Beruflich Dokumente
Kultur Dokumente
Digital Television
Standard
Michael Isnardi
2 Michael A. Isnardi
FCC - DTV Broadcast Milestones
...availability of content drives receiver penetration...
End NTSC
All Commercial
Top 4 Networks broadcasts?
stations
Top 30 Markets
(53% US HH)
All
Top 4 Networks Stations
Top 10 Markets
(14% US HH)
DTV
1st Commercial (30%)
DTV stations Receiver
Penetration
Experimental
stations on-air Source: CEMA
97 98 99 00 01 02 03 04 05 06
42 Stations
3 Michael A. Isnardi
FCC vs. ATSC Standards
ATSC Standard
–Video Formats
FCC Standard
4 Michael A. Isnardi
ATSC Standard
• Standards documents:
– A/52: AC-3 Audio Compression
– A/53: ATSC DTV Standard (contains video formats)
– A/54: Guide to use of the ATSC DTV Standard
– A/55: Program Guide (Optional)
– A/56: System Information (Optional)
replaced
– A/57: Program/Episode/Version Identification
by
– A/58: Harmonization with DVB SI (Rec. Practice)
– A/63: Standard for Coding 25/50 Hz Video
– A/65: Program and System Information Protocol...
• FCC approved everything but video formats
• For more info, see atsc.org
5 Michael A. Isnardi
ATSC DTV System Layers
...layered system with header/descriptors provides flexibility...
L C R Multiple
MultiplePicture
Picture
Formats
Picture & 5.1
Formats
5.1Channel
Channel
Sound Layer LS LFE RS Sound
Sound
7 Michael A. Isnardi
ATSC Decoder (Generic)
Single-Program Decoder
MPEG-2
Bitstream MPEG-2 Display Video
DTV Physical Processing
Channel
Decoder
Tuner Select
AC-3 Audio
Demux Bitstream AC-3
port
Decoder
Trans- Time
8-VSB Transport Stamps
Clock Recovery
Demod- Stream
(19.4 Mb/s) and A/V
PCR’s
ulator Synchronization
Program Select
Program (from User)
Select
Program Guide
Database
8 Michael A. Isnardi
Analog vs. Digital - Signals
Analog
“noise”
Digital
10 Michael A. Isnardi
ATSC Video
11 Michael A. Isnardi
MPEG-2 Video Decoding Process
DCT
Coeffs Inv. Inv.
VLD IDCT Sat.
Scan Quant Decoded
Pixels
Zig-Zag Scan Mode
Combine
Quant Scale Factor & Quant Matrices Predictions
MPEG-2
Bitstream
Parsing Motion
Vectors Dual-Prime Scaling for Half-Pel Info Half-Pel
VLD Prediction
Arithmetic chroma
Filtering
Vector
Predictors
12 Michael A. Isnardi
Sequence
(Display Order)
GOP
(Display Order, B B I B B P B B P B B P
N=12, M=3)
Cr MPEG
Picture Y Video
Cb
Slice
Layers
0 1 Note:
MacroBlock 4 5 Y = Luma
2 3 Cr = Red-Y
Cb = Blue-Y
Y Blocks Cr Block Cb Block
MPEG Video Layers (cont’d)
• Coding structure consists of several well-defined layers with header
and data fields. Important syntax elements in each layer:
*optional in MPEG-2
14 Michael A. Isnardi
ATSC Video Constraints
• Sequence Layer
– Video Formats as per Table 3 in ATSC Doc.
A/53, Annex A
– Bit Rate £ 19.4 Mb/s
– VBV Buffer Size £ 7.99 Mbit
– Chroma Format 4:2:0
– Component Video Format
• Picture Layer
– VBV Delay £ 0.5 sec (limits channel change
delay)
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ATSC Video Formats
HDTV SDTV
1080i 720p
CBS, NBC ABC
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Dealing with Widescreen
HDTV will be
sent in widescreen
format
19 Michael A. Isnardi
Trends in Display Processing
...for HDTV Integrated Sets*...
Input Format Display Format
Any 1080i
480i/p 540p
720p/1080i 1080i
480i/p 480p
720p/1080i 1080i
480i 960i
480p 480p
720p/1080i 1080i
*Source: CEMA
20 Michael A. Isnardi
Trends in Display Processing
...for Set-Top Boxes*...
Input Format Display Format
Any Native Format
Any 480i or 480p
Any 1080i
480i/p 960i
720p/1080i 1080i
*Source: CEMA
21 Michael A. Isnardi
Interlaced vs. Progressive
Field 2
• Interlaced Field 1
– picture split into even and odd lines
(fields), with 1/60 second between fields
– relies on persistence of vision to fuse
fields
– early bandwidth-saving technique
– fine for general entertainment Frame 2
• Progressive
– all lines in picture from same time Frame 1
instant
– required for up-close work, e.g.
computer displays
• ATSC standard accommodates both
22 Michael A. Isnardi
ATSC AC-3 Audio (Dolby Digital):
5.1 Channel Surround Sound
Display
L C R
Surround LS RS Channels
LFE
Low Frequency Effects
(Thunder, Rumble, Quake)
23 Michael A. Isnardi
Audio Compression
Sound Pressure Level
70 (dB)
1 kHz Masking Tone
60
50
Masking
40
Threshold
Threshold Threshold
inQuiet
of Quiet
30
Spectrally-
20
Shaped
Quantization
10 Noise
(Toslink or S/PDIF)
AC-3 5.1-channel with
Bitstream
downmix Dolby ProLogic
(4 channels on 2 wires)
options
Stereo
Mono
20 Mbps WXYZ
video TEXT video audio 1 video video audio 2 video video PGM GD video
27 Michael A. Isnardi
Emerging ATSC Standards
• Transport (T3/S8)
– Program Guide and System Information Protocol
– Conditional Access Standard out for Ballot
• Data Broadcasting (T3/S13)
– Draft Standard in Progress
• Interactive Services (T3/S16)
– Draft Standard in Progress
• DTV Application S/W Environment (T3/S17)
– Draft Standard in Progress
– Java Virtual Machine approved for DASE Application
Execution Engine
28 Michael A. Isnardi
Program Guide Example
Phy
Chn ID Name 6:00 pm 6:30 pm 7:00 pm 7:30 pm 8:00 pm 8:30 pm
Movie:
12 12-0 NBZ City Life Travel
Lost World
30 Michael A. Isnardi
A Data Broadcast Picture
...adapted from “ATSC S13 Overview” document
• Television Programs
– A/V
– PSIP/System Info
• Associated Data, e.g.
– HTML-based
– MHEG-based
– New media/graphics
• Stand-Alone Data Services ATSC
– Subscription Services
Broadcast
» Magazines Multiplex Bitstream
» Music
» Targeted Info Services
– Streaming Data
» DSM-CC
» IP
There are some of the services
• Opportunistic Data Services
– Business data services
expected to be supported by
– IP Router in the Sky ATSC T3/S13’s data protocols.
– Targeted Info Services
31 Michael A. Isnardi
For more information on DTV
• Trade Journals
– Broadcasting & Cable
– Television Broadcast
– Television Technology
– Television Digest
• Web Sites
– www.broadcastingcable.com
– www.digitaltelevision.com
– www.tvbroadcast.com
– www.cemacity.org
– www.atsc.org
Snapshots from the PBS/Intel
– www.pbs.org/digitaltv Enhanced TV Special on
Frank Lloyd Wright
32 Michael A. Isnardi