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Creativity Mind
Creativity Mind
CREATIVITY MIND
(PREVIEW)
Creativity Mind
Creativity Mind
CREATIVITY MIND
Table of Contents
Preface
1. Introduction
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References Chapter 1.
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References Chapter 2.
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Creativity Mind
References Chapter 7.
8. How Technology Can Enhance Creativity
8.1 The Four-Part Brain
8.2 How the Brain Relates to the Mind
8.3 Elementary Pragmatic Model
8.4 Evolutive Elementary Pragmatic Model
References Chapter 8.
9. The Power of Your Dreams
9.1 Align Yourself with the Flow of Evolution
9.2 Essential Points Before Your Leap
9.3 Powering Up Your Interface
9.4 Wellbeing
References Chapter 9.
Cover Credits
Glossary
Index
Additional Content
Creativity Mind
APPENDICES
APPENDIX A: The APA Guide To Resilience
APPENDIX B: Brain AMS Modeling
APPENDIX C: Three Fundamental Reference Paradigms for
Interdisciplinary Competence
APPENDIX D: Overview on Creativity
APPENDIX E: From Information to Knowledge
APPENDIX F: Paleologic Thought Table
APPENDIX G: Neologic Thought Table
APPENDIX H: EPM Basic Function Table
APPENDIX I: EPM Interaction Table
APPENDIX J: EPM Math-Logic Background
APPENDIX
Background
K:
Evolutive
EPM
Authors Profile
Piero de Giacomo
Rodolfo A. Fiorini
(EEPM)
Math-Logic
Creativity Mind
PREFACE
Man muss noch Chaos in sich haben, um einen tanzenden
Stern gebren zu knnen (en.tr. One must still have chaos within
oneself, to give birth to a dancing star; tr.it. Bisogna avere ancora il
caos dentro di s per generare una stella danzante). This sentence
captures the essence of the creative process. Later we will turn to it.
First of all, for definition-lovers, we like to give a definition of
creativity, immediately. According to Rom Harr, Charles Lamb and
Luciano Mecacci "La creativit la capacit dell'uomo di produrre
nuove idee, intuizioni, invenzioni, oggetti artistici ai quali si riconosce
valore sociale, estetico, scientifico o tecnologico" (en.tr. Creativity is
the human ability to produce new ideas, intuitions, inventions, art
creations endowed with social, aesthetic, scientific or technological
values).
In a summary of scientific research into creativity, Michael
Mumford suggested: "Over the course of the last decade, however, we
seem to have reached a general agreement that creativity involves the
production of novel, useful products", or, in Robert Sternberg's words,
the production of "something original and worthwhile". As a matter of
fact, authors have diverged dramatically in their precise definitions
beyond these general commonalities: Peter Meusburger reckons that
over a hundred different analyses can be found in the literature.
Latest findings in cognitive neuroscience and complex system
theory show that each new human concept, idea or product (either
artistic or not), even the simplest one, emerges out of the deep
interaction between a dichotomy of two coupled irreducible
complementary processes both interacting with their common
environment, which a subject-interactor (observer + performer) is
immersed within: creativity and innovation.
On one hand, creativity is a phenomenon whereby something
new and somehow valuable is formed. Creativity is connected to both
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Creativity Mind
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Creativity Mind
Intention;
Preparation (with frustration);
Incubation;
Illumination;
Verification.
Creativity Mind
Creativity Mind
Creativity Mind
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Creativity Mind
AUTHORS PROFILE
Professor Piero De Giacomo
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