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CONTENTS
1. Introducingthe SekonicStudio
Deluxe L-28c2
D u a l P u r p o s e E x p o s u r eM e t e r
1-1. Foreword
For years Sekonichas marketed the Sekonic Studio S,
which has been widely accepted throughout the world
b y c o m m e r c i a la n d a m a t e u r p h o t o g r a p h e r sa, r t i s t s ,a n d
movie cameramen. The Sekonic Studio Deluxe is a
n e w i m p r o v e d m o d e l o f t h e S e k o n i cS t u d i o , , S " . l t i s
easy to use and designed to give the most accurate
e x p o s u r er e a d i n g s b a s e d o n i n c i d e n t l i g h t . A v a r i e t y o f
a c c e s s o r i e sm a k e t h e S e k o n i c S t u d i o D e l u x e a p r o f e s s i o n a l a n d v e r s a t i l ei n s t r u m e n tt h a t w i l l m e e t a l l y o u r
p h o t o r g ap h i c r e qu i r e m e n t s .
4 . C o r r e c t E x p o s u r e su n d e r S p e c i a l C o n d i t i o n s. . . . . . 1 9
......19
4-I. Portraits
.........2O
4 - 2 . " S h o r t - d i s t a n c eL" a n d s c a p e s . . .
......2I
4 - 3 . D i s t a n tL a n d s c a p e s
.........22
4-4. Snow Scenes...
........23
4 - 5 . S i d e a n d B a c k - l i g h t e dS c e n e s . . .
.........24
4 - 6 . S h i l h o u t t e dS c e n e s
..................25
4 - 7 . D i r e c t R e a d i n gM e t h o d . . . . . . . . .
5. Special LightingConditions
5 -1 . F o r e w or d
5-2. Lighting ContrastControl ( lndoors).
5-3. Outdoor ContrastControl
5 - 4 . R e f l e c t e dL i g h t R e a d i n g
5-5. Modern Lighting Control
5-6. Close-ups
5 - 7 . S u n l i g h t - F l a sP
hhotography
.........27
.........27
......28
.........29
.........31
.........36
.........38
.........4L
6 . T a k i n g C a r e o f Y o u r S e k o n i c S t u d i o D e l u x e. . . . . . 4 6
......46
6-1. Zero Setting......
...............46
6-2. SlideSlot
...............46
6-3. Other Precautions......
.,,.....47
6-4. Service
L-2. Specifications
q
I
q
M E A S UR E M EN T
Method
R an g e
Accuracy
SCALE
ASA
DIN
Time (Shutterspeed)
Aperture
Cine
EV scale
C o r r e c t i o nf a c t o r
Dimension
Approx.weight
I n c i d e n t & r e f l e c t e dl i g h t
E V4 - L 7 a t A S A1 0 0
+ O . 3E V M a x . ( l e s s t h a n 1 / 3
a p e r t u r e s c al e )
8-12,000
LO-42
6A-I/2,O00 sec.
1- 90
8-128 frames per second
L i g h tv a l u e s L - 2 0
C:25 K- 1.15
4 . 2 x 2 . 3 x 1 . 2i n c h
B . Bo z .
3
.s,Ldii,l6:t#st*,
II
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Accessories
1-3 . N am e of P ar t s
HIGHSlide
Lumisphere
Swivel Head
Lumisphere
l n d i c a t i n eN e e d l e
Mobil Dial
"H" Pointer
EV lndex Window
Dial Scale
"L" Pointer
ASA IndexWindow
Cine Scale
Lumidisk
Aperture Scale
Set of 9 Direct
R e a d i n gS l i d e s
ero Adjustment
Lumigrid
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L um i s p h e r e
used only to determine exposure by incident lieht (i.e.,
the light that falls on a subject).
To insta ll : m atch the wh ite dots on the photosphere
a nd socket, insert the Photosphere, a nd turn it clockwise until it stops. Reverse procedure to remove.
