SUNSET

"Fifteen Minutes, Tops"

written by
Tommy Delk

SUNSET
"Fifteen Minutes, Tops"
CAST
RUTH HOWELL
ERIN HOWELL
WALTER HOWELL
SPENCER HOWELL
REID HOWELL
CAIN HOWELL
GABE HOWELL
LEXI HOWELL
THERESA KING
DERRICK KING
LAINEY KING
OLIVIA DAVIS
TAE LEUNG
SAMUEL HOWELL

SUNSET
"Fifteen Minutes, Tops"
SETS
INTERIORS
AXIS STUDIOS HALLWAY
SOUNDSTAGE
GYM WORKOUT ROOM
- LOCKER ROOM
IVORY GOLF RESORT - FOYER - DAY
DEPARTMENT STORE - BREAK ROOM
SUNSET RESORT - MAIN HOUSE - KITCHEN
- LIVING ROOM
- GABE'S ROOM
SUNSET RESORT - IN-LAW HOME - KITCHEN
SUNSET RESORT - ANNEX - BEDROOM
RESTAURANT - DINING ROOM
TAE'S APARTMENT - BEDROOM
EXTERIORS
SUNSET RESORT - DAY/LATE AFTERNOON/NIGHT
SUNSET RESORT - ANNEX - NIGHT
- DRIVEWAY - NIGHT
MYRTLE BEACH INTERNATIONAL AIRPORT - DAY
HOSPITAL - ROOF - DAY
RESTAURANT - PARKING LOT - NIGHT

SUNSET
Fifteen Minutes, Tops
FADE IN:
1

INT. AXIS STUDIOS - HALLWAY - DAY 1.

ERIN HOWELL-- 51 years old, pretty still, a little severe

looking-- stands outside a door, nicely dressed, complete
with an apron, pacing back and forth, agitated. Watching her
pace is OLIVIA DAVIS, 20, Erins assistant, pretty and strongwilled with a slight aloof demeanor. She is clearly on edge
cause of Erins pacing.
ERIN
Where can he be? We should have
started eight minutes ago!
OLIVIA
Im sure hell be here soon, Mrs.
Howell.
ERIN
I do have a life other than this
show! I have an important
appointment today that I can NOT be
late for!
OLIVIA
Your mother-in-law is coming back
from New York today?
ERIN
Yeah and if Im late picking her up
in New York Ill never hear the end
of it.
OLIVIA
Should I give him another call?
ERIN
Please.
As Olivia pulls out her phone Erin goes back into the door,
saying as she goes:
ERIN (CONTD)
Tell him to get his ass here!
The door closes allowing us to GET AN ANGLE ON THE SIGN ON
THE DOOR. It reads Coastal Cooking With Erin Howell. We
linger on the sign until we CUT.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

1
CONTINUED:

2.
1

OLIVIA (O.S.)
Hello, Steven? Yes, this is Olivia
Davis...
CUT TO:
2

EXT. SUNSET RESORT - CONTINUOUS - DAY 1.

Were outside the beautiful Sunset Coastal Resort. We can see

four buildings: the main family house, the small in-law home,
the guest house and the small house where Theresa lives. Its
a beautiful day as we pan through the property, coming to a
stop on WALTER HOWELL, 54, a man used to working hard. Walker
is standing near a sign that says SUNSET COASTAL RESORT
with a beautiful drawing of a sunset in the background.
After a moment the front door of the main family house opens
and Cain HOWELL, 21, attractive, athletic, comes out. He sees
Walter and goes to join him.
CAIN
Mornin, Dad.
WALTER
Morning.
CAIN
Do we have guests coming in this
morning? I didnt see any on the
schedule.
WALTER
(with distaste)
Late bookers. Called around 6 this
morning.
Its clear that Cain and Walter share the same opinion of
late bookers, and it isnt a good one.
CAIN
Something tells me these people
will be trouble.
WALTER
Late bookers usually are.
Cain sets off towards a car in the big parking lot/driveway.
WALTER (CONTD)
Taking a group out today?

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

2
CONTINUED:

3.
2

CAIN
Two. First ones pretty big, but
most of them have been diving
before.
The news of two groups is great to Walter, and just from his
face we can see that the resort hasnt been doing as great as
it could.
WALTER
Okay. Be careful!
Cain has already reached his car and raises a hand,
acknowledging his fathers words. As he gets in the car and
drives off a van pulls into the parking lot. Walter hurries
to it as two MIDDLE-AGED COUPLES get out. Walter is a natural
host who works very well with people, and it shows.
WALTER (CONTD)
Welcome to Sunset Coastal Resort!
MIDDLE-AGED WOMAN 1
This place is beautiful!
The couples take in the look of the place, their opinions
hard to read. One of the MIDDLE-AGED MAN 1 wrestles with two
bags and Walter hurries to him.
WALTER
Here, let me help you with that.
Your rooms are this way.
MIDDLE-AGED MAN 1
Thanks.
He leads them off towards the guest house.
WALTER
Breakfast is offered other days,
with 24 hours request notice, and
lunch is the same. We dont offer
dinner but can recommend a lot of
good places on the island.
CUT TO:
3

INT. GYM - WORKOUT ROOM - CONTINUOUS - DAY 1.

We pan through the gym and come to a stop on Gabe HOWELL, 23,
who is running like anything on a treadmill.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

3
CONTINUED:

4.
3

ANGLE: THE TREADMILL TIMER

Hes been going about 14:45 seconds and counting. When the
counter finally hits 15 minutes he stops, tired. As he steps
off the treadmill TAE LEUNG, 25, fit, Korean-American, steps
up and pats him on the back.
TAE
Look how quickly youre improving.
Gabe smiles his thanks and dries his sweat with a towel.
Together they walk from the machines towards the back.
TAE (CONTD)
The showers here are usually pretty
dirty. You could shower at my place
and then go to work. If you have
time.
GABE
(beaming)
Well have to see if I do.
There are definitely sparks between the two of them, but it
isnt completely obvious or something we pay much attention
to right now. The two of them walk into:
4

INT. GYM - LOCKER ROOM - DAY 1.

There are a few guys in various states of pre-shower and postshower prep. Tae and Gabe go to their lockers and open them,
getting their stuff. Gabe goes right for his phone and looks
at it as Tae continues to talk.
TAE
So I have to go around the coast
and take some test shots for a
project Im trying to get today. I
would be close to your parents
place and could meet you for dinner
since you have a short shift today.
Gabe is not paying him any attention.
ANGLE: GABES PHONE
We see that he has four missed calls from Miranda. From his
face this doesnt seem to be a good thing.
TAE (O.S.) (CONTD)
Gabe? Gabe?
Gabe comes back to reality, putting his phone in his bag.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

4
CONTINUED:

5.
4

GABE
What? Sorry I spaced out a little.
TAE
I can see. Is something wrong?
GABE
Just that it looks like Ill have
to shower at the hospital. I dont
have a lot of time today.
TAE
Did you hear what I said about
dinner?
GABE
(apologetic)
No... Im sorry.
TAE
Its fine. I just asked if you
wanted to get dinner after work.
GABE
Yeah, sounds great. Sorry I have to
go so quickly.
TAE
Get out of here. I need to get to
the coast anyway.
GABE
Youre going to the coast?
With firm evidence that Gabe was not listening to him Tae
swats at him with a towel.
TAE
So you really werent listening!
Laughing the two of them gather their bags and head out of
the locker room.
CUT TO:
5

INT. AXIS STUDIOS - SOUNDSTAGE - DAY 1.

We are seeing THROUGH A TELEVISION CAMERA. Erin is standing

there, in front of a counter, Olivia at her side. Both are in
aprons, but Erins has her name across the front and is
fancy. There are oysters on the table in front of Erin.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

5
CONTINUED:

6.
5

ERIN
(to the camera, hosting)
The most difficult part of oyster
stew is dealing with the oysters.
Now, you can buy them already
opened and shucked, but I prefer
them fresh.
Olivia holds up an oyster and will actively demonstrate the
process of opening the oyster as she speaks.
ERIN (CONTD)
(a little fast, not too
bad though)
Slip the tip of knife blade between
the top and bottom shell right by
the hinge. As it is necessary to
exert some pressure to open the
oyster shell, pay special attention
to the angle of the knife. Run the
knife around the oyster until you
get to the other side. Be careful,
because this is where you can cut
or stab yourself! Using a twisting
motion, pry the top and bottom
shells apart. Be gentle but firm so
you don't lose any of the oyster
juices inside.
STEVEN (O.S.)
Cut! Erin, come on now.
We pull out of the camera shot and are in:
The stopping frustrates the hell out of Erin.
ERIN
Whats the problem, Steve?
We pan over to see STEVEN BRIGGS (33), Erins Executive
Producer, standing there.
STEVEN
Youre going too fast. We need
viewers to be able to write it down
or do it with you.
ERIN
(impatient)
Put the instructions online then!

