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Anisette in use
In printing, the cutting of punches was the basis of, and the
point of departure for, all the developments which have made
possible the creation of letters and texts, first of all on paper,
and then in all other media, material and immaterial, that we
know today. The punchcutter, like Gutenberg, possess the
creative skill that I shall now try to describe.
1997-2011 v1.1.7
Porchez Typofonderie
Credits
With texts extracted from
Christian Paput publication on
punchcutting. And comments of
the today situation by Jean
Franois Porchez. Copyright 19982002 Christian Paput for texts and
Jean Franois Porchez for the
images. Thanks to John Downer.
Typeface used on title: Sabon Next
More
La lettre, la gravure du Poinon
typographique. The punchcutting
http://www.typofonderie.com/gazette/articles/paput/
21/05/2011
Page 2 of 3
Gazette
mar 28 2011
Le jour o jai dcid de ne plus
utiliser le Din
mar 10 2011
On type classifications
aug 02 2010
Aprs le dcs de Peter Keller
par Rudi Meyer
feb 04 2010
Lettering: Canadian Business
oct 09 2008
Type history (2)
apr 09 2008
Type history
nov 04 2006
Ladislas Mandel
jun 02 2006
Ambroise in details
jul 24 2004
ATypI survey 2004
mar 08 2004
Un homme de caractre(s)
feb 09 2004
Relaunch
jan 15 2004
ATypI report 2003 for France
may 10 2003
The hand, directly linked with the brain, found its power,
when it was reinforced by adapted tools.
oct 22 2002
Punchcutting
oct 22 2002
Parisine, a Parisian type
oct 01 2002
Un logotype Autrement
oct 30 2001
ATypI report 2001 for France
jun 05 2001
Le Scriptorium de Toulouse
jan 11 2001
Where are the typonews
websites?
dec 24 2000
A Christmas story
nov 12 2000
Raymond Gid, affichiste et
typographe
http://www.typofonderie.com/gazette/articles/paput/
21/05/2011
Page 3 of 3
An open box of punches found during the visit in 2002 on the floor
who is in fact the punches basis of Ambroise family!
http://www.typofonderie.com/gazette/articles/paput/
21/05/2011