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THE LIBRARY OF
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http://www.archive.org/details/melodiacomprehenOOcole

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MELODIA
A COURSE

IN

SIGHT-SINGING
SOLFEGGIO
BY

SAMUEL W. COLE
AND

LEO
BOOIC

R.

LEWIS

.75

BOOK
.75
m- COMPLETE
II

BOOK
BOOK

Ul

J5

IV

.75

2.00

OLIVER DITSON COMPANY

MADBINUB.A.

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MELODIA
A COMPREHENSIVE COURSE

IN

SIGHT-SINGING
(SOLFEGGIO)
THE EDUCATIONAL PLAN BY

SAMUEL W. COLE
DIRECTOR OF MUSIC IN THE PUBLIC SCHOOLS OF
BROOKLINE, MASS., AND INSTRUCTOR IN THE
NEW ENGLAND CONSERVATORY OF MUSIC

THE EXERCISES WRITTEN AND SELECTED BY

LEO

R.

LEWIS

PROFESSOR OF MUSIC AT TUFTS COLLEGE

OLIVER DITSON

COMPANY

THEODORE PRESSER CO., DISTRIBUTORS

1712 CHESTNUT STREET, PHILADELPHIA

MADE

IN U.

S.

A.

Copyright 1903, 1904, by Stamuel w. Cole aad Leo R. Lewii

Copyright assigned to Oliver Ditsoo Company, 1909

INTRODUCTORY
The Value

many and

Sight-Singing

oi-

two centuries training in sight-singing has been recognized in Europe as fundamental

Americans
to all technical education in music.

For

at least

have seemed to

set little store

by such training

for, today, the great majoritjf of our professional

anthem which has

gressiveness

is

maintained in the introduction of

new difficulties. In a word, it is a feature of

Melodia that early emphasis is laid upon rhythmical^grgblems.

musicians, not only instrumentalists but also vocal" singists, need unerring instrumental support in
ing at sight " a part-song or an

varied examples of each of the eonvenrhythm- forms and the most deliberate prc-

tional

The Treatment

In the treatment of the larger intervals there

alls a departure

good

great, the octave

performance, after familiarity has been gained by

ence shows that

inability to read at sight does not preclude

assistance

probably

but

no one

would

deny that the possibilities of artistic

achievement are infinitely greater when one has
acquired the confidence born of genuine ability to
.sing at sight
which ability may be defined as the
power to know the units of rhythm and of relative
l^itch of any rational musical phrase, and to prove

knowledge by singing

that

it

correctly at

first

sight.

is

it

recognized as such by most beginners.

is

and as composites of the

and half-steps with which the student is

already thoroughly familiar.

General Features of Melodia

A glance at the headings of

Necessary

sight-singing have been

com-

and written for use in the public schools.

But the authors of Melodia believe that there is

l)iled

need of more and better graded material for use in

conservatories and by private teachers.

work

The^res-

sev-

relation to the octave

steps

1,

Many works on

The

enths, sixths, etc., are then presented both in their

The

plan.

cnt

presented, because experithe only " skip " definitely

is first

will indicate in detail the

Much Material

is

from the conventional procedure,

Instead of taking them in the order of small to;

modulations to any except closely related keys, or

which abounds in the larger intervals. Obviously,

instrumental

of Large Intervals

the successive Series

comprehensiveness of the

following general points

may

be noted

The typographical arrangement

large amount of material

narrow

is

is such that a very

brought within comparatively

limits;

The normal compass of average voices (an octave

and five notes from low A) is seldom exceeded;
2,

Nearly one-half of the unison exercises are written

forcing sopranos and altos to become
familiar with that clef
3,

in the bass clef, thus

an attempt to meet

is

this need.

repn

It

resents the results of

is

many

based on the belief that,

and
whatever be the method
years' exjjerience,

of presenting the elements of the subject, the surest road to

of a great

growth

is

number of

through actual performance

carefully graded tasks.

4,

may

exercises are

be inverted, the bass being

time the bass

or they

may

second fundamental thought has been that a

high degree of self-confidence must be developed

perience has

shown

Since

tunity

is

all

Ex-

that rhythmical problems are

quite as often stumbling-blocks to musical students

first

Melodia, the

eighty pages, which are written without skips

primarily to develop a ready confidence, contain

vocal lessons

indications of phrasing are lacking, oppor-

oflfered for constructive

work of

the highest edu-

cational value.

Individual

musical phrase, without other

ns are tonal problems. Therefore, in

and the

Again, the two-part exercises are adapted to use by

before one can " stand up and sing " alone at sight
assistance than the sounding of the key-note.

the tune,

be sung by male voices only or

teacher with pupil in private

6,

difficult

written so that they

made

Confidence Must be Developed

a somewhat

all

by female voices only; thus, each two-part page represents two pages of practice material
5,

The two-part

It

is

Work

Essential

expected that, even when the book

studied in large classes,

much work

is

in individual

reading will be required by the Instructor; for.

after

all,

no one has

who cannot

fully

mastered sight-singing

sing alone, while beating time after

the conventional forms.

As

a special

^and,

perhaps, novel

help

in de-

may

well be studied in connection with any ear-

veloping the sense of individual independence in

lier

ensemble, there have been included, in Series

lated key

which may be

exercises

sung

I,

simultaneously.

Thus

be sung with

246 with

243,

263,

233 may
Some
etc.
I

sionally

F-sharp minor from

to

major, for

Reference to these exercises

instance.

Cases of this sort are indicated in connection with

each of the respective exercises.

exercise which modulates to any similarly re-

made

occa-

is

IV;

in the earlier pages of Series

but the teacher

may

judge whether more

best

detailed study of key-relationship

desirable.

is

teachers believe so fully in this method of devel-

Matters of Notation.

oping independence that they cause exercises in

the same key, and with the same number of measures, to be sung together, without regard to the
This practice, artone-content of the exercises.
tistically unjustifiable, may have, in moderate use,

There has been no attempt to preserve absolute

uniformity as to the details of notation throughout

educational value.

Melodia undertakes
most

to prepare students to

difficult tasks in pitch

and rhythm

meet
by

word

If suggestions of

view of the

Studies

For the

the prevailing key-signa-

not

are

tion of

cancelled

to

double-thin-bar

is

[||]

The

key or time.

[II]

is

therefore

new

indica-

may

time-signature

change while the key-signature remains. The regular double-bar appears where either a clef or a

capitals
is indicated by Roman numerals,
major keys and small capitals for minor keys.
Thus, "To II " means that the exercise illustrates modulation to the minor key based on its

The

not to be regarded as necessitating a

key-signatUTc

for

necessary

is

and time-signature

inserted.

Pages 76 to 80 contain Modulatory Exercises,

of which may well be studied earlier than
The
their position in the book would indicate.
relationship between the objective keys and the

in

several

unless a clef or the regular double-bar

some

major.

con-

fact,

prompted

specific

direction

.super-tonic of the prevailing scale

a matter of

have

guidance of the singer, however, but a single

ture

tonic

As

brevity

of

departures from the established usage.

object of the whole work.

The Modulatory

editors.

which features, on casual

bars,

lessly unconventional.

been incorporated in the original exercises,

may be willing to waive a charge of un-

justifiable appropriation, in

and

view, might appear to be unsystematic and need-

the reader

the piece

forms and

necessary as to the insertion of clefs

is

siderations

if

has been

it

to present a variety of

and the use of

set

phrases from some of the masters have occasion-

is

contrary,

practices of various authors

of Melodia

masters of choral composition.

ally

the

usages, in order to accustom the student to the

-The Goal
the

On

book.

the

deemed wise

is

single-thick-bar
as in the

with

minor,

Such an exercise

changed.

The meaning

Modulatory Exercises and

repeat-signs,

of the

or the double-thick-bar

[I]

is,

in

the

[II],

in connection

respective

cases,

obvious.

THE SOURCES OF THE SELECTED EXERCISES

of the selected exercises and of the excerpts,

The authorship

is indicated by letters following

shows that some modification other than transposition has
been made, but not such as to impair the original character. Below is a key to the indications
of the letters. All exercises not so marked have been written for this book.

the respective numbers.

