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Architects are constantly looking for new methods to create large indoor
spaces without providing columns and supports. Tensile and cable strut
structures are one method of producing such spaces. They also enable the
creation of different shaped spaces allowing architects more scope for
innovation.
free-standing Tension structures From tensegrity systems to cable-strut
System provides the background engineering needed to produce these
wonderful structures.
NEED OF STUDY
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AIM and OBJECTIVES1. To document the study of the tensile fabric structure, their history and how
they develop during all these years.
2. To study the need of tensile structures according to the changing time.
3. To study the basic support system and document visual and written
material available from the case studies.
LITERATURE REVIEWThis research paper will talk about the properties, energy and cost efficiency,
support systems and workability of tensile structures. About how tensile
structures are installed and maintained, and what materials and phenomenon
is required to achieve great strength.
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HYSTORY OF TENSILE ARCHITECTUREMost buildings today are basically compression structures. Walls are formed
by piling up blocks and bricks on one another, or else wood or metal are used
to create forms for rigid materials to hang from or sit on top of it.
There is another way to build, though, using flexible materials and the
force of tensions, rather than weight, to hold things together.
Although tensile Architecture is a fancy modern name for it, and this is
probably the oldest and simplest method human beings have devised to
provide shelter.
The earliest examples of tensile structures were tents built by the nomadic
tribes.
Their forms were distinct and evolved in response to climatic conditions,
materials available and structural principles used.
For instance tribe build a cold northern region of Europe, Asia and North
America had a conical framework of inclined poles arranged in circle that
are secured at the top and covered with animal skins.
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The last thirty years has been a rapid progress from tents to membrane
structures and it was in the world exposition 1970 that membrane
structures and it was in the world exposition 1970 that membranes were
commercially introduced.
The main credit for the expensive architectural study and development of
tensile structures goes to Frio Otto and his light weight structures research
institute at Stuttgart University, Germany.
He was the first to lead away from the simple geometric solutions to the
organic free forms that could respond to complex planning and structural
requirements.
The secret of Ottos success lies in his study of the self-forming processes
of soap bubbles, crystals, microscopic plants, animal life, and branching
system.
He found that natural objects will create forms that are very efficient,
wasting nothing and use a minimum of material.
Tensile structures are one of the most promising trends in contemporary
architecture.
Frei Otto began building cotton fabric canopies using tent technology.
Otto realized that structural and architectural forms are inseparable.
NO PERMITS
QUICK ASSEMBLY-
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Both fabric shelters and fabric structures can be erected faster than
virtually any other type of structure in the market. Smaller sizes can be
erected by a crew of two or three people using hand tools and a couple of
ladders in as little as few hours in a day or two. Larger sizes may require
lifting equipment, a three to five person crew and a few days.
As a rule of thumb; large fabric-structures can be erected at the rate of
about 2000 square feet per day with the crew of four to five people.
Because of their lightweight and ease of assembly; these temporary
structures are perfect for use as instant workshops in remote locations and
on construction sites. Because there is no expensive foundation required
you are able to erect a fabric shelter or fabric-structure in less time, with
less efforts and less hassles than any other product in the market.
PERMANENT
Large fabric structures are built for long term use, 15 to 25 years or more,
our clear span designs have been in use for over a quarter century. We
may not realize the importance of this significance unless we realize our
smallest fabric-shelters use the exact same kinds of quality materials as
some of the largest structures. Once we realize this we will understand
why users still find themselves using their temporary solutions for
protections in the same place even after 5, 10, 20 years.
PORTABLE
All fabric structure and fabric shelters can be unassembled in about half of
the time that is required to assemble them; which makes relocated shelter
or structure simple to achieve. When a job or application is completed the
shelter or structure can be moved to the new location where it can be used
again. If you no longer have the need for the unit you easily resell it.
FUNCTIONALITY
ASTHETICS
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CLEAR-SPAN
All standard fabric shelters and fabric structures are clear span; means you
get more cubic feet of coverage than virtually any other type of
construction. This extremely important when interior height is a concern
because you get more usable space than with the standard construction
methods. There are no internal poles of supports of any kinds to get in
your way or to have to work around.
NATURAL LIGHT
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ADVANTAGES
DISADVANTAGES
Fabric structures being mainly fabric and cables have little or no rigidity
and therefore must rely on their forms and internal pre-stressed to perform
this function.
As a thumb rule, span greater than 15 meters should be avoided however,
much greater spans can be achieved by reinforcing the fabric with
webbing and cables.
Loss of tension is dangerous for the stability of the structure and if not
regularly maintained will lead to failure of the structure.