Lumidisk
U s e d t o o b t a i n b r i g h t n e s s i n f o o t - c an d l e s ( o r i n , , l u x "
if so converted) a nd to measure a nd control contrast.
Install as with Lumisphere.
L u n ni g r i d
Used to measure the reflected light a nd relative brightness of a subject. ca n a lso be used to determ ine exposure when an incident light measurement cannot be
taken. Install as with Lumisphere.
o'HlGH" S[[de
U s e d w i t h L u m i s p h e r eo r L u m i d i s k o u t d o o r so r i n b r i g h t
p l a c e sw h e n t h e i n d i c a t i n gn e e d l em o v e s a b o v e 1 M ( o r
1 6o n )t h e I n c i d e n tL i g h t S c al e . I n s e r tt h e H I G H S l i d ei n
t h e s l o t b e h i n d t h e L u m i s p h e r eo r L u m i d i s k t o c o n v e r t
t h e S e k o n i cS t u d i oD e l u x et o h i g h i l l u m i n a t i o nm e a s u r e n r e n t . T h e S l i d e s e t t l e si n p l a c e w i t h a c l i c k .
Di*"ectReadfrngS[ldes
U : ; e dw h e n i t i s m o r e i m p o r t a n t t o o b t a i n o n e q u i c k ,
d i r e c t r e a d i n gr a t h e rt h a n a v a r i e t yo f l e n s o p e n i n ga n d
s h u t t e r s p e e dc o m b i n a t i o n s . N i n e t y p e s a r e a v a i l a b l e
w i t h v a r i o u sA S A a n d D I N i n d e x e s . T o u s e : ( 1 ) S e l e c t
t h e a p p r o p r i a t es l i d e f o r t h e p a r t i c u l a r f i l m y o u a r e
using; (2) Set your camera to the shutter speed indic a t e d o n y o u r s l i d e ; ( 3 ) I n s e r tt h e s l i d e i n t o y o u r S e k o n i c
D e l u x e m e t e r j u s t a s y o u w o u l d t h e H I G H S l i d e; ( 4 )
Point the meter in the proper direction; (5) Read the
n u m b e r o n t h e I n c i d e n tL i g h t S c al e . T h i s i s y o u r p r o p e r
f / s t o p r e a d i n g; ( 6 ) S e t y o u r c a m e r a t o t h e f / s t o p , a n d
you're ready for a perfect picture.
Note: Direct Reading Sfides are for use with the
L u m i s p h e r ea n d L u m i d i s k . T h e y c a n n o t b e u s e d w i t h
the Lumigrid.
2-2. Lumisphere
T h e L u m i s p h e r eo f t h e S e k o n i cS t u d i o D e l u x ed e t e r m i n e s
e x p o s u r ei n a r e v o l u t i o n a r yw a y .
B e c a u s ea s u j e c t i s u s u a l l y t h r e e - d i m e n s i o n ailt, p r e s e n t s
a contrast of lights and shadows which traditional
m e t e r s a r e u n a b l e t o m e a s u r ew i t h o u t e r r o r o r d i f f i c u l t y .
T h e L u m i s p h e r e ,h o w e v e r ,r e c e i v e sa l l i n c i d e n t l i g h t j u s t
a s t h e s u b j e c t r e c e i v e si t . l t a u t o m a t i c a l l y a s s i g n s t o
e a c h l i g h t s o u r c e i t s p h o t o g r a p h i cv a l u e d e p e n d i n go n
i t s s t r e n g t h a n d d i r e c t i o n , a n d a v e r a g e st h e m i n t o o n e
correctcamera setting.
2 - 3 . M e a s u r i n gl l t u m i n a t i o n
( 1 ) T h e L u m i d i s ki s u s e d t o m e a s u r e i l l u m i n a t i o n . l t
c a n b e p o i n t e d d i r e c t l y a t a l i g h t s o u r c et o m e a s u r e
its intensity.