An

asterisk

Ad
Ah
Bh

T. Andertou

Be
Bt

L. van Beethoven [1770-1827]

A. BertaloUi [1665-1730( ?)]

Bn
Br

H. Bonicke [1821-1879]
[1833-1897]
J. Brahms

CI

G. CaruIH [1800-1877]
[1842-1894]
E. Chabrier

Cb

J-

S.

Bach

G.

Du

F. Durante

Fi

C.

L. Cherubini

P. Cornelius

[1782-1871]

[1685-1750]

W. Chad wick

Ck
Ch
Cn

Fr

[1836-

D. F. E. Auber

[1854-

C. F.

Hd

G. F. Handel

Hr H. L. Hasler
Hs J. A Hasse

Hn
Hg

J.

Kb

J.

J.

La H.

U
]

Lm

[1824-1874]

Lw C
Mn F.
Mi

Ms

[1818-1893]
[1685-1759]

[1564-1612]
[1699-1783]

[1732-1809]

Higgs [1829-1902]
[1721-1783]
P. Kimberger
F. L.angle

[1741-1807]

[1532-1594]

H. Lemoine [1786-1854]
Leo [1694-1756]

Lo

H. Fischer [1800-1875(?)]
[1822-1890]
C. Franck

Haydn

O. Lasso

[1760-1842]
[1684-1755]

Gounod

Gn

L.

Lowe

[1796-1869]

Mendelssohn

[1809-1847]

Minard [1845 (?)]

W. A. Mozart [1756-1791]

J.

Na
Pa
Py

Rd
Jis

Sb
Sn

Nares [1715-1783]
A. Panseron [1796-1859]
[1848C. H. H. Parry
J
[1730-1812]
J. J. Rodolphe
J.

G. Rossini
J.

[1792-1868]

N. Schelble

F. Schneider

Sm

R. Schumann

St

J.

Ts

Vd

Wg
Wb
Wn

[1789-1837]
[1786-1853]

[181M8S6]

A. Steffaai [1726-1800( ?)]

W. Tschirch [1818-1892]
[1813-1901]
G. Verdi
R. Wagner [1813-1883]
S.

B.

Webbe [1740-1816]
Widmann [1820-

Wll F. VVullner

[1832-1902]

TABLE OF CONTENTS
INTRODUCTORY

BOOK

FIRST SERIES
inclusive

melody
G and Fclefs All major keys to B and to D-flat
All representations of notes and rests of whole-beat length and multiples thereof

One-part diatonic exercises

in step-wise

Elementary presentation of the divided

SECOND SERIES
Two-part diatonic exercises

in step-wise

beat.

melody

Keys

to

B and

to D-flat inclusive

tions of notes as in First Series, with greater variety and length of rests
presentation.

BOOK
THIRD SERIES

The

21

All

representadivided beat in fuller

II

41

One-part exercises in step-wise melody in all keys

Graded presentation of all chromatic tones, except
flat-2 and flat-S
Development of the minor
The dotted note involving division of the beat
Triple and quadruple division of the beat.

FOURTH SERIES

61

Two-part exercises in step-wise melody in all keys

Chromatic tones, modulatory and ornamental
Development of incidental and extended modulation
Syncopation
Mingling of double and triple

divisions of the beat.

FIFTH SERIES

81

One-part exercises
Systematic treatment of intervals, beginning with the larger
Skips to and from
chromatic tones having obvious key-relationship
The commoner augmented and diminisned intervals.

BOOK

III

SIXTH SERIES
Two-part exercises embodying

all intervals

treated in Fifth Series

rhythmical difficulties, especially of syncopation

English sources
Canon and Fugue.

SEVENTH SERIES

Lengthy

More

solf^gi

loi

elaborate development of

from German, French, and

'
.

131

One-part exercises
Systematic treatment of skips to, from, and between chromatic tones
Introductory study of passages whose- chromatics "deny" the signature
Advanced solfeggi from foreign
Specimen difficulties, without text, from the classics.
sources

EIGHTH SERIES

151

Two-part exercises, involving

the difficulties treated in Seventh Series, and fully reviewing the

rhythmical problems earlier treated
Maximum difficulties of mediated modulation Special studies
in the development of independence of the parts,
all

BOOK
NINTH SERIES
One-part exercises

from medium

to

IV

Typical passages from early and recent composers, with

great Full exposition of chromatics which "deny" the

i6i

ranging
Arbitrary

text, of difficulty

signature

changes of tonality.

TENTH SERIES

I77

Representative excerpts from early and recent composers, with a few

Two-part exercises, with text
new exercises, embodying maximum difficulties of pitch and rhythm, as well as the utmost independence
<if

KI.i:

parts.

VENTH SERIES

iQi

Two-part exercises, partly without and partly with text,

Canonic imitation,
Dorian, Jonian, Mixolydian, Phrygian

of the octave.

following Church Modes

yiioliaii.
strict and free, in other intervals than that

in

tlie

MELODIA BOOK

FIRST SERIES

All major keys, to B and

G and F clefs
One-part diatonic exercises in step-wise melody
whole-beat
length and mnltiples
and
rests
of
representations
of
notes
All
-flat inclusive

Elementary

hereof

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NINTH SERIES

Typical passag:s from early and recent composers, with tixt.of difficulty
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rang-ioff from medium to great
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harps,

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Andthe An-gels

4iju^^-i'-^^-^f^^

earthly might must be un-a-vail- ing Strongest earthly

14 Hn

as

fp

wonders,

ilie

ing-!

the v'oi)<J(>rs

15 Hn

I'r

r-

of

tlie

day

fifth

jHtf^

kind,

i'

lr/Fp f/lvppr
And God

sung".

ff

tlie

rfM

^a^^jr-.

and

cattle,

said:Let

iiJ'-hp^'ppp^iP^H

carthbring- forth

q J'J

tlie living- creaturt-

'

and beast of the earth

thing
creepingepini- thing-,

after his

fTijM^^.^HI
kind.

after his

IHHn

J.O fil l

Let there be

said.

t^^r^f~rr-^i
*

lights

V itp

ff

And

vide the day from then iglit,

the fir -ma

in

JQ

ment

up- on the

to gfivelig^ht

6
He made

years.

uidfor
for seasons and for days and for
for sig-nsaiid

be

^^i

ry

P'gn^r

3'

r'fTn'M'
oneplace

to

^^

-9'C-/gff

andthe

18 Hn

M
I

^.

f'

n'^

t/

And let the dryland appear

^r-^^FF
earth,

0.
i'

M'

HF

g-athering- of

waters

And God madethe firma

called

^^^=1

it

was

He

ment and di-vi-ded the

er

un

t.

seas And

God saw

that

it

' ff-

ff

wasg-ood.

S=t=t

ff
^
'

wa-ters which were un-derthefirma

p^

Ill

19Ab

Z,^^ ISv--r
I

;t

i^tne

1^

ment. from the -waters -which were above the firmament, And it t^bs so.

in

i^ndGodoalledthe dry land

so.

^^^^^^^^^^^^^^ ^
I

ed to-g^eth

layllv^travelldfarso
Uravelld far so

them

the stars adso.

t<

let

ft r^i/^p^f-^^^

ir

^
FFf=^
i

And

*-i^

and

di

^tea

ff-

H(

g-ather

And God said,Letthe wa-ters under the heavens be

\>0-

tt

'M

F^

/J

earth:

t,

To

heavu

of

J'l

^XndGod

tend until to -morrow here to stay,

stav. until to-

p
make some de

morrow here to

stav!
stay!

b-57-67fi55-200

164

20 Rs
--

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ut

\i

ter,

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a

fons

m r f m\\^ p f

^ f

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GodthatHe would de

if

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delight

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in

let

22Hd

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-y-xK

Him, if He delight

^9^

--

He

if

And with His

fac

ris

<-

if

ft

trusted

in

t=?

