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DE INCENDIO
LUCAN'S
URBIS,
EX CAMPANIA AND NERO'S
EPISTULAE
FREDERICK
BAN
M. AHL
CornellUniversity
The De Incendio
Urbisand theEpistulae
ex Campaniawould probably
tellus a greatdeal aboutLucan,iftheysurvived. Unfortunately,
we
oftheformer,
haveonlythetitleanda brieftwo-linesynopsis
andonly
thetitleof thelatter. This is veryscantinformation,
yetimportant
whichmay be of
enoughto offersome helpin drawingconclusions
in establishing
greatsignificance
detailsofLucan'sbiography.
The information
abouttheDe IncendioUrbisisto be foundinVacca's
Lucani(Silvae2.7.60-6I).
Lifeof Lucan,and in Statius'Genethliacon
For theEpistulae
Vacca is our onlytestimony.Here is thesumtotal
of evidencefortheDe IncendioUrbisand theEpistulaeex Campania.
Firstly,
Vacca: Prosaoratione
in Octavium
etproeo,de incendio
Sagittam
ex Campania.I These threeitems,the Octavius
urbis,epistolarum
Sagittaorations,theDe Incendio
Urbisand theEpistulaeex Campania
aretheverylastworksof Lucan mentioned
by Vacca in hisaccount.
I This and all other references
to Vacca and the Suetonian Life of Lucan are taken
fromCarl Hosius' editionof Lucan, Leipzig, I9I3, 332-36, and theline numbersreferred
to are thosein Hosius' pagination. Henceforththeywill be citedas Vaccaand Suetonius.
The date of Vacca is uncertain. A. Rostagni argued in Suetonius:De Poetise Biografi
Minori(Turin I944) I76-78 thatthe Vacca Life preceded a firstcenturyA.D. edition of
Lucan. But no firstcenturywriter would talk about the gladiatorial games Lucan
gave as quaestor as moretuncusitatomunusgladiatorium
(Vacca 335.I4-I5).
It would be
saferto inferthatVacca was writingafterthe abolition of gladiatorialgames duringthe
sixth consulate of Honorius, in A.D. 404 (Prudentius,Contra Symmachum
2.II24,
cf.
Samuel Dill, RomanSocietyin theLast Centuryofthe Western
Empire,2nd revisededition
[New York I960] 56). Further,Vacca does notlisttheAdlocutio
adPollamamong Lucan's
works extantin his own day. It is clear fromStatiusSilvae 2.7 (writtenbetween A.D.
89 and 94 at the outermostlimits)that the Adlocutiowas extantat the end of the first
centuryand thatLucan's wife Polla was stillalive then. A writerwell disposedtowards
Lucan, as Vacca is, would scarcelyhave omitted this item from his list if he was a
contemporary.
FREDERICK
M.
AHL
[I97I
No further
commentis added. The passagefromStatiusrunsas
follows:
dicesculminibus
Remivagantis
infandos
nocentis
ignes.
domini
Vacca poses a problemimmediately.His definitive
prosaoratione
obviouslyrefersto the OctaviusSagittaorations. But does it also
includetheDe Incendio
Urbisand theEpistulae
ex Campania? Rose
and McGannthoughtSo.2 Theybeganwiththeassumption
thatthe
were in prose. Since,then,thefirstand lastitemswere in
epistulae
prose,it was naturalthattheyslhouldconcludethatthemiddleitem
was also prose. Thislineof argument
is tenuous,sinceit is basedon
theassumption
in
thattheepistles
were prose. Rose evengoesso far
as to suggestthattheywerewritten
inimitation
ofSeneca'sEpistulae
ad
Lucilium.3Thereis,however,no compelling
reasonto makeanysuch
sinceverseepistles
hadbeenwritten
assumption,
by Horaceand Ovid.
We mightadd thatthetitleof Lucan'scollectionshowslesssimilarity
ex Ponto. Sincetheassumpto thatof Senecathanto Ovid'sEpistulae
werein proseis thelynch-pin
ofbothRose's and
tionthattheepistles
we mustobviouslyretraceour steps.
McGann'sarguments,
One important
pointof logic thatRose and McGann establish,
Urbisor theEpistulae
can be
however,is this:ifeithertheDe Incendio
shownto be proseor poetry,theotherwillbe thesame.4 But Vacca
to answerthequestion
simplydoes not provideenoughinformation
mustbe
one way or theother. The crucialand conclusiveargument
madefromStatius,and it is focussedon theDe Incendio
Ur-bis.
I. The GenethliaconLucani
structured.The
Statius'poem in Lucan'shonoris verycarefully
linesprovidethepraisesof Lucan'spoeticgenius,
openingthirty-five
and the honorwhichhe has bestowedupon his nativeSpain. The
of thepoet,and
linesarea kindof apotheosis
concluding
twenty-nine
2 K. F. C. Rose, "Problems in the chronologyof Lucan's career," TAPA 97 (I966)
For
379-96 (hereaftercited as Rose); cf. M. J. McGann, CQ 7 (n.s.) (I957) 126-28.
Rose's discussionof the Epistulaesee Rose 386.