If an open system structure is to about a building then care needs to be
taken with loadings.
Trying to successfully control water from an open system structure is
difficult and requires guttering.
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BRIDGES:
For 4,000 years tensile principles have been used in bridge building as the
only way to span large distances. Throughout the Far East and South America,
suspension bridges made of sop and bamboo were used. Although bamboo is
quite strong, it is not very durable. A more lasting solution came in 100AD,
when the Chinese invented wrought iron.
Some of the early bamboo bridges could span over 800 feet. It was not until
the introduction of steel cable in the nineteenth century that western
engineering could greatly increase span. The inventor of steel cable was John
Roebling who designed a number of suspension bridges in the United States.
His masterpiece, the Brooklyn Bridge still remains one of the finest bridges
ever built.
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True tensile fabric structures are those in which each part of the fabric is in
tension. A tensioned fabric structure mesh curve equally in opposite (vertical)
directions, this gives the canopy 3 dimensional stability. This is an anticlastic
form and seen most simply as a hyperbolic paraboloid. A proportion of 4:1
between horizontal span and vertical articulation is desirable. The more
irregular and the flatter the form is, the more we need to load the material to
stabilise the shape .The fabric is loaded during erection, called pre-tension or
pre-stress.
Fabric is inelastic in nature. If the fabric were elastic, it would distort under
wind and snow loads .A typical external fabric has a tensile strength of 10
tonnes per linear metre and will creep a few percent after 20 years. Fabric
needs to be thought of as being totally inert. The complex 3 dimensional form
of a canopy is achieved not by elastic fabric but by a cutting pattern where
strips of material with non-parallel sides are sewn or welded together.
Concept:
Testing Initial Concepts for Viability:
True tensile fabric structures must have double curvature designed into the
fabric. These curves work in opposite directions to each other to resist
imposed loads (outside forces), giving 3 dimensional stability. This
mathematically is called a hyperbolic parabolic and is the anticlastic form.
The low points resist uplift and the high points resist downloads. The easiest
way to understand this is by using a soap bubble model. I do not suppose that
there is anyone in this room who has not occasionally blown a common soapbubble, and while admiring the perfection of its form, and the marvellous
brilliancy of its colours, wondered how such an object can be so easily
produced.
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I hope that none of you are yet tired of playing with bubbles, because, as I
hope we shall see, there is more in a common bubble than is first apparent.
Soap-bubble Demonstration:
Taking a basic wire frame in the shape of a hyperbolic parabolic we dip this
into soapy water, pulling the frame out you will see a soapy film suspended
within the frame. This saddle-like elastic skin of liquid represents our fabric
with its anticlastic form. This skin is the minimum surface area of that frame,
due to the surface tension of the liquid .It has the least surface area that can
web within the frame .The more irregular and the flatter the fabric is, the
more we need to load the material to stabilize the shape . The fabric should
have sufficient curvature in both directions preferably roughly similar but at
the same time not too extreme. A proportion of 4:1 between horizontal span
and vertical articulation is desirable.
A contractors experience regarding the most efficient form should be sought
at an early stage, particularly if cost is an issue. However, by doing this
exercise with a soap bubble model you can see the stresses in the skin by its
colour change.
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INTRODUCTION:
This pedestrian bridge was built in 2009 mainly for elderly people to be able
to cross the high traffic Karve road. Unlike other pedestrian bridges in Pune
this bridge is comparatively a new structure made by using tensile property
of materials (tensile structure).
This structure consists of mail steel members i.e. struts supported on steel
beams which are resting on R.C.C end columns.
Tensile fabric is used as roofing material.
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2.2
struts.
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Function of this project was to cover the arrival platform of Mumbai Airport
(International terminal adding welcoming and unique atmosphere for
international visitors.
Architectural membrane canopy to cover the arrivals platform of Mumbai
Airport in India. The architect wanted modular based structures offering
visual impact, shade and protection from Mumbai's extreme weather.
Mumbai Arrivals Canopy was created using only a mild steel frame, PVC
membrane, and galvanized high strength cables.
Structure designed as a linked ST120 (modular type structure) inverted
conical membrane. Structural columns are used as a downpipe connected
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DESIGN:
SHAPE:
The shape of an air-supported structure is limited by the need to have the
whole envelope surface evenly pressurized. If this is not the case, the
structure will be unevenly supported, creating, creating wrinkles and stress
points in the pliable envelope which in turn may cause it to fail.
In practise, any inflated surface involves a double curvature. Therefore the
most common shapes for air-supported structures are hemispheres, ovals,
and half cylinders.