He

in

lig-ht

^tCFJ,

Him

delight in

if

He

Him,

delight

in

stripes we
(ve are

lEC

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are

ff^

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T

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lo

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liver

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I

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liver Him; let Him de

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1

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men, a

24 Vd

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men, a

thou shalt come

the midst of

men,
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judge the world,

ffff iTfff f
i

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t
in

men.

^m

world^VhenThou shalt ccmie

^fTr

the midst of fire

Lord God, O

fire to judge the

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fire to judge, yea, to judge the world,

men, a

fTrr

to judge, in the midst of

Lord God,de-liv-er

me,

5-B7-67e4B-Z0U

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God. delivEr

r>

me,

165

f rri

in

me, de

God, deliver

me

liv- er

25 Fr
it

'

HK

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ter

Thy day

nol Lu

of Judg^

^ ^^ifjr'F'^
Death's dark angel.

i>r-tal,

J/

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sons

ter

God

enthrond in light

ce

'J^
I ^ ^

'

w-^
Only the merkacd

:*!
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heart

humble

cind

J|

27 Hn^ iml.p

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ardour now he

p
But

by

press'd

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^k^
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scent- ing the game.

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fun

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h ji

r ^ ^

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sud-den

heaviniBss

II
'

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man:

iit

He

niether found

pKf
pity

on IBm,

iff^

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any

Ip

SaE

then

scenting',

''V'

J^JM
m^-w

He

'?^'JJJ

j i J^

J^

look-edfor some

m
10

to

pj'

to

3
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but there was no man,

comfort

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He

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'^^

niether found

))

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looked for some

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to

hath

j^^

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.

Him,

have pity on

jij

Thy rebuke

heaviness

of

fuU

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bM

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broken his heart

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stops.

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ty

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pare in

runs.Eut press'd by ardour row he runs,

heedstbecall^pd chiding voice,Nor heeds the calland chiding voice.

^^'

'ririt,

brigiit

r^ fi p =g
t

i
pl^d?

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in

<v

en-ter this

fe 1*

^ ^

humble

May

Si-irit,

heart and

in

AJ

i|J

in

nzzut

Pure

Can view undis

His might dis

i ^

soul.

childlike

^^'-^

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les-tial,

26 Fr

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which of you

i^

J.

niayd

restrial,

p-p

each soul in-

in

J *tXi\T[.

P^ Put

T-tf^'ir

frail

gath-er

Pe

opens Heav'nsfbniii^ portal. Seethe throne on

^^

r fFJ

f>Y

Widely

r'

'

ment.

^i;'F

I.

And whidi of you,

high!

'>,<

i\

death^ death

from

Jii
to

have

com -tort Him.

5-B7-67B4E-200

166

29 Gn

a^r^"Y

Emj^ire

Lo! his

fe

un

is

ji

nr

^S ^
30Hn

tri

umph

m
^
fc^^

^
vU

round

pe

his

des

Laurelld

ring-.

m^^^
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i^

tal

ff

|Tfr

tlir

rud-dy

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mead,

the

lag'e o'er

the

join

s^

M ^

Mr

Po-et

cind

^:3P=2

ir^

Dancing'

sing,

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dy-inj.Pope

pw^i

a (>

chiefs his

p^f

youth,

^^

te^
^

^^ffff

maid: The breathingharvestspreadsaround^iVhoseftagrancescentsthe air;Fromdaletodale making

^^^T-^pT pirj m

Resounds the voice of happy labor.

breeze.

31 Vd

*=ff^

f=^
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ste e

32 Fr

^
J^

li

*^

onward as

If

i=^
<

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deeper

:t^
press'd

r
er

V
-

^r

plunges

ror

^^

r
In

still,

-zr-

The

earth is

-^

de

er

e -le -i

,f

an

dark, Heav'n's light

has

ff

our

plunges

0-

de

De-

^ ^1
heart.

his

' f'
'

no

Shedding

faded.

In

still,

still.

fiUs

>

^^

guish

i^

plunges

ror

^^S
^^
-

sen.

sm
^^

*-

-'

sire, is

er-ror

34Fr

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- i

zxM

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sinks,

le

^^Sl

ir-fr

tt

f r
deep-er

^^

courage

his

our

deep-er

In

p-lee.

le

^^

sire, is

bravely toUs,

he

^^

the earth Is our de

cipl

m
e

.^

so

Tf=?

And

cund mirth and

ste

son.

*^ ^

.1

ij

le

ttp:

tte wealth of

33 Hn

jo

chri

son, chri

All

JhMfr4

Of

son.

t^

t
^pM

0-

the

bright

35Hn
*:

ray;

Ev-ry

ir^pr'
hope,

ev

'

'^'

'

'ry

'^/

i r un'f^pfffV
E
ways,

God!

God! Support us

^P^

i^i'-'-'^-^
r
p
hope with sor- row shaded.
Direct us

in

'

J'

M
the

strife,

TT^^

support us

in

in

Thy

the strife,

God!

5-57-67645-30','

F
167

36 Fr

ik-i
'

J ^Ji Ji IJ /

And as of

&

^5
frail

Si

e-'

est

And

yore,

trembling',

f^--^^

Bow down

=te#

!)=;t=^
#
#

-a-

^^
?

F dk

Scorn each bit-ter

dark with doubts

^M it^

cry;

m' TT

0i-

r[?

To

And a

hu i #=3:

^
'

word

like

fire,

like

___- TI!_
rock.
His

fire,

:_
is

word

<>

like

^
breabeth the

g^
day,-

rock.
1-

For God

is

and

like

scoin-ful

^h

fire

r^r
ham

r/^

.M

is

angry with the wicked

he

laughed

laugL

ham -mer

0-

i=i

that break -eth the

m^ ^

break eth the rock in-to

t
ham

ftp

an-gry.

-mer, A
1

brea>-eth

bam

cui-gry with the

And

the

mer

that

^tTT^

wick-ed

r^^-^iVrrf
ev-'ry day,-

eth, that

_^

pieces?Likea

nfr'^^

mer that break -

^^

For God

zrat

and like a

Vless-

scorn-ful laugh laughed

;i=ff

rock, that

^-

^'^^'

#^^

And like a

fire?

To

T-UJ

^ ^ffrrj'J^ hJ^V'r

si

re -veal,

light

And a

fLf

And a

ham-merthatbreaketh the

X*I*

whiff from his pipe, the shipper he blew a

^^p

X*

Rf

whiff fromhis pipe

n n

rock?

(5^

9''h

The gods our offiings

aU dark with doubts dis-maying,

blessed Truth,

he,

ffi

?^ iit>%?rK

'

skipper he blew a

skipper heblew a

40 Mn

yV

the

V r^ f V-g

scornful laugh laughed

Is not his

souls

E F^
t

he,

And

trjtnf'M

t^

dor-ing,

^3!

maying,

ffr

wiaff from his pipe, the

dis

The

Truth!

ed

most need of your for- giveness!

frail, Have

all

|37Un
37 Gn

5=

^/rf f ^f^r- FirV.r

souls

trembling, a

more

once

J^

iJ

38 Fr

if

8i>unung,

yf

See us kneeling-,

of the

Mt

doring., B<

yore

of

as

J / IJ.

if

ev-'ry

the wicked turn not. The

5-B7-6764B-200


168

y^'

:ftiji

ff

^^^

F
I

Lord^vUl^vbetHiB sword,

'->-r

made

-ft}

and

like

Tire?

'

^m

^,\t

Tr

word

fire

^^JE^

5=

^9

fj

break

gp

r'P

breaker

the

eth

the

J'

What wealth
43 Ck

is

i> a

She

!r^^J

(3

word

like

is

ham -mer

that

^fc
|

-V15^

V'l

L^fJ

what wealth out- bidding-

j^

>

[T

V ^ji

in

^p

Of peace and love^and innocence untold

;M(^^F

|T

J'

^'

j'

iJrr7-Ff!p

thevale,And

yi^Fp,T

lord!