3 Rose 39I.
4 Rose 386, note 20 and McGann, o0). cit.,126 f.
Vol. I02]
LUCAN
DE INCENDIO
URBIS
a consolatio
to his soul. The central,and, for our purposes,most
important
segmentof thepoem-lines 36-I06-gives an accountof
Lucan's achievements.His praisesare sung throughthe mouthof
above theinfant
theMuse Calliope,whom Statiusdepictsas standing
Lucan and prophesying
thepoeticheightshe willattain. She isjoyfuluponseeingthechild-so muchso thatsheabandonshergrieffor
Orpheus.
Calliope'sopeningwords(4I-42) tellus thereasonforher ecstasy:
puero dicateMusis
longaevostransiture
vates...
He is a childdedicatedto themuses,destined
to surpassthelong-lived
willbearcomparison
poetsofthepast. His genius,shecontinues,
with
thatofHomerandApollonius,
and surpassthatof herown Orpheus:
nontuflumina
necgreges
ferarum
necplectro
Geticas
movebis
ornos,
sedseptem
iugaMartiumque
Thybrim
et doctosequiteset eloquente
cantupurpureum
trahes
senatum.
(43-47)
Thisis extravagant
praiseindeed. She thenproceedsto listtheworks
with which Lucan will achieve this Orphean tour-de-force:
the
theLaudesNeronianae,
Iliacon,theCatachthonion,
theDe Incendio
Urbis,
theAdlocutio
ad Pollamn
and thePharsalia.5At line73, Callioperefers
backto Lucan'sachievement:
5 Here and elsewhereI referto Lucan's epic as Pharsalia,ratherthanBellumCivile for
reasons I have argued in detail elsewhere (" Pharsalus and the Pharsalia," Classica et
Mediaevalia,publicationpending). Although De Bello Civili is the titlein most MSS,
Statius, our earliestauthorityfor Lucan's work, refersto the epic as PharsalicaBella
(Silvae 2.7.66) and Lucan's own words in 9.985 if. seem to be referringto the epic by
the titlePharsalia. Postgate,in his edition of book 7 (Cambridge I9I7) xc, arguesthat
vivetPharsalianostradoes not mean "my tale of Pharsalia shall live," it means "the
memory of Pharsalia in which you and I, Caesar, have a share,shall never die." Of
course Postgate is rightin sayingthatthe nostrameans "our" ratherthan " my." Yet
it is vital to rememberthat9.980-86 (Lucan's dedicationto Caesar and reminderof the
importanceof the role of the poet in recordingmen and citieswhich would otherwise
be forgottento the world) takes place as Caesar walks among the ruins of Troy-the
descendantof Aeneas who has just, in Lucan's opinion, annihilatedthe republicat the
battle of Pharsalus. The destroyerof the New Troy standsin the ruins of the Old.
The Old Troy needed Homer to keep its memory alive, the New Troy needs Lucan.
The descendantof Aeneas has become a new Achilles,who destroyedthe republic,as
surely as Achilles destroyedTroy. At 9.9go-99, Caesar, ironically,vows to rebuild
FREDERICK
M.
AHL
[1I97I
haccprimoiuvcniscancssub aevo.
thattheworksshe
suggests
Canesis thekeywordhere. It definitely
thisimpression:
areallpoetry.Line 8i confirms
hasmentioned
nitorem.
necsolumdabocarminum
If, as Rose and McGann-not to mentionMozley-maintain,the
it is
probablyunpublished,
Urbiswas a prosedeclamation,
De Incendio
strangethatCalliopeshouldmentionit at all in thiscontext,as she
theheightsof poesy he
standsover theinfantLucan and prophesies
Urbisstandsin theprecise
willattain.6 Whatis more,theDe Incendio
extendingfrom
centerof her account:at lines6o-6i of a narrative
for
declamations
enthusiasm
prose
noted
for
her
is
not
Calliope
40-8I.
and would hardlyadduceone-much lessan unpublished
elsewhere,
of a poet who was to surpass
to the credentials
one-as testimony
not mentionall of Lucan's
Statius
does
since
Orpheus. Further,
knownworksof poetry,we can scarcelyargue thatCalliope was
tryingto bolsterslimcredentials.7Oddly enough,Rose also mainadPollamwasinprose. SincePollawasLucan's
tainsthattheAdlocutio
as a lover,and
sayslittleforLucan'simagination
wife,thissuggestion
herhusband's
from
to
stir
some
for
Polla's
response
less
ability
even
Muse.8
prolific
ad Pollamand theDe Incendio
In conclusion,then,if theAdlocutio
is
no
there
logicalreasonfortheirinclusion
Urbiswere not poetry,
it is evenlesslikelythat
hereby Statius. If theywere unpublished,
the Old Troy, if its ghostswill help him complete his presentundertaking.. . Eleven
lines afterthisprayer,Caesar is presentedwith the head of Pompey. Given the consciousjuxtapositionof Troy and Pharsalus,the head of Pompey,likethehead of Priam,
becomes the symbol of the end of an era. And Pompey is the representativeof the
last of the New Troy as surelyas Priam is of the last of the Old. In such a context,
Pharsalia is more than a mere battle-as Housman sees it in his note on 985-86 (M.
