Beruflich Dokumente
Kultur Dokumente
:CO
SCHIRAER:S
LIBRARY
Vol.
231
RODE
TWENTY-FOUR
CAPRICES
FOR
VIOLIN
(DAVID)
PR. SOc
~~
''
Vr
'
;::
-
"^
**
'
'"'"'^
^X
9
v
Vol.
f.
^<{-'-
231
PIERRE RODE
TWENTY-FOUR
CAPRICES
(STUDIES)
FOR THE
VIOLIN
IN
14
THE
*
EDITED AND FINGERED
BY
FERDINAND DAVID
WITH
THEO BAKER
NEW YORK:
COPYRIOHT,
G.
SCHIRMER
1895, BY G.
SCHIRMER
UNIVERSITY OF TORONTO
EDWARD JOHNSON
MUSIC LIBRARY
v v,
..
.^^>-
v
*.
MT
58C408
baptismal
Pierre Jo-
ing
life
rels
in
names
were Jacques
in full
He
by
Bordeaux on Feb. 26,
and under his first violin-master,
was born
1774,
Viotti.
at
certos;
and
artists
his
by
for
Rode, like many other
French virtuosi of the period, possessed
performance of con-
certos in public.
In 1778,
pressed
Fauvel
by
his
new
master, re-
(1790) in
appeared
public, playing Viotti's i^th violinconcerto at the ThMtre de Monsieur, as an entr'acte to an
This led to his engagement, in the same
leader of the second violins in the orchestra
Italian opera.
year,
as
to
the
Theatre Feydeau
full
at 3
Holland and to
tunity to
pay
London).
Probably a
hope of repeating his Continental triumphs likewise influenced him to take this step, which, however,
proved
in
disgusted
tige.
On
In
1803,
from the
he journeyed to
Imperial Court,
the national
attached
Consul.
pupil's development
that he decided to exhibit his talent in
St.
This
was
On
wonted
deaux.
As
his
"
"
24 Caprices,
still
ing in
books of duos,
Caprices,
5 sets of quartets,
10
and
THEO. BAKER.
Caprices
Down - bow
PI
E means "on
Up -bow
V.
Positions
I, II,
A
D
>-
"
the
"
"
D
G
string."
"
PIERRE RODE.
Cantabile.(J>=84)
strongly
1187*
mark
11878
Allegretto.
H872
(J.
fP
11872
fP
in the
second position.
Commodo.(J=i-4o)
11874
fi n2 e r.
hold down
11872
1d
finger
Siciliano.
(= io)
Allegro. (J=i38)T
tf*
P
hold down
cresc
4tl>
hold down
finger.
4*J
finger.
UNIVERSITY OF TOROI\
11878
to,
Moderate.
5rato.(J=ioa)
(J=
/ Ci\
i.iimtr&C&tlV
H87
sempre
rnarcafo.
1187*
'
Moderatos,
11874
'
<,
G D
,n
con forza.
1187*
-f
-f
f+ Jf
14
1187*
Moderate.
104)
..
H872
ff.
16
fcfc
11872
17
n-u
11878
en
do
aI
This study
is
Allegretto (JUiof
11872
moderato.
118758
dimin,
20
This study
is
Allegretto. ()-.<>
1187*
21
552
11872
Allegro brillante.
(J =
1*0)
oresc.
1187'Z
Commodo. (U
-H
ss)
dolce
11872
Grazioso.(J
11874
cresc.
ten
pocoptu mosso
allargando.
1187*
28
(J
14
Jz
f*
fo
sostennto
ere
seen
do
ten.
sostenuto.
Appassionato.(J
1187*
ee)
pooo
a tempo.
11872
rttard.
30
Vivace assai.
(J-ee)
15
poco
poco
ere
H878
seen
dim.
31
p
ipt
11878
cresc.
Andante.
