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ALICE.

IN

CHAINS
ACouSTiC

NneYIIAIdCItIPno...

Ions AND YOLAND

nscrib.d by
E BILLMANN

ANGRy

27.

10.

CHAIR
BRotHER

22. DOWN iN A

HOLE

48.

FROGS,

36.

GoT ME ~~5~6.

HEAV~Ii'~E;$i))E6ti

40.

KILLER:ES~.

59.

14.

,NO EXCUSES<
~.

. ,.

, .. ,

.'

'.;

......

'.

......

.,

6; NUTSHELL
53.

OVER NOW
30.

16.

ROOSTER

SLUDGE FACToRy
45.

WOULD?

62. GUITAR NOTATION LEGEND

Photospy Danny Clinch


ISBN 0-7.935-7240-1

118
HAL-LEONARD"
~
,,"77

co R po RAT 10 N
w. BLVEMOUNORO' P.O:BOX 13.811 MIL;,y.l\UKEE, WI 532'13

..

,, .
"_,
por ~lw6rksc.ontain~d '~~r~i'n: .~.
':,' ,-,>
, <: .. '
"'Una'4lhon.,~d c,opying, arranging,.:a,dapting(recor~ing ..or pUblic'pert0llTlance is; an,infringement of copyright. .
.. :,.-r,

.L:"P Inf~l'l~ers"a~,liable under the law;,"

Nutshell
Words by Layne Staley
Music by Jerry Cantrell, Mike Inez and sean Kinney

Tune Down 1/2 Step:

(j).Eb G).Db
.Bb @.Ab
@.Ob @.Eb
Intro
Slowly
E

J =58
D

GIB

Cadd9
Rhy Fig 1

Gtr. 1 (acous.)

,.

:::::;::1

<i

~f

'i

-r

simile 011 repeats

let ring throughout

Em7

play 4 times
End Rhy. Fig.!

:~

~~

Verse
Gtr. I: wI Rhy. Fig. 1,32/3 times, simile

Em7

Cadd9

~ ~.

~I -------

~
:

1. We

chase

mis - print-ed

Cadd9

~
~--

lies.

Em7

Cadd9

'1
yet

fight, _

face

J~rp J
and yet

fight

the

,
)1
this

path of

---------

time. _ _

Em7

No

F
bat - tie

all

a - lone. _ _

Cadd9

~.

'I
~~~~~~~
E==~~
E:~~~w
~ J s===J===

We

And.;

Em7

j4
one

J
to

$3
cry

J-..... ~.

to.

no

place

Copyright 1993 Jack LordMusic, Buttnugget Publishing, Michael Inez Music and Lungclaw Music
International Copyright Secured All Rights Reserved

J J

to

home._

call

-------

Interlude

eo ----

Cadd9

D5

I"

-----~

00,

!:.,..

Gtr. 1

"""',.........................

---

-j

-~~.,..

'.,..

00.

i'/\

_" :;t :;t:;t

;"

Em7
~.

f:~

1~

!:.,..

i'/\

1~

,"""' ...."""....

1~

Rhy. Fig. lA

Gtr. 2 (acous.)

Ri

I oJ

~ i

r--=:.

!"""'ill"!
-lI

...

-lI

mf

.-lI'-lI

-lI

-lI

End Rhy. Fig. lA

'-F

~F==;-

r-Fi

i~:;t ~ ~ti

~ ~

=-

let ring throughout

Ott. 2: wi Rhy. Fig. lA, simile

..
"

n-

Cadd9

Em7

~~~~.,..

=::::::::-

00.

00,

Gtr.l

oJ

~ f: ~

.
:;t :;t ~

~3~

~ 1f~

1~

Verse
Gtrs. 1 & 2: w/Rhy. Fig. 1,3 times, simile

Em7

Cadd9

2. My

of

gift

self is

raped. _ _

Em7

pri

My~_---'---------~--

Cadd9

~~# ~O
And

tU

yet

find,_

and yet

va - cy

find

]i

r r

re - peat - ing

is

raked. _

Em7

Ujdlf
in my

head, _ _


oJ

if 1_ can't be

L,

-----

I'd

feel

=::::::==

~~"

r== !:.__

r-x>.

~ ~
I~

~~

Gtr.2

::::::::=

'"

bet-tee dead._

~=,-

-e-::::::::::::

"----'

'-?-

my _ own

Gtr.l

'"

Em?

Cadd9

=::=::==-6

-e-

~~:;t :;t ~ ~

==-

Interlude
Gtr.2: w/Rhy. Fig. 1,2 times, simile

;'"

00.

Em?

Cadd9

00.

oui

I'"
I~

Em?

Cadd9

.. (':.-----."

I~

f?'

-~ f:- .__

---

}rf>-

___ Jr___ ___ .__-.-

~,..--

oJ
00,

00,

00.

f:- ___

I'"
I~

I~

Outro-Guitar Solo

Cadd9

ee.t

Cmaj7

"

oJ

Cadd9

=;-

,.......:;

..

Cmaj7

Cadd9

Em?

.... =

..

Rhy. Fig. 2
Ott. 2

"...

u,

oJ

..

I~

oj

>;>

I~~

ro-

.. -..:....

'0:;0

.v

....,....,

End Rhy. Fig. 2

~fT

F==;-

..... .. .

;::;-

'-:i

. --:==
=

==L

:0

Ott. 2: w/Rhy. Fig. 2, simile

Cadd9
Ott. 1

.,

Cmaj7

- _..

Cadd9

Cadd9

Cmaj7

Em?

..=

':J

..=

...-

Ott. 2: w/Rhy. Fig. I, simile

."

Cadd9

1 Cadd9

-"'

I~

."

--

full

Ott

Em?

...

Cmaj7

Cadd9

,--.,

Cmaj7

Cadd9

D5

Em?

'"

oJ

f~ll

.,

Ott. 2

oJ

"
..

F .....

F'"""

. .::::;. .

=;-

'"
::::=::::0:

j
.~U

Brother
By Jerry cantrell

flU
134211

Tune Down 1/2 Step:

<D.Eb

=Db

@.Bb

=Ab

@'Gb

=Eb

Intro

Moderately Slow J
A7

;:/

G/A

34

123

A7sus4b 13

.'

'"

GS

118m II

2 4

23

AS

=80

Gtt. 1 (acous.) Rhy. Fig.!

A7sus4

A7

----

":

" "

"

let ring throughout

A7sus4'13 A7
play 4 times
EndRh y.Fig.!

:~

A7

:
~

-"

"

"

" '"

" Key signaturedenotesA Mixolydian.

" Gtr. 2: wI Rhy. Fig. 1,4 times, simile

A7

".u.
I '"

A7sus4'13 A7 A7sus4,13 A7

'ii-

~ ....

Mm,
oe.i

End vee. FIg.]

'"'~

mm.

RlItA

I'- r>,

I'"

A7sus4,13 A7 A7sus4' 13 A7

Voc. Fig.}

lOA

'ii-

9....

~~

l~

l~

End RUT A

l~

" Gtr. 2 (acous.)

w/Voc.Fig,l

A7

A7sus4b13 A7 A7sus4b13 A7
/l>A
~

l~

A7sus4b 13 A7 A7sus4b13 A7

l~

Verse
Gtrs. 1 & 2: wI Rhy. Fig. 1.3 1/2 times

A7

A7sus4'13A7

A7sus4,13A7

A7sus4,13A7

A7sus4,13A7

~~j~f~~:~
10

l.Fro-zenio_ a

place _ I _

hide,

2.Ros - es in_ a

vase _

white,~_

of _

_~_

not
a - fraid _ to paint _ my _ sky
blood-ied by _ the
thorns _
be - side

Copynght 1992 Buttnugget Publishing


International Copyright Secured All Rights Reserved

_
_

with some_.
the
leaves;

Gtrs. 1 & 2: w/Rhy. Fillt

A7sus4b 13 A7

'who say _ I've

lost _

my _

A7sus4b13 A7 A7sus4bl3

Broth-er,
pull-ing

mind. _ _

that fall _ be - cause _ my _

$S

A7sus4b 13 A7

hand _ _ is

and
theme hard

hope_ to _

A7

try _

find._

as_ 1 _ cau._

Chorus

A7sus4

A7

If'

Rhy. Fig. 2

J---))

0.')

simileon repeats

~"-

A.

Y
You

OJ

Otr.l

were

A "

Il

A5 A7sus4

a - way._

I
'~

\~

simile on repeats

far_

so

ways

..--..
~.

\~

I "

al

.------1

"-

A7

~~
~

open

})

A u

I OJ

I
I
1 _ _ _

I"

:..

..

:ii

Rhy.FiU 1

Gtrs.l&2
A.
OJ

9\~

--

-.

1.,3. so

way, __

i=:l--

pain._

know that
know the

3rd time: I _ _ _

A.

2. and

~..--..

r--

----

\~~

;--

F==

11

05

05

05

O/A

3.

3ft

, r: rrr: . ---

End Rhy. Fig. 2

don't
I

you
won't

u,

I"

,.

...

IOJ

a
a

like

way
way

like

J.....----..J

, ::;

i:

ruu
run

you
I

used
used

to
to

do.
do.

'ii

To Coda-$-

Interlude
Ott. 1: wi Rhy.Fig. 1,2 times,simile
Orr. 2: wi Rhy. Fig. 1,6 times,1st time,simile
Orr. 2: wi Rhy. Fig. 1,4 times,2ndtime, simile

Orr. I: wi Riff A, 2 times


wI Voc. Fig. 1,2 times

A7sus4~13 A7A7sus4b13 A7

A7

A7sus4bI3A7A7sus4b 13 A7

8
I

:~

12.
Gtr.l:w/Rhy.FiIl2

Otr. 2: w/Rhy. FiliI

A7sus4b13 A7 A7sus4b13 A7

A7sus4b13A7A7sus4b13 A7

Guitar Solo

.. ..

Ott.2: w/Rhy. Fig. 2, simile

,.

Ott. 1

A7

F
.

10./\

I~

AS

Asus4
10./\

A7

I~

~"-.........--"

1/2

r---

''-J'v~~
I~

Rhy.FiI12

,.

