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The following technical specifications have been updated for the current BS&T touring season. They reflect the
current band lineup and include only those things that we feel are essential to the professional presentation of
the show. Any difficulty meeting these specs must be reported to the BS&T Production Staff and any changes
made only on their authority.
* If you do not meet these requirements, please do not take the job *
Please, be Professional about it and let someone who cares do the job.
A Professional quality name brand 4 way actively crossed over sound system. The
system must have a frequency response of 20-20Khz and be able to produce 110db of
clean, undistorted sound at the very back of the audience area. This system should be
flown wherever and whenever possible with ground stacked subs.
Provide quality front and supplemental fills necessary to assure even coverage
with no dead spots throughout the entire venue!
Acceptable systems in order of preference are: L-Acoustics V-Dosc, Nexo System,
Clair i-4, JBL Vertec 4889s Martin W-8L, Meyer M3D or Milo.
Console:
A large format front of house console with no less than 48 mono inputs + 4 stereo
inputs, 10 VCAs, 8 Subgroups, 8 Aux sends, 4 Band fully parametric EQ on all inputs.
Acceptable types in order of preference are:
Midas H-3000, Avid Venue Profile, Yamaha PM5D-RH V2, Soundcraft Vi6
! We will not accept Crest, Mackie, Ramsa, Allen & Heath, Peavey, PM-3000s or any other semi-pro brand consoles!!
House
Effects
(4) Reverb units each patched for mono in & stereo out. Acceptable units in order of
preference are: Yamaha SPX- 990, TC M-5000, M-3000, Lexicon PCM 91 or 81.
(1) Digital Delay: TC 2290 or D- 2
(1) Insertable Summit DCL- 200 Tube Compressor.
(8) Insertable Compressors: DBX 162SL or BSS DPR-402.
(8) Insertable frequency tunable gates: Drawmer DS 201
(1) CD Player patched for playback.
(2) XLR cables patched for recording from the matrix section of the console.
(1) Intercom from house console to monitor console on a dedicated channel.
European Voltage
Requirements:
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Monitors :
Console:
A large format fader monitor console with no less than 48 mono inputs & 18 discrete mix
outputs, 8 VCAs, 4 Band fully parametric EQ on all inputs, & 8 Mute groups.
Acceptable types in order of preference are:
Soundcraft Vi-6, Avid Venue Profile, Yamaha PM-5D/RH V2 or M7CL
Note: Monitor world should be stage right & A Que wedge is required.
Wedges &
Side Fills:
(16) Professional quality name brand Bi-Amped monitors capable of producing 115dbA
continuous. Acceptable types in order of preference are:
Coda Audio QUE Series, L-Acoustics 112P, Meyer MJF-212 or UM-1P
(2) 2 or 3 way actively crossed over side fills.
Acceptable types in order of preference are:
L-Acoustics Arc, D&B Audiotechnik C4
Flown side fills are acceptable such as small format line arrays.
(1) Drum Sub L-Acoustics DV Sub, D&B Audiotechnik B2 Sub
Effects,
Inserts,
& EQs:
Monitor
Mixes:
Miscellaneous Audio:
R.F. Mics:
(1) Shure UR24D+/ Beta 58A Dual Handheld Wireless System for Vocals.
(2) Shure UR14D+ Dual Bodypack Wirelesss Systems for Horns.
(4) Shure WB98H/C Beta 98 Clip on for horns.
Ear Monitors: (1) Shure PSM-900 wireless ear monitor system with a pair of E5 ear buds.
Batteries:
Stage Power: (6) Edison Quad Boxes on 3 separate circuits. (See stage plot for placement)
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Ch.
Input
Mic / DI
Stand
FOH Insert
1
Kick
Audix D-6
Short Tripod Boom
Gate 1
2
Snare Top
Audix i-5
Medium R.B. Boom
Gate 2
3
Snare Bottom
Audix i-5
Short R.B. Boom
Gate 3
4
Hi Hat
Neumann KM-184
Medium R.B. Boom
Skip gate 4
5
Rack 1
Audix D-2 or Senn e604 Please make sure you have
Gate 5
the new strait style e604
6
Rack 2
Audix D-2 or Senn e604
Gate 6
mounts, the original curved
7
Floor 1
Audix D-4 or Senn e604
Gate 7
mounts are unacceptable!