.me,

she

is

hp
|

[;p''pY

fair7Tiswdll Let her approachlFair Jewish women

passing

J_J'v

bidding gold!

may my

j^

of peaceandlove.wiiat wealth out

here,

n^pFpV'j'l/ J
gt>ld,

TJ

r'"
.

fT

hammerthat breaketh

|UJT-

^rt

"

"^

Jewishwomar taken

like

r'feFMtiij
p

wort like a

Is notlfis

fjJ'i''tr'f^FFF^JMJiiJ
a

word

"

[!

*^

Grace om4iom thou wiltfc - lowing- Save me Lord with mercy

rock?

weattfais here,

r9ck;andlike a

<i

rock, is not His

that

c^r;r

ITis
not His

is

'f

^^

1.

MT

rock;

i^ r

jt^g^

Tis

ham - mer

mer, a

&^

the

r
r
F
P
r P rl
hammer that breaketh the

ham

like

i
i

J/-u^rrnrir

word

rock, that break- eth the

the

break- eth

I^m;|

4.2Grn

'r'
with mercy flowinglSave me, Lord^ave me, Lord, save

flowing,

|t

fire,andlike a

pie-ces?

^JJr

What

^j

-^ g#-

notlCs

Is

and

bow,

his

read-y.

^^

break

eth

_the rock in-to

>."

bent

rrrrc;8i^ij.rj

h-#

^zz
hanuner that

-r

i,

like

ham -mer that

fike

rU-j-f-J^^f^

BwoFd-,aadHe hath

read-y,

it

t=;i

r/r
rock?Ttiat

tbe

break- eti\

^^

hammerthatbreakeifathe rock,andlikea

rock? Is not His

rirjn^Ji^

and made

t^ul-y,

it

jT

whetlfie

Mvill

r^n^^

"-

li

fair!

mer

''ff

cy

p-

gain!

5-57-67846-800

^^

44 Vd

Day

an

of

fct

3at
per

t9

per-ish

ish,

vffTr

of

gpp

tf^J

How swiftly the flames

^r

is

SE^
=i

of

1T

9:.

ny

tr

the midst of

in

And

lives!

J.,

no

blaz

rTp
Cjf

"r

r
A

las!

hJ
^^
r

I
I

our

lasl

^^

our

children,

All hope

sky

no

p-

-PL^^^

^<y

heart where God's

^^

^
on

^a,fffi

treas

fix the af-fec -tion

Sf

all-compel- ling.Rise forth from a

ff

raindrop sheds!

pitying

^Ei E

gone! But

is

wealth

in

pro-fu

sion

Is

ti

31

*
Is

but

Is

but a

?=

de

lu -sion! Take

Is

de-lu-sion,

heed,

^m
sin

ful

world

Take

r'n'TfRr^riET r^FF rimcrrnpir.

i

heed.

hjiiJ^jWffi

hope!.

ing

wrath,

w^

-r

/
^

J.~<i^V^p

^
'

now

man's dearest

hurl'd.To

de-lu-sion,

rhjJJ

"f^

i'4

^
but a

"When thou shalt

whole world,

fe c

II

de-lu- sion! Take heed, sin-ful world.

ft

Ik

|tJ

r
^
i==ta^^^

uretoru-in

but a

^.

^^f^u

1)

love hath no dwelling.

^^

'

wives! But

our

#=F

f)

allhopeis gone,The

hope!

sP
r

trouble .Time shall

i.^^-

Sibyl

world

r'M'ipyju

9;tf

-=

children and

"l l

'1* ,i
Tr

judg-ethe

^f

>iJ

now no

an-gEr,Dayof

. tf

Thou might'sthave saved our

las!

ff

ll

fire to

whole

fire to judge the

I.I

\^4

David and the

spake-

=^

yrfr fr ^i

bubble, Day of

169

Ti'ime shall

of trouble.

46 Ck

^^

f f

midst

the

4:^

ih\''

Day

get,

\^4

^0t4

in

an

0-

like

bubble. So

g4^

^^

of

19

^^f

^E

VV

perish like

come

Day

ger,

I.;

^f^r^[

tfr

sinful world.take heed,

sinful

world!

5-57-6784B-800

170

48Bh*

-0-

'Tis he,

he,

'tis

who

all

^^

lone,

5^
^P

^s

'tis

who

he

all

m r
r y

"ff"
1^

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it

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lone.

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winepress.all alone hathtroddenthewiaepress.a

alone hath trod-denthe

line.

ffr.\>

Ie

9f r

all

loni,

us, erring-

F==
mor

:g r
Lord

^
fice.

^^^
of

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be

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ye,crownhimLord

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f^

crown

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now bestir ye.crownhim

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ff

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Ye Princes, now be

all!

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and crown himLord of

s^
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IS
s
ve,

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princes

him Lord of

crown

stir

ye Prin

.)

t^{f

iT

m .^

^^
l^l^

all,

Ye

all!

him Lord,

crownhimLord

Ye

all!

0-

Ye

=>

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tffit r,r

cs, now^

Lord!

'f'0

f.

andcrownhimLordof

ces,

him Lord of

all,

0-

ye,

to save us, err-ing-

fice,

Ye Prin

^2

=^

.0

save

to

^f fCTif

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lone.yea, all

0.

^'

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stir

by cost-ly sac-ri

bycost-ly sac-ri

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tals.

ces,now be-stir ye crown

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f'

lone,

^^ m^
stir

'

JJ3[! F F

irtals,

^
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all

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him

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-

of.

ces, now be

all!

5-57-67645-aOO

49 Bh*

^-.j'.^
In vis

'^,,ia?^r/

ion

be

^
'

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^'^^'

ion

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hold.

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H^J^

171

J'^' #^

hold now he, at God's right hand.with lightnings,snutes the foe howhe,at Gods right hand,withlig-htnings smites tht

^nh^
i
s
^^^^^p=^
hil4,how he,

Gods right

at

be

\\^ \

wast

from

^m ^
^p-^

^'

iJjj

|j';'

peo

to free his faithful

by

stand here

Lord

in

heav'n a

'

j^

^.

J,

'

r.v

Not

as

the

fear.

my

yearn

-^^^

^
is

They shook

^
I

^
-

^*^^i'

*'

what willst thou now?

ife
j asE^
of

dire

de

^^
^^

*=#
-

^^^ ^
#

fame-,Not as the

if

'ft

struction?

it^-^

i'

f'

car-nate fiend

thy plan

eyes.

ing

EB^

jg.

woe.

J p

Con-querorcomes,Thy the true heartedcame, Not with

woe,

sac

In

stirring-drumsAndthetrumpetthatsing-sof

rj<

ijf

T'

''r'l

re-ceive

F=^^ff-^

Mp^

the

'id-*

what

51
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rl

care and

ing

^YXI

^^

J^^

thy plan.

t'

50 Be

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Wb^t
Ck

bove

H^
my

lift

fice!

^S

r., J

# *

o.JL'

ing care and

jtJ

and

way,

the

I-g

si

bfc

peo

ful

yrn

wast

J-

=^^

faith

wast

from

'u

pie from

\\

JjiiJ^^

4^=5:^
\f

his

free

:fc4:

woe,

and

care

ing

ion

with lightnings smites

-J-j>Q j^iirrr *;

]*ac

vis

hand,

:fe

pie

*%d*

in

to

foe.

hold,

^ ^ ^ '^U'

ion

vis

In

foe!

\i-:^

IttJtf #

fly-ingcame

thegloom with their hymns of

tf

IN
in

f^

loft

of the

the roll

si-lence and in

^g=
y

^
/

cheer.

B-57-67645-200

172

,52R3

* #'

try

Dum

pen

Fi

de -bat

pen-

dum

us,

li

1'^-

^ *
dum pe

de -bat,

de - bat,dumpen-

53Ck
^ -r-^
#
#

vt>

Fi-li

de-bat

P-

-^

m.ts3

to wor!bip

wor

God.

ship

wor-ship, to

to

54 Py

^a

-vor

J//|>r
God,

ship

tfl^f

r-

p-'ff

estgrief cancharm.

And

P^

l^^^f^'Pr

s-ver

fate's

'

a..r.,f^rpMT'
-

te

Otirjoys be

please

>iov^

and

te- date

55Bh*
a

g-e<?