"

12

r--::~

I~

Otr.l

A7sus4

!'~~

:<i

:0

L..--J

~~..

Co'

I~

Gtr. 2: w/Rhy. Fig. 1,2 times,simile

G5

~ /\'~'~~~~"""

.,

GIA

--..
l~

""" ...""""

--.....

A7sus4b13 A7

!'JL~
. +-f'-

.,

f'-

A7sus4b13 A7

_
~

r-.
. . .~.

A7sus4b13 A7
11\A

..------.

A7sus4b13 A7

full

s..

l~

Verse

oe.2 meet

Gtr. 1 tacet

N.C.

!f

.,

" .............""

""'"

l~_~

.r>,

Gtr. 2

A7

3. Pic-tures

in __

bux _

"-J

at __

home.c,

yel- low - ing_

green _

and

with mold_

so

1_

Gtr.l

"

D.S. alCoda

can

bare

ly

see __

your_

face. _

Won-der

how _

that

col

or_

taste.c,

-$-Coda
w/Voc.Fig.1

A7sus4b13 A7

A7sus4b13
/C- ____________A7

GEr. 1

l~

A7sus4b13

A7

l~

A7sus4b13 A7
Orr.2

A7

f''"

f'~t:\

.~

.~

l~

full

13

No Excuses
Words and Music by Jeny Cantrell

G6

Aadd9

Baddll

II liS. II'.
1342

1342

1342

342

Tune Down 1/2 Step:

CD="' G)=D,
=Bb

=Ab

=Ob

=Eb

Intro
Moderately

(drums)

J = 121
"0trs.

I & 2Rhy.Fig. 1

,..-

(acous.)

4,

Aadd9

Aadd9 Baddll

play 4 times
End Rhy. Fig-I

:
~_-.J

OJ

mf
let ring throughout

'" Key segnature denotesB MIXolydian.


**compositearrangement

~Verse

~#b~:

Gtrs. 1 & 2: wi Rhy. Fig. 1,8 times, simile

Aadd9 Baddll

\~

1. It's
2. It's
3. Yeah,

Aadd9

Aadd9

~~;,~Igf~~~;,~

right. _ _
kay, _ _

it's

fine. _ _

al

Baddll

there

comes

a __

had
Walk

bad _ _
the

down

time.._ _
day. _ _
line. _ _

Baddll

Aadd9

Got

tience _

no

Hands are
Leave our

Baddll

4#11#1

\~
Lay
in'
and
Drained
You, my
8

11

]#1

Baddll

It

--------

low, _ _
bluet __

Aadd9

\0
I
I

~:
hid
fon
change, _

'ffi
in' __
ny, __

take
bleed

will

it _ _
for _ _
de

or

well
well.

dis - guis
you're drown
love
I'll

f
in'
in'
you

Copyright 1993 ButtnuggetPublishing


Intemational Copyright Secured

All Rights Reserved

slow._
you.__
fend. __

Baddll

Aadd9

\~

~"

wan - na

friend,_

Baddll

No more
You think it's
Bot if
we

14

~:

Aadd9

Aadd9

~0~

troths I've
in
it
an
y

told.
too.

way.

II

Chorus
G6

Aadd9

Aadd9

Baddll

Rhy.Flg.2

G".~

'"

=l ~

Go. 2

"."

Ev-'ry

day

r
.L,

it's

some - thin',
~

r I

---.

--

bits_ me

alI_ so

.......

cold. _
~

?~2)
~#II1] ~
Find

Aadd9

JTT)~JTT) JTT) ))

roe

sit - tin'

self, _

l~

Aadd9

by __ my

(cont. i~ash)

-----..

l~

G6

A/'..

)) )~)) )~rffJ2
~

no ex - cus - es, _

then I

know. _

To Coda

Interlude

-$-

Gtrs. 1 & 2: wI Rhy. Fig. 1.4 times, simile

Guitar Solo
.

Gtr. 2: w/Rhy. Fig. 2, simile

Aadd9

G6
Gtr~ 1

Baddll

~"''''~.... ~~..-

.II-

Aadd9

Ii)....,..:""

. ..

In

G6

". ~

"

'"

/i'-

In

-$-Coda

... ......

Aad~

r>

l~

- -,

...,*~1',..----;' ~..
1~4

In

Rhy, Fill I
Gtrs.l

'"

l~

.
Aadd9
ru. poco a poco

".

.. I,.. .. ,.. .. ,...J

Gtrs.l &2:w/Rhy.Filll

Gtrsv I & 2: wI Rhy. Fig. 1. 3 times, simile

Baddll

D.S. a/Cada
Aadd9

&1

B Baddll

'"
'"

:<i~

.;!

1<:

15

Sludge Factory
Lyrics by Layne Staley
Music by Jeny Cantrell and Sean Kinney

Drop D Tuning, Tune Down Itl Step:

CDE~

G) D~

.G~
.B~

.A~
.D~

Intro

Moderately Slow J
E~5

=82

Ebsus2

E~S E~sus2

Dsus2

Dsus2

'OJ

Ah.
Gtr. 1 (aeous.)

Rhy.Fig.l

rl

't,;'' ",gh'", ~::::~

IOJ

==-..i

End Rby. Fig.l

Rhy.Fig.lA

Gtr. 2 (acous.)

~::::

~ ~ ~II>~~ ~

End Rhy. Fig.lA

IOJ

'~ ~

let ring throughout

~ ---::~

---

-----

~=~

. --::~

---

~ ~ '~ ~

~~

'O:::;

Gtrs. 1 & 2; wI Rhy. Figs. 1 & lA, 3 times, simile

Ab,

Eb5 Ebsus2 Dsus2

Verse
Dsus2

OJ

1. You in - sult me
3. Now the bod - y
Otr. I Rh
"

y.

Fi

g.

BbS Ebsus2 Dsus2

Ebs Ebsus2

in

of

my _ _ home; you're for . giv - en this


ooe _ _ soul
I
a . dore wants to

Dsus2

time._
die. _ _

Things go well, your


You have al - ways

~' ~ ~ ~ ~=~ ~ ~~ l~

~:::::~ ~ ~

'Ii:

;~~

G:.2 Rby. Fig. 2A

OJ~

16

eyea.,
told ..,

OJ :~:.
mf:

mf:~

Ah. _ _

yeah.L,

...

~~~

Copyright 1995 Jack Lord Music, Buttnugget Publishing and Lungclam Music
International Copyright Secured All Rights Reserved

Gtt.l;w/Rhy.Filll,2nddme

Ebsus2

Dsus2

----------

10)
---

di

me

you
not

late,
you'd

shake,
live

and
past

high. _ _

I'm

End Rhy. Fig. 2

'~

~
~

deep __

----------

---

----

- - - - --e-- - - -

----------

'~

eyes

-----:e.---

End Rhy. Fig. 2A

10)

my

in

-----

10)

Look

five._

twen-ty

----------

--

l~-----~--

----

------&- - - -

----------

To Codal-$EbS

Ebsus2

ms

Dsus2

E,sus2

Dsus2

car - ton

size, _

0)

--

and watch the clouds change with time._


say stay long e - nough. _
I

Hours _ won't print __

Twen - ty

:~

milk

*Gtrs.l&2

o)~

my pic - ture

;:i ------:::~
::=::~

'~

-----::1 ~ ::::~

. -------

-----

-------

.,~

**:::::

** Gtr. 1 plays lowest three notes only.

*composite arrangement

Gtrs. I & 2; w/Rhy. Figs. I & lA, 4 times, simile

Eb 5 Eb sus2 Dsus2

~t'

fJ.i

~
ton __

car

Rhy.FiIIl
Gtt.l

0)

::::;

:.

Ebs Ebsus2 Dsus2

;~

size,

car - too __ size,

1..----

j j j ~t'~ ~

r:~

17

Verse
Gtrs. 1 & 2: wI Rhy. Figs. 2 & 2A, simile

E~sus2

EbS

E~5

Dsus2

if J.1

gf"

car

ton _ _

~r-----tR

Ebsus2 Dsus2

2. Call me

size.

Ebs Ebsus2

Dsus2

up, con

grat-

EbS Ebsus2

Dsus2

~~J
'/

u - la - dons ain't the

real

There's no

why. _
Eb 5

.~

E~ sus2

pres - sure

be - sides _

Gtr.l

O)~

--

...-

----

~ ~

ce.z

me con-trol time.L,

nor - anee lets

--- .

--:::;
--::~

:~:::

By the way,

*:;;1

by the

way... _

'i

..

rg

~
~

: ;ti
"

;~ ;~

~~ ~'i ;0~

;~

;~ ;~ ;~

..

--g

---.~ ~

~ ~-e--------

"'-'~---

.~ ~

~:::

.~ ~

~:::

~~

Chorus
'AS

p'9

0)

Oncc

r==i

I .,

.If.

gain ;

you

. .- .

p'9

AS

..,
---------

--------see_ an __ in,_

dis-col

ored ;

skin;

RierA

.~.

gives _ you
End Riff A

rFi

:::~

nine. _

...-=

I""""'

r--:

oJ~_

....

~"'I

;~

day

Eb5E~sus2Dsus2

ig

by

Dsus2

.,
Cor-p'rate

bril-liance, let's say

1/2

Rhy.Fig.3

0)

:::~

~.

~'* :;t~:;t ~~~

* Chord symbols reflect implied tonality.


18

~.

~'* :;t~:;t ~~~ ~ ~

To Coda2-$F6

AS
.,

"""V

'"'

a - way._

...

--;=;

a - fraid, _

50_

k ...

you

::.

.. ..

"""V;j

gle

out

.;._.

c,

1_

date ,

EndRiffB

.
'~ ~

~.

T'" -'"~..

~~~"

.:;.

J:

. ~ ~ ~~, 9~,,~

-$-Coda1
,Eb5 Ebsus2

to

re - pay_

all who caused _

,~

.~

.~
<::

DS

strife. _

G~.l

<";I.~'to~'\'to,
~

I oj

GuitarSolo

.
loJ

~~

End Rhy. Fig. 3

:J-

for me.c.,

-If...

