCA input) Signal-to-Noise Ratio: > 111 dB Output Impedance: 0.5 ohms (XLR input), 0.7 ohms (RCA input) Compatible Apple Devices: iPhone (6, 6+, 5S, 5C, 5, 45), iPad (4th gen., mini) “iPod Touch (5th gen.)Figure 20. a fa 1G3 Studio Monitor ~~ Curved baffle virtually eliminates diffraction distortion FEATURES Front-firing port is shape-optimized to reduce turbulence and reduce boundary coupling Tweeter waveguide optimizes dispersion and phase response for stunning detail Sot imaging 1" Neodymium soft dome tweeter utilizes a silk dome for detailed HF reproduction Ferro-fluid damping/cooling controls tweeter distortion and heat dissipation Glass Aramid Composite creates ultra-rigid woofer and midrange driver cones 47Driver cone design yields excellent transient response and accurate vocal reproduction High-efficiency triple-amplification system provides discrete power for each S et S Active two-way crossover systems delivers smooth, accurate frequeney response ‘Thermal and overload/clip protection ensure many years of faithful service Volume control on rear panel allows high-resolution gain range from -30dB to +6dB Fitted with di -ated balanced XLR, 1/4", and unbalanced RCA inputs Figure 21, APS BR1500G Back-UPS 1500va 10-Outlet UPS 48FEATURES The APC Back-UPS BR1500G provides power protection and availability for high performance home and office electronics, including computer systems, network > devices, external storage devices, and gaming consoles. Advanced features such ww “a Automatic Voltage Regulation (AVR) and an easy-to-read LCD display make the)’ NY BR1500G the ideal choice for high-performance systems. It also offers_telephone, network and coaxial cable data line surge and spike protection, Additionally, PowerChute Fa UPS management software helps you prevent data corruption and maximize your energy efficiency. This Back-UPS unit offers 10 outlets, 5 of which provide battery backup, and Y an 865-watt/1,500-volt ampere output power capaci vs > Figure 22. COMPASS RMS Remote Monitoring System Compass RMS is the latest in remote monitoring technology from Meyer Sound. Comprised of RMServer compact hardware, Compass software, and RMS modules in the loudspeakers, it is simple to configure and easy (0 use on Windows and Mae operating systems. 49RMServer RMServer is a compact hardware unit that runs RMS over Ethernet. Situated between the computer running Compass and the loudspeaker cabinets, RMServer’s two FT-10 ports © can be connected to up to 50 RMS loudspeakers or 12 MPS-488HP power supplies. S cach MPS-488HP powers cight loudspeakers, one RMServer can monitor = loudspeakers connected to MPS-488HPs that are equipped with the RMS RMServer stores system configurations internally, eliminating m = entry. A system can be monitored from a laptop at front-of-house x ge, of via a tablet computer as the engineer or system tech moves “Ss d Compass Control Software The integration of RMS into Control software puts all your system ‘management tools right at your fit Apr rom controlling Galileo processors and CAL loudspeakers to remote ° Compass. RMS. RMServer With each loudspeaker storing Ss SP sem and RMServer storing system configurations, setting up an a) ‘in Compass is quick and easy. RMS meg y S& self-powered loudspeaker or MPS-488HP power supply must be equipped an S module to work with Compass RMS and report to the RMS tab in ‘Compass. Many Meyer Sound loudspeakers come automatically equipped with these RMS modules, or they can be specialordered and retrofitted as needed. 