( 2 ) T h e t o p n u m b e r s o n t h e l n c i d e n t S c a l e i n d i c a t ef o o t
candles,(i.e., the intensity of light on a certain
s p o t . ) . F o r e x a m p l e ; i f t h e i n d i c a t i n g n e e d l ep o i n t s
Io 64, the light intensityor illumination on the spot
i s 6 4 f o o t - c a n d l e s . I n o q d e rt o c o n v e r t f o o t c a n d l e s
i n t o L u x u n i t s o f i l l u m i n a t i o n ,m u l t i p l y t h e n u m b e r
of foot candles by 10.76. For example, if the lnc i d e n t S c a l e r e a d s 6 4 ( w h i c h i s 6 4 f o o t c a n d l e s )t h e
c o r r e s p o n d i n gL u x m e a s u r e m e n t w i l l b e 6 8 8 . 6 4 .
64x10.76:688.64
When the HIGH Slide is used, the Incident Light
Scale number must be multiplied by 32 to obtain
t h e F o o t - C a n d l eN u m b e r . F o r e x a m p l e , i f t h e I n c i dent Scale reads 64, then
64 x32:2,O48 (foot'ca ndles)
The Studio Deluxe ptays an important role when
lighting in a studio must be recorded for future
duplicationand when contrast must be controlled.
2-4. Direct.ReadingMethod
W i t h t h e D i r e c t - R e a d i n gS l i d e s t h e r e i s n o n e e d t o f u s s
with the Mobil dial. The proper f/stop can be found
directly from the indicating needle. This is a great
advantagewhen speed is more important than obtain.
ing a complete selection of f/stop and shutter speed
combinations.
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3-2" Preparation
I n t e r m e d i a t eV a l u e s f o r F o o t - C a n d l e sa n d r e d I n c i d e n t
Scale f /stops :
I n t e r m e d i a t eV a l u e s f o r S h u t t e r S p e e d s a n d A p e r t u r e
Scale f/stops:
/E?
O
Ql
tii
a
I
I
-
(s
\e
1/.
/400
-Lao
!2
11
(2) ff t h e s a m e l i g h t f a l l s o n y o ur c a m e r a a s o n t h e
s u b j e c t ,t h e S e k o n i c S t u d i o D e l u x e c a n b e h e l d a t
t h e c a m e r a p o s i t i o n ,d i r e c t e d a w a y f r o m t h e s u b j e c t .
(See figure below.)
R e m e m b e rt h a t w h e n l i g h t o n t h e c a m e r a p o s i t i o n
differs from that on the subject, (e.g., the camera
or subject is shaded by trees or buildings) your
S t u d i o D e l u x es h o u l d b e h e l d o n l y a t t h e s u b j e c t .
L2
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s p e e d w h i c h a r e d i r e c t l yo p p o s i t ee a c h o t h e r o n t h e
meter. For example, assume you are using the
H I G H S l i d ea n d a f i l m w i t h A S A i n d e x 1 0 0 . T h e
needle points to 64 on
the
Incident
Light
Scale.
Set the red
'rH"
mark to 64 on
the Dial Scale.
Look now at the Aperture and Time Scales
below.
Correct exposure
readings
are
71L25 at fB, 1/30 at
f16, and so on.
Foot Candles
D i r e c t R e a d i n gf / s t o p s
Dial Scale
,,H,
mark
"L" mark
(31 O n t h e l o w e r h a l f o f t h e d i a l , a n d a d j a c e n t t o e a c h
other, you will find all the combinations of shutter
speeds a nd f /stops possible for each exposure.
You may set your camera to any flstop and shutter
L4
15
3 - 5 . E x p o s u r eM a g n i f i c a t i o na n d R e d u c t i o n
I ndexes
N o t i c et h e s y m b o l s x t l 2 , x 2 , a n d x 4 o n b o t h s i d e s
o f t h e t ' H " a n d " L " m a r k s o n t h e D i aI S c al e .
r1,*,
r\5X3
Q',7,
3 - 6 . E .V . S . N u m b e r s
E . V . S . m e a n s E x p o s u r eV a i u e ( l i g h t v a l u e . ) l t i s a
n u m b e r s y s t e m u s e d o c c a s i o n a l l yt o r e p l a c e t h e t r a d i tion a I sh utter speed a nd
f/stop combinations.
