The Absence

The Absence
Paul Eluard
James Blick
= 95 - 115, Moderately
Soprano
85
82
85
83
Alto
85
82
85
83
Tenor
85
82
85
83
85
83
83

HOF
Bass
85
82
HOF
85
Piano
82 85
85
82

85
83

Tenors and Basses close to "f" constanant immideatly.

At the same time, they stomp their feet
S.
83
85
83
A.
83
85
83
T.
83
B.
83
85
85
85
gliss.
speak to
you
speak to
you
gliss.
83
83
ac ross
83
ac ross
83
83
Pno.
83
Tenors and Basses glissando freely from

the lowest note they can sing, growling or frying
if neccesary
85
Decrescendo right hand only, not

that it's possible to decrescendo
your left hand.
18
S.
83
2 85
16
I
A.
83
83
ci
B.
ties. ci
ties.
83
ci
83
ci
ties.
ties.
ci
ties.
you
speak to
you
2
16
2
16
2
16
2
16
My
My
My
mouth
is
up
on
mouth
is
up
on
mouth
is
up
on
your
pil
2 83
16
mouth
is
up
on
your
pil
83
85
85
83
83
plains.
ac ross
83
plains.
ac ross
cit
2
16
Pno.
speak to
2
16
cit
2 85
16
ties. ci
83
2 85
16
2 85
16
I
T.
2
16
My
2 3
16 8
your
pil
2 3
16 8
your
pil
2 3
16 8
83
2 83
16
83
2 83
16
2
16
Make sure piano isn't burried under the choir
29
S.
83
My
A.
83
My
T.
83
My
B.
83
My
83
mouth
is
up
on
your
pil
low.
mouth
is
up
on
your
pil
low.
mouth
is
up
on
your
pil
low.
mouth
is
up
on
your
pil
low.
10
8
10
8
85
85
85
85
Pno.
83
33
S.
8
10
My voice
A.
T.
dis
8
10
My voice
cov

dis
85
Both
B.
cov
83
85
42
85
42
85
42
'ring you.
fa
ces
of
the walls
Both
fa
of
the walls
85
85
ces
'ring you.
85
83
83
come
83
come
83
83
meet
come
meet
come
meet
meet
come
meet
come
meet
come meet ing.
come meet
85 42
speak to you of
5
8
Pno.
42
85
42

40
S.
42
85
83
A.
42
85
83
T.
42
85
ci
42
5
8

ter nit ty.
42
speak to you of
ties
mem
ries
of
ci
ties.
Ci
ties
wrapped
in
our
wrapped
in
our
ties

mem
ries
of
ci
Ci
ties.
ties
83
83
83

ter nit ty.
85
ci
83
O
B.
Pno.
42
85
50
S.
A.
T.
come
ear
ly
ci
strong
and
ci
ties
se
cret.
Ci
ties
come
ties
come
ties
come
late
ly.
Ci
ties
ear
ly
ci
ties
come
late
ly.
Ci
ties
strong
and
ci
ties
se
cret.
ly
ci
ties
Ci
ties
strong
and
ci
ties
se
cret.
ear
come
late
ly.
60

.
gl i ss
A.

Plun
B.
12
8
ghosts. Bright
Plun
T.
Pno.
ties

sires
sires. Ci
Ci
S.
de
de
B.

Plun
dered
of
their
mas
ter's
buil
ders.
All
their
think
kers
all
their
dered
of
their
mas
ter's
buil
ders.
All
their
thin
kers
all
their
dered
of
their
mas
ter's
buil
thin
kers
all
their
ders.
All
their
12
8
ghosts. Bright
12
8
ghosts.
12
8
12
8
12
8
ghosts.
Pno.
Sopranos aryhmically slide up from a random note in their mid-register to the highest note they can. It doesn't have to sound full or pretty.
68
S.
8
12
Field
A.
8
12
Field
T.
B.
Pat tern
Bright
12
8
Bright
sur
vi
sur
vi
bright
bright
li ving
of
pat tern
ving
Field
pat
tern sur
vi ving

bright
em
Field
pat tern
8
12
'rald
Bright
12
8
li
sur
bright
bright
42
44
85
42
44
85
42
44
vi
ving of
em 'rald
85
Har vest of
42
the sky
85
Pno.
85
ver
44
our earth
42
44
42
44
82
85
82
85
12
8
85
72
S.
44
Feeds my voice
A.
44
Feeds my
T.
44

voice I

Feeds my voice
dream and weep.
laugh and dream
dream and weep.
laugh and
dream and weep.

dream a

laugh and dream
mong the flames A
mong the flames. A
mong the flames. A

mong the clus ters
of
the sun
mong the clus ters of the sun.

mong the clus ters
of
82
85

the sun.
HOF
B.
44

I
dream and weep.
Feeds my voice
44
44

laugh and dream
mong the flames. A

mong the clus ters
of
the sun.
85
HOF
82
82 85
Pno.
Low bass part should be sung by whoever is able
82
85
Same rules as before
76
S.
85
83
2
16
85
83
Sheet
A.
85
83
2
16
2
83 16
of it's
85
3
8
Sheet
T.
85
O
B.
85
O
85

ver my
bo

ver my
dy you
bo
dy
bo
dy
bo
dy
dy your
bo
83
dy
bo
dy
bo
dy
83
bright
mir
ror
mir
ror
mir
ror
mir
ror
mir
ror
ror
ror
ror
mir
mir
mir
85
83
85
83
spreads.
2
16
Pno.
85
of it's
spreads.
2
83 16
bo
bright
2
16
85
83
85
83
88
S.

mir
A.
B.
ror
mir
ror
mir
ror
mir
ror
meet
come
meet
come
meet
come
meet
bo
dy
bo
dy
bo
dy
bo
dy
ties.
ci
ties.
ci
ties.
ci

come
T.
ci
ties.
Pno.
Crescendo piano gradually to fff from ppp. Repeat as many times as

needed for this to happen. Once piano is fff, all musicians are free to
decrescendo to silence at whatever rate they individually wish.
Repeat until everyone is silent.

The Absence

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Verfügbare Formate

The Absence

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Copyright:

Verfügbare Formate

The Absence

Tenors and Basses close to "f" constanant immideatly.

Tenors and Basses glissando freely from

Decrescendo right hand only, not

Make sure piano isn't burried under the choir

come meet ing.

ter nit ty.

dream and weep.

laugh and dream

dream and weep.

dream and weep.

laugh and dream

mong the flames A

mong the flames. A

mong the flames. A

mong the clus ters of the sun.

dream and weep.

mong the flames. A

Low bass part should be sung by whoever is able

Same rules as before

Crescendo piano gradually to fff from ppp. Repeat as many times as

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