"

.
I oj

..

ly gur

R;';";

E~5 E~sus2 Dsus2

-,~

kind

D.S. al Coda 1

F69

--::

:;

.~

~ ~

~
~

<;

" "",
....

G~.2

I t..I

- --".g._ _

__-8-_ _

:::::;
----

,~

~<>
~<>

19

E,S
.~

Ebsus2

DS

Dsus2

"""""'"

oJ

"''''''''''''1".0'4)0'

loJ

.JJ------,]:
E,S

oJ~

.J. J ~
PM._
--l

Bbsusz

--

~~

~~

DS

Dsus2

~ ~qU

P.M.__ -l

In

* .. * * ..- --/

.. .

"

~---'---.--

..-

,.

~~

oJ)

~ -------~

-------

--

-::::::.

:~

D.S.S. al Coda 2

Ebs Ebstis2

Dsus2

oJ

E,S E,sus2

DS

~ ~!'}

AS

*+JI-,

b~

holdbend

~:::

j .~ ~

~:::

full

" - --.----

loJ )

~~

~~~

j j

~=j

... Played ahead of thebeat.

20

-$-Coda2
Ott. 1: wI Riff A,3 times

Ott. 1: wI Fill 1

* Ott. 2: w/Rhy. Fig. 3, simile

Ott. 2: w/Rby. Fill 2

p'9

~~
out __

date

for

c,

me. _ _

Once_

a - gain_

you

* The AS chord is struck, not tied, on beat 1.


F~

AS

see_

p'9

AS

!
~~.,~~~~
~
'I

an__

in, _ _

dis

col

ored _

skin

gives _

you

a - way._

$0_

Ott. 1: wi RiffB

p'9

AS

t==@t
a - fraid,_

you kind

ly

gur

E,S

~.

out __

gle

Ebsus2

1'0'

Dsus2

r @

date _

for

me._

Outro
Gus. 1 & 2: w/Rhy. Figs. I & lA, 3 I/2 times, simile

Eb 5 Eb sus2

Ah.

Eb5 Ebsus2

Dsus2

Ab,

Dsus2

Ah. _ _

yeahL;

Eb5 Ebsus2 Dsus2

Ab,

E,S

Glr.l

yeab.

L;

Dsus2

Ebsus2

'"

.,

.~

=
~

----------------:;;::
________-E>

Gtr.2

'"
.~

=~

01

01
1

----------------:;;::
________-E>

Rhy.FiII2
Ott. 2

Fill I
Ott. 1

"....

.. ...
~

.'
21

Down in a Hole
By Jerry Cantrell
TuneDown 112 Step;

<D.Eb G).Db
@.Eb @.Ab
@.Ob @.Eb
Intro
Slowly,J
"Am

Orr. I (acous.)

'"

=47
G5

------

I I

~f

------

'ii

:0

G5

Am

I I

:0

'i

wI fingers

let ringthroughout

'" Key signature denotesA Dorian.


** Chord symbolsreflectimplied tonality.

G5

Am
~

"
oJ

;0

:0

~ Verse

'"

.......

y~

me

I'"

,.

--0

J
:#

loJ

;f

;0

simileon repeat
letringthroughout

j
wan

22

r r Ir
na

be _ _

in - side _

of

you. _

Copyright 1992 Buttnugget Publishing


International Copyright Secured All Rights Reserved

.,

CO

..J

womb.

L,

simileon repeat

Riff Al
Orr.2 (acous.)

G5

'ii

..- ,

Am

'i

;0

soft-Iy_ in_ this

L,

oe.t Riff A

.......,

1., 4. Bur

:0

Bkgd. Vae., w/Voc. Fig. 1,4 times, 2nd time

G5

'ii

Am

G5

Am

G5

Am

ti

give_

--__J.
this_

part of_

ti

..c---

you.

,.

,.

me_ for

..J

. ti

G5

Am

EndRilTA
~

End Rift Al
~

Gtrs. 1 & 2: wfRiffs A & AI, Isr 7 meas., simile

~r

Sand_

~~~~
M I ~:

G5

rains

flow - ers_

down

Lc,

G5

sit. _ _

here

and

L;

io _ _

tomb.

~:
jog _ _

hold

G5

Am

To Coda

Am

Am

I. In
2.

bloom,_
Oh, I

.. .. ..

A5

,~

.. -

Down in
Down in

- side.

a
a

hole_
hole_

don't_ know if
and
I
and they've put _ _
all
the

can
in

be

saved. _

their place_

~.

'* '*

~:::::~

wI pick

I"

I __
stones _

End Rhy. Fig. 1

ti

r---

Rhy.Fig.1

Ocr. I

ce.z

GID

ti

in

wan- na be_

-$- Verse
..
Gtr, 1: wfRhy. Fig. lA, 8 tunes, 2nd ume

--

rare

Rhy.Flg.1A

...-

~I

"

End Rby. Flg.IA

I~

~.

23

Ott. 1: w/Rhy. Fig. 1, 7 times, lst time


Ott. 2: w/Rhy. Fig. lA, 7 times

AS

~#~
it

GIDAS

------_
~
~~
~ 'r==
~
~-==-

E::=c

See my_
I've eat - en the

L,

ynu

Oh,

I
in'

GID

gg

was
my

sup
self _ _

posed

to

in

the

AS

dec -

rate

0 -

tongue _

a grave. _ _
of the taste._

AS

r
don't
I

un

- der

have

been

stand_
guil

who
ty

~
GIDAS

they
of

~
thought _
kick

be.
teeth.

like
_
burned _ _

it

has been

AS

I
my

GID

"t

and
so

heart
sun_

AS

GID

GID

GID

~!,~~~~
Look
I

now,_
bring _

at me
will_

.... ..

I'm

no _ _

man __
more _

who won't let __


of my
feel

him - self be.


_
ings be - neath. __

Chorus

Cadd9

DS

DS

.. ,. . .

fr.~

Cadd9

oJ

Down in

Otr.2

hole, _

108-

soul. _ _

RiffB

End RjffB

"

..

oJ

Ott. 1

in' my

..

, ~i

i _i

.
Rhy.Fig.2

End Rhy. Fig. 2

loJ

::;?

1 'I ~

~
~

If::?l 'I 1

Ott. 1: w/Rhy. Fig. 2


Gtr.2:w/RiffB

Cadd9

DS

Down

24

in

hole,_

Cadd9

DS

los - in'

con - trol.

-----

F5

E5

C5

"
I'd

but

b......

F5

N.C.

my wings have been

so

Rhy. Fig. 3

.....

~:, \~

>

de -

End Rhy. Fig. 3

1&2

oJ

fly,

to

like

N.C.

-n~-I

---

oJ

ecs.

_---------'--~

Jr. ~ :...--

.................... ....

,, ,,,,

-i~J \~ ~~~ ~ ~ ~
~~

liz.

Interlude'
Gtrs. 1 & 2: wi Riffs A & AI, last 4 meas., simile

D.S. alCoda

G5

Am

G5

G5

nied.~

-$-Coda
Chorus
Gtr.l:wfRhy.Fig.2,4times

Cadd9

oJ

Down m

Cadd9

los-in' my soul._

hole, _

End Riffe

------It!

oe, 2: wi Riff C, 3 times, simile

D5

Down

Cadd9

in

feel - in'

hole,~

D5

D5

Cadd9

so

srnall.

Cadd9

Cadd9

D5

~~~~~~1~: ~~
Down

in

D5

Down

los - in'

hole,_

Cadd9

in

hole, _

my

soul.

D5

out

Cadd9

of

con - trol.

25

Gtrs. 1 & 2: wI Rhy. Fig. 3

~~~~~~~~i~;~
~.
~:--:
05

E5

F5

C5

I'd

like _

to

fly,:==============-

Outro
05

Am
A.

IOJ

. , '*

Am
A.

"

L I

05

c.

so

~
de _

'ii

'ii

"

'ii

'*

'ii

'i
rit.

A5

~I

05

"

Am

'ii

I~

'i

"

'ii

r-;

A.

26

"t:::;. :

'i

A "

oJ

05

Ott. 2

my wings have been

but

A.

OJ

N.C.

nied.

Ott. 1

oJ

t# r

Am

-,;

F5

N.C.

'"

"

'*

'"

L....I...J
rit.

...

...

Angry Chair
By Layne Staley
Tune Down 1/2 Step:

<D=Eb

(!)=Db

=Bb

=Ab

=Gb

=Eb

E5

alii
2

Intro
Moderate Rock

23 I

J = 108
N.C.(E5)

E5

Gtr. 3 (acous.) ..-...

)
mf

Riff A
Ott'S 1 & 2 (aeons)

(drums)

I"

End RierA

T ~v~' *-.J!"

mf

T ~v~'I*~

112

T ~v~'I*~

112

T ~v~'I*~

1/2

+ .

1/2

Gtrs. 1 & 2: wI Riff A

~$
~

rr: ).

,,,.

);)

,,,.

) J n~))

) J

r-: ) )

II

Verse
Gtrs. 1,2 & 3: wI Riff A, I 1/2 times
~

N.C.(E5)

~
----.....

~~~~~~~~~
1. Sit - ting
2. Can - dIes
3. Lone - Ii

on _ _

an

an

chair. _

red, __

have __

pair. _

An - gry
Shad - ows

ness _

is

not _ _

phase. _

Field

gry

~~t=@~~~
the

air. _ _

'ry
I

where.L,

graze.L,

Se

"----'

hnrts_

Stom - ach
Burn - ing
ren
i

on _ _

ry--

and
the
is

dan
pain _

of

steal_

cin'

ev

is

where

L,

I
an
far _ _ _

don't

gry
a

care._
chair. _

way._

Gtrs. 1.2 & 3: wfRhy. Fig. 1, 3 limes

/---r='1

,-.,

OJ

I
boy
re

see _ _ 'cross the


made
a
mis
flee
tion and
L,

N.C.

~
0

way.
take.
cried.

. c

>

=--

----

<;

See my - self mold


ed
now_ tnmed
Pink cloud bas
hope_ that
So
lit - tie

(Hey.

in
to
I

clay. _
gray. _
died. _

End Rhy. Fig. 1

*Gtrs.l, Rhy. Fig.l

2:3

"'"....'"; ...."''''0:.....''''''

LL

OJ

that

~
~~~
----.....

