Beruflich Dokumente
Kultur Dokumente
SUBJECT CODE
EMI 643
SUBJECT TITLE
MODELS OF INSTRUCTION
LEVEL
MASTER OF EDUCATION
STUDENTS NAME
MATRIC NO.
E60101150107
PROGRAMME
MASTER OF EDUCATION
ACADEMIC FACILITATOR
LEARNING CENTRE
RANAU SABAH
PART A
MY PHILOSOPHY OF TEACHING
INTRODUCTION
A teaching philosophy is a self-reflective statement of our beliefs about
teaching and learning. In addition to general comments, our teaching
philosophy should discuss how we put our beliefs into practice by including
concrete examples of what we do or anticipate doing in the classroom.
Teaching philosophies are typically may be longer or shorter depending
on our circumstances. They are written for two particular audiences. The first
is search committees, since teaching philosophies are increasingly becoming
part of the academic job. The second audience is ourself and our colleagues.
In this case, the teaching philosophy serves a formative purpose a
document that helps us reflect on and improve our teaching.
Starting a teaching philosophy can be a difficult task, but it need not be.
The steps outlined in this tutorial provide a structure for taking you through
the drafting process step by step. Of course, there are as many different ways
of writing teaching philosophies as there are writers. What we suggest here is
one possible approach to drafting the essay. Feel free to deviate from this
plan, skipping or adding steps to accommodate your personal writing style.
This tutorial follows a basic three-part process.
1. We'll begin by generating ideas for our teaching philosophy based on
our attitudes, values, and beliefs about teaching and learning.
2. Next, we'll organize our ideas and create a working draft. we'll also
check to make sure that we've illustrated our personal beliefs with
specific examples of classroom practice that take into account
disciplinary contexts and constants.
3. Finally, we'll assess our first draft, comparing it to a rubric a set of
guidelines for effective teaching philosophies. our assessment should
point the way toward gaps in the essay or areas that need to be
reworked during subsequent revisions.
changes
and
our professional
identity
grows,
our teaching
philosophy will also change and grow. So revisit it periodically and rewrite it
as our beliefs and experiences progress and change.
MY PHILOSOPHY OF TEACHING
There are many types of teaching philosophies. The examples of those
philosophies that our professors have chosen to teach us in Colleges are not
chosen for their excellence, but to show us a range of choices of styles,
structures and possible content in teaching philosophy statements. When we
read through the extracts, think about the following questions:
What do we like/dislike about the statement?
Who do we think the statement is written for?
Is the statement written in a personal way?
Are the teaching methods clear?
Is there a balance between theory and practice?
Are examples given?
What words reveal the educators teaching values?
What will we remember most about this statement?
each other, as well as with me, to learn and gain expertise about the act
of teaching. To be effective teachers, my students must have the
opportunity to take responsibility for becoming life-long learners. This
means sharing with others what they learn about teaching and realizing
all the things that they have not yet discovered. I want my students to
become empowered by their own learning and development as teachers.
I create situations where students can take charge for what they learn
and how it applies in their classrooms. Finally, I want students to realize
that they don't teach subjects but rather people. My goal is to teach the
whole person, i.e., the cognitive, affective, and behavioral dimensions of
the human being.
An effective teacher is like the wizard who must help each individual
appreciate the potential that resides within all of us -- the potential to
make the best use of our minds, our hearts, and those behaviors that can
make the world a better place. It is impossible for me to be all things to
all students. It is healthy for my students to see that I don't have all the
answers and that I must deal with contradictions about teaching and life
just as they will. To embrace these contradictions and gaps in knowledge
creates the opportunity for new understandings and ways of looking at
the world.
Technology is an important part of my work because as an instructional
tool it brings up contradictions for teachers regarding their conceptions of
what it means to teach and learn in the Information Aged. Furthermore,
the rapidity of change in instructional uses of technology keeps me
constantly searching for ways to show teachers what are the educational
potentials of culturally transforming developments such as the Internet.
In summary, I believe that as much as possible future teachers should be
in control and responsible for what they learn. Furthermore, I believe their
accepting responsibility for learning does not occur in a vacuum It also
involves those with whom they work. I develop a sense of community in
my classes. As members of that community, students are responsible not
only to themselves, but to the other members of the community,
including me.
CONCLUSION
My philosophy of teaching is to provide a classroom environment where
students are encouraged to express their own ideas and participate in their
education experience. Although I stress individual responsibility for learning
in the class, I also provide explanation and guidance regarding the course
materials and subject matter.
I want my students to enjoy the interaction in my classroom and to be
challenged by the intellectual discussion of course material. The purpose of
this document is to illustrate my philosophy of teaching. At the end of each
class that I teach, I would like to have my students remember the following
about me as a teacher:
He care about me as a person and valued my contributions to class
discussions.
