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The connection of Ishtar (Estarte) and Easter is in the AS ABOVE with Venus
and the zodiacal sign of Virgo, where she bears the child or carries the ear of
corn in her hand. Spica, "ear" (of corn) is the brightest star in Virgo.
On the monuments of the Assyrians they had called her Ishtar and they had
worshiped her as the "Queen of Heaven with Crescent Horns." On an
impression of a Neo-Assyrian seal, dated 883-612 BCE, she is called Ishtar-ofthe-Stars with her striding left leg protruding from a overskirt, revealing a
warrior's kilt indicating her warrior aspect.
Manly P. Hall had written in 'The Secret Teachings of All Ages,' "Ishtar
represents the spirit of fertility, her loss prevents the ripening of the crops
and the maturing of all
life upon the earth. The
gods, realizing that the
loss of Ishtar is
disorganizing all Nature,
send a messenger to the
underworld and demand
her release; and M. P.
Blavatsky in 'Isis Unveiled'
had said, "Sovereign
goddess, lady of the
nether abyss, mother of
gods, queen of the earth,
queen of fecundity....As
the primordial humidity,
whence proceeded all,
Belita is Tamti, or the sea,
the mother of the city of
Erech, therefore, an
infernal goddess. In the world of stars and planets she is known as Ishtar or
Astoreth."
Author Edward Davies, in 'The Druids' wrote; "As Easter is associated with
eggs, we find that Venus, or Astarte, is said to have been hatched by doves
from a wondrous egg that fell from heaven into the Euphrates River and was
rolled ashore by fishes. The ancient Druids bore an egg as the sacred emblem
of their order." (Davies' Druids, p. 208)
dead to be the devourers of the living! The dead shall prey upon the living!"
In the book, 'Persian literature, ancient and modern,' by Elizabeth Armstrong
Reed, there is a good description of what her name changes and her rites
were at the time;
In column II of the tablet under consideration, we find the story of the king
whom Ishtar changed into a leopard, "and his own dogs bit him to pieces."
No one can doubt that we see here the original of the Greek fable of
Actaeon, the hero who offended the goddess Diana, when she revenged
herself by changing him into a deer, and his dogs no longer knowing their
master, fell upon him and tore him to pieces.1 The classic authors of
Greece and Home, however, attribute the fate of Actaeon to the vengeance
of the strong and graceful Diana, whom he offended by allowing his eyes
to rest upon her rich beauty, while the tablet ascribes the fate of the king
to the wanton cruelty of Ishtar.
Diana is sometimes identified with Hecate, the daughter of Asteria or
Ishtar, and she retains the characteristics of her mother by appearing as
the goddess of the moon. Her temple at Ephesus, with its hundred and
twenty-seven columns of Parian marble, was one of the "Seven Wonders of
the World," but the hideous idol within it was roughly carved of wood, not
as a beautiful huntress, but as an Egyptian monster, whose deformity was
hidden by a curtain.
33 Degree Freemason Manly P. Hall said this in the encyclopedia outline
"Masonic, Hermetic, Quabbalistic & Rosicrucian Symbolical Philosophy;"
At the first gate the great crown is removed from her head, at the second
gate the earrings from her ears, at the third gate the necklace from her
neck, at the fourth gate the ornaments from her breast, at the fifth gate
the girdle from her waist, at the sixth gate the bracelets from her hands
and feet, and at the seventh gate the covering cloak of her body. Ishtar
remonstrates as each successive article of apparel is taken from her, but
the guardian tells her that this is the experience of all who enter the
somber domain of death. Enraged upon beholding Ishtar, the Mistress of
Hades inflicts upon her all manner of disease and imprisons her in the
underworld.
As Ishtar represents the spirit of fertility, her loss prevents the ripening of
the crops and the maturing of all life upon the earth...The gods, realizing
that the loss of Ishtar is disorganizing all Nature, send a messenger to the
underworld and demand her release.
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