It is the tale of the fall of
Annaei Lucani Belli Civilis Libri Septem[Oxford 1927]).
Rome as surelyas the Iliad is the tale of the fall of Troy. To returnto Postgate fora
moment: we mightwell argue thatwhat Lucan means is "Pharsalia, your achievements
and my account of them,will live."
(London I928) note on Silvae 2.7.60-6I.
6 Cf. Mozley, in volume I of theLoeb Statiuis
7 Vacca 336 lines 17-22 liststhe remainder:the Saturnalia,the ten books of Silvae,
(or according to
the unfinishedtragedyMedea, fourteenSalticaeFabulae,Epigrammata
the Octavius
alia poemata,hypomnemata),
aragmata,
acroamata,
dramata,
othershippasmata,
Sagitta orations,and the Epistulaeex Campania. Suetonius(p. 333, line 5) adds to this
Urbis.
which may or mnaynot be the same as the De Incentdio
faiiiostimn,
list a carmitein
8 Rose 391.
Vol.
102]
LUCAN
S 'DE
INCENDIO
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FREDERICK
M. AHL
[I97I
Urbis. Precisely
whyStatiusrefers
to Rome as thecityof Remus is
unclear.Perhaps
it is merelymetricausa.IO This is theonlypassage
Vol.
I02]
LUCAN
S 'DE
INCENDIO
URBIS
moxcoeptagenerosior
iuventa
albosossibus
ItalisPhilippos
etPharsalica
belladetonabis
convulsum
ducisinterarmadivi,
libertate
gravem
pia Catonem
etgratum
popularitate
Magnum.
tuPelusiaci
scelusCanopi
deflebis
piusetPharocruenta
Pompeiodabisaltiussepulchrum.
This is a succinctsummaryof thehighpointsof thePharsalia. Calliope'sonlypersonalintervention
comesin thewordpius,which,one
shouldnote,is herattitudeto Lucan,not to thecontent
of thepoem.
Similarly
thedescription
of theIliaconand theCatachthonion:
ludes
HectoraThessalosque
currus
etsupplex
Priamipotentis
aurum
etsedesreserabis
inferorum.
(55-57)
Also theAdlocutio
ad Pollam:
hinccastaetitulum
decusque
Pollae
iocundadabisadlocutione.(62-63)
In otherwords,everyotherpoemofLucan'sthatis mentioned
here
issummarized,
apartfromtheLaudesandtheOrpheus,
andisintroduced
by a secondpersonverb whichpurportsto give a synopsisof the
FREDERICK
M.
AHL
[I97I
Vol. I02]
LUCAN
S 'DE
INCENDIO
URBIS
evidenceforLucan
SinceStatiusis our earliestsourceof biographical
sinceStatiusknew
we shouldbe cautiousabout such a suggestion,
Lucan'swife,Polla, and is unlikelyto have madean errorin a poem
writtento her.
III. Lucan the politician
If mythesisis correct,
whydo noneof our ancientsourcesconnect
theDe IncendioUrbiswiththeban? The answeris nothardto find,
andwe mustnow cometo termswithit. First,letus look at Tacitus.
of Lucan,thereis a distinct
atmosThroughoutTacitus'treatment
towardsthe poet. He mentionsnone of Lucan's
phereof hostility
works at all. When he describesLucan's entryinto the Pisonian
hisnamesideby sidewiththatoftheconsulhe mentions
conspiracy,
the
and usestheopportunity
to contrast
PlautiusLateranus,
designate
causaeofpersonalanigenuine
idealismof Lateranuswiththepropriae
mositywhichmotivatedLucan.'6 In otherwords,Tacitusis very
thatgenuinerepublican
sympathies
eagerto playdownanypossibility
movedLucanto do whathe did. It was no doubtthedebaclefollowthatencouragedTacitusto think
ing thedetectionof theconspiracy
his own mother,
thisway. The rumorthatLucanhad incriminated
save
his
own
life
to
would have made any
Acilia,in a vain effort
pretenseof highprincipleon hispartshabbyand hypocritical.And
TacitusclearlybelievedthatLucandidaccusehismother.I7Whether
the rumoris trueor not is, at thisstage,irrelevant.The factthat
Tacitusbelieveditmadeithardforhimto takeLucan'spoliticalideals
seriously.
His reason for so doing is the factthat the Pharsaliais mentionedby Statiusafterthe
Adlocttioand the De IncendioUrbis. In the next sentenceRose concludes: "Thus the
De Bello Civili startedto appear afterJuly 64." This is going too far. All we may
safelyinferfrom these lines of Statiusis that Lucan was working on the Pharsaliaat
the time of his death. Since the Pharsaliawas the high point of Lucan's career,and
sincehe was, presumably,working on it at the time of his death,Statiusis quitejustified
in mentioningit last evenifpartsof it were writtenand publishedprior to July64. It
is also worth noting that,in his precis of the Pharsalia,Statius refersto events of the
lastfourbooks only. The referencemade to Cato is the only elementin Statius'account
which mightconceivablyreferto a point earlierthanbook 6.