Pre-Chorus

What do
Lit - tie
Saw my

walls _

\~

~~7J
l~

"~"""""".,.",, ....

"compcsire arrangement

Copyright 1992 Jack Lord Music


Intemational Copyright Secured All Rights Reserved

27

N.C.

--..

4* ~

N.C.

-----

(Oh.
(Oh.
(Oh.

Stares

at

All
Feed

that
me

I'm
a - fraid.
play.
is
to
wide.
o - pen

yeah,_
want
lies,_

me,
I
your

L;

_
_
_

11.
Interlude

Gtrs. 1,2 & 3: wi Riff A

~~?~~~Ld~~II~~~,:~
F
Chang - ing

Get
Weight

on
of

the

shape_

of

his

face.

your
my

knees,_

time
not

to
the

pray.
size.

heart,_

(Oh,
(Oh.)
(Oh.)

_
_

yeah.)

[2.
Chorus

B5

AS

F#5

05

don't _

Gtrs.l,
2&3
1\..lIo

OJ

NC
..

......yeah.

oJ

B5

AS
<,

~-

mind,

Rhy.Fig.2

7ftj

7ft

7ft~~~~~~ ~ ~:::;; ~

~ ~~ ~ ~

"

7ft~~

,~

End Rhy. Fig. 2


~3~

"~~

1/2

*-:1 *-:1
1/2

1/2

Gtrs. 1,2 & 3: wfRhy. Fig. 2, 3 times

A5

B5

B5

mind,

don't_

B5
='-

AS

my

Lost

F#5

F
find

~
it

an

Bridge
Gtrs. 1,2 & 3: w/Rhy. Fig. 1, 4 times

N.C.

All that

28

dull
I

boy, _ work all


want _ is to

day.

play.

B5

05

A5

J J

'I

B5

N.C.

where.L,

pri
now _

son
we
turned to

So, I'm strung out _

N.C.

II

1. Cor - por - ate


2. Pink cloud has

I'm

A5

yeah._

F#5

~.
Can't

N.C.

05

ntind,

B5

AS

yeah.

stay.
gray.

_
_

an - y - way. _~_

Guitar Solo
Gtrs, 1 & 2: wI Rhy.Fig. 1,4 times

N.C.

full

N.C .
....-

. ""

.....

....

N.C.

"0..-/

P.M.

..

-;

N.C.

,~"'''''

""-""

holdbend

D.S, alCoda
(take 2nd ending)

"""~,~"

'i'-..

-$-Coda

---

---

'"
"I

1...---1

01

Get

N.C.

on

yonr

knees.c..

time

to

pray.

boy.

OU'S.l &3

Iv

"

'"
q

G:: ,
101

~-----.I
'~

'"

,
"

..

",.-

.-

_~~

~,.,

...,

Rooster
By Jeny cantrell

II"

TuneDown IJ2Step:

(j)=E, @)=D,
0=", =A'
0=o, =E'
Intrc

lOff

'E

134211

Slowly J = 69

D
~

134211

GIr. 1 (acous.)

II

13

F~7addll/E

F~
Rhy. Fig. 1

Brr

F#5

Ii.m
342

134211

':=::i

F#

1333

Aadd9/E

r--I

" " 0

oJ

mf

let ringthroughout

=~:....
CO ________..

Iii

End Rby. Fig. 1

Aadd9/E

GIr. 1: w/Rhy. Fig. 1,7 times


F~

F~7addll/E

....

""

F~7addll/E

F~

Aadd9/E

GIr. 2 (~OUS.)

~'

F~

Aadd9/E

F~7addll/E

'~

mp

OJ

Harm. _

Harm. _ -l
letring ________

F~

" "0

F~7addll/E
{IL

~r--~

F~

F~7addll/E

00,

00,

oJ

Harm. ___ -I
letting ____________

let ring -l

F~

~u.

{IL

F~7addll/E

~~~

OJ

'

Aadd9/E

F~

{IL~{IL~~'

~
"-"-J

00,

00,

F#7addll/E

00, _ _ _

...-

"

...

--l

Aadd9/E

~,

"'"

00.

"" "
OJ

30

~'

....

""Or);

" "0

Aadd9/E

- -

~,

{IL~{IL ~{IL ~'

OJ

00,

-I

letring _____

-l

Aadd9/E

-ff:'

~ (

Harm. __ -I
let ring _ _ _ _ _ _ _ _

Oopyrtqht 1992 Buttnugget Publishing


International Copyright Secured All Rights Reserved

--l

Verse

."

Gtr. I: w/Rhy. Fig. 1,8 times

F#

F#7addllfE

Aadd9fE

F#

---......-1. Ain't found

..

way

Aadd9fE

kill__

to

me

Aadd9fE

"

sting-in'

." .

'--'
sweat. ;

Seems ev , 'ry

leads

path _

--

Eyes _

yet.

F#7addllfE

F#

F#7addllfE

me

to

with

F#7addllfE

F#

no

bum

where.

Harm. __
let ring__

Aadd9fE

F#

Wife

oJ

.,

."
oJ

and

Aadd9fE

---------

kids,

hold

house

pet. _ _

Harm, _ "
~ri~

."

F#7addllfE

.
.

F#

Ar - my

~:

F#7addllfE

.....,

........was

green _ _ _

~::.---~

Aadd9fE

F#

F#7addllfE

".------"--'

no

safe

bet.c.,

The

~'-.-/~

~~

:0

scream,

bul- lets

:0 '-.-/~

let ring _ _ _ _ _ _ _ _ _ _______

31

Aadd91E

A
"

ollo

11

F#7addlllE

F#

Aadd91E

,...

oj

to

me _ _

><.
some

from

----

Mm.

where.

----=

~.

oj

~:

~~~

~ Chorus

cr-c--'

~.

~~~

~~

EEF#F#5

F#

-rrt:

n rr r: m-r: })))
'P"

fTJl---J)T)

- -to snuff the roost I::J


they come
- er. _ _

Here

Ott. 2

F#

"

B rr

F#

,.

rr: rr-r: rr

. .

fTJl

(cont. in notation)

yeah,

32

rrn.. J)T) JTTJ

"

here come the roost er. _ _

,-

yeah._

..

...

E
~

F#7addll

Aadd9
r-.

---------.. ------F#S F#7addll

--:;;~~

r>;

.,
You know- he ain't- gon-na die.
Rhy. Fig. 2

oe.t

.,

~ ~
f

-""

~3

~ ~F'i ~

...... '1*

-.I

:1?1

.,,~

Rby.Fig.2A

>~

~.

;;t<

'""-

~. '0 ~ ~ ~:::;;

i3

~::::::~ ~~

,'~

End Rhy. Fig. 2A

,'~

r-F=;

"4;0""

.,

",,,............

simile 011repeat

Gtr.2

.- ,...

End Rhy. Fig. 2

r-

'0

;;t.Ji

'0

~ ~ ~

simileon repeat

To Codal-$To Coda 2

-$-

Gtr. 1: wI Rhy. Fig. 2, simile


Gtr. 2: wI Rhy. Fig. 2A, simile

F#7addll

Aadd9

F#S

Gtr. 2: w/Rhy. FiIll

F#7addll

AS

~~q~~t~~
No, _ _

no, _

no.

You know..he.; ain't gon-na die.

Guitar Solo

..

Gtr. I

Gtr. 2: w/Rhy. Fig. I, 6 times

F#

F#7addll/E

Aadd91E

F#7addlllE

F#

Aadd91E

F#7addlllE

F#

'"""

.,

~ ~

hold bend

"} __--.---....

-.I,jl<O

-,j

'""'"

Rhy.FiIII
Gtt.2

letting

A
I

...

--l

Aadd91E

T~T

-""

T/'"

----

"='~

.,

7~-.....--..9-

~.

'OJ

33

..

..

OJ

..

F#7addlllE

F#

let ring ________ --l

------bd-J

OJ

.e-Coda 1

~--:./

~d",--,,,,.

D.S. al Coda 1

Aadd91E

..

n'"~''''''~''''''''''''''''Ilo'''''''

r--,

ft .

F#7addlllE

F#

1...----....

====;

~ ~

Aadd91E

F#7addlllE

F#

Aadd91E

letring ______

-I

..

"'Ilo'llo"",'Ilo" . . ." "" . . . . . " . . ., . . . ,,,.. . . . . . . . . .

Verse

Gtr.l:w/Rhy,Filll
Gtr. 2: w/Rhy. Fill 2

Gtr.l:w/Rhy.Fig.l,Stimes
Gtr.2 tacet

F#

F#7addlllE

Aadd91E

F#7addlllE

F#

1#b.J

., .

2. Walkin' tall,
Aadd91E

gun

man._

in

my_

boy._

Aadd91E

F#7addlllE

F#

me ~

They spit on

'--...'

OJ

Glor.i

my horne land.c,
Gtt.2

rna - chine _

a __

tures

sent me pic

of__

L,

..

OJ

'~

F#

F#7addlllE

Aadd91E

F#7addlllE

F#

Aadd91E

----

Got my pills

Mm.

OJ

'~

Rhy.Fill2
Gtt.2

OJ

.
34

~~~'--'~~

'gainst mas - qui - to

death.

"

F#7addlllE

F#

Aadd91E

F#

F#7addlllE

>< ~

My bud-dy's

breath - in' _

dy - in'

his

'--'
breath.,

Oh, God,

please _

,.

"

D.S. al Coda 2

Aadd91E

---

won't you help me make it

F#7addlllE

F#

Aadd91E

Mm.

through._

"

-$-Coda2

Outro

Ott. 1: w/Rhy. Fill I

Ott. 1: w/Rhy. Fig. 1, 3 1/2 times

AS

F#

." ."

F#7addlllE

;-~

It-

ir

~~e

Aadd91E

F#

It-~It-~~'

OJ

F#7addlllE

"--i
00,

:tr~

00. _ _

00, _ _ _

00,

G~.:, ~

-OJ-

~:

-e-

~J

"'1'

.~
A

Ott. 2 tacet

Aadd91E

"

F#

F#7addlllE

ii'

OJ

--

It!