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

5
CONTINUED: (2)

7.
5

STEVEN
If that was all we had to do then
we wouldnt need you, would we?
Just go through it slowly.
ERIN
I told you I have an appointment
today! If you werent almost
fifteen minutes late we wouldnt be
having this issue!
STEVEN
Just slow down and well be done in
no time.
Erin takes a breath to compose herself.
ERIN
Fine, where do you want me to
start?
CUT TO:
6

EXT. MYRTLE BEACH INTNTL AIRPORT - CONTINUOUS - DAY 1.

Were outside of a busy terminal at the airport. After a

moment we see RUTH HOWELL, 75, emerge from the terminal, a
single bag in hand. She is looking around, searching for any
sign of Erins car, but she doesnt see anything.
A cab is parked in front. The DRIVER notices her and rolls
down the window.
DRIVER
Need a ride?
RUTH
No thank you. Someone is coming for
me.
DRIVER
Are you sure? I dont have any
customer right now.
RUTH
Im sure.
The Driver rolls the window back up with a what can you do?
sort of shrug.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

6
CONTINUED:

8.
6

ERIN (PRE-LAP)
And as always you can catch
tonights recipe and other helpful
video hints on our website
www.coastalcooking.com.
7

INT. AXIS STUDIOS - SOUNDSTAGE - DAY 1.

Erin is wrapping up the filming on her show. Were seeing the

shot through the camera filming her.
ERIN
This has been Coastal Cooking with
Erin Howell. Thanks for watching.
STEVEN (O.S.)
Cut.
Now were seeing the scene normally.
Erin is speed-stripping off her mic and her apron and handing
them to a STAGE ASSISTANT.
ERIN
(to Olivia)
What time is it?
OLIVIA
(checking her watch)
One-twenty.
ERIN
Damn it.
She hurries away, leaving a slightly flustered Olivia
standing there.
ERIN (O.S.) (CONTD)
What are you waiting for?
Olivia hurries off after her.
CUT TO:
8

EXT. MYRTLE BEACH INTERNATIONAL AIRPORT - DAY 1.

Olivias car pulls up to the pick-up and drop-off area. Erin

is in the passenger seat.
ERIN
Damn Steven. What time is it?
OLIVIA
One-forty-five.
(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

8
CONTINUED:

9.
8

ERIN
Fifteen minutes. I knew it.
Erin is looking all around for Ruth, but cant seem to find
her.
ERIN (CONTD)
(slightly panicking)
This is great. Just great. Where
could she be?
OLIVIA
Calm down, Mrs. Howell. Im sure
shes here. Maybe her plane was
delayed?
ERIN
Could you wait here while I go
check?
OLIVIA
Of course.
As Erin hurries inside the airport we:
CUT TO:
9

EXT. SUNSET RESORT - DAY 1.

Walter is tending to a small vegetable garden with REID

HOWELL (39) his youngest brother. We hear the sound of a car
pulling up.
ANGLE: THE DRIVEWAY
A taxi pulls up.
ANGLE: THE BROTHERS
They trade confused looks at this.
REID
More guests?
Walter just shakes his head.
ANGLE: THE TAXI
Ruth gets out, hands the taxi driver money.
WALTER
(shocked)
Mother?

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

9
CONTINUED:

10.
9

The two brothers hurry to her as the cab pulls away.

REID
Mom, what are you doing here? Why
did you come in a cab?
RUTH
Why dont you ask your sister-inlaw?
WALTER
I thought she was picking you up at
the airport.
RUTH
Thats what I thought too.
Ruth just walks by them, heading into the in-law house.
Walter and Reid exchange confused looks.
REID
Erins done it this time.
CUT TO:
10

EXT. HOSPITAL - ROOF - DAY 1.

10

Were on the hospital roof where Gabe is standing, leaning on

the ledge, looking out. He seems troubled or stressed or
preoccupied about something. His phone vibrates and he takes
it out and looks at it for a moment, uncertainty showing on
his face, then he answers it.
GABE
(a beat, then, nervously)
Hey, Miranda. Sorry, Ive been
busy.
MIRANDA (O.S.)
(through the phone)
Listen, Gabe... Ive thought a lot
about things...
GABE
(even more anxious)
And?
MIRANDA (O.S.)
And... and I cant wait for you to
figure out what you want.
Gabe is immediately relieved by this news, though he still
looks somewhat troubled.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

10
CONTINUED:

11.
10

GABE
Im really sorry-MIRANDA (O.S.)
Im not finished. Ive wasted a lot
of time hoping you would figure out
that I was good for you, that WE
were good. That Im what you want.
I cant do that anymore. If Im not
important enough to you, thats
your problem.
GABE
Miranda-MIRANDA (O.S.)
I said Im not finished. I dont
hold any ill will toward you,
nothing like that. Im just done
waiting.
This is a lot to process, but again we can tell that Gabe is
relieved, but he sincerely does not want to hurt her.
GABE
Miranda, Im sorry I couldnt give
you what you wanted.
MIRANDA (O.S.)
(emotional)
Me too.
Then she hangs up, and thats all. Gabe remains there for a
moment more, and a weight has been lifted from his shoulders.
CUT TO BLACK.
END OF ACT ONE

SUNSET "Fifteen Minutes, Tops"

12.

ACT TWO
FADE IN:
11

INT. IVORY GOLF RESORT - FOYER - CONTINUOUS - DAY 1.

11

Were in the lobby of a big and beautiful golf resort. As we

pan through the wealthy people going in and out we see the
name above the reception desk: IVORY GOLF RESORT. Just below
that stands THERESA KING, 32, pretty but looks like she
frowns a little too often.
She is standing behind the desk as a COUPLE come up to the
counter to check out.
THERESA
(professional but not
quite warm)
Good morning. What can I do for
you?
MALE RESORT GUEST
Wed like to check out, please.
THERESA
Certainly. Room number?
MALE RESORT GUEST
Two-sixteen.
She punches some things into her computer.
THERESA
Alright, you can return your room
keys now.
The Male Resort Guest hands her one.
FEMALE RESORT GUEST
Im afraid we cant find the other.
THERESA
That is unfortunate but it happens.
Sadly hotel policy is that we have
to charge your credit card for the
unreturned key.
MALE RESORT GUEST
How much?
THERESA
Twenty-five dollars.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

11
CONTINUED:

13.
11

FEMALE RESORT GUEST

That will be fine, thank you.
Theresa hits a few buttons and then hands them a receipt.
THERESA
Here is the itemized list of roomservice and amenity charges. We
have added the lost key to it.
Thank you for staying with us and
have a wonderful day.
The couple walks away. Theresa looks at the clock on the
wall. It reads 11:15am, so she pulls out her phone and dials
a number, holds it to her ear. It rings twice and cuts
straight to voice mail.
DERRICK (O.S.)
(through the phone)
Youve reached Derrick King. Im
sorry I cant answer right now.
Leave your name and number and I
will get back to you as soon as
possible.
THERESA
(trying to sound casual
and sweet, not really
succeeding)
Honey, its me. Ive tried to call
you twice already and you havent
answered. Call me as soon as you
can.
She hangs up the phone, looking less than pleased. She perks
up immediately though as we hear voices drift our way.
SPENCER (O.S.)
...sure you will find the grounds
to be more than adequately kept.
SPENCER HOWELL, 46, middle brother of Walter and Reid, comes
walking by leading two BIG EXEC TYPES with him. Hes clearly
showing the place off to them.
SPENCER (CONTD)
Not only is our course up to PGA
regulations, we also sport an
extensive clubhouse furnished with
dining and relaxation amenities. We
also have several rooms designed
specifically to cater to the needs
of large company meetings.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

11
CONTINUED: (2)

14.
11

As they walk towards the door Spencer nods warmly to Theresa,

the only indication right now that the two know each other.
SPENCER (CONTD)
Now, we have arranged a set of
clubs and a cart for you to get a
feel for the course yourselves, if
you are so inclined.
BIG EXEC TYPE 1
Sounds like a great idea.
BIG EXEC TYPE 2
Perfect weather today for it.
SPENCER
There are caddies waiting outside
for you. I will join you
momentarily.
The two Big Exec Types head out the main door, and Spencer
turns around and crosses back to Theresa at the counter.
SPENCER (CONTD)
Hows the day been so far?
THERESA
Its been alright.
She looks around as if shes being sneaky.
THERESA (CONTD)
Are the rumors true, Uncle Spencer?
SPENCER
Rumors?
THERESA
That theres a new executive coming
in.
From Spencers reaction it seems to be true.
SPENCER
Where did you hear that?
THERESA
Around.
SPENCER
(avoiding the question)
Ill see you at home for dinner.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

11
CONTINUED: (3)

15.
11

The avoidance is not lost on Theresa. Spencer heads back

towards the front door.
THERESA
(calling after him)
So it is true!
Spencer just laughs and heads outside.
Theresa shakes her head a little. With Spencer and the bigwigs gone she pulls her phone back out.
CUT TO:
12

INT. DEPARTMENT STORE - BREAK ROOM - DAY 1.