For cameras equipped with
a n E. V. S. scale, use the
E.V.S. numbers found in
the wi ndow
a bove
a nd
slightly to the left of the
Dial Scale. When the dial
is set as usual, the proper
E.V. S. number will appear.
8 (stops)
16
24
16
I l15 (second)
Ll30
rl50
I7
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L 160
r lL25
Ll25O
32
64
L28
Then:
T' -- 1 \ . / a ' t
360
N
t8
19
4 - 2 . r " S h o r t - d i s t a n c e ' oL a n d s e a p e s
W h e np h o t o g r a p h i nsgc e n e sw h i c h a r e r e l a t i v e l yn e a r ,
(trees, buildings, etc.), hold Lumisphere as directed in
3-3.
When the subject and camera are struck with different
quantities of light, move to where the subject's lighting
cond ition is reproduced a nd point the Lum isphere towards and on a line with the lens axis of your cam era.
When only the subject is in shadow, either move the
Lumisphere within the shadow or shade the Lumisphere
with your hand.
;ft
20
4-3. DistantLandscapes
Photographs
of distant
over-exposed due to the
clear photographs
take
with
landscapes
the Lumisphere
from the scene a nd a second reading with the Lumisphere
'rH"
t'L"
pointed directly at the sun.
Set the
or
mark
halfway
between these two readings.
27
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\ . R e f l e . r ' t e i Jl i i i i r t
Srtowfaee
"ffi
4-5"
lt is therefore
Over-exposed pictures lack c!arity.
Note 1:
advisable, when a choice is possible, to use the faster shutter
speed.
is based on a standNote 2: The correction index of I/ '/Z-l/2
ard ref lection f actor f or snow. The index will vary sliehtly
depending on the nature of the snow (clean, dirty, etc.), and
you should consider such variations when determining a correct
sh utter speed.
22
23
4-6, SilhouettedScenes
To silhouette objects (persons, trees, etc.) against a
bright sky or sunset, rmove the Slide and turn the
L u m i s p h e r ed i r e c t l y t o w a r d s t h e s u n , ( a s i f y o u w e r e
using a reflectedlight meter).
Set the 'rH" mark to the needle reading, though the
S l i d e i s o u t . D e l i b e r a t eu n d e r - e x p o s u r ei s n e c e s s a r yt o
record the source of light. Objects in the foreground
will be silhouetted.
T h e r e a r e n i n e d i f f e r e n t D i r e c t R e a d i n gS l i d e s a v a i l a b l e
f o r t h e S e k o n i cS t u d i o D e l u x e . T h e y m a y b e u s e d w i t h
t h e L u m i s p h e r eo r L u m i d i s k , b u t n o t w i t h t h e L u m i g r i d .
A s p r e v i o u s l ye x p l a i n e d ,t h e H I G H S l i d ec a n b e u s e d n o t
only for high illumination measurementbut also for
d i r e c t r e a d i n g s . T h e n i n e S l i d e s , h o w e v e r ,a r e o n l y f o r
direct readings.
HIGH Slide
S hu t t e r S p e e d
A S A L 0 ( Dr N 1 1 )
r r/5o (1/60)
D i r e c t R e a d i n gS l i d e s
ASA 25 D I N 1 5
Ll30 (1125
// L7
n40
Ll60 (1/50
//
// 18
lt (rr
50
//
(rr
64
u 19
n
// 20
// (n
n80
// 10O / / 2 L
lt
(n
// 160 // 23
LI L25 (1/ lOO
n 2OO // 24
L l 2 5 O (lL2 O o
n 400
n27
n(rr
Note: Shutter speeds within parentheses are for cameras with
only a general shutter speed scale. See the "Direct Reading
Scale" section of 2-4 for directions on proper installation and
use.