50In Compass RMS systems, each loudspeakers RMS module stores its identity— model, serial number, and user-defined digital label—for fast discovery in the Compass interface via the RMServerhardware S SPECIFICATION S ee opetnpa Pan pin mal coma, to payed fo cen ‘coll deur eer rin oo Oso Penn pn mae ome oer ey deur and enero er ‘tea ming sl Ta er ee eosin upped mah o-codio eed nece pti a ‘pang rae of aol en owe Ne conor ‘uring Como Seta Nat Maven) Dla See on elo ee “tps or natear coven and ona br we eet nom ah hngown-beed compe Ful etna conmanction ‘nth ayer Sun Campa cael atone within aes ‘rehecae ppt vk ad Pv ioe, IEEE, BLS Compal One HA aes | owe ener Fee nat Opto fat Me Asie pte Wal Moat tt Aaie |—mernonitonrage ron Poel amine LD bal ead cle omen RMS FD ecie,Obernadpone neon Eine (100AE-T2) BCH) FC fv Node Regent) ‘EC Dyan Congaston ol Pr Lite Adee) 4089 Drs ted Sere covey) rca TT) IEE Si 17221701 and AC 0) ‘al rion cman wih Mey Sound Comps cet {eleae wins ant-sene orene ——————S———E Conecor power Operating Ye Rage 100-40 VA, SED He, 3M Mas Caren rw 02A0ms(18V AC) 033 Arm (30 VAC. 03 Am 10 A) er Omens apace rc 2 wth ASE e170 8h wiht 7204 (0159 Atm 4m wih ed 106mm) one armas) Figure 23. COMPASS RMS Remote Monitoring System Specification 51Figure 24. Sound TECHNICAL SPECIFICATIONS A Audio Performance S 11648 C Y + 24-bit Analog-to-Digital céiergion of analog inputs at up to 96 kHz sample rate + Signal-to-Noise R. + 24-bit Digital-to-AngTOQ aversion of digital sources at up to 192 kHz sample rate to masts * 16-bit CS ording sampling rates: 8, 11.025,16, 22.05, 24, 32, 44.1, 48 and 96 oN + Wooi to 24-bit playback sampling rates: 8, 11.025,16, 22.05, 24, 32, 44.1, 48, 96 and 92 kHz, Rear Panel Connectivity + Line In/ Microphone In : Shared 1/8" (3.Smum) mini jack 52+ Headphone: 1 x 1/8" (3.5mm) mini jack * Front-Out : 1 x 1/8" (3.5mm) mini jacks * Line Out: 3 x 1/8" 3.5mm) mini jacks + Rear-Out: I x 1/8" (3.5mm) mini jacks + Center / Subwoofer: I x 1/8" (3.5mm) + Optical Out: TOSLINK + Optical In: TOSLINK Speaker Support + Stereo/2.1 Speakers +5.1 Speakers + Headphones Bus Connection: + PCI Express 1x Ss + Front Panel Header S + One 2xSpin Intel HD Front Pan§] Auelo standard header Package Contents SY + Sound Blaster Z a + Sound Blast forming Microphone * Quick, eaflet : DW CD containing: Cag for Windows Creative Software suite + User’s Guide 53Software + Sound Blaster Z-Series Control Panel + SBX Pro Studio effects + Crystal Voice effects + Creative ALchemy + Creative Host OpenAL / EAXS.0 HD + Creative Diagnostics + Dolby Digital Live encoder + DTS Connect encoder + Sound Blaster Speaker Setup + Creative Software AutoUpdate * Creative Product Registration Minimum System Requirements + Intel® Core™ 2 Duo or sinheele processor, 2.2GHz or faster recommended. + Intel®, AMDB ot 100% le motherboard ON + Microsoft® "ae (64-bit), Windows® 7 (32/64-bit) +1GB mu Qy +600 oe Gio Q”, disk space Cl Express® (x1, x4 or x16) slot oe CD-ROM or DVD-ROM drive 54‘ightfe 25. COMPASS RMS Remote Monitoring System The 10 KW HF Transmitter Model, HSS- 10KS is designed in a general-purpose, high performance and fully Solid-state HF transmitter providing IOKW continuously output power. 35The Transmitter allows presetting of up to 100 spot frequencies in the range from 2MHz. to 30MHz in 10H step. Operating mode is CW (AIA), SSB (J3E), AME (H3E), FSK (FIB), FAX S (F3C), and DATA (with External modem). The transmitter is designed in compliance with relevant CCIR} recommendations, and ITU radio regulations, ensuring high reliability and Ease of operation / maintenance. Icis equipped with circuit’s elimination hums and noises while compensating, distorted waves. CPU controls output level to make accurate adjustment and to prevent mechanical parts from wears by smooth turning. All functions for remote control operation are built-in, Therefore, if software ins alled in PC remote control operation is possible by RS-232 or RS-422/485 and TCP/IP interface, Every unit has individual protection circuits, And it is easy to do maintenance works, as LED shows green for normal condition and red for abnormal condition, It_has smoke and over-temperature sensors, which make power-off automatically if they sense such environment. Output efficiency monitoring and protection function are equipped in order to avoid malfunction coming from mistake in control by operator. 