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ORIGAMI 2.0 enters a totally new dimension for real-time impulse response processing. The extremely
intuitive and easy-to-use rack functionality gives you immediate access to many premium IR models and
variations (like churches, cathedrals, stages, rooms, halls, etc.) from the company INSPIRED ACOUSTICS,
many surround IR files and an audio import option.
ORIGAMI offers three independent snapshot slots and a FX bank browser with many presets. You can add
an unlimited number of insert effects to each slot and easily change their order per dragndrop. For a most
intuitive workflow, the order of your insert effects in the rack corresponds exactly to the progression of your
audio input signal.
ORIGAMI comes with an outstanding and innovative host and MIDI automation including the additional
parameters invert, bypass, host learn and MIDI learn.
Based on yellow tools innovative Advanced Effect Technology (A.E.T.) ORIGAMI offers the most powerful
impulse response processing with lowest CPU usage.
Contrary to a synthetically produced Reverb the Impulse Response processing of Origami uses real rooms
for the creation of the reverb. As it were a fingerprint of the acoustic characteristics of a real room is used.
With this fingerprint one can now provide arbitrary acoustic signals. This form of the reverb creation is also
called convolution reverb, since during the signal generation the mathematical operation of convolution is
used. This technology is not only limited to simulating rooms, rather each acoustic system can be simulated.
IR technology gets used most frequently in the field of scoring and film synchronisation.
The sophisticated Independence Impulse Response Processor Origami even manages true stereo (one
multi channel audio file with 4 separate channels) and true surround processing up to 8.1 (one interleaved
audio file with up to 81 separate channels).
Even in true stereo and true surround mode you can still use the positioner feature and the new
Channel Manager insert allows you any custom channel routing to fit your needs.
The following processing is supported:
mono to: mono | stereo | surround |
stereo to: mono | stereo | true stereo | surround | true surround |
surround to: mono | stereo | true stereo | surround | true surround |
The Origami version of Independence includes Impulse Response files from the fantastic INSP:IR Impulse
Library from Inspired Acoustics.
Product Details
Contrary to a synthetically produced Reverb the Impulse Response processing of Origami uses real rooms
to for the creation of the reverb. As it were a fingerprint of the acoustic characteristics of a real room is
used. With this fingerprint one can now provide arbitrary acoustic signals. This form of the reverb creation is
also called convolution reverb, since during the signal generation the mathematical operation of convolution
is used. This technology is not only limited to simulating rooms, rather each acoustic system can be
simulated. IR technology gets used most frequently in the field of scoring and film synchronisation.
Origami - Positioner:
The Origami version of Independence already contains a selection of premium surround IR files. Beside the
surround IR files you will also find additional rooms.
Product Details
Further Features:
Minimum and maximum automation values: You can use the full range (0% to 100%) of the selected
controler only for a specified value range of the assigned (automated) parameter
Free channel assignment of your input signal: You can route the left channel of your input signal even
to stereo (L + R) output channels - of course this also works for the right channel.
Beside the Impulse Response Processor and the Positioner, Origami comes with 4 additional Insert Effects
that are very useful for the editing and customization of IR files.
4 Band Parametric EQ
Lowshelf:
Band 1:
Band 2:
Highshelf:
Output Gain:
Below the adjusted frequency the audio signal is boosted (positive dB values) or cut
(negative dB values).
Depending on the selected slope of the curve (value 3) the adjusted frequency is boosted
(positive dB values) or cut (negative dB values).
Depending on the selected slope of the curve (value 3) the adjusted frequency is boosted
(positive dB values) or cut (negative dB values).
Above the adjusted frequency the audio signal is boosted (positive dB values) or cut
(negative dB values).
The output volume of the audio signal.
Product Details
Gate
A Gater only lets an audio signal pass through if a determined volume level of the audio signal is exceeded.
With the Gater you can avoid noises of the audio signal and also control its dynamic.
Treshold:
Attack:
Hold:
Release:
Sets the volume level above which the gater lets the audio signal pass through.
The rise time of the audio signal after it exceeds the treshold level.
This value balances small fluctuations of the audio signal within the entered time in
milliseconds.
Determines how long it takes for the gater action to stop after the input signal falls below the
treshold level.
Channel Manager
A very useful helper to edit the channels of the input signal separately.
Sync button
Link button:
Solo button:
Mute button:
Phase button:
Volume:
Delay:
Output ch.:
Use this button to synchronize the delay time to the tempo of your host. If activated the delay
parameter switches to a pull-down menu with different synchronizations.
If activated, the settings for both channels get edited simultaneously.
Solo playback of the respective channel.
Use this button to mute the respective channel.
Inverts the phase of the respective channel.
Volume settings of the channel.
Delay of the channel.
With this pull-down you can assign the output channel of the respective channel.
XY Panorama
Here you can limit the panorama relation of the audio signal. You can assign different values to each
channel.
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