I 6 AninalesI 5.49.
'7 Ibid.,56. Cf. Suetonif,s
333-II-I5.
FREDERICK
IO
M.
AHL
[I97I
toLucan. For
attitude
Suetonius
shareswithTacitusan unfavorable
both writers,while theyhave littlegood to say about Nero, are
scarcelygenerousto Lucan either. Both Tacitusand Suetoniustend
to regardthe quarrelbetweenLucan and Nero as a literaryfeud.
Suetoniusis, of course,rathermore extremein thisinstancethan
of Nero in hisLife ofNero is foundedon
Tacitus. His wholeportrait
hisvisionoftheemperor
as theinsaneandjealousartist. In hisaccount
forinstance,Suetoniusinsiststhat
of Nero's murderof Britannicus,
Nero killedtheyoungprinceno less becauseof envyof his superior
fearofhispopularappeal(Nero 33). WhileNero
voicethanthrough
musicalabilities,we
enviousof Britannicus'
have
been
may indeed
shouldsurelyhesitatebeforebelievingthatthisfact-whichmay or
may not be a fact-motivatedNero as muchas thepotentialthreat
as emperor.
posedto hisown security
thatBritannicus
suggeststhat
Suetoniusin his Life of Lucan sarcastically
Similarly,
in the Pisonianplot in orderto
Lucan accusedAciliaof complicity
principem
sibiapudparracidam
imlpietatem
speratns
Nero'saffections:
regain
While it is quitepossiblethatLucan did, in factaccuse
profutuiram.
was "4You'rea parricide;look,
hismother,
theidea thathisreasoning
too" is absurd. Yet again,Suetoniustells
to be a parricide
I'm trying
hostilitytowardsNero in words and in
us thatLucan manifested
of Nero's
actionsto suchati extentthat(adeo ut) he quoteda half-line
relievinghimselfin a public latrine.'8
poetrywhile thunderously
Writerswho, like Suetonius,or Tacitusfor thatmatter,were illthe most
disposedtowardsLucan, had a fondnessfor attributing
absurdpossiblemotivesto boththepoet and his emperor. If there
existedonlyTacitus'and Suetonius'accountsof Lucan,and no extant
work,we wouldnothavea reasonin theworldto suspectthatLucan
but whichregarded
wrotean epic whichis not only anti-imperial,
of giganticdimensions-an
the fall of the republicas a catastrophe
thoseof Cannae.'9
whoseconsequences
disaster
surpassed
unmitigated
to Tacitusand SuetoThe apoliticalLucan,however,is notconfined
nius. If criticshostileto thepoethavegone to somepainsto belittle
18 Suetonius332-33.
Vol.
I02]
LUCAN
DE INCENDIO
URBIS
II
hispolitical
ideasandsignificance,
so havehisfriends.WhileSuetoniusrevelsin theinterchange
ofhostilities
between
NeroandLucan,
Vaccaverycarefully
omitsorglosses
whichLucanmayhave
anything
saidordonewhichsmacks
ofpolitical
action. AndVaccaisfavorably
disposed
towards
Lucan. Thereis no suggestion
in Vacca'sLifethat
Lucandidanything
tooffend
Neroandbring
abouttheban. Inother
Vaccagoestoconsiderable
words,
Lucanastheinjured
painstopresent
innocent.It was Nero'sjealousyofLucan'sacclaimwhichbrought
abouttheban,ajealousy
whichgrewovera period
ofyears. Although
Vaccatellsus thatLucanjoinedthePisonian
he describes
conspiracy,
himas a victim
ofyouthful
ardorandthetrickery
ofPiso-deceptius
a
Pisone.0 Thereis no mention
of theincrimination
of Aciliaat all.
As faras Vaccaisconcerned,
itwasLucan'sbrilliance
as a poetwhich
antagonized
Nero,andnothing
else.
Bothfriend
andfoeshareonepointofviewincommon:
therivalry
of Neroand Lucanwas purelyliterary.Amongmodernscholars,
Rose echoesa similar
judgment.Nero'sban,he tellsus,shouldbe
viewed"in thecontext
of theincreasing
in thesecondhalf
tension,
ofNero'sreign,
between
theStoiccircles,
ledbySeneca,andtheless
earnestliterary
groupled by Petronius."2I
12
FREDERICK
M. AHL
[197I
of the
amongthemembers
Thisis notall. The moredesperate
Lucanto their
Nero.
admitted
senatorial
plottoassassinate
opposition
TheywouldnothavedonesohadtheynotfeltthatLucanwasreliable
musttakesomecarewhen
A conspirator
as a potential
conspirator.
he runsthe
approaching
others;lhemustbe sureof hismanbefore
and
the
factthat
Lucan's
Given
lim.
background,
riskofadmitting
as
indeedbe somequestion
ofNero,there
hehadbeena friend
might
evenifhe wasnot
theban. Yetclearly,
evenafter
to hisdisposition
as Suetonius
ofthePisonian
declares,
conspiracy,
exactly
paelesigniifer
have
in theaccounts
whiclhi
he enjoysa remarkable
prominence
survived.23
Vol. I02]
LUCAN
S 'DE
INCENDIO
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I3
as lightlyas did
Nero clearlydidnottakeLucan'spoliticalactivities
Tacitusand Suetonius. Nor shouldwe. His only survivingwork
is brimming
withpoliticalfervor,and is focussedupon thebattleof
Pharsalus,where,in Lucan'sopinion,Rome lostherfreedom.24It
isallverywellto argue,as Brueredoes,thatLucan'sexplosivedenuncia25
tionsof hisown day in book 7 are a "strivingforbravuraeffect."