J^^

J'.r'

a gesture of
IZI

his

-ture of

fin-g-^r,

i-P-T-i:^nX7
1^

fin

g'er,

-^asa,

^
and

dp-vi-ces halt

man's

im-

-^

our bliss a

bove.

At

fail.

can

iS'-^

and

de-vi-ces halt

man's

J^
his

it

i^ih

J'JJ^m.j

i
,

At

low

date our bli^s

tenpainto

-9-^

Trnniii

TFrfil^TF'gf

kJv
^^E F-r/n^ff^P

:t^

mad-ness

Mu-sic the fierc-

est ragpe disarm. Music can sof

1-=

God.

ship

'woi

rn^

Andmaked<?spairand

prnve,And an

to

S ^^
ill

wor-ship God,

God, to

what there they foundfree-

unstain'd

left

nJjjj-^-irni; 3
''Cirri JjjJ^
Jnfiirf

dom

Theyhave

us.

lc_f

Pow'r and

fail

w-

;:j''JAJ'i ,J'jj:^^ J^JiJ"jj;-; i^^i

^i

might-y

but a

can-not

pride

*3

*=

'" J

word.,

_pride cannot a

vail,

'

speaks

J'

th"

^^
foes in

wi+h,

rag-e^

must

forthwith

^ ^g^u^i
mig-M

vanish,

ev-'ry

~jfjd ^

Almicrht

have

that

world

ly

but

'^^11

but

'vord,

^^
J

long-ing

ban

ish.

^'

'r 'cj
i

speaks

'

'

P p

cjJ'
thAlmighty but a

Speaks th'Al

AU

word,

His message beard,Forthwith,

^
I

vail.

*^

''

:;f

Q-iC/r
Ye

'

His

-^

^
forth-

Speaks th'Al-

yrmi^

word.butawnrd.All his

5-57-67645-i;00

J73

p^i

van

must

rage,

foes, in

^'

i^:^.^

whohaveHismessag^e

heeird,

ish.

^
E\

who

Yp

D\^^'':i^^
worldly

'ry

long-ing-

Yo

messag-e heard,

His

have

Bh*

5.6

u\im

:zi

Dp

ban -ish.

#^^
de

tes

ten

ti p:-^

de

se

j]:^r~[:^

hu

vit

P
De

les.

m-JjJj

po

*5^
po

j^j=

ten

^j

ex - al

les

^m

et ex- al

FT

pip ^

respite? That

"r"^'

^l^

f /
lone

c^;

my

^
U-

thee, Scarce do

it.

rT l
reach,

for.

Ne'er shall I

l*-

,J

seas iVe wander 'd

^my

M
na-tive

rhf

^T|r

"T

ni^r^- J

Ne'er shall I

reach,

!>

fe

can-not name,

The shore a

:4

< r

f ff=Ff
na

a-

The shrre
r\

rovo;'What

o'er:

shore!

..f
rf
my

l^s

if f

count how seasons move. I

man

f=ff^ 3^=^

?:

^^

The

f nif

heart doth long-

0-ver the wat-'ry waste

ter,

r^^

^'i

de-mand

m^ M

i f 'r~

et

al

^^0

vit bu-mi

ta

rj

teU

my heart doth longf for,

'>,Mr^
lone

fr

JrfW F^

-Si

--1

cannot

name.Shouldst thou

**

ac*

Thro' waves that rag-e.and winds that blus

\,^'

^ ^W
de

se

4f^^f^

tz:i

humi

"^^ ^

?i~^

J J *J

J-

pn

vit,et-"x

57Wg

'^^'\,'

*=*=

0-'
S^3

de

tes

mi

-S-MZ^

ta

^&
tavit

>r

^^

it

de

-it.

^
^rt

*W

su-it

su

::!=

^#^

fe^

ii^

P m,

Pm P ^

^[j

ex-al-ta

ft

tive shore!

B-67-67645-20n

174

58Wg-

H(f
i

r;

Out from the depth of darkness g-azing- upward .Sore havg I

^^^
^^

^
A

gain;

it.

wake

^M'

to

my

un

mig-ht
mir]

me

fpel within

burn

such an

S^^ ^
.

Iff

Ah

no'.It

but

is

long-ing- for re -lease,

tffv
^

\(^

f.-^A=

-=

*fTrr
stones beyond

com

val-ue.

their

60Wo
-

^^ki^tUA
Thee

-J-?
I

~|

>rj

4r
and

hold,

con

^m
^

show me howtofind

^
s

re -lease?

fe^

Thou who for

me

T-^f

hope tomick me

didst

w^in'

^f

be

I
a.

If

roof

give thee.

me

for

mock me

seech,Kind

^^^
ivi

Was

giv-en,

an-gelsentfromheaven

^
there

show me how to

pMf-

findrre

if

Have turrid my heart from

fruit -less

ff

i"

Whenthou didst

az*

^^ifi-

=t=

i.}} JhJ.yfVr/|iy

didst

^ ^#%T^

^^

grace;

When thou didst

vain desires and earthly longing

^r

Thou, who

un-lookU for

how

^^

61We

i\\}-^J

ly,

Ti s
pfsgf

giv-en,

cost

?^

\f- P

^
Thee

thyself

^ft

~
I

vince

friend-ly

fruitless hope to

there

rich and

An these for a

Was

tlf>--^

so

51

un-look'd for grace,

pearls

see,

b
beseech,Kind angel sent from heav- en,

^wr-fj^
win

ti*fe
i

is

Be

*. ^
I

pare.

r-iif

great

treasures shalt thou

*r,.,

tt

4^

angelmighthavepeace!

angel might have peace, thati thro' such an

=*

rarest

.store of

ing-.

59Wg

stiU

*^r"F T" P

love dare to call it?

happy one,

thro'

likehersto

love

torment,That

^^y

^i

long'd a

rTiri'rMr rT r*riVTrf

f-^i-fw^

That

it

quenchless flame

This

pain!

^J
I

i.

m^

leftme.for

^ >J.H

CanI,

'

"
ii

/^v'

my

all

was

4e

* S i
JL^'^tt'^

is-^

beating- heart

r'tfff

i^^
=^

g#

J.

r^

s^tf^'

lease?

\^
^^
thee

way,

5-51-67643-200

^^^
The

koT>l> ' F-

M-1^
love

2ZI

Tem

rav-ing!

teach thee

God

voiif^-eancf,

3SI

'

im

plore

ve,

J'j^

bfc V

be

joys

[i

dream of

"9

i'f

I
\

be

joys

Know that

ye,

fore

t'P
f

fore

ye,

\A

Know

y-

l|J-

slum

vengeance

our

r f

iiJ.^j'

'T

Giveheed,0

ft

y- v[H

In

King'.

may not

fight I

hJ

-'

Ye who now

manhood had

J
dis

U
-

'/'

Lau

own!

f^

*^
y

ci-mus

te,

p
da

E5 j'.g?j',
E^5
^

Ji \A^r^y,t\
-

/P

ado-ra-mus

g-lo-ri-fi-ca-mus

te.

Or

to mortals known^ust bide its laws,and in obedience heedthem;

ft f^

^J

not!

sworn champion,

-^

65 Bh*

di

Grails

J'i'UJ^'i^=M#-^^+^
ri
T

JJ'Ji.JiiJwJ'
if

bers

The

lead them!

rr

imp

84W-

fad

Ye who now

i
"J-^

veng-e

lot,

re

^^

that

--

4' 4.

^J

veng-eance slumbers not!

wiU

our

And

.63Wg-

:*:

dresim of

^^

earthly

'

hath perished.

1f*
meas-urel

*
^

lU

For dread

rule our

ttJ

lay;

^J

flame

^r

-^TTt-

Pow'rsthat

^
^

its

pleasure.

like

t4

iO>

death

J-

feet

flf

per wrath with

fT

in

f^ ^ r f ^j'
I

m ^^

trm

Until

cherish'd,

^^

Nay, thou art

here

i-Lldvl

wrestle with the

62 Wg-

hopes -within me throng-ing.Bp- fore thy blessed

sin-f ul

U^
Ms

175

ev-'rypow'r

^^

P ^
mos te, be

ne

vhJ3J3i

g-lo-ri

te,

^f

fi

ca

V ^aa'F J'J^^^'iEr;pJ'J'i'^J^^'it;Q-J^^
muste, glo-ri
te.