"

00,

00,

Aadd91E

It-~It- i~

F#7addlllE

F#

..

.........

00, _ _ _

'"

00. _ _ _

oe.i

'"
~'~J

~-

~ ~~~

-e-

35

Got Me Wrong

.'. II
D

Tune Down 1/2Step:


@.D~

=B~

=A~

=G~

=E~

..

Intro

1333

G).E~

By Jerry CanIreII

F#

Ill'" l I . WI"
~

134211

134211

342

134211

1 3411

F#

G#

Moderately Slow J = 80

ce, 2 (acous.)

G#

"

F#

I"

'"

."'.

Gtr.I (accus.)

I"

G#

l ~

~
f

'tr

"'P

."

..

Rhy. Fig. I

~.~.~ ~.

'~

G# '

F#

>

>

.....

~~~~:H:;:

F#

E
>

>

>

>

"
1~4

..-

..
v

~ Verse

End Rby. Fig. 1

Gtrs. 1 & 2: w/Rhy. Fig. 1,2 times

mE"

'l\b(~,

~ ~ ~ ~t3

l.Yeah,_
2.1__

"1I"~il

1/4

......

"

,.

"

#ffi1'8=GJ,

11

F#

'

G#

"

F#

Y'#~
.11__
Thread

it
goes
a wey.;
cen't.; let _ _ go._

~ ~ ~[~ ~ ~

this and more, _ and DOth - ing in __


tap es - try _ un - wind-

bare

3. See Additional Lyrics

F# G#

36

my

life._

io'

slow.L,

F#

G#

F#

G#

F#

t
~.~~Y'I~~No_

Feel_

col
tor

ored clay,_
tured brain. _

Copyright 1992 Buttnugget Publishing


International Copyright Secured All Rights Beserved

in - di Show your

vid-u-al _ i - t y _
bel - ly like _ you want

c,

Gtrs. 1 &2: w/Rhy. Fig. I,lst 2 meas.

G#

F#

c#

Rhy. Fig. 2

0"01&')

not

safe.

End Rhy. Fig. 2

_I

As

to._

now,

of

G#

F#

) J7)}).

}).

~.
me

bet

ij~~t~
wrong. _ _

got me

you've

Interlude
Ott. I: w/Rhy. Fig. 1
Ott. 2: w/Rhy. Fig. I, Ist meas.

Gtm.l &2:w/Rhy.Fig.2

G#

F#

un

So

G#

c#

sure,

we

F#

G#

loJ

from

"*..).~ T

"* T

~ ~ ~ ~

strong.

some-thin'

F#

......

G#

==
\~~: ~t ~. ~

v~T:J:J

12.

F#

f~~i~

run

Ott;'"

G#

':.z

Chorus
Gus. 1 & 2: w/Rhy. Fig. 2

c#

F#

E
Rhy. Fig. 3

?~\)

'jjl~'I~ f
So

~:

sure,

un

we

If

Ir~~hl

----

ij~:

]~r

some - thin'

for

rn})

strong.

Gtrs. 1 & 2: w/Rby. Fig. 3, 21/2 times, simile

-rr:

F#

Asus4

Asus4

End Rhy.Flg. 3

rnrri ))))

-rM~~_.
~.~J.~
~
'I

---=:

-.J---'::::::'

strong. _

have - n't

F#

felt

Asus4

like _

this

in

so

long.

F#

~J
~~.~~~~~:~~~~~
J""---"""

Wrong.

in

sense,

too

far

gone

from

love.c,

37

To Coda-$-

F#

orec

<r rr: m J7TI rn rn rr: rn ) nrn J))) r


Rhy. Fig. 4

(Gtr. 2 cont. in notation, 2nd time)

'I

That

don't

last

for

ev-er.

Interlude
Ott. 1: w/Rhy. Fig. 1

G#

End Rhy. Fig. 4

F#

G#

F#

!
(Gtr. 2
AJl.

COllI.

4+ ~.

in notation)

Some-thing's got-ta tum out

right. _

L;

Otr.2

oj

rn

i'1
~0>

Ii'~

~ ~ ~ ~t:': ~ ~

~.

~~.~g~h

>

D.S. alCoda
(take 2nd ending)

G#

F#

G#

F#

..J.~ .... .. .... .1 oJ

oJ

1:

~~

-$-Coda
Chorus
E

F#

Rhy.Fig.5

G"')

IV

--

End Rhy. Fig. 5

jr
I

.- - -------- ---

)
Have

r--

. ~

i'l
I~:

-- -

:~
'0

38

IStrong.

Ott. 2

IV

H )1 )

if

n't

"

.,

Gtt. 1: w/Rhy. Fig. 5, 3 times, simile

F#

"--'

like

---------=-

this

v~

in

long.

so

OJ

"

=-

~~

~~

OJ

in

F#

sense,

too

~~

::::

--c:::....

...J

far gone from

-.,

ir

:~

OJ

E
r-:... ,,-.....

\vrong.

l""-

.Ilo

I,. ----

felt

"

F#

love.

rn

;::::-

'~~~~

~~~~

Gus. 1 & 2: w/Rhy. Fig. 4

F#

---

,lIb'l J

d++F~e~I~;C

That

don't

last

ev - er.

for

Some-thing's got - ta tum out_

Outro

.. "

G#

F#

G#

F#

G#

F#

G#

OJ

right._

-=

0:.1 ~

OJ

'0

Gtt.2

OJ

'i ~~

-=;

'i ~~

-Fi

I" =1"

~f, .. f,f".. ~

., ,

~'~I~~t:~~ ~. ~ ii

~r~~rg~;t; ~

r"-=

=1"=

-rI

'i

~~

1";==

~r~

~,~
~

ii

1";==

~f::' ..... ")~

;t

"'-.T. ./
1~4

~t

Additional Lyrics

3. You, sugar taste, sweetness doesn't often touch my face.


Stay if you please.
You may not be here when I leave.

39

Heaven Beside You


Lyrics by Jerry cantrell
Music by Jerry cantrell and Mike Inez

Aadd9
s

G6

Cmaj7

Baddl l.

D Ii D D
1342

1342

1342

Em

Ii

1342

23

Tune Down 112Step:

<D=Eb

=Db

=ab

=Ab

@=Gb

=Eb

Intro

Moderately J = lIO
(05)

(AS)

N.C.(E)

(E)

(05)

(AS)

Gtr. 1 (acous.)
Riff A

End Rill'A

oJ

mf

<:>

<;>

:;t

let ring throughout

1/2

s: -~

Gtr. 1: wI Riff A

(E)

(05)

(AS)

(05)

(AS)

(E)

1. Be what you

mf

Verse
Gtr. 1: wI Riff A, 1 3/4 times, 1st time
Gtr. 1: wI Riff A, 2 times, 2nd time

(05)

(AS)

N.C.(E)

A.

(E)

(05)

(AS)

wau-na
wan-na
RiffB
A.

See what you came to see.


Go out and seekyour truth.

be.
do.

(.) i::-:-::

Been what you


WhenI'm
End RiffB

(.) i::-:-::

:
V

40

:
ring throughout

f~~

'* -:;

'*~'*

~
f~~

Copyright 1995 Buttnugget Publishing and Michael Inez:Music.


International Copyright Secured All Rights Reserved

'* -:;

Ott. 2: wI RiffB, 1st 3 mees., Isr time


Ott. 2: wI Riff B, 2nd time

(AS)

(E)

~
wan - na
down and

i
I
don't like
rath - er
be

be.
blue,

what
me

I
than

see.
you.

\:is \:is Chorus


A

Aadd9

Cmaj7

G6

Sf,

'?~i 7'"FI. n~rTTJ

simile on repeats

the _ _

Like

cold

chill; __

win - ter

est

be _ side_

heav - en

* composite arrangement
Gus. 1 & 2: wlRhy. Fig. 1,2314 times, simile

Baddll

Aadd9

G6

End Rhy. Fig. 1

ri-rrr;

~~:~ ~ i
hell__

you,

},

with - in. _ _

Like

~~~
f \~
the _ _

cold

Baddll

Cmaj7

.---..

est

win

~
chill; _

ter

Aadd9

~)~~~:~~~~
heav - en

be - side _ _

hell__

you,

with - in. _ _

Baddll

G6

cold

the _ _

Like

will; _ _

win _ ter

est

G6

Aadd9

heav - en'

be - side _ _

hell __

you,

Baddll

Cmaj7

1&2

still; _

And

heav - en

in - side _

D5

Gtrs. )

with _ in._

open

JTT1

(cent. in notation)

you.

Fill.
Gtrs. 1 & 2"

A"

41

Bridge

G#

OJ

Rifte

'"

#:;1 -

Otr.2

----

So,
Ott. 1

......

prob - lems in_ your _ life. _

there's

That's fucked up,

blind.,
blind;
End Riff C

-#:;1 -

:i-~4I-

41-

4I-:i-4I-

- ....

End Rby. Fig. 2

*.........................

'" ## :J:

...

...

~.

Rhy.Fig.2

and I'm not


3rd time: but you're not

................

~~

Ott. 1: wI Riff C
Ott. 2: w/Rhy. Fig. 2

Ott. 2: w/Rhy.

G#

nu i

~ll ~
#..
I'm just
You're just

see _
see _

through fad
through fad

ed,
ed,

out
out

of_
of_

my _ _
your _ _

To Codal-$To Coda2-$-

Interlude

ed,
ed,

su
per jad
o v e r - rat

Em

N.C.

(G)

Em

(F#+)

N.C.

OJ

mind.L,
mind.L,
Gtrs.
t&2

RiffD

EndRiffD

'"

~ ~.:!J~~

:;I ~ ...

'iii: #~ "-

~ ~

l~

'"

42

... .. .. .. .. .

~.:!J~
l~

Rhy. Fill 1
Ott. 2

-or~~

I-.F

..

Em

(F#+)

(G)

..

NC

~#,i-~:

(G)

i~!/J~4i-

(F#+)

IT

Em

~ #~

X#

~ ~

l~

...Interlude
Gtr. 1:wIRiffA, 2 times

N.C.

(G)

N.C.(E)

(F#+)

..

(AS)

Gtr.2

....::l

1iJ~

~ .!/J----~

IT

X#

#~

l~

-wr-

(G5)

(E)

(AS)

(G5)

(E)

(AS)

,i-'f: "..--~

D.S. al ce 1
(G5)

(A5)

(E)

(G5)

3. Do

what you

..
I .:r

-$-Coda 1
GuitarSolo
Ott.2: wI RiffD. 7 times

Gtr~ 1..

Em

oN.".C,..
~~~'"

(G)

(F#+)

Em

N.C.

