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X2

Putting Sound in the Picture

X2
6, 12, 18 or 24 stereo channels 2 stereo mains with limiters
FORMATS
4 stereo auxiliaries with aux and gain reduction metering
master level controls 30 source based mono clean feed
1 stereo operator’s headphones outputs with talkback facility from
output a selectable talkback source
Self-op radio production has its own very specific requirements.
A radio DJ/Host needs to be utterly creative, absolutely focused
on creating great programming. But a self-op presenter also needs
to control feeds, levels and settings to ensure that listeners are
hearing exactly what they should be hearing.
Complete
Creative Freedom
Flexible
Independent panels allow
the customer to configure the
X2 layout to suit their particular
operating practice and
environment. Available with
6, 12, 18 or 24 faders, X2 can
be placed into any technical
furniture – we can even supply
custom mountings for you!
Each fader is fully assignable so
that any input source can be
routed to any fader, and can be
memorised along with other desk
settings. User-defined levels of
assignability allow the X2 to cater
for multiple operators with varying
levels of experience. Individual
operators may have their own
preferred desk configurations
and a comprehensive memory
system enables rapid set up for
different shows.
X2 C A L R E C
4 on-screen PPM meters with peak
indication and selectable AB/MS
Comprehensive GPIO system
A single assign button above
each fader calls the touchscreen
to that channel allowing instant
access to a variety of on-screen
settings and options.
Hidden depths
X2 actively inhibits access
to certain settings like EQ and
Dynamics, reducing the risk
of human error and making
the system a more robust, less
stressful and more user friendly
environment for the presenter.
Two modes of operation are
available in Operator and
Engineer modes.
Engineer mode is password
protected and allows unrestricted
access to all features of the
system to prepare the console
for use.
1 stereo metering direct input
2 main direct inputs each with
separate routing and gain controls for
the contribution to each main bus
X2 is simple and reliable with
a naturally intuitive surface.
X2 gives your presenters the
freedom to be creative.
A central touch screen provides
access to functions such as
routing, memories, fader labelling
and signal processing, as well as
comprehensive GPIO signalization.
An engineer can also hide further
screens, restricting access to
specific screen functions.
Operator mode allows access
only to these pre-defined
controls. This not only reduces
complexity, but prevents
accidental changes being made.
Disabled controls will disappear
from the control area, but
the settings on them will still
be active.
Communication
All surface hardware consists of
drop-through panels, connected
to a local console box that also
houses 16 GPIs and 24 GPOs
for local functions, such
as fader starts. Bi-directional
communication to external
scheduling/play-out and network
control systems is also available,
such as the BBC’s BNCS
system. This unique interaction
allows the operator to route input
sources to faders via BNCS.
This is particularly useful for
handling outside sources such
as telephone hybrids which
are routed to the X2 inputs
via a 3rd party station router,
minimising the number of
actions required.
Reliability
X2 is built on Calrec’s award-
winning Bluefin HDSP processing
system, and is supplied with
full power supply redundancy.
The PSU system for the
console processing unit and
calrec.com
Assignable Inserts (pre/post fader):
1 stereo studio LS output
48 source based stereo inserts,
Channels include: 4-band EQ, 2 filters, 30 source based direct outputs
compressor/limiter and expander/gate
1 stereo Control Room (Cubicle)
1 stereo PFL
LS output
System
– Configuration computer
allows an unlimited number
of memories
– Independent DSP operation
ensures audio continuity
even during console reset
– Console and racks boot
from power on in less than
15 seconds
– Full control system reset in
less than 6 seconds
– Last settings fully restored
on powerup or reset
– All cards and modules are
designed to be Hot Plugged
the DSP/Audio I/O rack contains – All cards and modules are
two multi-rail power supplies, designed to initialise upon
both capable of independently insertion
powering the console.
During operation, full console Channel Fader
settings are regularly saved. – Assignable WILD button,
In the unlikely event of a power display and rotary control
failure or system re-boot the
console powers up to the most – Assign button
recently saved configuration and – 6 character label
will pass audio with full control