STRUCTURE:
The main loads acting on the air-supported envelope are the internal air
pressure, wind and snow loads. In order to cope with the varying loads of
wind and snow, the inflation of the structure must be adjusted accordingly
.Modern structures have computer controlled mechanical systems that can
sense the dynamic loads and compensate the inflation for it. The highest
quality ones are those that withstand winds up to 120mph (190kmph) and
snow loads up to 40 lbs.
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Of course, the air pressure on the envelope is equal to the air pressure
exerted on the inside ground, pushing the whole structure up. Therefore it
needs to be securely anchored to the ground for substructure in the case of
roof-only .For wide span structures; cables are required for anchoring and
stabilization. All forms of anchoring require some form of ballast. Earlier
designs used to use sand bags, concrete blocks, bricks, or the like; placed all
around the perimeter on the skirt .Nowadays most manufacturers have
proprietary anchoring systems.
Danger of sudden collapse is nearly negligible, since the structure will deform
or sag in case a heavy load (snow or wind) is exerted on it. Only if these
warning signs are ignored, then the build-up of an extreme load may rupture
the envelope, leading to a sudden deflation and collapse.
MATERIAL:
The materials used for air-supported structures are similar to those used in
tensile structures, namely synthetic fabrics such as fibreglass and polyester.
In order to prevent deterioration form moisture and UV radiation, these
materials are coated with vinyl such as PVC and Teflon.
Depending on use and location, the structure may have inner linings made of
lighter materials for Insulation and acoustics.
AIR PRESSURE:
The interior air pressure required for air supported structures is not as much
as most people expect and certainly not discernible when inside. The amount
of pressure required is a function of weight of the material-and the building
systems suspended on it(lighting, ventilation etc) and wind pressure. Yet it
only amounts to a small fraction of atmospheric pressure.
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Teflon coated fabrics require re-tensioning once the fabric has settled over a
period of a few weeks.
SUPPORTING FRAMEWORK:
SUPPORTING FRAMEWORK MADE OF STEEL:
The supporting steel frameworks used for textile membrane buildings are
convincing due to various characteristics:
-Using different steel qualities, high yield, yet filigree constructions can be
designed.
-Wide range of variations as regards integration of suitable connection details
-Factory prefabrication
Since the standard profiles used in structural steel engineering are less
suitable for textile building, special pipes and welding structures are
manufactured in accordance with the project specific load and design
requirements.
The material quality (standard steel or high tensile steel) meets the static
calculation. In order to achieve transportable individual sizes and to avoid on
site welding, the steel framework elements usually are designed as screwed
structures.
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FRAMEWORK:
-Usually combined with steel columns, supporting rope frameworks are ideal
within the scope of textile building designs.
-On the other hand, the filigree visual effect of the carrying ropes supports
the aesthetics of the membrane constructions; on the other hand, the typical
forms and form modifications typical for textile architecture can be achieved
by outside loads due to the possible tension loads of ropes.
-Rope nets can be used to statically support the membrane surfaces and by
doing so open up the possibility to crate even larger, column less roofings.
-As a rule, flexible spiral ropes in galvanized design are being used.
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-Rope nets can be used to statically support the membrane surfaces and by
doing so open up the possibility to crate even larger, column less roofings.
-As a rule, flexible spiral ropes in galvanized design are being used.
-Applications are peripheral ropes, carrying ropes, anchoring ropes for
columns, etc. As carrying ropes for larger structures, generally fully locked
coil ropes are used whose individual strands are hot-galvanized.
-To meet the characteristics of textile building, adjustable pressed on terminal
fittings are used.
-These terminal fittings-as well as all the ropes-can be made of stainless steel.
-As an Alternative to steel ropes, high tensile aramide ropes can also be used,
thereby providing a reduction in weight of more than 50% with the same
tensile strength.
-Although the costs for the aramide ropes are still above those for stainless
steel ropes, they cannot be beaten if indeed a filigree design is required (e.g.
for structures trussed with sag rods or in interior spaces).
-Specifically designed for tying guy wires off or wrapping the fabric onto chain
link fence, cable or rope, the large surface area ensures your material will not
be damaged when pulled taut.
-They have 2 front holes for maximum versatility. Small 3/16 hole at top for
hook or screw and a larger 5/16 hole in middle for lag bolt. The pass through
opening across top/centre will hold up to 5/16 diameter cable or rope.
CONCLUSIONS:
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REFERENCES:
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BIBLIOGRAPHY:
INDIAN ARCHITECT-special focus-TENSILE (may-2000)
INTERNET-www.google.com
http://www.tensiledesigns.com
ttp://www.taiyomembrane.in
www.basestructures.com
www.grotal.com
www.concat.in/