-V^ j;

g-lo

ri

ficamuste.

do

ra

fi

tJ^^[^j.PFh J^J^m;pr^ri^
muste,g^lo

ri -fi

ca

muste. glo

mus

te,

lau

ri

fi

ca

da
S-57-67fi4B-200

173

*!=

[^^JiiM^s'j'i 'n^

mus

'

lau

te,

CJX'

r
mus

da

f
lau

te.

v^
d^

A* u

fi-ca-mus

lau

te,

^ n
N

ri

mus

da

jn

f'

damu<5

te, lau

muste, ben-e

^"M

te.bpnedi'-im'i<5

ri

fi

/? J

J'

c=i-mus

^ t-h^

II

^I'UM

^3

^0 '^

"^

stronn^

ty[

arms with

ev

stem

its

must

knot the string-:

67 Wg-

r>1?^

surf- ps

sister!

-T0-

3^

Filled

*
'

C
woe

for

my

-p^
^

child!

ash

-^r

des

For-

troyed.

i^

^ J'ff
keen edg-edstonel

round the

JAJ pM--l

^=ff

J?r^

ship.

the

Waft

Thewind

J-

must our

[S
us,

sails

^-1

be

wind

strong-and

my

weight- ed?

&^=Fd

^^

Irish maid!

i1 :J3J'

so wild blows homeward noW;

hy~Tr'

Say

i4

bat-ed?

^''

was?

rzzr^zi
^^'

W'J'I

with-er-ing;

FFg

The

Ei

noWjWeenst thou -why this

1 J

thou weave it

wait- est thou?

M|/IT

Now

r
bythysi<-hs un

sunder.

I
speeds

-astwrd

slip,

^rJ-iiJ'lihp-lg

^ac

>>

Irish child, wl] -re

i
=?^=g

^^^

Westward

bi

,J

dry.

<^o

'>in?.

Bil

ter and

0-

binding-witnessof bonds wasshiver'd to

'JfTT^T-'

One bold and

sway the world.

15

9
,h.

warriors summoned, the worlds ashtreeV

splin

to

J'JM

spring-

er the

^^
^
351?

The

L^M

1'
1

|J

J''J

,]

Wotan

Til,
Thpnstraij;-h*

1\^?

Wotaii

set

g-id

to

=^

s^hrt'ds.

ri-

mus.g-lo

=*^

^-^^^tfT

j/M

*r

do-ra

|c:=2z

f^

pp

te,

\?0

^'^

Tp

destroyed in battle that spear.

.Jl,,..J

p-''

'

FF^r

servedhim

this

FTT]pp

to Tiak-> treaties

W'

ado-ra-muste,e-lo
ado-ra-muste,g-lo-

te,

0-

E
Truthful run'^s

te.

in the shaft of his spear;

'*

di-ci-mus

i.

Jj ^

66Wsr

t^^

wild!

^oe,

ah

^l
my

winsome, mar- vellous maid!

B- 67-67646-200

177

TENTH SERIES

Representative excerpts from early attd ttoent composem

part exercises, with text
maximtun difficulties of pitch and rltyttuo, as well as the
eimhodjiag
exercises,
-with a few new
parts
of
independence
utmost

TVo

m
Jir'f

f,

Ma

H 1^
For sportive

ff

For^ortive

[j^f

fl'CM''^

^ f

I'

^^
for sportive

play.

ff

a^Kir

play,

F ^

q:^

for sportive play,

for sportive play,

play,

^*'

I'

for
for srtfiWrw
sportive rtsTV
jiay

Tirp now
nnxir
we

for sportive ptey^'e

t pre

now

pre-

2Hd
ii

HKirt.^

pare.

*>!.

HiX^^C^l

k^

Thouheedestbiit ti^

.h)^

^Li'O

f'-^

ji

ji

cy^beedni

fiBtn

fan

J'

cif srff-

bat thy fan

y^

ff

cy.but fby fan

bat thy fan

cy-

^^

N^^[D'Ccer^^
cy,

but thy fan

^trjjJJ^etfrEfi^'^'>^
G]K

^^ ufmugx^

t^

(^

Thou heedestbut thy

pare.

>

II

"''"r

I't^crcq;!

soen, a

cy.

ctfritcf

men,

gacr.Ccg
nen.a

n?en<a

men, a

bmgb

;-

n-en.a

I-6T-6T446-800

178

4 Hd

$ f=^
men, a

'.''

fi

men, a

For we turn

r
-

/
r
men

ed, for

to

turn

J'

F'

own

his

rrrfrrr^

we

^i^^^

m-

Put thou

h<^

^ g

coffl-fortest

my heart

>

I'

MTffiCf^iiJJJ:

in

its

op - pres

g-Q- EfEf SETEayea-^

!J^Er[cr^

'

r J

J^
and

Praise

F
and

hon-or

erand for

ev

Praise

T^_

un

to

God

for

ry

op

pres

op -pres

E
^Mp

and

ev

er

and

ff

be

p-^

hon-or

*?

ff

ff

PF ^
and glo-ry

and

^^P
3?==:?t

for

and pow'r

p=^

^ !^ rm
be

ermore.A

w=^

powr

glo

'^

for- er-

^tM^

'^

^^?EE*Efe^
un-toGod

^m

men.

'I-

pres

^ai:^:Rj aj^

v^'

sion.

^Hro,roCTiiJZP1^
M

p=

ffearfegTM

op

its

sion, its

sion.

f^ mr^-^E^^

[g

sion, its

II

>

r
ed.

^^^m

^
^^^

^^

^^

rrfrrrrrrrrrrrfric

But thou comfortestmyheartin

jhK

turn

way.

5Hd

Mr

:ssz

For we

ev-'ry one

j'iip

>i

men,

^m ^
ed

h:/ i'i'jmjTn Jmjs^Jii^jjj^

ev

rm rm rm

or

^
^

more!

j
i

-men-

5- 57-67645-800

179

>>

^m^^'Ff^
Age un -to age

^ihi'

J'

1^

forth

forth

and re

ry,

wonders of thy

all

the wonders of thy

JJ

J^F

^^Jl /T3|

d
and

^w

pr

FP

re

^'Y

Age un-to age

forth

^F^

^^m

n^ri-y^

,M

ff

ff

^f

re -joic

t
p

re -joic

eth,

;j;:^j^ 1 1
1

and re -

P^b'' >
i

J^

eth,

JOIC

|^

f^

and re

eth

J'

j^

There

is

J-

J'

;j

J.

neither speech nor

ml:lis\

eth

(vrj^-

language there

might, and

thy

in

^^ij^sjjjjjj^ ^ j.

^^

SSEBJ
,

thymight.

in

m.

nei-ther

is

re

j -

eth in thy might

re -joic

joic

.8Bh

eth,and

joic

^^'

^^=^

thy might,

in

ry,and re -joic

^^

f^

niight,

Wtf-

S^

thy

in

eth

glo

might, and re - joic

the wonders of thy

^^^

l>

all

thy.

iJ J J J

^'^^^'i'JJ

tell -eth

"^^

-eth in

joic

JT^O

eth in thy might.

^m
ry;

glo

joic

glo

mm

-J^-

^ ^j^j^ip

p p

the

ss

J-J'i';.;.J'

telleth

;^

all

J'^

J''

>

J) J^

telleth

r
Ageun-to age

ran

Jj^ig3;)j)p-

ij

eth in thy might

speechnor

Icin

^^

m f f m P ^-0-

^
Nei

'~~

ther nei

5-B7-6764B-200

ISO

**

yii'

injagpe

mere is

1^

nei

ther sj-eech nor

Ian

Pr

J'

J'

J'

J'

lao^age.there

f'

nei

is

^
l

ther speech nor

[j^^-

j>''f

J*

J'

J3

J'

nei - ther speech nor

is

^^

guagetheir voice can

Ian

^^

The

be heard.

cannot

voice

iWKli

j'

9Hd
[

J^

ff

Ian

there

gnag-e,

giiag-e,their

1^

/].PT3^^f :i^''[IcJ^

-iJ'

L-T

nor

ther speech

a
=gJt
^
al

m #
#
A "
d

dove

zn.

mg,

Pin

heard.

be

cannot

not

^
ters, his

fei
ters;

gen

plaint

i' .
l

W
r

he's

cal

^^

Hu
n
cj^^hJ

i.