Were sitting in the break room of a department
totally normal, average, nothing fancy. DERRICK
handsome) is sitting at the table, talking to a
COWORKERS, all of them dressed in button-downs,
slacks.

12
store. Its
KING (35,
few
ties and

COWORKER 1
I swear to God Ill be so thankful
when this fucking inventory is
over.
DERRICK
You and me both.
At that moment his cell phone vibrates. He looks at it makes
an almost grimacing face.
COWORKER 2
I know that face. Its the wife.
The two Coworkers laugh good-naturedly at him.
COWORKER 1
Just dont answer the damn thing.
DERRICK
(resigned)
Its not worth the fight.
He picks up the phone.
DERRICK (CONTD)
Hey, honey. I know, Im sorry. I
was in a meeting.
COWORKER 2
Totally whipped.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

12
CONTINUED:

16.
12

Derrick glares at them.

DERRICK
(normal phone conversation
pauses)
I know. I didnt forget, Ill get
it on my way home. Right. Ill be
on time tonight, but listen, Ive
got to go. Things are hectic here
with inventory. Love you too.
Derrick ends the call, looking harried and hassled.
CUT TO:
13

INT. SUNSET RESORT - MAIN HOUSE - KITCHEN - DAY 1.

13

Were angled in TIGHT on a refrigerator door.

ERIN (O.S.)
How many times do I have to say Im
sorry?
The refrigerator door shuts, revealing Erin in the kitchen,
getting a head of lettuce for a salad. Walter is standing
there, Reid sitting at the table, both of them looking at her
accusingly. Olivia is sitting at the table looking really
awkward.
REID
For forgetting our mother at the
airport?
WALTER
Reid.
ERIN
I did not forget her. I was running
a little late because of filming.
It was 15 minute, tops. She could
have waited long enough for me to
get there instead of hopping in a
cab.
REID
She said you were forty minutes
late.
ERIN
Forty minutes? Jesus Christ.
Erin goes about getting the lettuce ready for the salad,
annoyed by what shes heard.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

13
CONTINUED:

17.
13

ERIN (CONTD)
It wasnt FOR MINUTES. I was 15
minutes late. I showed up at oneforty-five, right Olivia?
Olivia doesnt like being brought into this.
OLIVIA
(uncomfortable)
Uh, yeah. Right.
REID
Yeah well you know how she is. If
things arent done her way, theres
trouble.
ERIN
Yeah Well I wonder why that is.
REID
What does that mean?
Sensing a fight Walter comes between them.
WALTER
(to Reid)
Why dont you go check on her?
REID
Fine.
Reid leaves the room.
WALTER
Honey...
ERIN
Can we not do this in front of
Olivia?
Walter stops, even though its clear he doesnt wish to.
WALTER
Ill go check on our guests.
Walter leaves, Olivia approaches the counter.
OLIVIA
Is that everything today, Mrs.
Howell?
ERIN
Yeah. Listen, Im sorry to get you
involved in that.
(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

13
CONTINUED: (2)

18.
13

OLIVIA
Its fine.
Cain comes in, looking tired and worn out.
CAIN
Im home.
ERIN
You smell like fish. Go shower
before dinner.
CAIN
Ive been diving all day.
ERIN
Oh. This is Olivia. Shes my new
assistant.
Cain looks at Olivia, who smiles warmly.
OLIVIA
Nice to meet you.
Cain doesnt acknowledge her greeting.
CAIN
Im going to go up and shower.
He exits off. Olivia seems a little stunned by his behavior,
but Erin doesnt seem to notice.
ERIN
Well thanks for your hard work
today, Olivia. Ill see you
tomorrow.
OLIVIA
Goodnight, Mrs. Howell.
Olivia exits, Erin goes to the refrigerator to get something
else out. After a moment Gabe walks into the kitchen.
ERIN
Hey, youre home early.
GABE
Short shift.
ERIN
Dinner will be ready in half an
hour.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

13
CONTINUED: (3)

19.
13

GABE
Im going out to eat tonight.
Erin obviously gets the idea that hes on a date, judging by
her reaction.
ERIN
Ohh. I see. What was her name
again?
We get the feeling this is a broken record conversation
between the two of them.
GABE
Mom...
ERIN
Im sorry, Im sorry. Its just
that youve been together for four
months and Ive never met her. Ive
never even heard you say her name
more than twice. I want to meet
her. Is that so bad?
GABE
Weve broken up, so its not going
to happen.
ERIN
What? Why?
Gabe heads out.
GABE
Im going to change and go.
ERIN
(calling after him)
But.. But... Why does this happen
every time?
Of course there is no answer, so Erin goes back to prepping
dinner.
LEXI (O.S.)
Mom, Im home!
ALEXANDRA LEXI HOWELL (19, pretty) comes into the kitchen,
backpack on her back, a few books in her arms.
ERIN
How was school today? Could you go
into the cabinet and get the plates
out?
(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

13
CONTINUED: (4)

20.
13

These two thoughts are normal from Erin, and Lexi sets her
books down and crosses right to the cabinet and withdraws a
stack if plates that she puts on the table, all during the
following dialogue.
LEXI
It was fine. Boring.
ERIN
Keep paying attention. Your father
and I arent paying tuition for you
to be slacking off or to pull a
stunt like your brother.
LEXI
I know, I know. Theres the plates.
Im going to go wash up and change
before dinner.
ERIN
Its in fifteen.
(a beat, then something
hits her)
Lexi, wait.
Lexi does as shes asked, turning back to her mom.
LEXI
Yeah?
ERIN
(trying to be casual)
Do you remember Gabe talking about
the girl hes dating?
LEXI
(cautious, familiar road)
Yea, why?
ERIN
I just cant for the life of me
remember her name. I know I should
know it, but it just flew right out
of my head. Strange, huh?
(not subtle)
So do you remember what it was?
LEXI
Miranda something-or-other.
ERIN
Oh, okay. Thanks.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

13
CONTINUED: (5)

21.
13

LEXI
Why are you so interested all of a
sudden?
ERIN
What? Im not. Im not interested.
Nothing to be interested in, right?
Why would I be interested? I just
wanted to know her name, thats
all. Perfectly normal for a mother
to want to know the name of her
sons girlfriend.
LEXI
Step-son.
Lexis reminder irritates Erin; it is salt in an old wound
for her.
ERIN
Whats your point? So hes my stepson? Ive raised him since he was
seven years old. He might as well
be mine.
LEXI
I didnt mean it like that, Mom.
You just show more of an interest
in Gabes love life than any of the
rest of us.
ERIN
Theresas already married. Youre
too young for it to be important,
and Cain... well, hes Cain. Gabe
is the one I have to worry about.
LEXI
Just dont do it, Mom.
ERIN
(defensive)
Do what?
LEXI
Meddle. You always try to meddle in
his life and it always ends with
the two of you arguing and upset
and then you mope around the house
for a few days after making
everyone feel uncomfortable.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

13
CONTINUED: (6)

22.
13

ERIN
I wasnt going to meddle! I was
just curious.
Erin goes to the stove to open it, checking on her pot roast.
There is a beat, and then Lexi changes the subject.
LEXI
I heard you were an hour late
picking up grandma today.
ERIN
How did you--? Wait, an HOUR? It
was fifteen minutes!
LEXI
(disapproving)
Just left your mother-in-law
standing in the cold for an hour.
Lexi exits on that note, but Erin feels the need to get in
the last word.
ERIN
(yelling after her)
It was seventy-five degrees today!
14

EXT. SUNSET RESORT - LATE AFTERNOON - DAY 1.

14

The resort is beautiful and calm, and Ruth is outside,

tending to a little tea garden, Reid standing a little
anxiously away from her, watching over her almost
possessively. He is very much attached to his mother. Erin
comes outside, sees Ruth, heads over to her.
ERIN
Ruth-RUTH
So you can remember me now?
Reid seems to find this funny, cause hes snickering, which
earns him an ugly look from Erin.
ERIN
Ruth, come on. Im sorry. I didnt
forget you. How is that even
possible? The taping ran late today
because my asshole producer doesnt
know how to be on time.
REID
Is that her fault?