He create an environment in the classroom which inspired learning and
encouraged individual responsibility for education.
Learning
Environment
As
an
PART B
INTRODUCTION
Firstly, let me state my understanding of the word Creativity. Creativity is the bringing
into being of something which did not exist before, either as a product, a process or a
thought. I will attempt to demonstrate what creativity is:
In fact, we are all creative every day because we are constantly changing the ideas which
we hold about the world about us. Creativity does not have to be about developing
something new to the world, it is more to do with developing something new to
ourselves. When we change ourselves, the world changes with us, both in the way that
the world is affected by our changed actions and in the changed way that we experience
the world.
Teachers share big and small ideas for making any classroom a more creative place.
Creativity is on our minds. Thats because its central, along with skills like collaboration,
critical thinking, and communication, to the shift from teacher-directed learning to a more
student-centered, project-based approach. We dont want our students creativity to end
with the comments they leave on their friends Facebook pages. We want them to look at
every problem they face with a creative eye: How can I best answer this question? Am I
thinking of all the possible alternatives? Whats the most interesting approach for me?
Ongoing creativity maximizes both accidental and deliberate creative thinking. Ongoing
creativity takes time and deliberate practice to become skillful at, but it's surprising how
quickly it becomes an attitude, not a technique.
The first step to take is to learn the creative thinking techniques so that we can
deliberately use them to come up with new ideas. We will then be at an immediate
advantage over those who don't know how to use them. We should then practice the
techniques to increase our skill at ongoing creative thinking. (After a while we may even
find it unnecessary to use specific techniques because we may be having too many ideas
anyway.) We can create much creativity by trying to find the answers to the following
questions:
dioramas instead?
What are our goals with regard to creativity?
Where do you want to be in one, two, or three years?
Make a deeper research by taking an assessment on the teaching style applied. Make a
plan to increase the number of project-based assessments in our own classroom. A first
goal might be to replace one traditional assessment with a project that incorporates crosscurricular concepts and creativity. Show our plan to our principal to get him on board.
When it is successful, well have grounding to step up the number of projects throughout
the year.
Fellow teachers who believe in the value of creativity are our best allies. Together,
we can brainstorm strategies for developing new approaches to the traditional curriculum
that encourage students to find their own answers to problems, instead of memorizing the
ones in the textbook. We can issue creative learning challenges that capture students
attention and engage their minds.
Creative teaching
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In order to teach creativity, one must teach creatively; that is, it will take a great deal of
creative effort to bring out the most creative thinking in our classes. Of course, creativity
is not the only required element for creative instructors. They must also know their fields
and know how to create an appropriate learning environment.
When will it be most important for you to offer direct instruction? When is discovery
most important? What are our expectations and how can we best communicate them?
Because answers to these questions are so diverse even for individual instructors
teaching different courses or at various times of the semester no one technique will fit
all needs. Here are several approaches or techniques for teaching creatively, both general
and specific to certain fields.
General Techniques
It can be fun when a teacher decides to shake things up in the classroom. Truth be told,
some of my best classes were ones where the teachers teaching methods were anything
but traditional. In fact, I had seen numerous teachers that completely relied upon
creativity and inspiration as the guiding forces in their teachings.
At first, I was a little weary of these one-of-a-kind teachers thinking that they were
only going to complicate things as opposed to expand my creative learning. In the end,
however, I learned more from these unique teachers than I did the rest of my traditional,
teach-by-the-book teachers. For those of us who are looking to integrate creative teaching
and learning into the classroom, here are four exciting ways to do so.
Host a class blog - One of the best classes I ever took was one that featured a
collaborative class blog. Each day, my art history lecturer would go over a particular art
period or movement in class and then invite students to contribute to the class blog about
their thoughts or insights into the various topics we discussed. Not only did the blog
allow people to explain and explore further insight into what we learned, it also
encouraged them to get more excited and involved in the class itself. In case you havent
tried them out already, blogs are a great way to get students more intrigued and active in
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the classroom. Some students dont like to publish their thoughts directly on a blog;
therefore, some teachers encourage their students to have class journals instead. Im not
talking about the traditional, wire-bound journal you take notes in; Im talking about a
class diary: a place where students get to express their thoughts, insights, and concerns
about the class.
Assumption Busting
What: An assumption is an unquestioned, assumed truth. Assumption busting is
particularly effective when one is stuck in current thinking paradigms or has run out of
ideas.
Benefits: Everyone makes assumptions about how the world around us, which in
creative situations, can prevent seeing or generating possibilities. Deliberately seeking
out and addressing previously unquestioned assumptions stimulates creative thinking.