8
Floor 2
Audix D-4 or Senn e604
Gate 8
9
OH L ( Stage Right )
AKG 414
Tall Tripod Boom
10 OH R ( Stage Left )
AKG 414
Tall Tripod Boom
11 Bass
Radial JDI
Comp 2
12 Guitar L
Beta 57A
Short Tripod Boom
13 Guitar R
Beta 57A
Short Tripod Boom
14 Piano L
Radial JDI
15 Piano R
Radial JDI
Place Motif on top
16 Motif ES 8 L
Radial JDI
of the Hammond
17 Motif ES 8 R
Radial JDI
18 Leslie Top L
Sennheiser 421
Tall Tripod Boom
19 Leslie Top R
Sennheiser 421
Tall Tripod Boom
20 Leslie Bottom
Sennheiser 421
Short Tripod Boom
21 Trumpet 1
Comp 3
R.F. UR14D & UR-1 BP Beta 98H/C Wireless Clip On
22 Trumpet 2
Comp 4
R.F. UR14D & UR-1 BP Beta 98H/C Wireless Clip On
23 Sax
Comp 5
R.F. UR14D & UR-1 BP Beta 98H/C Wireless Clip On
24 Trombone
Comp 6
R.F. UR14D & UR-1 BP Beta 98H/C Wireless Clip On
25 Perc Mic / Horn Vocal
SM 58
Tall Tripod Boom
Need cable to reach downstage
26 Harmonica
XLR
27 Rob - Lead Vocal
R.B. Strait
Comp 1
R.F. UR24D - Beta 58A
28 Guitar Vocal
Beta 58A
Tall Tripod Boom
29 Key Vocal
Beta 58A
Tall Tripod Boom
30 Spare Lead Vocal Mic
R.F. UR24D - Beta 58A
31 Snare 2
Audix i-5
Medium R.B. Boom
32
33
34
35
36
37
38 House Announce Mic
SM 58
At house position
39 Audience Mic L
SM-81
Medium Tripod Boom
40 Audience Mic R
SM-81
Medium Tripod Boom
Any questions and substitution approvals must be cleared two weeks prior to the show by contacting BS&Ts production
staff. You will be responsible to the promoter if the show doesnt go on because of poor or amateur equipment.
Page 3 of 7
Backline equipment :
Drums:
2 nd Choice DW
(2) Rack Toms (8x10 & 8x12) Rack toms any deeper than 8 are unacceptable.
(2) Floor Toms (12x14 & 14x16) can be floor standing or mounted toms.
(7) Yamaha CS 965 or CS 865 Boom Cymbal Stands.
(1) Yamaha HS 1200T or HS 1200D Hi Hat Stand.
(2) Yamaha SS 950 or SS 840 Snare Stands.
(1) DW 9100M Series Drum Seat (Absolutely no substitutions and no Hydraulic or Air lift seats).
(1) DW Double Kick Drum Pedal 9000 or 5000 Series.
(1) 9 Metal Cowbell with attachment for cymbal stand.
(1) Pair of 5A Vic Firth wood tip sticks.
* Full set of cymbals w/ (1) 14" Zildjian New Beat hi hat, (1) 18" K Zildjian light crash, (1) 17" K Zildjian medium crash,
(1) 16" K Zildjian medium crash, & (1) 20" or 21 K Zildjian ride (1) 18 or 20 China (1) 10 or 12 Splash.
Please have all new Remo Clear Emperor or Evans G-2 heads on the toms. And Remo White Coated Ambassador
on the snares. All necessary hardware including drum key & (1) 8 x 8 drum rug.
Bass:
Guitar 1:
Key 1:
Key 2:
Organ:
(1) Hammond B-3 w/ 122 Leslie (No foot pedals or bench needed)
(1) DW 9000 Drum Seat
Organ & Leslie must be in perfect working condition, no exceptions!
Risers:
(1) 8 x 8 x 2 Carpeted Drum Riser Extremely Sturdy! & (1) 8 x 8 x 2 Key Riser
Leave 10 gap between risers. Please note: All rolling risers must be blocked up off the wheels
Accessories:
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(2) 3 Percussion Tables w/ full assortment of toys (Shakers, Clapper, Clave, Tambourine. etc)
(10) Manhasset type Music Stands with Lights & Clips to hold down the music.
Please
Note:
General
LD
Notes:
Comms:
Page 5 of 7
Please have Clear-Com from the house sound console to the lighting console &
spotlights.
Drum Riser
8 x 8 x 24
20 China
Sn
2
16
Hi-Hat
Sn
1
14
17 Crash
12
16 Crash
10
20 Ride
18 Crash
10 Splash
Other notes:
http://www.myspace.com/bloodsweatandtears1968
https://www.facebook.com/pages/Blood-Sweat-Tears/143908791513
Page 6 of 7
7
= AC Drop
Key Riser 8 x 8
Leslie
4
M
O
T
I
F
Drum Riser 8 x 8
Hardwired Ear Mix 13 & 14
B
3
Key
Vox
6
Horn
Perc
Table
PIANO
10ft
5
Rob
Perc
Table
GTR-R
GTR-L
Trumpet - 1
7
Gtr
Vox
Trumpet - 2
Perc / Vox
Sax
Bone
20ft
10
Lead
Vox
12
2
11
1