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

14
CONTINUED:

23.
14

ERIN
Do you mind?
Reid doesnt seem like he is going to budge.
RUTH
Go on inside. Im sure shes got
dinner about done.
Reid isnt stupid enough to ignore Ruth; he heads inside.
Ruth steps away from the garden, Erin helping her to the
porch of the in-law house, where she sits down in a wicker
chair.
ERIN
Im sorry I was a little late.
RUTH
A little?
ERIN
Yes, a little. Fifteen minutes,
tops.
RUTH
It was half an hour.
ERIN
I got to the airport at one-fortyfive. We checked the time when we
showed up.
RUTH
Whether it was forty-five minutes-ERIN
Forty-five? Come on.
RUTH
Whether it was forty-five or
fifteen or even two minutes, you
were still late.
ERIN
Youre really stubborn, you know
that?
RUTH
Is that any way to talk to your
mother-in-law?
Despite Ruths words its clear that the bite in her tone is
gone, and the two of them are on fine terms.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

14
CONTINUED: (2)

24.
14

ERIN
I think a lot worse things have
been said about mother-in-laws
before you.
RUTH
Probably so. Oh, and Erin, you owe
me twenty-seven-fifty.
ERIN
What? Why?
RUTH
(serious face)
Cab fare.
Erin, stunned,

starts walking back towards the house.

ERIN
Unbelievable. Just unbelievable.
CUT TO BLACK.
END OF ACT TWO

SUNSET "Fifteen Minutes, Tops"

25.

ACT THREE
FADE IN:
15

INT. SUNSET RESORT - MAIN HOUSE - KITCHEN - NIGHT 1.

15

Erin is setting the table with the final touches of the meal:
there are baked potatoes, a nice big pot roast and a big
wooden bowl of salad. Lexi is helping her by placing wine
glasses next to some of the plates.
ERIN
Okay, tell your brother that dinner
is ready.
LEXI
Okay.
Lexi pulls her phone out and sends a text instead of going to
get him, and Erin is look at her like shes lost her mind.
LEXI (CONTD)
(off this look)
What? This is way faster.
ERIN
I dont know how you kids got to be
so lazy.
Cain enters the kitchen.
CAIN
Smells delicious, mom.
LEXI
Told you it was faster.
ERIN
Cain, open the wine bottle and let
it breathe a little.
Cain does as she says.
LAINEY (O.S.)
(excited)
Grandma, Im here!
We see Erins face light up at her granddaughters voice.
LAINEY KING, 5, adorably cute and sweet, comes into the
kitchen in her little kindergarten uniform, runs to Erin, who
hugs her tight.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

15
CONTINUED:

26.
15

ERIN
Theres my beautiful granddaughter!
How was school?
LAINEY
It was fun. We learned how to count
in Spanish!
ERIN
Thats moy bien!
Theresa and Derrick follow her into the kitchen, nit-picking
with each other.
THERESA
I dont understand why you couldnt
simply text me and tell me you were
busy.
DERRICK
Because I was BUSY. Inventory is
always like this, you know that.
THERESA
It takes two seconds to send a textERIN
Are you two really going to argue
like this here and in front of
Lainey?
THERESA
Its nothing, Mom.
ERIN
Just sit down to eat. Your father
will be here soon.
LAINEY
After dinner can I have some ice
cream?
ERIN
Sure.

THERESA
No.

The two have a momentary how dare you stare-down.

ERIN
Why cant she have any?

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

15
CONTINUED: (2)

27.
15

THERESA
Because I dont like her eating
sweets. I dont want her to end up
chubby.
ERIN
So what? You were a chubby kid and
look at you now.
THERESA
I was not chubby!
Lainey, Derrick, Theresa and Cain and Lexi sit down in their
various spots. Erin starts serving out the salad, and after a
moment we hear a door closing and Walter and Reid come in.
ERIN
Wheres Ruth?
REID
She said shed make something.
The two men sit down and Erin starts serving out everything
else, too.
WALTER
You called it right, Dev. These
guests are more trouble than their
worth.
ERIN
Money is money.
CAIN
Whats the issue?
WALTER
Oh the tiniest things. The
blankets are two scratchy can we
have some others? The hot water
doesnt come out hot enough, can
you turn it up? I hate demanding
customers.
ERIN
Money is money. Okay, lets eat.
DERRICK
Where is Gabe?
ERIN
Oh, he wont be eating with us.
Hes going out.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

15
CONTINUED: (3)

28.
15

WALTER
A date, probably.
ERIN
I doubt it, since he and whats-hername broke up.
This is news to the family, who all seem surprised.
LEXI
When did you find that out?
ERIN
He told me today. I was saying that
I want to meet her and he told me
it didnt matter because they were
broken up. I wonder why they did.
THERESA
Maybe they didnt really break up.
ERIN
What do you mean?
THERESA
Well, maybe he just told you they
did so you wouldnt nag him like
you always do.
ERIN
I do not nag-- When have I ever-(rounding on Walter)
Do you hear your child?
Walter just chuckles, finding the dynamic very amusing. There
is something comfortable about the way they peck and bicker
with each other, something that reeks of family, of
familiarity.
WALTER
Im staying out of this one.
DERRICK
I dont think he lied. Hes not
that kind of person.
Theresa glares at him.
REID
(amused)
It would be best if you stayed out
of it too. For what its worth,
Erin, I think you get way too
invested in his love life.
(MORE)
(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

15
CONTINUED: (4)
REID (CONT'D)
Its like youre in a rush to see
him married and out of the house.

29.
15

ERIN
Im not in a rush to see him out of
the house! I just think he deserves
to have someone and be happy. He
was such a lonely kid.
CAIN
I dont see the problem with him
not settling down right away. Hes
not even thirty. Why shouldnt he
play the field a little?
REID
Right. A guy has a right to window
shop for a while, right?
LEXI
(teasing)
Whats your excuse, Uncle Reid?
REID
Watch it!
ERIN
Your uncle just didnt have what it
takes to buy anything.
Reid stutters out many attempted come-backs but cant come up
with any, which of course makes everyone laugh.
CUT TO:
16

INT. RESTAURANT - DINING ROOM - CONTINUOUS - NIGHT 1.

16

Were in a nice restaurant, tracking carefully through the

tables. There are people who are dining, enjoying their
meals. We finally track through and come to where Tae is
seated. He looks pretty nice-- nothing fancy, but hes
definitely kinda dressed up. Hes got a glass of wine in
front of him, and a second across from him in the empty seat.
After a moment Gabe enters, also dressed somewhat nicely. He
sees Tae and joins him.
TAE
Hey there.
GABE
Hey.
They share a shy smile and then Gabe sits down.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

16
CONTINUED:

30.
16

TAE
I ordered for you, I hope you dont
mind.
GABE
Depends on what you ordered.
TAE
Steak medium rare, ceasar salad and
macaroni and cheese.
GABE
You know me so well.
The two fall into a comfortable silence as Tae pour Gabe some
wine into his glass.
TAE
How was your day?
Gabe does not wish to bring up Miranda at this point, but we
can see the guilt of hiding it on his face for a moment
before he speaks.
GABE
Just normal. So glad it was short.
I didnt sleep well.
TAE
You never do.
GABE
Thats how I am. Ever since I was
little Id be lucky to get four
hours of sleep. Even if I lay down
at nine, I dont fall asleep before
one.
TAE
Even if I want to stay up Im out
by eleven.
GABE
Lucky bastard.
Tae lifts his wine glass and holds it up in a toast.
TAE
Heres to me being a lucky bastard
and you being cute.
Gabe rolls his eyes.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

16
CONTINUED: (2)

31.
16

GABE
Im not toasting that.
TAE
Fine. Heres to good wine.
The two toast, and a WAITRESS brings them their food.
GABE
How did your pictures turn out?
Tae is very self-conscious about his photography.
TAE
Okay I guess.
GABE
Let me see them.
Tae hesitates.
GABE (CONTD)
Please?
Tae finally hands his camera over, and Gabe starts going
through his pictures.
GABE (CONTD)
These are really good. When do you
show them?
TAE
Thursday. I dont know if Ill do
it though. I dont like them.
GABE
I do. These are amazing.
TAE
(embarrassed)
Thanks.
Gabe continues to go through the camera in silence for a
moment, and then delivers the awkward blow as Tae drinks his
wine.
GABE
Miranda called me today.
Tae has a jerking, surprised reaction to this, nearly choking
on the wine he was drinking.
CUT TO:

SUNSET "Fifteen Minutes, Tops"

17

32.

INT. SUNSET RESORT - MAIN HOUSE - KITCHEN - NIGHT 1.