\jr^\

^?^

M-

ni 1.1r

soft

plaint

ly

his

IHg,

longr

<

3EE^

^
ut

ut

tly

ters;

^^
he's

r
cal

}*

ling,

ft==^
^Mf^

i=:i
r

The

one,

lovd

his

ling

'

f>

'

cal

f)

lovd

linghis

one,

V-

pl

The dove.

py
as

he

:clr[:rp

[!

as

dove,

ftot

he

iE

ters

r
flnl

hes

his

hia

ters,

plaint

E
plaint

?=^^^

soft- ly

ut

i
ters,

hes

cal

ling,

he's

5-B7-e7B45-800

181

^d *

cal

dJSj.0

'

''i i

lovd

r
Love now u

one.

J J j=g^

k^JJ J J J^

if

eth,

'

pair

py

Ae

now u

Love

cmifitr^

nit

py

Love

pair.

now

nit

-eth. Love

Love now u

nit- eth,

eth,

nit

^^ ^^^

r^
nit

eth.

P'riTi

p ^

eth

^^
eth a

nit

g fip

nit

rmiiirir

eth,

now u

^^

Lovenowu

pair,

nit

nit- eth, Love

^r^

mf fmff

,hap

nit

rrlJ^J^J JJJJJJIJJjJJj

g
now

ling^

hap

^azz

-nit

cal

rifl^lIricirjTj

ling-

\miis\ams
-

CLiar

py

he's

ams^^^m

hap

now

one,

cal

nit

eth. Love

he's

^ fe^^
eth a

ters

now

Love

i
A '4

lov'd

^m

uxclfir

rrrrff

line his

eth

^\.

ut

r
Love new u

i'K

soft-ly

Hd

one.

^j^v
l>

^^S

his lovd

10

^^^
his

3JTOm

?^

J,

lJj

now

Love

JJJJji

j:i

hap

i
py

pair.

I
-

nit

-"^

eth

la

hap

'

'

'-

py

\i
pair.

B-67-87B4B-200

182

UMz
Chri-ste

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ri

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ri

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le

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p
,

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In

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4-lo

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r r

rU

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s oii,Kv

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a

men.

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13

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12

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e

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183

1+Bh*

^^

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r f

:pL^ritrrf f
e

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^

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e

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16

Bh

ii

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ste, Christe,e-le

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184

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le

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j^

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sonjChriste ele

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P

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17

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son.Christe

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g-nus

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Doniine De-us^gnus De-i, agnusDei,

tris.

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Domine

De-us,ag-nus De-i. agnus Dei.

li

^l
-us

li

Pa

us

-#-*-

trip.

rrr

8. .

Fi

Domini-

^^^

Pa

tris.

18 Bh
H

P^^^

FJPf
Et

exPiatr'^.

f fin

id^

'^p^

ex Patre

na

turn,

To battle

^f

^
To

battle.

*^
f

to

him to

JA^

Smite him.

smite

et

battle
tie haste,

ex Patre na

lurtethniglj

The foe

^^

him,

to battle haste,

haste!
h;

ethnigh.

v>

earth!

^Ai^lI

smite him,

lurk

him to

m
To

ex Patre

wg

smite

J'F^
turn ante

rp^phVt^p

haste!

yea,

tff

ex Patre na

ssc

JTI

earth,

et

ex Patre,

battle haste,0 la ste'.The foe

battle.

to

j'lJ'J'J-

turn

rV. f

i'JMJ-

Smite

')^\

haste,

-j'Sj>v

na

ex Patre,

ex Patre,

m^

o,,;r v;rn-.pi^grf
Et

^^

yea, smite him

The

foe,thefoe,

to

lurk-eth.

earth!
5-57-6764S-200

186

^i^

lurk

m
r

5 Se

,-j 'I

Now as

Mm

trembling and a

rsqc

dor

m
^

21Fr*

(g

fy

Our

spurn

ing,

'),iirrr

spurn-

Silent to

YY
Silent

i.
|

our

us

in

to our

cry,

^S

Dream of

^^ ffFr

of de-

light,+he

f'l

t>

'

light,

_ en- kind

en- kindling the

ling the

to

truth.

^n

fefe
ed

bless

truth.

,^

SEE

Thouhor'rest

^^

Thou ho V rest

i
O

soul,

a-bove

O why canstthou

soul,

^
l

er?

ed

C/d/J-i^l ;^JJ>I^JJ iJ
-

ye gods,

?:

^^ ^^
not ling-

EE

lying,

!-=-#

send the

ye

i
de-light,

mg.

Wi

if^

ftrinf
E

light,

-cee

n^r

^^

Dream

fi

spurn

fi-ces

send the light^e bless

send the

us in darkness lying,

to

f
.

sac-ri

m m

sac -ri

r^ ^r r**^

0-

darkness lying,

Our

us in darkness

to

EE

*3

lin?

I'ri^

-*1^

gods,

us in darkness lying.

to

Our

our cry,

Ye

gods,

?=^^

^r

*f"

22 Cb

r^

ing, Silent to

Silent to our cry.

ye

mm

spurn

mnre

once

"
^ -^-y

r^r^

cry,

down

j^

ing.

%4
2;-ods,

sacri-fi-ces

te

sacrifices

^M^

Our

fT

Y^i^r

^^1

Bow

doring,

as of yore,

more

once

of yore,

down

s^

ti=x=i

jta^EfES
Thypeople.trembling-and a

Bow

ing,

-=1^

T'^^I^J-

Thy people

^ ^ now

WTW
i

lurketh, lurkethnig-h!

foe

^'*Ai

mmi

now, as of yore.

Now,as of yore,

nigh!

eth

j'/'ISjj^ij

'vhy canst

Ji' ^"
l

Likea flut-ter-ing dove!

frr

,^^^1^
a-bove

thonnot

Like a

flut

ter- ing dove!

6-57-6764B-800

1S7

leav'n
Vision of heav'n,

^^
^

Shed

en

Shed

en

stay!

Vision of lieav'n,0 stay!

&-prY ^wU\f\i'^^^iu
Like a dove

as

of end -less

day

as

of endless

day'

Effit

i te
P^gpi

hov'rest

J'J'

Dream

thou,

of de

thounot

thou

^w ^

UJ

rnVf^
PP

of de

light,

vi

^3^

^^

like

like

f7,
Thou

er?

^^2
#

^
5^

thv

in

'^r'
thou

p
cur- sed

Ac

Ca

'

the

bov

re st

life

Oa-di,

gxiest

-were

slay,

^S^
Ca

cur-sed

^r

thou

di

part- ed;

bove

.1

Ca-di,

cold-hearted,

-with

1*'

A
V

thy house didst

in

~
k

'

Tis

time

that

^^f^

=t^

di-est

^^

to

day!

?
Thou

di

^ir Jp

-who,

didst

si-

fi

r-fN-

di.

bouse

\rE
and

en- kind -ling

^ ^
w
-

^
^^5

slay,

^^

f T-f

hov'rest

JMr

I-

ac-cur-sed

gniest -with

Ac

dove!

^^

Ac-cur-sed

y'^Vi^

soul.

Thou

er'

not ling-

=^j=^

*-

dove!

dove

23 Cn

MS

J.J"'

kindling- the

fe^

fc

Like

ff

0,-why canst

t^^1f

en

ling

^^-H^
soul,

f\

light,

Dream

\J^
J'i'liJ
J

^ ^
p
O.-why canst

radiance

ing-

-J

||J.