This is beggingthe question. They would scarcelyhave pleased
Nero ifhe eversaw them. It maybe rhetoric,
butit is verydangerous
rhetoric.If Lucanis tryingto pleaseNero he is settingaboutit in a
mostunorthodox
manner. To arguethattheportrayal
of Domitius
Ahenobarbus
is a sop to Nero is also a mootpoint. Historyrecords
thenameofonlyone senatoron thePompeiansidewho diedat Pharsalus,DomitiusAhenobarbus,
andDomitiusis theonlygenuinecorpse
thatLucan suppliesus in book 7, despitehisprotests
abouttheheaps
of Metellistrewnacrosstheplain.26 It maywell be thathe had no
further
information
on theindividualdead at Pharsalusthanwe do.
To putitanotherway,iftherewas to be a senatordyingin thatcrucial
battle,it had to be Domitius
Ahenobarbus.
We mightalso note that
Lucan makesno attemptto associatethe republicanhero with his
descendant.
24
See above,noteI9.
FREDERICK
I4
M.
AHL
[I971
Vol. I02]
LUCAN
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15
i6
FREDERICK
M.
AHL
[I97I
uponhisquaestorship.32
Nerowouldhardlyhavebanned
entered
onlyto
causesin thelaw-courts
andpleading
Lucanfromrccitations
the
assigns
himself
Besides,Vacca
raisehim to the quaestorship.
tothe"happydays"ofhisrelationship
periodofLucan'squaestorship
ifourprevious
abouttheDe Incendio
argument
withNero.33Further,
Urbisis correct,
we wouldhaveto movethebanup to theendof
to accept
in whichcaseit wouldbe necessary
July64 at theearliest,
thatpublication
of Pharsalia
1-3 did notoccuruntil
Rose'stheory
July64 or evenlater.
thanDeSince Rose seemsto findDecember63 moreattractive
theyears64-65
of Lucan'squaestorship,
cember62 forthebeginning
would be verybusyindeedfortheyoungLucan. For duringthese
months,accordingto Rose, Lucanwould have writtentenbooksof
ad
the Medea,theEpistulaeex Campania,theAdlocutio
the Pharsalia,
in additionto holdinga quaestorship
Urbis,
Pollamand theDe Incendio
games)andjoininga conspiracy.34This
(completewithgladiatorial
is lessthansatisfactory,
and lessthan
of Lucan'sactivities
compression
probable.
withhispractice
thatVacca,in accordance
If,however,we postulate
omits the De
the "innocent" Lucan, deliberately
of maintaining
Urbisfromhissequenceofeventsleadingto theban,we need
Incendio
not assumethat the ban was an immediateconsequenceof the
appearanceof thePharsalia.
V. The De Incendio Urbis and the "carmen famosum"
of Suetonius
Curiously,theSuetonianLife makesno specificmentionof a ban,
doestellus
despitethefactthatourothersourcesdo. WhatSuetonius
ofone of
in
the
middle
a
of
the
senate
is thatNero summoned meeting
32See note 22 above.
habuitsecunda(Vacca 335.I6-I7).
tempora
equidemhactenus
See Rose 38I ff. It is crucialto Rose's theorythatthePharsaliawas publishedafter
the De IncendioUrbisand the Adlocutioad Pollam. As faras theAdlocutiois concerned,
thereis no reason to assume that this was a very long work. It may thereforehave
been publishedaround the timeof theDe IncendioUrbis,even slightlyafterit. Though
Statius' descriptionof it makes one inclined to feel that it may have occurredshortly
after(or before) Lucan's marriage. Since we do not kniow when Lucan married
Polla, we reach a dead end once we have said that.
33
34
Vol.
102]
LUCAN
S 'DE
INCENDIO
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17
Lucan'srecitations,
whichwould, no doubt,have obligedLucan to
For not onlywould Nero have
terminate
the readingforthwith.35
sincehe
left,but Lucan would also have had to leave,presumably,
was a memberof thesenate. Afterthis,Suetoniustellsus,therewas
andbymeans
Nerobothverbally
a periodwhenLucanopenlyattacked
?