17

The family is sitting around the table. Dinner is done, but

the adults are just enjoying their wine. Cain and Lexi are
both already gone.
LAINEY
Grandma, can I have some ice cream?
ERIN
Sure, baby.

THERESA
Lainey, what did I say?

ERIN
Whats wrong with her having a bowl
of ice cream?
THERESA
I dont like her eating sweets.
Its bad enough you give her soda
when Im not here.
Erin turns an accusatory look on Lainey.
ERIN
That was supposed to be our little
secret.
THERESA
Mom, I really dont want you
challenging my authority with my
daughter right in front of her.
ERIN
Its just ice cream, Theresa.
Theresa turns to Derrick.
THERESA
Will you say something?
REID
Dont get him involved in family
disputes.
The words obviously offend Derrick, who stands up.
DERRICK
Well I see where I stand then. Come
on, Lainey. Lets go see whats on
TV.
Derrick picks up Lainey, who is not at all happy to not get
ice cream.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

17
CONTINUED:

33.
17

LAINEY
But Daddy, ice cream!
DERRICK
Mommy said no.
The two exit and Theresa rounds on Reid.
THERESA
Do you have to do that?
REID
What? Its not my fault he cant
take a joke.
THERESA
You joke too much.
Erin gets up and crosses to the fridge, withdrawing another
bottle of wine.
ERIN
I think were going to need this
tonight.
She pops the cork and pours a glass for herself before
bringing it back to the table.
ERIN (CONTD)
I wonder why those two broke up.
THERESA
This again?
ERIN
What? Im just curious. Its
probably because Gabe is so unaffectionate. But hes always been
that way. Some therapist would say
that was my fault, probably. Blame
it on the wicked step-mother.
WALTER
Are you drunk?
ERIN
Maybe a little bit.
We hear a door open and close and Spencer enters looking
tired. Erin starts to get up to get him dinner.
ERIN (CONTD)
Youre home. I left you a plate in
the oven-(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

17
CONTINUED: (2)

34.
17

SPENCER
Its okay, Im not hungry. I was
just letting you know I was home.
Im going to go relax and then go
to sleep.
THERESA
When does the new big shot come?
Spencer just gives her a tired smile.
THERESA (CONTD)
Come on, you can tell me.
SPENCER
If your sources are so informed
they should be able to tell you.
Good night.
Spencer leaves the room and Erin downs the rest of her glass
of wine.
ERIN
He needs to loosen up a little. He
works too hard.
She reaches for the bottle, but Walter takes it from her
reach.
WALTER
I think youve had enough.
CUT TO:
18

INT. RESTAURANT - DINING ROOM - NIGHT 1.

18

Gabe is eating, and Tae is looking at him expectantly.

GABE
What?
TAE
Were you going to tell me Miranda
called?
GABE
Of course. I just wasnt sure this
was the place to do it.
TAE
(a bit pushy)
What did she want?
The pushiness is not lost on Gabe.
(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

18
CONTINUED:

35.
18

GABE
Well, if you have to know, she was
telling me that she was tired of
waiting for me to figure things
out, and that we were over.
Tae processes this a bit, but he doesnt take it as good
news.
TAE
And she had to be the one to say
that.
GABE
Its done, why does that matter?
TAE
It matters because if shed decided
to wait it out even longer the two
of you would still be together.
The words sting Gabe, and he starts to get angry.
GABE
(accusatory)
And how long were you with whats
here name?
TAE
Thats my point! I did that, I made
that mistake. You shouldnt.
GABE
(guilty)
Shes a sweet girl. I dont want to
hurt her.
And there-in is everything. We see that behind the anger is
the guilt over his relationship with Miranda. Tae immediately
softens at this.
TAE
You think the waiting and wondering
wasnt hurting her?
GABE
I know, I know it was. I just... I
couldnt be the one to end it with
her.
The mini-argument we just witnessed has passed.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

18
CONTINUED: (2)

36.
18

TAE
It would have been better if youd
done it, but at least its done.
GABE
(down)
Yeah.
CUT TO:
19

INT. SUNSET RESORT - MAIN HOUSE - KITCHEN - NIGHT 1.

19

In the kitchen, after dinner. Lexi has come back down and is
washing dishes while Cain dries them, and Erin is making a
bunch of sandwiches.
LEXI
I dont see why I always have to do
the dishes.
ERIN
Do you want to make the lunch boxes
for the guests for tomorrow? Ill
gladly switch.
Lexi does not like that arrangement.
ERIN (CONTD)
It would be nice if we could afford
to hire a little more help around
here, but moneys tight.
LEXI
(heard it a hundred times)
I know, I know.
CAIN
Great job, you got her started.
Erin just shakes her head sadly.
ERIN
I have the worst kids.
Suddenly we hear loud honking right outside, repeatedly.
ERIN (CONTD)
What on Earth?
The three of them exit the kitchen into:

SUNSET "Fifteen Minutes, Tops"

19A

37.

INT. SUNSET RESORT - MAIN HOUSE - LIVING ROOM - NIGHT 1. 19A

--where Walter, Reid, Theresa, Derrick and Lainey are
watching television. They have all noticed the loud noise
too. They all just walk straight out the front door.

19B

EXT. SUNSET RESORT - NIGHT 1.

19B

There is a cab sitting right outside the main house. We can

see that Spencer has come out from the side building where he
lives, and Ruth has come outside from her own home.
Walter heads down the steps towards the cab. The horn
promptly stops and the cabs back door opens, and SAMUEL
HOWELL, 79, a bit feeble-looking but still somewhat spry,
with a cane, steps out of the car.
Walter stops, staring at Samuel in abject shock. Samuel sees
this and stomps his cane a few times impatiently.
SAMUEL
Is standing there slack-jawed all
you can do? What kind of greeting
is that for your father?
The words hit everyone hard.
LEXI
Father?

CAIN
What?

ANGLE: RUTHS FACE

Shock, anger and hatred are warring in her expression, and
from this we:
CUT TO BLACK.
END OF ACT THREE

SUNSET "Fifteen Minutes, Tops"

38.

ACT FOUR
FADE IN:
21

EXT. SUNSET RESORT - NIGHT 1.

21

Were right where we left at the end of Act Three, focused on

Walter, who stands there shocked still, and Samuel who grows
impatient.
SAMUEL
Well, are you deaf? Say hello to
your old man.
Ruth intercedes immediately, coming bodily between Samuel and
Walter, her anger almost palpable.
RUTH
What greeting does he owe some old
man off the street?
SAMUEL
This has nothing to do with you.
Im here to see my children.
Spencer is now come down from his small apartment, crossing
the yard towards them.
RUTH
(getting more and more
worked up, finally
shouting)
Twenty years too late! What, did
you get bored of living however you
pleased and decided its time to
own up to your responsibilities?
Well let me tell you this, theres
not a damn thing for you here!
Samuel is appalled by Ruths words. Spencer reaches his
mother and tries to move her away from the whole scene.
SPENCER
Mother, calm down.
By this point we begin to notice that several guests have
come outside their doors to see what the noise is.
SAMUEL
You always had a nasty temper,
Ruth.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

21
CONTINUED:

39.
21

RUTH
(shouting)
Look what I lived with for thirty
years! Look what I put up with!
ERIN
(to Cain and Lexi)
You two stay here.
Erin hurries across the yard to join the group, Reid
reluctantly going too.
SPENCER
(cold)
What are you doing here?
SAMUEL
Im here to see what my son has
done for himself here.
SPENCER
Well youve seen. Now go home.
WALTER
Spencer...
RUTH
(still loud, still angry)
What are you really after, old man?
For twenty years you didnt give
them a second thought, so why now?
ERIN
Ruth, you need to calm down.
SAMUEL
(now angry)
What business is it of yours, huh?
I can come and go as I please!
RUTH
Oh yeah, you had no problem doing
that when we were married.
ERIN
(snapping)
Thats enough!
Everyone is stunned by the sudden flare in her temper.
ERIN (CONTD)
This isnt just our front yard!
This is our business.
(MORE)
(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

21
CONTINUED: (2)
ERIN (CONTD)
We have guests and youre making a
scene. Enough of the shouting.

40.
21

SPENCER
If he would just go thered be no
problem.
ERIN
I said enough.
Spencer goes quiet, but glares at Samuel. Erin crosses to
Walter.
ERIN (CONTD)
Honey, the guests are all outside.
We cant do this out here.
Walter just nods, unable to get a grip on himself.
WALTER
(deadpan)
Right, right. Why dont you... why
dont you come inside.
RUTH
What? After all of this, after all
this time, youre going to just
invite him in!
ERIN
(firm)
Ruth this is not the place for
this. If you have some objections
to raise please raise them inside
the house, otherwise go back to
your place.
This is not a tone Erin often takes with her mother-in-law,
and Ruths reaction shows it. Slowly they all, as a group
head inside the main house, Ruth turning towards her own
place, muttering under her breath. Erin turns to the peering,
curious guests, trying to do damage control.
ERIN (CONTD)
Im sincerely sorry for the
disturbance. We wont let anything
like this happen again, so please,
just go back to your rooms and
enjoy yourselves.
She turns around and heads back towards the house.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

21
CONTINUED: (3)

41.
21

ERIN (CONTD)
(to herself)
Half of them are leaving in the
morning.
CUT TO:
22

EXT. RESTAURANT - PARKING LOT - NIGHT 1.