- .!bi...--....... I.)t.. IA l~

-.

--.-;

43

..

Em

(F#+)

(G)

~!" q....

e ....

.... .'to.

N.C.

1'.-----..-.

(G)

(F#+)

, ...."""

"er~"''''',"

, ....'00 ....................

"v..~,ol"A

Em

OJ

--

'? -i.:

N.C.

It..

(G)

..

.. ~..

(F#+)

It..

..

N.C.

Em

(G)

(F#+)

..~. . .

It..

OJ

..

NC

'.

(F#+)

(G)

I I It)~..

It..

OJ

Em

It..

~.

NC
..

It..

..

D.S.S. al Coda 2
(F#+)

..

(G)

..~

..

It..

q'O

-$-Coda2
Gutro
Ott. 2: wI RiffD. 3 times

Em

G"~'.
OJ

(G)

.. ..

N.C.

(G)

I It)

N.C.

Em

It..

..

(F#+)

Em

N.C.

(G)

(F#+)

Em

'"

Gtr.2/J

OJ

44

Em

..

Would?
By Jerry cantrell

BS

GS

D7#9

II 8 'II g4f'
2

134

A'

34

1:32

GSffi

2134

E5

Hi'" i l l I . 1Ii
~

13

134211

134211

231

TuneDown 1/2Step:

(j).E>

@=Db

=Bb

=Ab

=Gb

=Eb

Intro
Moderately J = 100
N.C.

(bass)

(06)

Ott. 1 (acous.)

It!

F#5

F#5

1"'""1

N.C.(06)

F#5

--l

B51F# 0
~

r--,

F#5

B51F# 0

r--,

N.C.(06)
End Rhy. Fig. 1

3.8 . .

It!

letring ____

letring ____

-l

Verse
B51F# 0

F#5

B51F# 0

1"'""1

mf
letring_________

B51F# 0

Rhy.Fig.l

my mas
de - ser

B51F# G

F#5
I

I. Know ,
2. Drift

me,
ing

bro
bod

ken
y,-

L,

--------

by _ _
ils
sole

N.C.(06)

-----

It!

-l

ter.

tion,

Orr. I

:
7~:

It!

7~~~

_::=:::s:

7~:

7~~~

... 3.8 . .

_:-~=-----

let ring ___

Ott.2 (acous.)

It!

End Rhy. Fig.2

Rhy.Flg.2

:
7~:

--l

{,~~~ ~

_::=:::s:

{,~:

{,~~~

mf-

_:-~:::

:_ 3.8

-.t

letring ____

Copyright 1992 Buttnugget Publishing


Intemational Copyright Secured AllRights Reserved

-l

oe. 2: w/Rhy. Fig. 2, Ist3 meas.

OJ

B51F# G

F,#5
'I

B51F# G

F#5

Teach; me,
Fly - ing,

.1""""'1

--------

here - at
the no

young _ child, _ of
love
quite _ _
not
yet
c..,

L,

ter.

tion.

Ott. 1

-;I~:

oj

-F

Otrs.1 &2

-;I~~~

J:2:s:

-;I~~~

-;I~:

J:2J:

",,'"

II

I Ii Itt I

(cont. in slash)

~ Chorus

G5

B5

'G'"

Rhy.Flg.3

1&2) ) )

In

rr:

End Rhy. Fig. 3

JF)~Ffl

=r

to

the

flood _

)-

&
gain.

H~H

Same

~=

old

trip

it

was_ _

'"composite arrangement

Otr. I: w/Rhy. Fig. 3, 21/2 times, simile


Ott. 2: w/Rhy. Fi;:. 3, 3 times, simile

B5

G5

B5

G5

~'------~---;----'----~~Is==r rc~~~::I
back

then.

So

made

B5

E
Try

to

see

it

big _

mis - take.

G5

@1l

once_

my

way,

\1.

To Coda-$Interlude
Gtr.I: w/Rhy. Fill 1, isttime
Ott. I: w/Rhy. Fill 2, 2nd time
oe. 1: w/Rhy. Fill 3, 3rd time

Otr. 1: w/Rhy. Fig. 1


Gtr. 2: w/Rhy. Fig. 2, 2 times

B51F# G

F#5

:~
~ ~ !~ ~ ~ ~ ~

'if[

Rhy.FiIIl

Rhy.FiII2

.G5

~ B

4fr Sfr .,

-n rnm n4J1!111
46

Rhy. Flll3

G5

3fr Sfr

12.

Guitar Solo
G(bS) G

-:F#5
v
Ott.1

~.

G(bs)

F#S

"~

~.

--

,,,,,......,,,,......,,

b
'",

'""'""

T> ..-.. ~ ...--..

'""'""

.~

" ......."

.........

11

",...."

"""'"

"----Otr.2

Rhy.Fig.4

oJ

~ ~ ~ ~~v~-#~"

~ u

I~

End Rhy. Fig. 4

~~ ~

<r

: ~.~ ~ ~~~~~~~-#~

~ ~ ~~. :;t:J:J:;t... ~

,,:

* Chord symbols reflect Implied tonality.


D.S. alCoda

Gtr. 2: w/Rhy. Fig, 4, simile

F#S

G(bS) G

G(bS)

F#S

--

Ott. I

oJ

f":t

-#

'
...

_I~

full

Yeah.

~jJ!!L-;"

-#

... -....---.-

full

-$-Coda
Bridge
D

AbS

07#9

Ab

Rhy.Fig.S

;~";)

)))) ~ )

) ) )

wrong?

Am

* composite arrangement
Gtrs. 1 & 2: wI Rhy,Fig. 5

GS III

n ) n1=;J

~r
Have

Ab

ES

n ) n.m ))))

))))

~
p~

run

far _ _

GS

too

to

E5 E

get

D7#9

AbS

Have

gone,_

Outro
D7#9
1&2

>0

nt.

'Ur
here _ a - lone? _

~
I~-~~

home? _

cus )-

left you

End Rhy. Fig. 5

If

'I

)-

)-

>

>

eI

~
would.c,

)-

'I

f
could

)>

>

'I

rt

'I

you?

47

Frogs
Lyrics by Layne Staley
Music by Jerry Cantrell, sean Kinney and Mike Inez

Ab

tim
21

21

Tune Down 112Step:

G).E~

@=D~

=B~

@=A~

=G~

@=Eb
Intru
Freely

Moderately

J = 93
(AOm.j7)(G5)

N.C.(Em6)

Ott. 1 (acous.)

!.

.,

(Em6)

(Abm.j7)(G5)

RilYA

'"

A.

i t*

End Riff A

if

~f*

b4

~tf*

:0'* b4

let ring throughout

Half-TimeFeel
Ott. I: wI Riff A

Ott. 2
(acous.)

(Em6)

A.

.,

(Abmaj7) (G5)

i f *
mf

~I*

(Em6)

b+

(Abmaj7) (G5)

i:*

~*.

b4

let ring throughout

~ Verse

Ott. 2: wI Riff A, 1 314times

..--

NC(Em6)
~

A.

.,

:
.>
1. What _ _ _

2. The
3.

1 oJ

of
Flow - ers

"friend" _
si - lenee
watched through

meao
of -

wide

(G5)

you?

to
ten _ _ _
eyes _ _

soothe.
blue.

8,.

RUTB

Ott. 1

does

sound

(Abm.j7)

--loco

End RiffB

.1

.~

~.

tl2

H~.

b+

Ott. 1: wI RiffB, 2 1/2 times

(Em6)

(Abmaj7) (G5)

r~~~'~r
A word so wrong - ful - Iy
a
Shapes _ and col - ors shift with _ _
Child _
sings an
un - claimed _

48

bused. _ _
mood.
_
tune.
_

(Em6)

~-l
Are _ _

Pu
In

you like _
me, conpHs wid - en, change their
no - cence spins cold . co -

c,

Copyright 1995 Jack Lord Music, Buttnugget Publishing, Lungclam Music and Michael Inez Music
International Copyright Secured All Rights Beeerved

.....

(A,maj7)

fused?
hue.
coon.

..
rv

Ott. 1: wlFilll
Ott. 2: wI an z

(Em6)

(AOml\i7) (05)

All _ _
Rap

_
_
_

in - dud
id brown,
to
see

Grow _ _

(OC,5

--

(05)

---

(05)

--

(05)

(0('5

--

....

---

a
the

blue. _
you.
soon.

too _ _

(OC'5

---

-=======

but _ _
clear _ _

ed
void
pain

(05)

--

(0(,5

---:..
A_

~.~,

rv

Riffe

End Riff C

~--v

~-..

G~'~L

loJ

....

~,..

~-

,.

RlfrCl

EndRUtCl

~.

9'

9'

9'

Interlude
End Half-Time Feel
Gtrs. 1 & 2: w/Riff A, 2 times

Gtrs. I & 2: w/Rlffs C & Cl

N.C.(Em6)

f-t=5

:I

(05) (0(,5

Ionc.L;

Filii

8"

G"~l"

OJ

10,0

::'i

H~.

49

Cadd9
End Rhy. Fig. 1

r-_""!'__.,.._E:;:n:::,dRhy. Fig.lA

Rhy.Fig.lA

Gtr.2

Gtr.l: w/Rhy. Fig. I, 3 limes. simile


Gtr. 2: w/Rhy. Fig. lA, 6 times, simile

wJ: ~?
aj7

Why's _ _

have _ _

this _ _

way, _ _

Cadd9

=_

be

this

~ t:

way._

c,

112

112

.J

TQCoda-$-'

,
be

.,

this _

t:

112

.J

50

u,

a - way,

j~~t:

A,

-rrri

---

---

.,

3/4

j-

.J

Cadd9

Abmaj?

way,_

prC'

A~maj7

Cadd9

a - way,_
'

j'

Cadd9

Ihr-

c;

'[

this _ _

be

this

l'f

Abmaj?