ofprovocative
actions.36WhatworkcouldLucanhavebeenreciting
Hardly the Medea, which was incomplete,or the Catachthonion,
orLaudesNeronianae,
whichseemto havebeenearlycomposiOrpheus
tions. He wroteten books of Silvae,but thereis no evidencethat
Silvae were recitedpublicly. CertainlyStatiusimplies that his
Silvae were given to thosein whose honortheywere writtenand
afterwards
published. But thereis no hintofrecitation.37Much the
same is trueof theEpigrammata
(if thatis what theywere).38 The
Epistulaeex Campaniawould not be a likelychoice,sincewe would
inferthattheywerewrittento a personor personswhileLucanwas
in Campania. If Rose is right,theSaturnalia
and theSalticaeFabulae
were probablyratherearlyworks.39 That leaves us with the De
Incendio
adPollamandthePharsalia,
Urbis,theAdlocutio
unlessthework
concernedis among thoseof which we have now no record. If
Suetoniusis rightthatNero's onlyreasonforwalkingout on Lucan
was a desireto freezetherecitation,
theDe Incendio
Urbisis hardlya
likelycandidate. The chancesthatthe Adlocutio
was read publicly
are slim. Its very titlesuggestssomethinginformaland personal.
Thus, unlessLucan was recitinga work now lost to memory,the
chancesareit was thePharsalia.
Since thePharsaliawas, doubtless,
regardedby Lucan as his most
important
work,hisfuryat Nero's departure
is quiteunderstandable.
But, sinceNero himself
mighthave detected
somesarcasmin Lucan's
tonein theepic,he mighthavehad a realpretextforwalkingouton
Lucan. Afterall, Nero was himselfa poet, and would have been
35 si quidemaegre
ferensquodNero se recitante
subitoac nulla nisi refrigerandi
sui causa
senatusrecessisset
(Suetonius332.11-13).
36 neque verbisadversum
principemnequefactis excitantibus
post haec temporavit
(ibid.
332-33).
37 Statius,preface to Silvae 4, in the letteraddressed to Marcellus, tells Marcellus
that he had given many of his poems to Domitian prior to publication: multaex illis
iam dominoCaesari dederam,
et quantohocplus estquamedere?
38 The text in Vacca is hopelesslycorrupt. See note 7 above.
39Rose 393.
I8
FREDERICK
M.
AIIL
[1971
considerably
moresensitive
to innuendothan,say,somconclike
Suetonius,
whoseattitude
to Lucan'spoetry
is somewhat
cavalier,
to
saytheleast.40In otherwords,therccitation
ofthePharsalia(whateverbooksmayhavebeeninvolved)couldhavebeentheturningpointintherelationship
ofLucanandNero,themoment
ofrupture.
Afterthis,Lucanturned
againstNero. Then,saysSuetonius,
he
wrotea
in
carnten faniosum,l?
whichhc broughtveryseriouscharges
against
theemperor
andhismostpowerful
friends.4'Thisis thelast
workwhichSuetonius
mentions
beforeLucan'sjoiningof thecon-
333.I8-20).
sedinepte
quoque(Suetonius
diligenter,
41
(ibid.
proscidit
gravissime
arnicoriin
potentissimnos
Sed etfamosocarminecumipsum,turn1
5-6).
Vol.
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LUCAN
S 'DE
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I9
notableforthefireof Rome,andsinceLucan
yearwasparticularly
looms largethat
wrotea poem on thatverysubject,thepossibility
theDe Incendio
Urbisand thecarmen
wereone and thesame.
famosum
For whatmoreseverechargecouldLucanbringagainstNero and his
mostpowerfulfriends
thanthattheywilfully
burnedthecity?
Againstthisthesiswe can throwone majorproblem:thefactthat
Suetoniusdoes not give the slightest
hintas to the contentof the
carmen
famosum.IfLucanhadaccusedNero ofburning
thecityin this
poem,whydoes Suetoniusnottellus so? Thereis onlyone possible
replyto thisquestion. We have seen thatSuetonius,like Tacitus,
goesoutofhiswayto diminish
Lucan'spoliticalsignificance.Indeed,
Suetonius'Lucan cuts an altogethersorryfigure-an arrogantand
petulantfool whose poetryis poor and whose behavioris infantile.
Grantedthis,may we not arguethatSuetoniuswishesto glossover
therealnatureof thecarmen
to leavetheimpression
famosumn,
thatthe
work was merelysome undefined
attackupon theemperor? Since
he omitsall mentionof theban,it is scarcely
thathe glosses
surprising
over the work which probablycaused it. We shouldnot forget
thatSuetonius'extremeexampleof Lucan's hostileactionstowards
Nero is the notorioustale of the quotationin the latrine. Lucan's
part in the conspiracyis reducedto an idioticscampering
around,
promising
Nero's head to all and sundry. To creditLucan withan
opendenunciation
ofNero andthefire,or to admitthatNero thought
him dangerousenoughto suppresswould be inconsistent
with the
pictureSuetoniuswishesto give us. Suetonius,like Vacca, has his
own reasonsforwithholding
information.
Thus, althoughwe cannotprove beyonddoubt thatthe carmen
famostum
of Suetoniuswas the De IncendioUrbis,we shouldhesitate
beforedismissing
the possibility
of theiridentity.For afterall, it
is worthremembering
thattheDe Incendio
Urbiswas a carmenfamosum
in themostextremesense.