How: List assumptions associated with a task or problem, for example, that a
solution is impossible due to time and cost constraints; something works because certain
rules or conditions; and people believe, need or think of certain things. Then ask under
what conditions these assumptions are not true, continue the process of examination as
old assumptions are challenged and new ones are created. An alternative way of
proceeding is to find ways to force assumptions to be true. This is the opposite of
challenging assumptions in the previous step
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Brainstorming
What: Brainstorming, a useful tool to develop creative solutions to a problem, is a lateral
thinking process by which students are asked to develop ideas or thoughts that may seem
crazy or shocking at first. Participants can then change and improve them into original
and useful ideas. Brainstorming can help define an issue, diagnose a problem, or possible
solutions and resistance to proposed solutions.
How: Define the problem clearly lay out any criteria to be met. Keep the session
focused on the problem, but be sure that no one criticizes or evaluates ideas during the
session, even if they are clearly impractical. Criticism dampens creativity in the initial
stages of a brainstorming session. Ideas should be listed, rather than developed deeply on
the spot; the idea is to generate possibilities. Accordingly, participants should be
encouraged to pick up on ideas offered to create new ones. One person should be
appointed as note-taker, and ideas should be studied and evaluated after the session.
Concept Mapping
What: Concept maps represent knowledge graphic form. Networks consist of nods,
which represent concepts, and links, which represent relationships between concepts.
Benefits: Concept maps can aid in generating ideas, designing complex structures, or
communicating complex ideas. Because they make explicit the integration of old and new
knowledge concept maps can help instructors assess students understanding.
How: Create a focus question specifying the problem or issue the map should help
resolve. List the key concepts (roughly 20-25) that apply to the area of knowledge. Put
the most general, inclusive concepts at the top of the list, and most specific at the bottom.
Build a hierarchical organization of the concepts, using post-its on a wall or whiteboard,
large sheets of paper, etc. Revision is a key element in concept mapping, so participants
need to be able to move concepts and reconstruct the map. Seek cross links between
concepts, adding linking words to the lines between concepts.
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CONCLUSION
As one considers the possibility of an instructional balance, it is evident that the topic of
standards and creativity offers two opposite spectrum of thinking. When determining
how to equalize standards and creativity, it is essential to examine each component in
relation to the needs of gifted learners. In this article, the author examines how to
integrate creativity in a standards-based system and discusses the benefits of balancing
standards and creativity. The author also describes three components, including teacher
behavior, learning environment, and instructional strategies, that may be used to achieve
this equilibrium, and offers several strategies in implementing creativity in the classroom
in order to balance instruction. Designing for the Students When creating an environment
for a student-centered approach to learning, it is imperative that one take the needs of the
students into consideration. Teachers should ask themselves about what types of
disabilities will be entering their classroom, what types of behavior are expected from the
incoming group, and will all students be able to hear instruction from the seating
arrangements? I believe an issue that is still an issue today when other said, as a society,
we havent yet come to grips with some of the subtler aspects of disabilities legislation,
which aims at ensuring that disabled people participate equally in all the opportunities
that we provide to the able-bodied. In schools, this means making sure that, to the
greatest degree possible students are able to enjoy access to all parts of the curriculum.
PART C
TEACHERS-STUDENTS ROLE IN LEARNER-CENTERED TEACHING
INTRODUCTION
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to
wide
variety
of
educational
programs,
learning
15
model is the use of techniques that bring students behavior under stimulus
control.
These
behavioral
approaches
to
classroom
management
are
learning
community
that
constructs
shared
understanding.
To
of
three
teachers
reputed
to
implement
student-centered
and
Student-Centered
Classroom
Management
17
teacher
was
defined
as
teacher
who
implements
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Because student-centered learning has broad implications, and the term may encompass a
wide variety of potential instructional strategies and academic programs, it may be
difficult to determine precisely what the term is referring to when it is used without
qualification, specific examples, or additional explanation. In some cases, the term may
have a very specific, technical meaning, but in others it may be vague, undecipherable
jargon. For example, some educators use the term synonymously with personalized
learning, while others see personalized learning as one aspect of student-centered
learning, but not a synonymous term or concept. For these reasons, it is important to
investigate precisely how the term is being used, and what it is referring to, in a specific
educational context.
The term student-centered learning most likely arose in response to educational decisions
that did not fully consider what students needed to know or what methods would be most
effective in facilitating learning for individual students or groups of students. For
example, many traditional approaches to schooling could be considered school-centered,
rather than student-centered, because schools are often organized and managed in ways
that work well for organizational operations, but that might not reflect the most effective
ways to educate students.