56Output Impedance Frequency Range Pre Set Channel SPECIFICATIONS ‘S0ohm ‘2-30MHz 100CH ‘Modes of Operation CW (AIA), SSBU3E), AME(H3E} FSK(FIB), FAX(F30), a) External mod. ‘Audio Input Level ~20dBm to +10dBm (adjustable) ‘Frequency Stability withit 1\@T6-8/ day ‘Harmonics and Spurious less than -00B Tuning Time a than 3 Seconds Carrier Suppression Tess than -50dB ‘Audio Frequency Response ‘Hum and Noise less than -6dB (350 to 2700Hz) less than-50dB (Suppression Carrier SSB Mode) Power 190V to 500 V.AC 3Phase 50 or 60Hz ‘Ambient Temperature Humidity ‘Dimensions =10°C to +50°C Tess than 95% at 40°C 1675(W) X 2000(H) X 900(D) Table 13. COMPASS RMS Remote Monitoring SystemSpecifications 37> S$ S&S pours Cc aSTUDIO EQUIPMENTS AND FACILITIES EQUIPMENT. DESCRIPTION PRICE Yamaha 3 | Mixing Console | MG32/14 FX 14 Bus Studio | P 36,520.00 | P 1094 Mixer ey Yamaha . MG24/14 FX 24 Channel 14 2 | Mixing Console | Bue Mixer with Dual EFX,3 | P41085.00 | 82,170.00 Band EQ Inspiron 23 5000 Series All- 6 | Computer Set in-One Desktop with Pp Rw P 150, 645.00 Optional Touch Sereen 6 | Microphone ‘SHURE SM7B Eps 9559110. Sennheiser HD 280 Pro Headphone Headphones P9.320.24 | P25921.44 3 Pop Filter Stedman Corporation 2,487.00 | P 2,487.00 Proscreen XL-Black Uninterruptible | APC BRISO0G Back-UPS | P7,941.00 | P15, 882.00 2 | Power Supply Pro I500VA 10-outlet Uninterruptible Power Suppl Remote ‘Compass RMS™ Remote 2 | Monitoring Monitoring System System ‘Sound Blaster ZPCle Gaming Sound Card wit 3 ) High Performance 4,107.00 | P12,321.00 Headphone Amp and Beam Forming Microphone Remote = 2 Monitoring | Compess RMS™ Remote | p-36,500.00 | P73, 000.00 cali fonitoring System Transmivter | MFVHF Radio Transmiter_| P941, 89645 | P 941, 896.45 ‘Ant Digital MPAII2-Channel Microphone Tube Microphone 2 roe RE P 19,632.00 | P39, 264.00 Conversion Headphone | OPPO HA-1 Headphone 2 | Recife P 54,734.35 | P 109,468.70 J _| Studio Monitor | KRKRokit4G3-Black | P6368.18 | P25472.72 1 “Antenna Mast Radiator 500,000 | P 500.000 Table 14. Cost Analysis os)> S$ S&S gee” Floor PlanSEIOWNWN JONnO1 WOOx ONIGIOOTy| ‘ONY MOUNOW AVAIL olanus Ww Viv ONDA We roan | sovaols Wood 2a LLUINSNVaL — OAGVa_ OdV9 GVd og ar Figure 26. Station Floor Plan 61Ip & 36g @ Fy —,; 0 00 00 to tot IS (i = == = ==) PibArATA &&susgou be 006 | eoay SzTVAINYZ Ava D1GNS ‘2NOZ Tsocazas Ave o1ans “2Ay Aaa uoqe201, OAGVA OdV9 dVdi1 Figure 28, Perspective 63This Studio Design focused on delivering and providing the best services and & programs which aims to satisfy the demands of the station’s listeners. Its aim is a issues and information circul: oy the world. Furthermore, this studio design gave the researchers an gens to to entertain them but give the most relevant explore the world of broadea: antennas. Y In accordance to the system and situation measured and throughout the conduct of 1g and the fields which includes t n Hines and the project, the following conclusions were drawn: Co 1. The site and location of the studiggft factors to be considered for the tansmitter and station, ties and ae well equipped with the best and de: an excellent transi 3. The studio ise fo consume the smallest space that can be occupied to contrib Conservation and prote ion of the planet earth 4. That Me design studio is capable of offering AM broadcasting services to its of location. Ore researchers have explored the world of broadcasting and other areas involved. 6. The researchers have applied the basic knowledge and theories that have gain during discussions (0 real world scenarios through designing a viable AM broadcasting station. 