If we piece togetherour information,
perhapsthepictureof what
happenedbecomesa littleclearer. Lucan gave a recitatio
of some
book(s)of thePharsalia
earlyin 64-certainlynotmuchlaterthanthe
beginningof July. Nero, takingoffenceat something,called a
meetingofthesenate,forcing
Lucanto abandonhisrecitation.Lucan
retaliated
withoutright
hostility,
culminating
afterthefireof Rome
20
FREDERICK
M. AHL
[I971
Urbis. Neroreplied-probably
oftheDe Incendio
withthepublication
withsomespeed-by banningLucanfromfurther
andfrom
recitations
takingan activepartin thelaw-courts.If thisis true,thenwe may
aroundAugust64.42
thattheban tookeffect
feelsomeconfidence
VI. Lucan between ban and conspiracy
Thereis a vexed questionas to how muchtimeelapsedbetween
Nero's ban and Lucan'sentryintotheconspiracy.By and largethe
tendencyhas been to push them ever closerin time. Rose, for
instance,
placesthe ban as late as thebeginningof 65. Tacitushas
Lucan as bringing
providedthebasicpretextforthis. He describes
whichis takento implythatLucan
vividaodia into the conspiracy,
enteredtheplot as soon as theban took effect.Sinceit is not clear
thatthe plot had any formalshapebeforethe beginningof 65, it
to move theban to theendof 64 or thebeginning
seemedreasonable
of 6withit. Since
thishasusuallydraggedthePharsalia
Unfortunately,
Rose has arguedthatthePharsaliawas thecauseof theban,as have
almostall scholars,thenit is quite naturalthathe shoulddate the
publicationof I-3 no earlierthanJuly64 and probablylater. The
greatflawin thistheoryis thefactthatit seemsto giveLucanfartoo
muchto do in thelastyearor so ofhislife,as we havealreadypointed
out.
If, however,the De IncendioUrbiswas the cause of the ban, the
intothelastbusymonths
doesnothaveto be thuscompressed
Pharsalia
to supposethatthe
it would be reasonlable
of Lucan'slife. Further,
to Augustor September
Urbisand theban belong,rather,
De Incendio
42 G. K. Gresseth(CP 52 [I957]
infersthat Vacca would have us believe that
22-27)
the ban followed the Neronia: "for, inttoto,the passage (sc. referringto the ban) can
only be takento mean thatNero took pique at Lucan's successat the Neronia" (p. 26).
Gressethargues that Vacca may mean the Neroiiia of 65. This is not to inferthat
Gressethactuallybelieved thatthiswas the case, but ratherthathe is questioningVacca's
Suetoniusthatthe
reliabilityas an authority. One mightalso get the impressionfromn
Pharsaliawas writtenbefore Lucan's recall from Greece and before his quaestorship
NeitherVacca nor Suetoniusseem much concernedabout precisechronol(332.I-II).
ogy.
43 Annales I5.48-49, where Tacitus is clearly implyingthat the plot did not begin
untilthe beginningof 65 and thatLucan enteredit then. Dio 62.29.4 datesthe ban to
65, but this could well be the resultof the lack of any precise dating in his sources.
Vol. I02]
LUCAN
DE INCENDIO
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2I
vivet,et a nullotenebris
damnabimur
aevo. (9.985-86).
FREDERICK
22
M. AHL
[I97I
from
a poetwhohasjustbeenbanned
wordsfrom
Theseareconfident
ofhisworks. And,as we havenoted,in bookio
rccitation
further
By io, Lucanmustbe in the
is an exemplurn.
Lucan'styrannicide
conspiracy.44
of 7 to an
to assignthecomposition
then,be attractive
It might,
periodbetweenbanand conspiracy-aperiodofanger,frustrainterim
tionand powerlessness.
period,whatcouldLucanhave
If therewas indeedsuchan interim
been doingat the time? The mostwe can do is speculate,though
therearesomeclues,and theyareall in Tacitus,Annalesi5.5I-52.
VII. The beginningof the Pisonian Conspiracy
underwayagainst
hintNerohadthattherewasa conspiracy
The first
him came when the commanderof the fleetat Misenum,Volusius
Epicharisto the emperor. She
Proculus,broughtthe freedwoman
had suggestedthatProculusmightfindit advantageousto join the
Tacitusdoes
plot. Exactlyhow Epichariscame by thisinformation
not know-incertiim quonani iniodosciscitata. He tellsus thatshe happened to be in Campania-itnCanipaniaageuis-and approachedthe
VolusiusProculus. Once
leadersofthefleetat Misenum,in particular
metProculus-is
or
how
Epicharis
know
where
does
not
againTacitus
oli/tcognitus,seu recensorta amicitia. If, however, Epicharis
nmiulieri
Vol.
I02]
LUCAN
S 'DE
INCENDIO
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23
24
FREDERICK
M.