(*)
ios)
33
11872
34
*
^'
-r
-h
'>
rdolce.
j~ /
i
11878
n lr
ffr
11872
36
Vivacissimo. (J =
sempre
'ih*
L.p r=i=
i
cresc.
f segue.
ere
11872
seen
37
11878
Jss
sempre
staccato-
38
Presto. (J.=
104)
fp
11872
fp
fp fp
ft
Arioso,
(j)
=96)
attacca subifoi
11878
40
Allegretto.(J-
down
p
1187*
41
H87S
Grave
e sostenuto. (J^=
sosten. e
iS
'ue
sul
,/V sosten.
1187*
rr stentando
calando
i.
1187*
44
Tempo
giusto.(6)-=*4)
rTl
rn
6-
^^ *
fl aE
f
=i==^-?-+t=i:=^
s^
i
poco ofesc.
4t^N
:>"
"^"^x
v%
-4
k.
I
,
4-,
f
Jri
RE
11872
tftL
cresc.
*
1
1187*
'- ? '- i
46
Presto. (J-=io4)
ft^'
h\
fr
fee
,rrr,rEggf
*y
1187Z
47
8,
11878
11872
H87*
50
Introduzione. ( J)=
104)
(187*
n n
f p
11872
UNIVERSITY OF TORONTO
88SS
U.BAIJY.
VIOLIN MUSIC
SELECTED FROM
217.
Op.
75
50
50
75
75
(Schradieck)
236.
411.
F., Op.
100
Romance from
Op.
22.
22s!
GADE,
-
21.
524.
GRIEG,
416.
HANDEL,
Op.
E., Op.
Sonata, in
6.
Sonata, in
Sonata No.
13.
512.
HAUPTMANN,
629.
LEONARD,
M., Op.
H., Op.
^
0&
t&
Op.
A major
(Lichtenberg)..
2, in
MASTER-PIECES
Gmajor (Lichtenberg).
3 Sonatinas (E.
I.
J66.
Vol.
II.
Elegie, Op.
Vteuxlemfs, H.
Fantasy on the
.5.
ynampetre
Vol. III.
75
235.
Cavatina.-
W.-Raff,J.
50
L.
Sfiolir,
MENDELSSOHN,
419.
521.
420.
MOLIQUE,
RIES
514.
628.
224.
Tarantella) (Schradieck)
Suite No. 3, in G.
dp. 34.
(Moderato.
Adagio. Gondoliera. Perpetuum mobile)...,
SAINT-SAENS,
Introd.
in
G (Lichtenb'ergj!
414.
477.
415.
fa
73.
94.
102.
102.
113.
The same
for
"
389.
800.
522.
"
'
Piano and
'Cello'.
!!!!!!!!!!
TARTINI,
Op 38
(Vocal ScenaX
Dminor. Op. 55
G.,
Le
Jvo
~rf~An
-Op. 40.
443.
VI T
de
No. o
3.
g.
'"
No
Fantaisie-Caprice (Schradieck).
Aminor (Schradieck)
Conce "
No
in A ""inor (David-SchraG major' (bavi'd-'Schradieck) !!!!!!.!!!!!.'
'
60
(p.
50
FIORILLO,
so
U5
HOHMANN,
1 he same
306/8.
KAYSER, H.
in 5
50
Complete..
50
50
75
50
449.
RIES,
75
231.
RODE,
108.
KUEUTZER,
50
Book 1.
u 2.
''
50
50
HUBERT,
Op.
P., 24 Caprices
Keys (F. David)
CO
60
CO
30 Elementary Studies
28.
(Studies) in the 24
60
and
75
896/7.
School of Violin-Technics.
I. Promoting
Dexterity
II.
Double-stops
HI.
Modes
SCHUBERT,
MAZAS,
%% PT^POp. 70.
446/7.
518.
75
75
75
L., Op.
00
75
Violin-Method,
in
Accordance with
2Vols., each
TWO
VIOLINS.
39
6 Duets (Schradieck)! '^Books'/each'.'.'.'.
12 Little Duets (Schradieck). 2 Books, each
1:
CQ
!!.