(T

t9

tranc

radiance

ing-

hov'restthou.

i\,:\.\i\l
Ah!

iranc

est

to

day!

B-67-in(iir-:i('0

188

^
mi
24.

/r^Flv^r^ ipJj^^iJ'ri^J^j
Hear thy

We

if'V

we

hope,OLord,in thee,

'

boim

With richest

n^^=P

we

hrlf

With bounty hast thou

thee.

in

ty hast thou blessed thy faith

^Y'FIVY'^'P'F
Hear thv

y-trffif

yf|i

O Lord

we

in thee,

,.j.i
i

hope,

we

hope,

^
O

j^j^

Lord,

in

Loid,

Sail

thee!

way,

Nowto

jiw

yi^iii^fr-Jjip

-pj

is

tion!

one

the

We hope,

we

of the

Stormbeat, and

sea.

way.

.fT^

r
east,

now to

the

-^-^
G

to the men

sail

Eg

,t

have nocareof the morrow.

All

s^
in thee.

-.^T^'ri

thee'.

in

west.

We

^^

^^

hope,

people!

ful

heed their pe-ti

i>vVM
hope-

faith

i^^

te

hope.O

25

m mvij
we

children,

people'.

ful

Ftf-'ip 'pF

bl-^ssed thy

=1=^

we hope, O

Lord

hope,

^ ^teP^^

ii

Lord

hope,

tion!

ti

M^^ii\ Jhi'^i!j^'l{MJ'j^\,:s}f*

<

LordJieaLTtheirpe

children,-

'

blow

w^ind,

wind,

blow!

^ ^f
26

^Crv.i.r> iJjJ'W'Jaiiai.,vw
ValJ Jul Jj
i

We

de

Storm,beat,andwind,blow!

We

blow!

--

fyye!

SvJrft

ad-vancing-,

bit

^J)J) JitJ

xJ

JiJ
I

-^It,^

ban-ners streaming',

g^

p-.tp

ban

sa

itJ

Swift ad -van

de-fv ye!

pcac

|I|J^j^

bressfleaming',

coursers prancing',

comes

p^^ir
the

cing-,

"

foe!

r*rtrirTrr'c^^f frr>
|

ners streaming-, sa

bresg^leaminn;, coursers prancing:,

comes

the

f^ne!

5-57-67645-200

^
189

27

^^^

t
Ho!

ve

I scorn!

ye

Ho',

chieftains,

ye

scorn!

ca]l!Nav;nav,theYdarenotheedlh(
avnavthevdarenotnav.tiievdarenotheedthe ca]l!Nay,nay,theydarenotheedttie
Nay,nay.theydarenot,nay,tiieydarenotheedthe

ei

f
i>ff

r]

Ji.Ji

^
M

cow

^ w=ft=m

lKil

77

Hf

Come, ye cowards

^
L f'T

'

bat

^-

^^ ^r
Who

not,-

'

rr'

:^

yF=fr
:te

win

to

streii^rth

the

^^

'^r
win

to

streng-th

^r

^ff

who

nJ

^r

the

.i>

canqueU, quell

v't

who

ah!

Hide

ready'.

v^ff

can

the

i'

-/

strif'?

"^

the

quell

'

Who

strife?

29

'

^iT
the

can quell

can

Who.

tie?

^^ ^
U
^
y

ah!

^
me

^^i\"^.

It-

li.^-'

J'

hold

t te

hath

Who.

tie?

chanpinnwaits'.HidPnotindread.ourcharapioji waits'.

J'

be

J-

hath

>

Who

all!

bat

'-jhJ'

fe=:g:

Who

cdl!

A 28

ards

c-r
Our

Hid" not in drpad.

call!

j)

Here

^U|V

j 'l

cowards all'.

dread,

ide not in
Hid

")

ye

chieftains,

quell

'

ig--i'j'iiJ'-'iP>Fr^g^
What

strife?

can quell the

Let

strif"?

what ho!

ho!

port

thf

Let the port-cul

cul

lis

lis

30

fall!

He

not ie shall not es - capp us

shall

>i
faU!

5
;nad

shall

far,

it

68- cape us

ding' crowd's ig-

the

He

from

Far

now!

i^' ^
no
-

ble

^^^
far

'

Far

now!

strife

from

the

madding'

Their

tf=:f^

^^

=*:

so

ber

crowd
6-B7-8T4B-200

190

*wish

>i

es

-^'Ll

ll

ne

^m

i*

^liJ'

i'l

iE

Their so

from

ber wish

ne

es

ig-

no

strife

ble

^M

r=Mf

from

fai

far.

CJ

il

^^m^
Far,

stray

maddingf crowds

the

ver leanwi to

Far

stray.

stray,

l'^

?=P

f^^^

ver learn'd to

II

Their

so

ber

madding- crowd

the.

m^m [r'J^J^^riJ'i^t^
*-&?

4^
jwish
WISH

Their so -ber

es,

pfc^
p3j
a#

:^-^

iP

Their so

wishes

ne

verleamdto

^M^=
wish

ber

ne

2=

ver learn'd

to

stray,

stray,

31

i'J' ij

rj

never learn'd to

9-I.

rTp

Lv

ftp

never

} i-JJ

f^ jJP^l]}

presson.TJn

light, press on,

of

m^

of

fi

fight;

still

trea3

still

ling

^
f

tread

for

for

^f

down.

your

in

i|ift^

each foe

M^
crown,

no

man

ble

down,

^
*E

r/lt^

er,

ble

^ ^f-^^

foe- man. eachfoe-man

_
bright

^
-

^N^^ ps

ye

press on,

your no

Ln

<i

^^

ing

o-

bright-er

Press on,

1
^tf

7-H^\ r7

ing-

4ry

each new

ing

r f
tir

ing each
eacl newfoeman

W=P-

.'

^^nt

#1^

And battling

batt

^^^

fi?M,

jJ

tir

Un

liffht.

ye

press on,

i'jj=l J

Press on,

stray.

to

learn'd

ffjUAb^

stray.

j^Jp

stray,

learn'd to

sons

ii

^^^

down. And

bright

bright

er

^^
er

crown!

crown!

5-57-67645-200

191

ELEVENTH SERIES
Two4)art exercises, parily without and partly with text,
Dorian, Ionian, Mixolydian, Phrygian

Church Modes: Aeolian,

in the following^

Canonic imitation, strict and free

in other intervals

than

that of the octave

1 MixolyAian

Bt

^^ ^^

31:

s
r)'^

fO <t,j

'

3E

? c V \\

SI

^
-

(1

rv

^^

fet

--

zr
7:)-6^

^>

^m^

f
3SI

44=

'^

p- ^^tf'^

tf

a -^

f*

=W:

Bt

pm

W^
te

"

tP~

^S=ff

S
lS^

0.

^^

m^

f --

-e

To

J'

r-'Ho

Aeolian

=p- :3s

r rr

9^

J.

e~

sLs'i

^m

'

fmxs

'

,j

fe
P

vt

=^=*= V-6~ -^

^-^^

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P _
a

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^
/

--

3S=

2^=^

it

^
J^aJ

lS>-=-

^p

rj '

^^

rrrrr ' r'r

~?3

ZX

331

'^

^
&-B7-67645-200

192

J"

"^TT^^ ^J
tt

P^tfP

22

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c^

3X 3^

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VI

4. Dorian

'J

p=^

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331

:^

3s:

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/.

31:

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35=

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:**:

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4**-

3sr --

=P=e=3a:

IKE

:**:

w=fr 53:

3X

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g>

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^^

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3^

31: --

Bt

--

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XSI

P
m

-- sx:

p sc

V^-

351

:Wt=

^ r^"

ZSE

Bt

^'^

-V-

rsE

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^ ^^^

s
9i

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i
['

r"

d
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p-

3 Ionian
T

^d

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i

iry

ti^

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f-l

m *td-*-

cj,

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s^

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6-61'-8746-300

I
m

^^

193

^P

^ p

^p
--

^^

Mixolydian

[" P

S^

q: rz=

ijC^

lS-

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