in less than five seconds. – Machine Control buttons
and tally LED’s
– Channel ON indicator
– Talkback
– PFL button
X2 C A L R E C
WHAT’S WHAT?
The console can have up to 4 fader
control panels, giving a maximum
of 24 channel faders. Each fader panel
provides a simple but powerful set
of controls for six channels.
Display
Each fader has a bi-color display
to indicate fader labels, wild
control functions and wild control
parameter values. The display
shows both the source label and
a representation of any wild
functions.
Assign Button
The Assign button selects the
channel for viewing and control.
The audio parameters for the
channel are displayed on and
controlled by the control screens.
Channel ON Indicator
The fader’s position controls the
channel ON indicator. When the
fader is down, the indicator is off
and the channel cut. The channel
ON indicator is illuminated when
the fader is up.
Talkback
If a cleanfeed output is
associated with the source on
the currently assigned channel,
the TB button switches
talkback to it.
Wild Controls
The assignable wild button and
rotary control can be used to
control a number of parameters,
while pressing the rotary control
skips through available functions.
They may be programmed to
provide access to the same
controls, separate controls on
each channel, or automatically
change their function.
PFL
PFL switches can be set to
operate momentarily, to latch,
or auto. A tick box allows the
setting of PFL to cancel when
a fader is opened.
Channel Fader
The channel fader operates
the channel level.
Machine Controls
Machine control relays can
be set up so that the transition
of the fader from “closed” to
“open” operates a machine start,
which can be used to trigger
other equipment.
TECHNICAL calrec.com
SPECIFICATIONS
System Specification
Digital Inputs Performance
Word Length 24-Bit Digital to Digital (AES/EBU) -1dBFS, 20Hz to 10kHz - Better than 0.002%
Formats Supported AES/EBU (AES3) Distortion
Also suitable for use with SPDIF (IEC958 Type 2) signals Digital to Digital (with SRC) -1dBFS, 20Hz to 10kHz - Better than 0.002%
Interface 110 Ohm transformer balanced, 5V Pk-Pk Distortion
75 Ohm unbalanced (BNC), 1V Pk-Pk Frequency Response 20Hz to 20kHz +/- 0.5dB
Sample Rate Conversion 24-Bit switchable on all digital inputs (Analogue Input to Output)
SRC THD+N -117dB @ 1kHz, 0.00014% Synchronization
Digital Outputs
48kHz synchronisation from NTSC/PAL Video
Word Length 24-Bit Internal Crystal Reference
Formats Supported AES/EBU (AES3) TTL Wordclock
Interface Transformer balanced 4V Pk-Pk (nominal) into 110 Ohm load AES/EBU Digital Input
Unbalanced 1V Pk-Pk (nominal) into 75 Ohm load (BNC) Environmental Considerations
Analog Inputs Operating Non-Operating
Analog - Digital Conversion 24-Bit Temperature Range 0°C to +30°C (32°F to +86°F) -20°C to +60°C (-4°F to +140°F)
Input Balance/CMR Electronically Balanced - Better than -70dB (Typically -80dB) Relative Humidity 25% to 80% Non-condensing 0% to 90% Non-condensing
Input Impedance >1k Ohms for Mic gains (1K2 Nominal) Maximum Altitude 2,000 Metres (6500ft)* 15,000 Metres (49,000ft)
10k Ohms for Line gains
Sensitivity +18 / -78dB - Analog input for 0dBFS can be pre-set globally to +28, +24, +22, +20, +18 or +15 dBu
- Pre-fader headroom on analog inputs is adjustable globally from +24 to +36dB in 2dB steps
Equivalent Input Noise -125dB (150 Ohm source, 22Hz-22kHz bandwidth) - Analog output for 0dBFS Matches input setting into >1kOhms (+24dBu max into 600 Ohms)
Distortion -1dBFS @ 1kHz - Better than 0.003%
-20dBFS @ 1kHz - Better than 0.004% The system can be pre-set with up to five external sync sources, plus internal,
-60dBFS @ 1kHz - Better than 0.3% such that if the 1st source fails, it will automatically switch to the 2nd, and so on.
Frequency Response 20Hz to 20kHz +/- 0.25dB * This is the limit to which the safety tests are valid.
Crosstalk 20Hz to 20kHz >-86dB
Delay 0.3ms
Analog Outputs
Digital - Analog Conversion 24-Bit
Output Balance Electronically Balanced, 20Hz to 20kHz,
better than -45dB, typically -55dB
Output Impedance <40 Ohms
Distortion -1dBFS @ 1kHz - Better than 0.003%
-20dBFS @ 1kHz - Better than 0.006%
-60dBFS @ 1kHz - Better than 0.5% Calrec Audio Ltd reserve the right to change specifications without notice. E&O.E.
Frequency Response 20Hz to 20kHz +/- 0.25dB Alpha, Sigma, Omega, Zeta, X2, Hydra Audio Networking and Bluefin High Density Signal Processing (HDSP) are trademarks of Calrec Audio Ltd.
Crosstalk 20Hz to 20kHz >-90dB All other trademarks acknowledged.
Delay 0.22ms Brochure designed and produced by Rees & Company.
X2 C A L R E C
Calrec Audio Ltd
Nutclough Mill
Hebden Bridge
West Yorkshire
HX7 8EZ
England UK

Tel +44 (0)1422 842159

Fax +44 (0)1422 845244
Email enquiries@calrec.com

calrec.com