60
...'.'..'.'..'.'.'".'.'.'.'.'.'.'.'.'.'.'.'.",'
50
6 Little Duets
'
50
^Op.59.
6 Little Duets
Op. 9.
Op. 20.
Op.29.
60
Three Duets
(in
D, A, Cm.)...!
|;o
75
75
50.
LI YE
Q NrV P" 8
9& n
L ChLittle
Duels
Op. 48.
298.
448.
Bowing
Principles.
each
VIOTTI,
100
of
FOR
331/2.
Piano Ace
dTe c'k)''
444.
11.
5- in
first
68.
15 Studies (with a 2d Violin)
20 Brilliant and characteristic F.tudes
School of Mechanis
50 Daily iLxercises
500.
561/5.
520.
H. Op.
t- oncerto
...
du Diable (Lichtenberg).
Trille
by Rob. Volkmann
VIEUXTEMPS,
~
Op. 47
on
Position.
three Positions.
first
487.
488.
489.
JB
75
78
75
Eminor.
00
CH., Op.
73.
74.
Op.
Op.
Modern
'.
4 Pieces
In the
In the
50
BO
BO
BO
BO
7, in
8, in
9, in
75
1
50
513.
SPOHR,
No.
*228.
3 Romances
5 Stuckc im Volkston.
Marchenbilder.
*230.
SCHUMANN,
Op.
Op.
Op.
Op.
Op.
75
Herrmann)
50
! !
DANCLA,
DONT,
Aminor (David-
(Schradieck)
412.
BLUMENSTENGEL,
each
Lehmann)
Canzone.
RODE,
50
FRANZ,
Bourree.
BACH,
MAZAS,
418.
602.
626.
219.
<*"=<*)
*511.
DO
429.
Chanson
9 and 11
6,
50
II.
100
U'ieniamski, H.
et
<
Mazurka
Books,
50
Herrmann)
W.
Ernst, H.
Vol.
Oft
fa
fa
00
dieck):
354.
Ire
(Lichtenberg) .......................
4.
Polonaise brill., iu
(Lichtenberg). !..'.'!!! !'."""!
5.
Adagio elegiaque (Lichtenberg) ...................
6.
Airs russes.
2 Uomances de Warlamoff, variees
(Lichtenberg) .........................
Op. 7. Capriccio-Valse, in E (Lichtenberg) ....... .. ..!!;.
Op. 9. Romance sans paroles, and Rondo elegant (Lichlenberg) ..................................
Op. 12. Sielanka and Chanson polonaise (2 Mazurka's')' aiid
Op. 17. Legende (Schradieck)
Op. 15. Theme original varie (Lichtenberg).
Op. 16. Scherzo-Tarentelle (Lichtenberg)
-Op. 20. Fantaisie brill, sur "Fatal." de Gounod (I.ichtenberg)
100
Hymn (Lichtenberg)
Gr. Military Fantasy (Schradieck)
15.
603/4.
50
10.
Souvenir de Posen.
3.
Op.
Op.
Op.
00
in
Souvenir de Haydn.
2.
Austrian National
220.
50
50
(Schradieck)
Dminor (Lichtenberg)
G. F., Sonata,
by F, David
H., Op.
brill,
N. W., Op.
arr.
" Otello"
Rossini's
612.
618.
646.
75
75
(Schradieck) ...................
capriccioso (Schrudieck) .....
Fantaisie
11.
Op.
WIENIAWSKI,
16.
ERNST, H. W.,
407.
Introd.
6.
Air:
Op.
610.
6n
DAVID,
607.
608.
50
50
50
BRUCH,
T.,
F.David ..............................................
606.
*237.
VITALI,
4 00
BERIOT,
408.
409.
410.
*525.
$200
VOL.
417.
234.
215.
216.
PRICK
Vols.,
MT
265
Rode, Pierre
Caprices,
FACULTY OF
MUSIC LIBRARY
DATE DUE
JUL (U
MAY 3
SEPT.9
22.