22

Tae and Gabe have exited the restaurant and are walking
towards their cars.
TAE
Are you sure you dont want to grab
some coffee somewhere?
Gabe looks at his watch teasingly.
GABE
What? Now? Its almost nine
oclock. Arent you supposed to
turn into a withered old grandpa
soon?
TAE
At least I get sleep, and I dont
walk around with raccoon eyes.
Tae playfully brushes his thumb under Gabes eye and theres
this moment of LINGERING CONTACT, this moment of
connectedness. After a few seconds in which we really notice
it linger Gabe breaks it, pushing Taes hand away gently.
They walk casually towards their cars in a moment of silence.
TAE (CONTD)
So no to coffee?
His persistence is endearing.
GABE
As much as I dont want to go home,
yeah its gotta be a no tonight.
The two are walking past the cars now.
GABE (CONTD)
Isnt that your car?
TAE
Im walking you to yours. Why dont
you want to go home?

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

22
CONTINUED:

42.
22

GABE
Its my mother. Shes started
bugging me about Miranda today. I
told her we broke up, but thats
just going to make her bug me about
why and who my new prospects are.
They reach Gabes car and approach the drivers side.
TAE
I think your new prospects are
looking good.
This brings out a shy side in Gabe, almost bashful and he
blushes at this, which is just plain adorable.
GABE
I think so too.
(beat)
Good night.
TAE
Call me when you get home.
GABE
(only half teasing)
You sure you wont be asleep?
TAE
(firmer)
Call me when you get home.
GABE
Okay, okay.
He gets into the car, but does not yet close the door.
TAE
Good night.
Now he closes the door, starts the car. He pulls out of the
parking spot, gives a wave to Tae, and drives off. After
watching him go for a moment Tae heads back towards his car
and we:
CUT TO:
23

INT. SUNSET RESORT - MAIN HOUSE - LIVING ROOM - NIGHT 1.

23

Cain and Lexi enter the living room from outside, followed
quickly by Reid, Walter, Samuel, then Spencer, Erin, Theresa,
Derrick and Lainey in the rear. Theresa stops Erin right at
the door.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

23
CONTINUED:

43.
23

THERESA
Were going to go on and get Lainey
back to the house. Its almost her
bedtime and this has nothing to do
with us.
ERIN
Are you sure?
THERESA
Positive. See you in the morning.
ERIN
Goodbye. Good night, Lainey.
LAINEY
Good night, Grandma!
Theresa, Derrick and Lainey depart and Erin joins the main
thrall in the living room, where Spencer, Reid and Walter are
all confronting Samuel.
SPENCER
(cold)
What exactly are you doing here?
SAMUEL
Thats it, huh? Not so much as a
Hey dad?
SPENCER
Hey dad is something you say when
your father comes back from work or
a business trip. What the fuck do
you think youre doing here is
more appropriate in this situation.
WALTER
Spence, stop it.
SPENCER
I will not. What does he expect
after being gone twenty years? He
has no right to be here.
SAMUEL
I have every right to visit my
children.
SPENCER
Funny that now is the first time
you choose to act on that right.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

23
CONTINUED: (2)

44.
23

Erin, Cain and Lexi are all feeling the tension in the room.
Erin crosses to her children, motioning them towards the
back.
ERIN
Why dont you two go finish
cleaning up the kitchen.
LEXI
But Mom-Cain grabs his sisters arm and pulls her along.
CAIN
Lets go.
The two leave, and Erin turns back to the mess in the living
room. As the arguments there take place we can see them
weighing heavier and heavier on Walter, who wishes to be the
dutiful child despite whatever years of absence or neglect
might mean.
SPENCER
All youve done is bring chaos here
tonight. You might as well call a
taxi and turn around and go. Ill
gladly pay the fare.
WALTER
Okay, Spencer, just stop.
SPENCER
Oh Im just getting started.
SAMUEL
Is this your place, then? Is this
your property? I was under the
impression this place belonged to
your brother. And he invited me.
This revelation brings shocked silence to the room and
everyone turns to Walter, who now looks guiltier than ever.
SAMUEL (CONTD)
Well, boy, tell em.
REID
Did you?
WALTER
(beating around the bush)
...I might have mentioned him
coming to see the place a few
times.
(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

23
CONTINUED: (3)

45.
23

SPENCER
A few times? How long have you been
in contact with the man that
abandoned you?
SAMUEL
(outraged)
Abandoned? I was chased out by that
devil woman!
SPENCER
(to Samuel)
A convenient excuse to not come
around, I guess.
(to Walter)
And how dare you extend an
invitation to this man, bring him
here!
Spencers anger finally gets the spark going in Walter, and
the guilt vanishes, replaced by outrage.
WALTER
How dare I? I own the damn place,
Spencer! This is my business, that
my wife and I built ourselves. I
take a lot of shit, and dont say
anything, and youre my brother and
I love you, but I be damned if Im
going to stand here and be scolded
like a child in my own house.
For the second time in as many minutes a stunned silence
falls. Spencer seems to be trying to keep himself under
control.
SPENCER
This isnt about who owns what,
Walter, because it wasnt just you
affected by the sonofabitch coming
here.
SAMUEL
Excuse me?
SPENCER
(ignoring him)
You werent the only one abandoned
by him and you arent the only one
living here.
(MORE)

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

23
CONTINUED: (4)
SPENCER (CONT'D)
Whatever you think about mine and
Reids reactions-- and you
obviously didnt give a damn-- you
should have thought about mother
and what seeing him would do.

46.
23

With that Spencer turns and storms out of the house. Reid is
much less angry, much more uncertain of what it is hes
feeling, but hes siding with Spencer on this one, though
there is a moments debate in his mind that we can almost
see, but in the end he follows Spencer.
At the door he turns back to Walter, and says, quietly,
somberly, something completely not in his personality:
REID
You should have told us you talked
to him.
And then he is gone, and the words are far more visceral
where Walter is concerned than anything Spencer shouted.
Samuel has taken in his younger sons with complete disgust.
SAMUEL
Ungrateful brats.
And that comment is enough for Erin, who shakes her head in
disdain.
ERIN
Im going to make coffee.
With that flimsy excuse she disappears into the kitchen. Erin
gone, Walter stands there uncertainly for a moment before he
gestures towards the couch.
WALTER
Well, have a seat.
Samuel sits down, still fuming over the greeting he got.
SAMUEL
Some greeting.
WALTER
Well what did you expect, Dad? You
turned up out of the blue... how
were they supposed to react?
(a beat)
You should have called ahead, let
me know you were coming.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

23
CONTINUED: (5)

47.
23

SAMUEL
I didnt know I needed an
appointment to see my own son.
WALTER
Things arent that simple, Dad, and
you know that. With Mom here, and
Spencer. This wasnt your best
idea.
SAMUEL
Maybe youre right. Maybe the whole
damn thing was stupid.
He gets up and starts for the door.
WALTER
Dad-SAMUEL
Ill call a cab, and wait for it by
the front gate.
WALTER
Dad, just wait a minute.
This gets Samuel to turn around, and we see his age sort of
settle on him, and underneath it theres a bit of fear, even
weakness.
SAMUEL
Im an old man, Walter. I dont
have much time left to just wait.
And hes out the door.
23A

EXT. SUNSET RESORT - NIGHT 1.

23A

Samuel makes his way a bit unsteadily across the yard,

towards the gate. He stops and turns momentarily towards the in-law home, but only for an instant, before he continues on.
REVERSE ON WALTER
Standing on the porch, watching Samuel walk away with a
mixture of regret, guilt and relief. After a moment of him
standing there Erin comes outside. She says nothing, simply
reaches out and gently and comfortingly rubs Walters arm.
This is a moment the two are having, and, still touching, the
two turn and go back inside.
CUT TO:

SUNSET "Fifteen Minutes, Tops"

24

48.

INT. SUNSET RESORT - IN-LAW HOME - KITCHEN - NIGHT 1.