AHL
[I971
ifwe canacceptthe
he enteredtheplot? Possibly,
was he therebefore
followinghypothesis.Aftertheban Piso mayhaveinvitedLucanto
cometo visithimat Baiae, or Lucanmayhavegonethereof hisown
volition. He must,no doubt,havewonderedwhatto do. He either
ifyou like,
had to patchthingsup withNero,to makecompensation,
et error,
or enjoya lifeof luxuryuntilNero's death,
forhis carmen
hopingthathe would outlivehisemperor. Of course,he could also
entera plotto killhim.
of65,andLucanarrived
But iftherewas no plotuntilthebeginning
at Baiae in Augustor September64, he may at firsthave triedto
persuadeNero to relent. He may,afterthe fashionof Ovid, have
chosento writesome apologeticepistlesin thestyleof theEpistulae
Epistulaeex Campania.
ex Pontoto bringabout a reconciliation-the
touchof writingOvidianepistlesfromtheluxury
The melodramatic
out of keepingwiththespiritof the
of a Baian villais notaltogether
rejectedbyNero,
werecategorically
age. Ifandwhentheseovertures
he
Piso,who would have beencloseat hand,had theviablematerial
needed. Lucan'svividaodiawouldhavebeencomplete. Theremay,
thatLucan was deceptus
in Vacca's suggestion
afterall, be something
have had
a Pisone. And what greatercatchcould the conspirators
thana poet who could writeof themto theworldas thesuccessors
ofBrutus?
yet,given
vagueand insubstantial;
is,of necessity,
Thishypothesis,
Camfrom
written
in
verse
and
were
(b)
(a)
thefactthattheEpistulae
to connecttheirappearancewith
pania,it doesnotseemunreasonable
a periodof timewhenLucanwas in Campania,in all likelihood.
VIII. Lucan's motivation: a finalnote
and will,
At thisjuncture,many questionsremainunanswered,
presumably,remain so indefinitely.So far, however,we have
erraticbeno generalexplanationof Lucan's apparently
attempted
a
to
havior. IfLucancould,as I haveargued,look forward successful
politicaland poeticalcareer,whydid he becomesucha fierceenemy
of the emperoras to attackhim in an open and dangerousway?
to writetheLaudesNeropresumably,
Afterall, he had nothesitated,
he
tlhat
Nero'sfriendship
nianaein 6o, and it musthavebeenthrough
Vol. 102]
LUCAN
S 'DE
INCENDIO
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25
was elevated
rankbefore
thelegal
to thequaestorship
andsenatorial
age. He owedhisentire
to Nero-with,posadvancement
political
sibly,somehelpfromSeneca. Hiscautious
unclewouldhardly
have
himagainst
turned
Neroinsuchan obviousway.
Perhaps
thefatalstep,so faras Nerowasconcerned,
waselevating
Lucanto senatorial
rankat sucha youngage. All oursourceson
Lucanagreethatthepoetwasmercurial
intemperament,
andPharsalia
theworkofsomeonebothardens
7 is clearly
andconcitatus.47
Nero,
no lessthanhispredecessors,
underrated
thatthesenate
theeffect
and
itstraditions
couldhaveuponevenhisownnominees.Thebackbone
ofsenatorial
resistance
camefromthenewaristocracy
the
throughout
firstcentury
A.D.-men likePaetusThrasea,
HelvidiusPriscusand
Herennius
Senecio. PaetusThraseaseemsto havequiteconsciously
emulated
Cato,andwe shouldnotforget
thathe was in thesenate
whenLucanentered
thecuriaforthefirst
time,somewhere
around
A.D. 62-63. Thecareer
ofCiceroshouldhavebeena warning
to the
principes
thatthechiefspokesmen
of senatorial
conservatism
may
indeedbe novihomines.
Duringthefirst
century,
thesenate
a symbol
remained
oftherepublicanpast,andwithit remained
all thehollowtrappings
ofthehigh
politicaloffices
of quaestor,
praetorand consul. It is nothardto
imaginethata youngman,suchas Lucan,couldbe movedby the
awesome
starkness
ofwhathadoncebeenthehubofRomanpower.
thecontrast
Surely
between
present
andpastmusthavebecomedeeply
impressed
uponhimas he tookhisplacealongwithPiso,Lateranus
andThrasea
whereScipio,CatoandBrutus
hadoncesat.
It was,no doubt,hiselevation
to thesenatethatmovedhimto
writethePharsalia,
thedesire
toportray
thatcrucial
moment
inhistory
whentherepublic
finally
disintegrated.
Hisexperience
in thesenate
slowlydrewhimawayfromNero. ForLucan,asa manofliterature,
was steeped
in therepublican
traditions
of history
andpoetry;as a
helivedintheshelloftheRomanpast. Thefirst
politician,
recitations
of hisepicmusthavedisturbed
Neroprofoundly.
He walkedout
on one of them,notnecessarily
through
jealousy,butin angerand
shockattheeffects
ofsenatorial
influences
on hiserstwhile
friend.
47
I5.49
26
FREDERICK
M.
AHL
[1971
toimplythat
rank(???). Vaccaseemns
to senatorial
Lucanelevated
standing
priorto his quaestorship.
Lucanwas givensenatorial
veryconfused.
Vacca'saccount
is,however,
6I
49
Vol.
102]
LUCAN
S 'DE
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27