A,maj7

be

to

Cadd9

~ F'

be

I]

it

A~maj7

Cadd9

h-

=-this

be

f: t:

.~.

t:

r
c;

j ;.

way?

------~

"

-f\tCoda

Interlude
Half-TimeFeel

Outro
Half-TimeFeel

D.S. alCoda
(take 2nd ending)

ens. I & 2: wI RiffA, 2 times

Otr. I: wI Riff A, 2 times


Gtr. 2: wI Riff A, 14times

-rrr:
.

N,C,(Em6)

Ab

ym.

,.,

fTI)~)~)-

==--this_

be

---

---

tT

"

... ---- ..... --~<--~:~:--:~

G~. ~

Harm. _ -

--

- - - - -

(Em6)

~.--~

- - - - -

(Ab maj7) (G5) (Em6)

--

--

'-"'-1 ---;:1 :
-----:::::=::: .

0)

(Ab maj7) (G5)

a - way?

J;

Gtr.l

(Em6)

N,C,(Em6)

.-

- - -

lE-'

'3>:

<';><';>,.,..,." .....,...,."

'c-

Harm.

H~,

(Ab maj7)(G5)

...... __ ....00\)-

~:;-:-::~~

--

- - - -

(Abmaj7) (G5) (Em6)


loco

fdbk.
<';>''''l:l'''l:l''''''

pitches: D. G
* Playharmonicsat5thfretandopen simultaneously.
** Feedback causes to vibrate, creating crescendo.

(Em6)

(Abmaj7)

(Em6)

(GS)

(Abmaj7) (G5)

"

0)

sev - en

It's

8va ___ -------~-~--- --,--

- -~

--------- _._---------------_.---- -- --- --_._----

.--- ,

..

II

loT
H~_

- -

--

.-

---

- - -

.-

--

- - - - -

.-

---

.- .-

--

----- --------~-------

I .I

- -

a Tnes ---------- --- ----_.--- --------on

M,

A._

- - - -

--

'a

- -

.-

~ ,'.'.

,~--,

- - - - - -

--

- -

-- - -- -- -- - -

pitch: G

,.,

(Em6)

(Abmaj7) (G5)

"

day

Au-gust.--

in

8" ________________________________

,',

10)

Harm.L -

(Abmaj7) (G5)

(Em6)

--

--.- - -

- - -

~------------------

_________________________________________________

.---.

~,

- - -

--

I J

.---.
'a

- - - - - -

--

- - - -

.-

--

- - - -

--

- - -

-- - --

~--------------.

_._----~.:.::

.---.
'a ~,

- - - - - - - - - - -

--

- - -

---

.-

51

(Abmaj7)(G5) (Em6)

(Em6)

1_ _

week

Next

8va

eight._

twen - ty

I~ ~,_--------------~

oJ

Harm.

H"""

(Em6)

:- _ -l

(Abmaj7) (G5)

......

-../

still

I'm

8,"

It - 'II

young.

me,

be

--------------------------------------------------------------------------------------------------~------------------------,

'"

(Em6)

(Abmaj7) (G5)

oJ

tum

.:~

(Abmaj7)(G5)

- - - - - -

H"""

--

- - -

'--'A

;,

'--'A

-.

-.

.--,

-. ~.

- - - - - - - -- -- -- -- -- -- -- - - - - -- -- -- -- -- - - -- -- --- - -- --

- -

- -;

pitch. G
w/Voc. ad Iib., till end

(Abmaj7) (G5)

(Em6)
II

Jl;

(Em6)

(Abmaj7)(G5)
play 7 times

loco

I~

1/2

" - - --------

(Em6)

Bva

I .I

oJ

#-,rV
l~

ii,

)i

_____

Harm.c,

- -

. __. __

'(Abm'\i7)(G5)

_.

- -

__

1---.

(Em6)

(Abmaj7)(G5)

__

,.-',

. _ . _ . __

__

,'-',

(Em6)

(Abmaj7)(G5) (Em6)
8W>

'"

-+

3>:

.;

Harm.__ - _ _ - - - _ - _ - _ - - - - _ - _ - _ - _ - - _ - _ - _ - _ - - - - - - -l

pitches: B, E

jll.tches:B,E

Fill3

ce.z

oJ

52

- - -

'"
~

~.

- '-'~

....

-- -- -

Gtt. 2: wi Fill 3

(Abmaj7) (G5)

(Em6)

-- -- ----- -- -- -- - - - - - - -- -- - - - - -- ------ -- - -- - --

pitch: G

Over Now
Lyrics by Jerry Cantrell
Music by Jerry Cantrell and sean Kinney

AS

B5

m
9 fr

111

Open D Tuning, Tune Down 1/2 Step:

G)=D' 0=0.

=A' =A'
=F

=D'

lotro

Moderately J = 112

* F#

BIF# F#

BIF#

GIDD

Rhy. FIg. 1

Gtrsl&2

(a:o~~,) Jl.

II<.
~~
f

Of

GIDD
End Rhy Fig 1

~ 1-~ ~ ~ -~ ~
P.M.

-~~~-~
P.M.

-I

.~ ~'

P.M.

P.M._

P.M. ---I

~P.M. t~~
~ ~ P.M.
~:~
_
P.M.

--I

--I

.. Chord symbols reflect implied tonality.

%Verse

.
"

F#

BIF# F#

BIF# F#

r
I. Yeah,_
2. weu;
3. Guess ;

:
~ .~

Of

-;;
~

0
0
0

- ver
- ver
- ver

-~

~ ~

~ ~ ~
P.M._ --I

~
P.M.

GIDD

now.L,
now,_

~ "~
P.M.

GID D

,.

r'oJ

"

now,_

- ..

P.M._ -I

...

it's
it's
it's

Rhy.Fig.2

...

loJ

BIF# F#

oj

BIF# F#

~~~~~~~~

P.M'_--1

~~~~~.~~

P.M._

P.M.

--I

BIF# F#

F#

P.M.

BIF# F#

but I can breathe some


how.L,
yet I can see some - how.L,
I seem a - live some - how.L,

End Rhy. Fig.

r I>

~[
q .;;::

-~,

P.M. . ~

~ t~:~
P,M.

-I

P.M.

~ ~ ~
P.M.

~ ~

P.M._

--I

Copyright 1995 ButtnuggetPubHshing and Lungclam Music


InternationalCopyright Secured All Rights Beaervad

~~~:~-~;;
P.M._

-I

P.M.

p.M.

s:

Ii

Gtrs.l &2: w/Rhy. Fig. 2

,
\ ".

BIF# F#

When_
When_
When_

hard
wait

BIF# F#

qJ:j?\

alI_'_
oUl_

t'l

go
be
do

to
and

BIF# F#

*j

out, __

wnrn
gone
of

wrong,_
sight,_

F#

GID D

~
I'd
rath - er
it's
just

BIF# F#

all _ _

it's
it's
it's

GID

~lIbjlII

;;

II

with
so
your

out. _ _
strong._
time. __

BIF# F#

' BIF# F#

Chorus

AS
oe.i

"

P.M.

....l

-------

><

------

-.T
1.,2. You
3. You

Gtr.~.

;i

P.M. ___ --t

:l

:l

"

mind._

my
my

mind._

:l

BS

yon
I

Could
Could

"~

right
right

stand_
stand _

-----------

fTT)

here, look me
straight_
here, look my - self __

.. ..-----.

--s: -c: -c: -c:

,.

-~

JTn f7TI
r---.
-

54

:l

liT

:l

~JTn JTn~

loJ

on
on

P.M.

G#S

"

been
been

it's
it's

-;:

!.I

know
know

'i

'i

't ---:.'

in
in

the
the

eye_
eye_

and
and

say _ _
say _ _

.. -. .
,

'a

that it's
that it's

, ....--..::-'
,

- ver
- ver

now?.,

nowj ,

.. ..-

..-----.
't

0
0

'

'a

-,

, -, ,

Gus. 1 & 2: wIRhy.Fig. 1,2 times


F#

;i:# #. I'
!!jl II . ( }

BIF# F#

BIF#F# D

i
debt ~ some

We pay_ our

BIF#F#BIF#F# D

GIDD GIDD

time._

GID D

We

pay _ _

our

debt _

GIDD

some - time.c,

Interlude
Half-TimeFeel

F#m7

Dmaj7
~

OJ

We pay_ our

debt .,

some- time.;

*
OJ

let ringthroughout
simile on repeat

Gtr.2

OJ

let ringthroughout
simile on repeat

To Coda

F#m7

Dmaj7

-$-

OJ

We pay_ our

debt_

some - time.;
EndRHrA

RiIIA

OJ

OJ

-.

Guitar Solo

.. "

..

ce. 1: wI Riff A, zemes


Dmaj7

F#m7

loJ

Dmaj7

Gtr. I: wI Fill I

Gtr. 1: wI Riff A.last 3 meas.

Dmaj7

F#m7
A"

.--.-----.
1/2

Gtr. 1: wI Riff A

Dmaj7

F#m7
A

.,:

~"'~~""~~~~""

JI.'

-oj
3/4

-~

FlU 1
Gtr. I

56

D.S. alCoda
(take 2nd ending)
End Half-Time Feel

ilt Coda
Outro

..
"

Gtt. 1: wI Riff A, 2 times


F~m7

Dmaj7

..

oe.z

"

Dmaj7
A'-

full

F~m7

~~
OJ

::

..

Gtr.l

"

OJ

Dmaj7

1'"'"'"1

......,

1'"'"'"1

~~

F~m7

Dmaj7

57

F#m7

Dmaj7

1&2

:"" -;.-

0)

Dmaj7

F#m7

G~.~,

~~:::::::::::::~+

-0)

- --

:e:

:e:

~-

Harm~

G~.l .

::

:e:::::::::::=:::::e:

"

Dmaj7

F#m7

G~ ..~~2

[OJ

."

Gtr 2

-~

"

F#m7

-----

---

Dmaj7

.-

--- --------

r-;

jr

-------

'"

0)

1~

G~.~,
0)

f~l ___________________

f~ __...--.-

.,e...... ----------~

H~.

58

--..

Killer Is Me
By Jeny Cantrell

.gm

TuneDown 1/2 Step:

CD=E~

GJ=D~

=B~

=A~

=G~

=EO

Intro
Slowly

G6

F#7

TJ21

T32!

Fmaj7

A7

T32l

J = S9
A7/E

B,maj7sus4#11

A7/E

B,maj7sus4#11

Rhy Fig 1

Gtt:1 (acous.)

V
mf

"J.
;i
:;

....

1>;; ...

=
...-

'T

J.

....

.... .

1>;; ...

...

letringthroughout

* T=Thumb 00
B,maj7sus4#11

A7/E

B~maj7sus4#11

A7/E

EndRh r. Flg. 1

J.

..
V

Gtr. 1:wI

"J
~

1>;; ...

;i~

1>; ...

;;

;;

RhY. Fig. 1, simile


Bbmaj7sus4# 11

A7/E
Gtr. 2 (acous.)

A7/E

B,maj7sus4#11

'*-

;i

I"
mf

Harm.

1-1 ~
Harm. _ .;

letringthroughout

A7/E

B>maj7sus4# 11

A7/E

Bbmaj7sus4# 11

I. I
RlffA

Harm. _ -l

Copyright 1996 Buttnugget Publishing


International Copyright Secured All Rights Reserved

EndRilTA

Verse
Otr. 2: w/Rhy. Fig. 1,2 times, simile
Gtr, 2: wI Riff A, 8 times, simile

A7/E

B,maj7sus4# II A7/E

4#II~Y
need

B,maj7sus4#1l

point - ed at_ me

A7/E

B,maj7sus4#1l

is __

Bbmaj7sus4#11

gun.c,

kil - ler

A7/E

for

L,

me

to

The

run.L,

B,maj7sus4#ll A7/E

A7/E

B,maj7sus4#11

me._

~verse

oe, 1: wfRhy. Fig. 1, simile


Ott. 2: wI RiffA, 4 times, simile

A7/E

B,maj7sus4#11 A7/E

Bbmaj7sus4#11 A71E

B,maj7sus4# II A7/E

B,maj7sus4#11