24

Ruth is in the kitchen, washing dishes angrily, slamming them

down in the sink and on the draining rack. Reid and Spencer
are both watching her, Reid concerned, Spencer difficult to
read.
RUTH
(furious)
After all these years, what did he
think would happen? Did he think
someone would be happy to see his
conniving, two-timing, withered old
face? Where did he get the nerve?
Ruth picks up a soapy glass and starts washing it.
REID
He said Walter invited him.
Hes said the wrong thing, and immediately Spencer has a hand
on his shoulder, trying to shut him up.
SPENCER
Reid!
Ruth turns around quickly in her shock, dropping the glass as
she delivers her line.
RUTH
Do what?
(off the breaking glass)
Lord all mighty.
Spencer immediately bends down to clean it up.
RUTH (CONTD)
Leave it.
She opens the kitchen door, heading out.
REID
Where are you going? Mom? Mom?
But Ruth is out the door. Reid looks apologetic, knowing hes
made a mistake and knowing Spencer is furious.
SPENCER
You really need to get a filter.
The two follow Ruth out the door, but we dont move with
them.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

24
CONTINUED:

49.
24

REID
(as they go)
You think I dont know that?
24A

INT. SUNSET RESORT - MAIN HOUSE - LIVING ROOM - NIGHT 1. 24A

Erin and Walter are sitting there, on the couch, talking.
Walter looks more miserable than Erin has ever seen him, and
she really wants to comfort her husband, but isnt sure how.
ERIN
Why didnt you tell anyone you were
asking him to come?
WALTER
I didnt think he would come,
honestly. I was just being polite.
Besides, you saw how they reacted.
Spencer would have blown a gasket
if he knew I was talking to dad
once or twice a month.
ERIN
Well, we see how well that turned
out.
WALTER
I know, I know. I cant even begin
to think about how Im going to fix
this.
ERIN
Give them time, honey. Im sure
theyll cool down.
REID (O.S.)
Mom! Mom!
Erin and Walter trade looks; they can tell theres a storm
coming. Sure enough, just as they turn to the front door it
bursts open and Ruth comes in, angrier than either has ever
seen her.
ERIN
Or I could be completely wrong on
this one.
RUTH
What the hell were you thinking?
CUT TO BLACK.
END OF ACT FOUR

SUNSET "Fifteen Minutes, Tops"

50.

ACT FIVE
FADE IN:
25

EXT. SUNSET RESORT - ANNEX - NIGHT 1.

25

Were outside of a small little cottage-annex of the Sunset

Resort. It is not directly on the property, but is right
there, the stone gate around the resort touching distance
from the annex. This is where Theresa, Lainey and Derrick are
currently living.
25A

INT. SUNSET RESORT - ANNEX - BEDROOM - NIGHT 1.

25A

Theresa is in pajamas, getting the bed unmade and ready for

sleep. Theresa is tired, and it shows. Derrick comes into the
bedroom a moment later, just in boxers pushing the door
closed.
THERESA
(weary)
Did you make a mess in there?
DERRICK
Im thirty-five, not five.
THERESA
You have the aim of a five year old
sometimes.
Derrick rolls his eyes, crossing to help her get the bed
ready .
DERRICK
You okay?
THERESA
Im just really tired. Felt sick
all day.
This gets a spark of concern from Derrick, and he moves,
checking her forehead.
DERRICK
What? Are you getting sick?
THERESA
I dont think so. Probably just a
stomach bug. I felt good after I
got home.
DERRICK
Why didnt you say something
earlier?
(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

25A
CONTINUED:

51.
25A

THERESA
You think I could get a word in
edge-wise with my mother there
going on about poor Gabe and his
love life?
The two of them slowly settle into the bed, leaving the
lights on.
THERESA (CONTD)
The woman knows how to meddle, that
much is sure.
DERRICK
Well, she is your mother.
He realizes as soon as he says it that it was a bad idea, and
the what did you just say look on Theresas face is
veritable proof of that. Seeing this, look Derrick
immediately begins vocal back-peddling.
DERRICK (CONTD)
I just mean that as a family you
are all so involved in each others
business. Every time we have a
fight everyone in your family knows
about it. Theres zero privacy
where you all are concerned. You
all seem to allow it, so of course
she has no problem putting her nose
in other peoples business. Nobody
ever really stops her.
The words bear a ring of truth that Theresa cant exactly
deny, so she just lets the matter go, laying back down, and
we can see the relief on Derricks face; he somehow managed
to get out of that one unscathed.
THERESA
Tomorrow I have to work late, so
youll have to pick up Lainey from
school.
This is news to Derrick, and he doesnt like it.
DERRICK
Its inventory, time. You know how
busy I am right now. Why cant your
mother do it?

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

25A
CONTINUED: (2)

52.
25A

THERESA
Shes taping all week, you know
that, and Dads got a lot on his
hands with the guests. Its just
tomorrow.
DERRICK
(giving in)
I hate when you spring stuff like
this on me at the last minute,
Theresa.
THERESA
Im sorry. I promise to give you
more notice in the future.
The two settle in to sleep now, and Theresa reaches over and
cuts off her light. There is a beat of silence, and then:
DERRICK
I wonder if everythings calmed
down over there?
THERESA
With my family? I can guarantee it
hasnt.
CUT TO:
26

INT. SUNSET RESORT - MAIN HOUSE - LIVING ROOM - NIGHT 1.

26

Ruth has stormed into the living room. Walter and Erin are on
their feet, Walter trying to calm Ruth down, Erin looking a
bit like a deer in the headlights. Spencer and Reid come in
behind her, both looking like theyre about to witness
something bad.
WALTER
Mom, listen-RUTH
(angry, loud)
No, you listen. That man has never
once been there for you or your
brothers, not once. He didnt give
a damn about you, and now you just
open up and invite him back into
your life like its nothing? Do you
know what kind of slap in the face
it is to me?
ERIN
Ruth, it isnt that simple.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

26
CONTINUED:

53.
26

RUTH
(angrier)
You stay out of this! My entire
marriage was spent pretending I
didnt know what he was doing when
he was away at work because I
didnt want you three to end up
without a father. I know that was
my mistake, and Ill have to deal
with it, but you, of all people?
Who was it that went to every
baseball game you ever had? Who was
it who worked to the bone to send
you to college? Was it that man?
No! It was me! Who was it that gave
you every dime she had so you could
make this bed-and-breakfast dream
of yours a reality? It was me!
WALTER
You think I dont know that? I
wasnt a kid, Mom. I saw what you
did for me, and Im grateful. But
no matter what he did in the past,
no matter how neglectful he was,
hes my father.
RUTH
(hurt, emotional)
DNA doesnt make a father! How
could you invite him here, knowing
the pain it would cause me?
And Ruth breaks down, her anger now giving way to tears of
hurt. Ruths words and tears cut right to Walters heart, and
he lowers his head, unable to look at her.
MIDDLE-AGED MAN 2 (O.S.)
(uncomfortable)
Uh, excuse me?
The room turns and everyone sees Middle-Aged Man 2 standing
in the door, looking very uncomfortable, like he wants to
disappear.
MIDDLE-AGED MAN 2 (CONTD)
I hate to be rude, but, well you
see, we have an early day ahead of
us, and we need to get some rest,
but with all the noise...
ERIN
(professional)
Of course, sir. I am so sorry.
(MORE)
(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

26
CONTINUED: (2)
ERIN (CONT'D)
I promise we wont let this happen
again.

54.
26

Spencer takes this opportunity to cross to his mother.

SPENCER
(softly)
Come on, Mom. Lets get you home.
26A

EXT. SUNSET RESORT - DRIVEWAY - CONTINUOUS - NIGHT 1.

26A

We see Samuel waiting at the gate for a taxi as Gabes car

pulls by. Gabe NOTICES SAMUEL, but it does not phase him in
the slightest. He just continues going until he gets to where
the cars are and parks.
TO THE MAIN YARD
Where Middle-Aged Man 2 is walking back towards the guest
house and Ruth is being led by Spencer back towards the inlaw home.
ANGLE: THE GROUND IN FRONT OF MIDDLE-AGED MAN 2
There are three oxygen tanks propped against the rock wall of
a small raised flower bed. Theyre mostly out of the way but
hes walking right towards them. Naturally HIS FOOT CATCHES
ON ONE and it TIPS OVER, heavily, onto his foot, and he is
tripped by it.
The others have seen this.
ERIN
Oh my God!
Erin takes off towards it, Ruth even stops to turn around and
look to see whats going on; Cain races there ahead of Erin,
rolling the tank away. The others react now, moving towards
there.
ERIN (CONTD)
(concerned, a bit
panicked)
Are you alright?
MIDDLE-AGED MAN 2
(in pain)
My foot! My foot!
ERIN
Jesus Christ. Okay just hang on,
just hang on.
(rounding on Cain)
Move the damn tanks.
(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

26A
CONTINUED:

55.
26A

Cain rushes to do what she says.

