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ReverberationTime

ReverberationTime
Thereverberantsoundinanauditoriumdiesawaywithtimeasthesoundenergyisabsorbed
bymultipleinteractionswiththesurfacesoftheroom.Inamorereflectiveroom,itwilltake
longerforthesoundtodieawayandtheroomissaidtobe'live'.Inaveryabsorbentroom,
thesoundwilldieawayquicklyandtheroomwillbedescribedasacoustically'dead'.But
thetimeforreverberationtocompletelydieawaywilldependuponhowloudthesoundwas
tobeginwith,andwillalsodependupontheacuityofthehearingoftheobserver.Inorderto
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provideareproducibleparameter,astandardreverberationtimehasbeendefinedasthetime
forthesoundtodieawaytoalevel60decibelsbelowitsoriginallevel.Thereverberation
Auditorium
timecanbemodeledtopermitanapproximatecalculation..
acoustics

Why60dB? Whatisadesirablereverberationtime? Calculation

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Rationalefor60dBReverberationTime
Thereverberationtimeisperceivedasthetimeforthesoundtodieawayafterthesound
sourceceases,butthatofcoursedependsupontheintensityofthesound.Tohavea
reproducibleparametertocharacterizeanauditoriumwhichisindependentofthe
intensityofthetestsound,itisnecessarytodefineastandardreverberationtimeinterms
ofthedropinintensityfromtheoriginallevel,i.e.,todefineitintermsofrelative
intensity.

Thechoiceoftherelativeintensityto
useisofcoursearbitrary,butthereisa
goodrationaleforusing60dBsincethe
http://hyperphysics.phyastr.gsu.edu/hbase/acoustic/revtim.html

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Auditorium
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ReverberationTime

loudestcrescendoformostorchestral
musicisabout100dBandatypical
roombackgroundlevelforagood
musicmakingareaisabout40dB.Thus
thestandardreverberationtimeisseento
beaboutthetimefortheloudest
crescendooftheorchestratodieawayto
theleveloftheroombackground.The
60dBrangeisabouttherangeof
dynamiclevelsfororchestralmusic.

acoustics

Whatisadesirablereverberationtime?

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Whatisadesirablereverberationtime?

http://hyperphysics.phyastr.gsu.edu/hbase/acoustic/revtim.html

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ReverberationTime

Index
Auditorium
acoustics

Theoptimumreverberationtimeforanauditoriumorroomofcoursedependsuponits
intendeduse.Around2secondsisdesirableforamediumsized,generalpurposeauditorium
thatistobeusedforbothspeechandmusic.Aclassroomshouldbemuchshorter,lessthana
second.Andarecordingstudioshouldminimizereverberationtimeinmostcasesforclarity
ofrecording.
Thereverberationtimeisstronglyinfluencedbytheabsorptioncoefficientsofthesurfacesas
suggestedintheillustration,butitalsodependsuponthevolumeoftheroomasshowninthe
Sabineformula.Youwon'tgetalongreverberationtimewithasmallroom.
Reverberationtimedefinition Examples

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http://hyperphysics.phyastr.gsu.edu/hbase/acoustic/revtim.html

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ReverberationTime

ReverberationTimeCalculation
ApproximatereverberationtimescanbecalculatedfromtheSabineformula:

Index
Modelingaroomof
HeightH=

m=

ft

LengthL=

m=

ft

WidthW=

m=

ft

Auditorium
acoustics

withabsorptioncoefficients:
awalls=

, afloor =

, aceiling =

m2=

givesaneffectiveabsorbingareaofSe =
foraroomofvolumeV=

foraverageof aavg =

m3=

Thecorrespondingreverberationtimeis RT60 =

ft2
ft3.

seconds.

Reverberationtimedefinition Tableofabsorptioncoefficients Examples

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ExamplesofReverberationTimes
Onewaytorespondtothequestion"Whatisagoodrangeofreverberationtimesfor
http://hyperphysics.phyastr.gsu.edu/hbase/acoustic/revtim.html

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ReverberationTime

concerthalls?"istogiveexamplesofsomeofthemostfamoushallsintheworld.Forthe
overallaveragereverberationtimes:

Vienna,Musikvereinsaal:2.05seconds
Boston,SymphonyHall:1.8seconds
NewYork,CarnegieHall:1.7seconds

Index
Auditorium
acoustics

Buttheoverallaveragereverberationtimedoesnottellthewholestory.Thevariationof
reverberationtimewithfrequencyisalsoimportant.:
Examplesofthevariationofreverberationtimewithfrequency

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http://hyperphysics.phyastr.gsu.edu/hbase/acoustic/revtim.html

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