~~~
2" 3. So

the sun

shines up - on _

c,

me._

Otr. 1: w/Rhy. Fig. I, simile


Grr.2: wI Riff A, 4 times, simile

A7/E

B,maj7sus4#1l A7/E

B,maj7sus4# 11

4i'l~
Hav-in'

kil-fer

B' maj7sus4#11

~.

fun,

A7/E

is_ me.

in the

1., 2. In - sane the mind,_


3. The
kil - ler is _
me,_

11.
To CodaI-$A7/E

B,maj7sus4#1l

4ill~

name of me.L,

Can't
the

A7/E

B,maj7sus4#11

M&d~

y'

find the time _ _


kil - ler is _
me,_

to

let things

oe. I: w/Rhy. Fig. 1, simile

Gtr. 2: wI Riff A, 4 times, simile

B,maj7sus4#11

4 ~:

A7/E

Bbmaj7sus4#11

i il

let things

~~

be,

Bridge
G

to

G6

3[,

3[,

)) n

=--..

"

Oh,

~'7
simileon repeats

60

be.

Otr.In

let things

yeah.

G6

rri

cau

M
2. In -

be.

Interlude

A7/E

r:
start

F#7

F#

n rnr:

n rnr: rm n )

J7)

nn rr:
3fr

-----

3f'

..

yeah,_

==

Oh,

o - ver?

G6

3ft

2[,

G6

G6

F#

To COda2-$-

Fmaj7

F#7

rr rn r:

2[,

n
~
~

I"
can I

o - ver,

start

and

get

ver

_.

....

it?

~-~

Interlude

D.S. al Coda 1

Ott. I: w/Rhy. Fig. 1, simile


Gtr, 2: wIRiff A, 4 limes, simile

A71E

Bbmaj7sus4#1l

-$-Coda2

-$-Coda 1

Outro

D.S.S. al Coda 2

Ott. 1: w/Rhy. Fig. 1,2 times, simile'

Ott.2: wI RiffA. 8 times,simile

A71E

A7

Bbmaj7sus4# 11
01f.2

...

"

I"

f'"

Let

---------

things_

be._

'"

Ott. 1

js-:

--

61

Guitar Notation Legend


Guitar Musiccan be notated three different ways:on a musical staff, in tablature, and in rhythmslashes;

E G

open 3fr

RHYTHM SLASHES are written above the


staff. Strum chords in therhythm indicated.
Use thechord diagrams found at thetop of
thefirst page ofthetranscription for the
appropriate chord volclngs. Round
noteheads Indicate single notes.
THE MUSICAL STAFF shows pitches and
rhythms and is divided bybarJines into
measures. Pitches are named after thefirst
seven letters of the alphabet.
TABLATURE graphically represents the
guitar fingerboard. Each horizontal line

represents a a string, and each number


represents a fret

4th string, 2ndfret

1st & 2ndstrings


open 0 chord
open, played together

Definitions for Special Guitar Notation


HALFSTEP BEND: Strike thenote and bend
up 1/2 step.

WHOLESTEP BEND: Strike the note and


bend upone step.

GRACE NOTE BEND: Strike thenote and


bend upasIndicated. The first note does
nottake upany time.

SLIGHT (MICRDTONE) BEND: Strike the


note and bend up 1/4 step.

t-;

full

1/2

BEND AND RELEASE: Strike thenote and


bend up as indicated, then release back to
theoriginal note. Only thefirst note Is
struck.

1/2

PREBEND: Bend thenote asindicated,


then strike It.

full

1/2

PREBEND AND RELEASE: Bend thenote


as indicated. Strike it and release thebend
back to theoriginal note.

1/4

UNISON BEND: Strike thetwonotes


simultaneously and bend thelower note up
to thepitch ofthehigher.

full

full

VIBRATO: The string Is vibrated by rapidly


bending and releasing thenote withthe
fretting hand.

WIDE VIBRATO: The pitch is varied to a


greater degree, byvibrating withthe fr~ttlng
hand.

HAMMERON: Strike thefirst ([ower) note


withone tlnuer.then sound thehigher note
(onthesame string) withanother finger by
fretting It without picking.

PULlOFF: Place both fingers onthenotes


to besounded. Strike thefirst note and
without picking, pullthefinger offto sound
thesecond (lower) note.

LEGATO SLIDE: Strike thefirstnote and


then slide thesame fret-hand finger upor
down to thesecond note. The second note
is notstruck.

SHIFT SLIDE: Same aslegato slide, except


thesecond note is struck.

TRILL: Very rapidly alternate between the


notes Indicated by continuously hammering
onand pulling off.

TAPPING: Hammer ("tap") thefretIndicated


withthepick-hand index or middle finger
and pulloffto thenote fretted bythefret
hand.

62

NATURAL HARMONIC: Strike the note whUe


the fret-hand lightly touches the string
directly over the fretIndicated.

PINCH HARMONIC: The note is fretted


normally and a harmonic isproduced by
adding the edge ofthe thumb orthe tipof
the index finger ofthe pick hand to the
normal pick attack.

H~.

HARP HARMONIC: The note isfretted normally PICK SCRAPE: The edge ofthe plck Is
and a harmonic is produced bygently resting the rubbed down (orup) the string, producing
pick hand's index finger directly above the
ascratchy sound.
indicated fret(inparentheses) while the pick
hand's thumb or pick assists byplucking the
appropriate string.

P.H.

MUFFLED STRINGS: A percussive sound is


produced bylaying the frethand across the
strlng{s) without depressing, and striking
them with the pick hand.

PALM MUTING: The note ispartially muted


bythe pick hand lightly touching the
string(s) justbefore the bridge.

RAKE: Drag the pick across the strings


indicated with a single motion.

TREMOLO PICKING: The note Ispicked as


rapidly and continuously as possible.

rake __ -!

P.M.

ARPEGGIATE: Play the notes ofthe chord


indicated byquickly rolling them from
bottom to top.

P.S.

H.H.

--I

VIBRATO BAR DIVE AND RETURN: The


pitch ofthe note or chord Isdropped a
specified number ofsteps (inrhythm) then
returned tothe original pitch.

VIBRATO BAR SCOOP: Depress the bar Just


before striking the note, then quickly
release the bar.

VIBRATO BAR DIP: Strike the note and then


Immediately drop aspecified number of
steps, then release back tothe original
pitch.
-112

-112

-112

wI bar
-1/2

-1/2

-1/2

------ -------

wI bar

wI bar

----I

---I

-I

Additional Musical Definitions


(accent)

Accentuate note (play It louder)

(accent)

(staccato)

Rhy. Fig.

Label used to recall a recurring


accompaniment pattern (usually chordal).

Accentuate note withgreat intensity

Riff

Label used to recall composed, melodic


lines (usually single notes) which recur.

Play thenote short

Fill

Label used to identify a briefmelodic


figure which is to be inserted intothe
arrangement.

Downstroke

Rhy. Fill

A chordal version of aFill.

Upstroke

tacet

Go back to thesign ( ~ ), then play until

o.s. al Coda

themeasure marked "To Coda," then skip


to thesection labelled" Coda."
Go back to thebeginning of thesong and
play untilthemeasure marked "Fine" (end).

o.s. al FIne

NOTE:

Instrument is silent (drops out).

.
~
rII~

.
~

Repeat measures between signs.

When a repeated section has different


endings, play thefirst ending only thefirst
timeand thesecond ending onlythe
second time.

Tablature numbers. in parentheses mean:


1.The note Is being sustained over a system (note in standard notation is tied), or
2.The note is sustatnec, buta new articulation (such asa hammer-on, pUll-off, slide or vibrato begins, or
3. The note is a barely audible "ghost" note (note in standard notation is also in parentheses).

63

u.s. $19.95
ISBN 0-7935-7240-1

IIII11111111111111111111111111
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