657. The researchers have used the techniques that leamed from different communications subjects especially those relating to the radio communications system, 8. The researchers have acqu the broadcasting systems. 9. The researchers have updated on what are the latest trends in through researches to be conducted. oS 10. The researchers get held of new facts and wom what are the provement and development of radio broadeasti WX. 11. The researchers have enhanced the basic kX facts that have been accumulated during the years spend in th ff Electronics Engineering. a ‘The results and observation of the design project are likely to be worthy of further ~ analysis. Thus, the following recommendations were drawn: -A 1. The consideration of other location that could offer fewer expenses. WV 2. The materials and equipments to be used cost a lot, thus further research must Y be applied. =yrthMs¥search about antennas and transmission lines that are used in AM fdcasting would be functional.hatp://www-hanjinetc.co. kr/mfhf-radio-transmitter/ S hups://www. ‘om/doc/25597323 1/AM-Broadcasting-St fe Design Ss hitp://www.newege.com/Product/Productaspx 2Item=N82E 16829102048

ALDRIN M. Miva Address: #5 Colar St, Gordon Heights, Olongapo City E-mail Address: aldrinmiva@ gmail.com S» Date of Birth Age Gender Civil Status Religion Nationality Language Height Weight Tertiary Yy Address C; on Year Au ey 8 S tended ‘lementary Address ‘Year Attended Single Bom Again Cl Filipino S Tagalo; mS 93 ‘COLUMBAN COLLEGE Rizal St, Extension, Bo. Barretto, Olongapo City BS- ECE 2010-2016 Santa Cruz Academy Santa Cruz, Zambales 2006 - 2010 NorTH CENTRAL ELEMENTARY SCHOOL Santa Cruz, Zambales 2000 - 2006DAN RUEL F. REGUINDIN Address: #47 Natl. Road, Brgy. Faranal, San Felipe, Zambales E-mail Address: lewmad@ gmaileom Date of Birth Age Gender Civil Status Religion Nationality Language Height Weight July 30, 1993 O 22 YS i & Single Catholic “A Filipino ee 55° S» Tertiary Address 5 one Year Ausalipy Se ‘tended Qderemenary Address ‘Year Attended “OLUMBAN COLLEGE Rizal St. Extension, Bo. Barretto, Olongapo City BS- ECE, 2009-2016 St. Columban’s Montessori School Brgy. East Feria, San Felipe, Zambales 2005 - 2009 STo.TOMAS ELEMENTARY SCHOOL Brgy.Faranal San Felipe, Zambales 1999 - 2005AL JANN GUANGA RODRIGUEZ Address: #1 Botero Ave., Mabaywan, Olongape City E-mail Address: alrodri_guezjann @ yahoo.com.ph Date of Birth October 3, 1992 Age : 2 O Gender Male QY Civil Status Single Religion > Catholic Y Nationality : Filipino Language Tagalog, nha Height i sar Weight : 1B Tertiary OLUMBAN COLLEGE Address ce Rizal St. Extension, Bo. Barretto, Olongapo City Course Re BS- ECE Year oe 2009-2016 St. Joseph College 2 Olongapo City ended 2005 - 2009 Oe ‘mentary : St. JosEPH ELEMENTARY DEPARTMENT S ‘Address Olongapo City Year Attended 1999 - 2005AL JOHN Bosis Address: #128 San Isidro Suble, Zambales E-mail Address: aljobnbobis@yahoo.com Date of Birth Religion Nationality Language Height Weight March 22, 1991 24 O Male Single “ Catholic Filipino Y Tagalog, Eny KR Tei stiary Address Course Year Auentca) : UMBAN COLLEGE zal St. Extension, Bo. Barretto, Olongapo City BS- ECE 2010-2016 St. James School AsinanPoblacion, Subic, Zambales 2003 - 2007 SAN ISIDRO ELEMENTARY SCHOOL, San Isidro, Subic, Zambales 1997 - 2003> CHARLENEAGOMBAYOCBOC Address: 1472 Julo Tabacuhan, Sta, Rita, Olongapo City E-mail Address: chaboc@ yahoo.com Date of Birth Age Gender Civil Status Religion Nationality Language Height Weight Female Single YS Roman Catholic Filipino Y Tagalog, me April 11, 1995 fs O 3° "O S» BN Oo: nentary ‘Tertiary, Address ch Course Year \e secon) A Address ‘Year Attended ‘olumban College Rizal St. Extension, Bo. Barretto, Olongapo City BS- ECE 2011-2016 Olongapo City National High School East Tapinac, Olongapo City 2007 - 2011 Little Angel Study Center ‘West Tapinac, Olongapo City 2001 - 2007