CONTENT ORGANIZATION (Subject area and what is to be taught)
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and indicators. Teaching and learning materials have literature and images portraying
positive attitude towards other cultures, gender and people with special needs
Progressing - Evidence of all of Emerging plus the following: Learner centered
curriculum / syllabus is differentiated, and integrates technology and multi-media. All
members of the school community provide input into and evaluate the curriculum /
syllabus. All members of the school community discuss benchmarks and objectives of the
curriculum / syllabus. . Planned activities demonstrate respect and equality, and value
people of other cultures, gender, and difference in ability.
Achieving - Evidence of all of Progressing plus the following: Curriculum / syllabus
is annually evaluated by representatives of members of the school community. Annual
evaluation of the curriculum/syllabus includes examination of differentiation, relevance,
cultural sensitivity, interests, ability, and values. Evaluation process determines the extent
to which curriculum/ syllabus effectively supports the learner centered approach and
improvements in student achievement All revisions to curriculum/syllabus contribute to
continues improvement of the quality of education Students discuss their performance
levels, and identify their own g
Achieved - Evidence of all of Achieving plus the following: Curriculum/syllabus is
learner centered, and improves student learning, and is a model for other schools in the
country and region. Children see the curriculum/ syllabus as relevant, interesting and
challenging. Children recognize that their input is important to their future and the future
of others.
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generally contribute to the design of their own course of study. Additionally, studentcentered instruction is often associated with classrooms that feature desks arranged in
circles or small groups (rather than rows of desks that face the teacher), with selfguided or self-paced learning, or with learning experiences that occur outside of
traditional classroom settings or dual-enrollment courses.
While the definition of the term is still evolving, advocates of student-centered
learning tend to emphasize a few fundamental characteristics:
a) Teaching and learning is personalized, meaning that it addresses the
distinct learning needs, interests, aspirations, or cultural backgrounds of
individual students.
b) Students advance in their education when they demonstrate they have
learned the knowledge and skills they are expected to learn (for a more
detailed discussion, see proficiency-based learning).
c) Students have the flexibility to learn anytime and anywhere, meaning
that student learning can take place outside of traditional classroom and
school-based settings, such as through work-study programs or online
courses such as on nights and weekends.
d)
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SECTION D
LESSON PLAN
Theme
Topic
: Material Properties
Sub Topic
: Material Property
Time
: 60 minutes
Objectives : At the end of teaching and learning pupils will be able to:
1. Identifying conductors and insulation materials.
Approach
Strategies
Teaching Aids
Observations form, brick, pencil, paper clip, paper, plastic spoon, coin 10 cents, nails,
eraser, plastic ruler, glass rod, worksheet.
PARTS/
TIME
Induction
Set
(5 minutes)
CONTENT
NOTES
Scientific skills:
communicate
shock.
2.Ask and answer about existing
student experience
( ASK )
22
Moral Values :
Be careful
Forecast
Idea
Identify the
object of
objects to students.
Observation
Making
(25 Minute)
experiment the
material given in
the electrical
circuit
Conductor
Insulation
materials (is not
a conductor 0f
electricity).
(DISCUSS)
Reflection
List of conductor
(5 minutes)
materials and
insulation
experiment
Explanation
Scientifik skills:
23
Moral Values:
Cooperation
Honest
materials.
(REFLECT)
OBSERVATION FORM
Standard Content
: 5.1
Standard Learning
Please thick ( / )
OBJECT
LIGHTS UP
Rubber eraser
Paper clip
Pencil
Plastic ruler
coin 10 cents
Plastic spoon
Nails
Paper
Glass rod
Brick
24
DOES NOT GO ON
: _____________________________________________
25
ASK
REFLECT
INVESTI
GATE
DISCUSS
CREATE
INVESTIGATE
26
At this stage the students begins to gather information: researching resources, studying,
crafting an experiment, observing, or interviewing, to name a few. Students may recast
the question, refine a line of query, or plunge down a new path that the original question
did not or could not-anticipate. The information-gathering stage becomes a self motivated
process that is wholly owned by the engaged learner.
Through investigation, we turn curiosity into action. Students gather information,
study, craft an experiment, observe, or interview. Experiments conducted to ensure that
the properties of the materials studied. Each material investigated and noted its decision.
Through the observation of students can verify the substance of a conductor and
insulation
CREATE
Students make observations of the results of the experiment. The State of the current light
bulbs experiments demonstrate the materials studied. The observation that allows
students to build an understanding that all material has properties either electrical
conductor or not electrical conductor.
DISCUSS
After complete the experiment, students make discussion to get the validity of hypothesis.
They will present the results. Students were able to conclude that the nature of the
material is a conductor and insulation. Teacher strengthens revenue and provides
definitions of conductors and insulation.
REFLECTION
At the end of the lesson the students will make summary as a reflection to the learning
session. Students will make a mind map about the nature of the material. The properties
of the materials are divided into two types, namely conductors and insulation. Students
are also able to identify types of conductors and insulation materials.
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