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Pgina 1 de 6
WGSN globe-trotted down under to round up the brightest the Australian graduates. Proving
to be key breeding ground for talent, the overall simplistic approach to design focuses on
interesting finish and innovate texture.
The global trend for austerity during the recession was pushed aside, while structure, subversive
silhouettes and vibrant colours took centre stage. Experimental finishes gave surface texture new
meaning, delivering the exuberance of youth.
This strong cross section of 2009 graduate talent highlights the individualism born out of personal and
cultural identity and the raw ambition making the Southern Hemisphere a force to be reckoned with.
Alyssa Choat describes her collection as an interruption of conventional perceptions of femininity, the
body and dress. The University of Technology Sydney (UTS) graduate opened the fourth year catwalk
show, using both hair and fabric in her collection.
During her studies Choat completed an internship with Australian designer, Therese Rawsthorne. She
plans to pursue her MA in 2010.
http://www.wgsn.com/members/generation-now/reports/gn2010jan08_090156
11/02/2010
Pgina 2 de 6
Jessica Robertson's well-considered, philosophical approach is tinged with strong influences from slow
fashion. The University of Technology Sydney graduate incorporates the principles of local, transparent
and collaborative nito her work. To achieve this, she uses hand-crafting techniques, including
screenprinting and felting learnt from local artisans.
Laura Beaven's collection injected a modern masculinity into the class of 2009. She took traditional
menswear pieces and reinterpreted them to fit the changing nature of the way men dress. The UTS
graduate's use of relaxed silhouette and draping gave the collection an easy yet unconventional
wearability.
http://www.wgsn.com/members/generation-now/reports/gn2010jan08_090156
11/02/2010
Pgina 3 de 6
Avant garde RMIT designer, Nadia Naprevchikov presented four distinct looks. Working with elements of
dominatrix styling, Naprevchikov, chose themes of strapping, studding and corseting to represent her
Gaultier-inspired collection.
Knitwear experimentalist, Rosalindynata Gunawan, plaited, knotted and looped luxurious amounts of
yarn in her collection. The fourth-year RMIT fashion designer used decadent volume and tactile surfaces,
taking knitwear to new frontiers, shaping a contemporary and curvaceous silhouette.
http://www.wgsn.com/members/generation-now/reports/gn2010jan08_090156
11/02/2010
Pgina 4 de 6
RMIT graduate Natalie Bortolotto sent out her multicoloured models draped in pompoms and handembellished denim. Classic seventies-style shorts and skirts formed the base for the flights-of-fancy
looped, crocheted and knitted rainbow tops. Bortolotto also made a foray into swimwear, showing strong
potential in a light-hearted take on the summer essential.
A warm palette of pink, cream and mauve married with soft flowing fabrics gave Queensland University
of Technology graduate, Amy Kahl's, graduating collection a definite feminine edge. Kahl flouted feathers
and fur, with fox pelts and ostridge feathers adorning the capsule collection.
http://www.wgsn.com/members/generation-now/reports/gn2010jan08_090156
11/02/2010
Pgina 5 de 6
Tertiary yellows and greens mixed with graphic black and white prints to give Whitehouse Graduate, Lou
Rogers, a buy-in for front-row attention. Loose silhouettes, plumped out with ballooned skirts and
sleeves and swing jackets got approving nods from industry attendees.
Marianthi Filan from Melbourne School of Fashion presented a fun and frivolous capsule collection packed
full of Pop Art-inspired design. Simple shift dresses were printed with newspaper references and
humorous monster-face graphics were splashed over a fuchsia pink top.
http://www.wgsn.com/members/generation-now/reports/gn2010jan08_090156
11/02/2010
Pgina 6 de 6
Fellow Melbourne School of Fashion student, Ivett Simon, intricately pieced together denim inserts,
creating structured patchwork dresses, while displaying her pattern-cutting talent. Flexing her weaving
and knitting skills, Simon created ambitious overscaled knit structures, which encased soft chiffon
dresses.
WGSN 2010
http://www.wgsn.com/members/generation-now/reports/gn2010jan08_090156
11/02/2010