MIDDLE-AGED MAN 2
Call an ambulance I think its
broken!
This is the last thing Erin wanted to hear.
ERIN
Okay, sir, just stay calm.
LEXI (O.S.)
Mom! Gabe.
Erin turns and we turn with her to see Gabe now hurrying
towards them, having noticed the fuss. All the while MiddleAged Man 2 is moaning in pain.
GABE
What happened?
ERIN
(to Gabe)
He tripped and fell.
(to Middle-Aged Man 2)
This is my son, hes a doctor.
Hell take a look.
(to Gabe)
He thinks he broke it.
(to Middle-Aged Man 2)
Everythings gonna be fine.
Everythings gonna be fine.
Gabe gently nudges his mother aside; Walter helps her stand,
hands on her shoulders to give her his silent strength as
they all look on. Cain, finished moving the tanks, is now
standing nearby, watching, anxious, feeling guilty. Gabe
exams his fit carefully, prodding, feeling, gently flexing,
but finally comes to a conclusion.
GABE
Good news: it isnt broken.
MIDDLE-AGED MAN 2
Are- are you sure? It hurts like a
sonofabitch
GABE
Im positive. Its going to bruise
pretty bad, and youve twisted the
ankle a bit, but nothing worse than
that. Some ice and some ace
bandages and youll be fine.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

26A
CONTINUED: (2)

56.
26A

Erin has never been so relieved to hear something in her

life; she almost literally goes limp against Walter.
GABE (CONTD)
Cain, help me get him inside.
Cain and Gabe heft the man and maneuver him towards the guest
house.
Erin and the others move back towards the main house, see
Ruth waiting there.
REID
Gabe says hes fine. Twisted ankle,
thats all.
RUTH
(directly to Walter)
Look at the bad luck youve brought
here.
Hoping to head off another argument Spencer guides Ruth back
towards her house. Erin turns to Lexi.
ERIN
Go get the first aid kit and an ice
pack and take to your brother.
LEXI
Okay.
Lexi goes inside the house to do as she was asked.
REID
That was fortunate.
ERIN
Theyll all check out in the
morning.
REID
Worse things could have happened.
WALTER
Lets just go to bed before they
do.
27

INT. SUNSET RESORT - MAIN HOUSE - GABES ROOM - NIGHT 1.

27

Gabe walks into his room and we can see its some time after.
He looks tired. He puts the first aid kit down on his desk
and kind of collapses onto his bed. After a moment his cell
phone rings.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

27
CONTINUED:

57.
27

Surprised he looks at it, then smiles a half smile and

answers the phone. Before he even says hello Tae is speaking.
27A

INT. TAES APARTMENT - BEDROOM - NIGHT 1.

27A

Tae is laying in bed on his phone.

TAE
You didnt call.
27B

INT. SUNSET RESORT - MAIN HOUSE - GABES ROOM - NIGHT 1. 27B

GABE
Im sorry, something happened here.
TAE (O.S.)
(through the phone)
Everything okay?
GABE
Yeah. A guest had a fall in the
main yard, thats all.
Gabe glances at the clock on his bedside table. It reads
10:47pm.
GABE (CONTD)
I figured you would be asleep by
now.

27C

INT. TAES APARTMENT - BEDROOM - NIGHT 1.

27C

TAE
I stayed up because I expected you
to call when you got home.
GABE (O.S.)
(through the phone)
Im sorry I kept you up. Go on and
get some sleep.
TAE
(yawning)
Fine, I see you dont want to talk
to me.
27D

INT. SUNSET RESORT - MAIN HOUSE - GABES ROOM - NIGHT 1. 27D

GABE
You got me. Go to sleep.
There is a knock at Gabes door.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

27D
CONTINUED:

58.
27D

ERIN (O.S.)
Gabe?
GABE
Hey, I gotta go. Night.
TAE (O.S.)
(through the phone)
Night.
Gabe hangs up the phone just as the door opens and Erin looks
in.
ERIN
Hey. Just wanted to see Mr. Warner
was doing.
GABE
Hes fine. Right now kind of
huffing and puffing, nothing
serious.
ERIN
Thank God for that.
(a beat)
You look tired.
GABE
Yeah, I am a little.
ERIN
Did you eat?
GABE
Yeah, I had dinner.
ERIN
Good.
(longer beat)
Listen, about earlier, the whole
Miranda thing-GABE
Mom, please dont.
ERIN
I just want to say sorry. I just
hate seeing you get so far along
then just call it quits. This seems
to be a repeating pattern with you.
GABE
Mom, were not going to talk about
this.
(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

27D
CONTINUED: (2)

59.
27D

ERIN
Im not trying to intrude, Im not.
Im just concerned. I want you to
be happy.
GABE
I am happy. Miranda and I just
didnt work for each other.
ERIN
Okay, I can respect that.
(awkward beat)
Was tonight with another girl...?
Gabe gets off his bed and goes to the door, starting to close
it.
GABE
Good night, Mom.
ERIN
Im just curious, thats all!
Gabe shuts and locks the door.
ERIN (O.S.) (CONTD)
I want to see grand children, you
know!
Gabe presses his back against the door, exhales loudly.
Dealing with this is tiring to him. He crosses to his bed,
collapses onto it.
CUT TO:
28

EXT. SUNSET RESORT - MORNING - DAY 2.

28

Ruth is outside hanging laundry on a line in front of her

home and the two middle-aged couples are, with Walters help,
loading up their car with their luggage. As soon as the trunk
is closed the couple is in the car, driving away. Walter
makes his way over to Ruth.
WALTER
Good morning.
RUTH
You just lost business, I dont see
whats so good about it.
WALTER
Someones cranky.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

28
CONTINUED:

60.
28

RUTH
Well, someone didnt sleep last
night, so I wonder why?
Ruth unfolds a sheet violently before putting it on the line.
WALTER
Mom, I know how you feel-RUTH
You couldnt possibly know how I
feel. Were you betrayed by your own
son?
WALTER
Betrayed?
RUTH
Yes, betrayed. My oldest son, the
one who helped me raise his younger
brothers while his no-good father
was off having his little flings,
that son, turned around and invited
the one person who has caused me
more pain than anyone else in this
world to the place I live. That,
Walter, is a betrayal.
WALTER
Okay. Im sorry for that, Im sorry
I didnt tell you. But honestly I
didnt think he would come!
RUTH
Why were you even talking to him in
the first place?
WALTER
Because hes my father. I hoped
that maybe as hes gotten older
hes regretted his past. I need to
give him that chance.
(emotional, pleading)
I need to know that theres
something good in there, somewhere,
because thats where I come from.
Walters words have reached Ruth on some level, like any
emotional appeal from a child to a mother would, but there
are some wounds that simply cant be overlooked in that
regard.

(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

28
CONTINUED: (2)

61.
28

RUTH
Sending him away is the best thing
you could have possibly done.
WALTER
Doesnt the Bible say to forgive?
RUTH
The Bible also says an eye for an
eye, and in this case that wouldnt
quite even the score.
Ruth turns and storms inside her house, leaving a
disconsolate Walter unsure of what to do. From the door of
the main house Erin was watching all of this. She comes down
to him, puts her arms around his back lovingly.
ERIN
You okay?
WALTER
(honestly)
Im not sure.
ERIN
Theres nothing you can do, you
know that, right? Some hurts never
heal. But even if they dont, life
goes on.
As if to emphasize this:
LAINEY (O.S.)
Grandma! Grandpa!
She is running towards them from the gate, laughing. Derrick
and Theresa are walking behind her. The laughter is
beautiful, and it brings a smile to Walters face as Erin
goes running too, scooping Lainey up into a hug.
From the front door Gabe comes out, dressed for work.
GABE
Ive got to get going. See you
later, Dad.
WALTER
(mood lifting a little)
Have a good day.
And we start drifting upwards, taking in the whole of the
yard as we see Spencer emerge from his own apartment over the
guest house, also dressed for work. From the main house comes
Cain.
(CONTINUED)

SUNSET "Fifteen Minutes, Tops"

28
CONTINUED: (3)

62.
28

WALTER (CONTD)
Got a group today?
CAIN
Just one, but its an early one.
WALTER
Be careful, the waters still cold.
CAIN
You think I dont know the water?
ERIN
(to Lainey)
You want some breakfast? Lets go
inside and get some breakfast!
LAINEY
Pancakes! I want pancakes!
And from this warming family moment we:
CUT TO BLACK.
END OF SHOW