24
25
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A l t h o u g h t h e r e a r e t e n D i r e c t R e a d i n gS l i d e s ( i n c l u d i n g
t h e HI G H S l i d e ) , e a c h m a y b e u s e d w i t h d i f f e r e n tf i l m
i n d e x e st o o b t a i n a v a r i e t y o f s h u t t e r s p e e d s . F o r e x ample, film with ASA L00 use{ with HIGH Slide (ASA
10) requires a shutter speed of L/500.
The shutter speed-with which you must set your camera
f o r d i r e c t r e a d i n g s - c a n b e c a l c u l a t e df r o m t h e f o l l o w i n g
formula:
W h e n:
:A
ASA index of a slide
:T
Shutter speedof same slide
:A'
ASA index of film used
:T'
Shutter speed of same film
Then :
T' : A/A'x T
l n t h e e x a m p l e a b o v e , u s i n g A S A 1 O Of i l m w i t h a n A S A
1 0 H I G H S l i d e ,y o u c a l c u l a t e:
10/10oxLl5o-L/5oo
W ha t n o w w o u l d b e t h e s h u t t e r s p e e d f o r a f i l m w i t h
A S A 2 O Ow h e n a s l i d e o f T L l 6 O w i t h A S A 5 0 i s u s e d .
Answer :
T'_5Ol2OOxtl6O_ Ll24O
I n o t h e r w o r d s ,w i t h a n
A S A 2 O Of i l m y o u m a y
s e t t h e s hu t t e r s p e e d
to I l24O a nd use a
Di r e c t R e ad i n g S l i d e o f
A S A 5 O - 1l 6 0 .
I n c i d e n tL i g h t M e a s u r e m e n t .
I n c i d e n t l i g h t m e as u r e m e n t i s t h e m o s t a c c u r a t e ,
up-to-date method to determine exposure. The
Sekonic Studio Deluxe, which has adopted this
m e t h o d , i s w i d e l y u s e d b y p r o f e s s i o n a lp h o t o g r a phers and motion picture specialists. Unlike re'
ftected meters, it is acclaimed by amateurs and
p r o f e s s i o n a l sa l i k e a s t h e o n e m e t e r g i v i n g c o r r e c t
e x p o s u r e r e a d i n g s f o r b o t h b l a c k - a n d ' w h i t ea n d
c o l o r p h o t o g r ap h y . F l e s h t o n e s i n p o r t r ai t s a r e
p a r t i c u l a r l yn a t u r a lw i t h t h e S e k o n i cm e t e r ,b e c a u s e
i t r e c e i v e sa l l i n c i d e n t l i g h t j u s t a s t h e s u b j e c t r e '
c e i v e s i t , a n d a v e r a g e st h e l i g h t i n t o o n e c o r r e c t
e x p o s u r e . T h i s i s a g r e a t a d v an t a g e , E S f l e s h
t o n e s i n c o l o r p h o t o g r a p h ya r e t h e f i r s t w h i c h t h e
u n t r a i n e d e y e r e a d i l y r e c o g n i z e sa s e i t h e r g o o d o r
b a d . S t a n d a r d r e f l e c t i o no f L 8 % a s s u r e s p e r f e c t
t o n e s , a n d e s t ab l i s h e s a p o i n t o f r e f e r e n c e f r o m
w h i c h d e v i a t i o n sc a n b e m a d e f o r s p e c i a le f f e c t s .
26
27
28
29
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Expusure
determination
1 . W h e n u s i n g t h e L u m i g r i d i t i s n e c e s s a r yt o r e m e m b e r :
Keeping the main
l i g h t c o n s t a n t ,v a r y ing the fill.in light
c h a n g e st h e c o n t r a s t
ratio of the lighting
L:1
8:1
16 : 1
2.
30
31
32
4.
b . T o p h o t o g r a p hi l l u m i n a t e ds u b j e c t ss u c h a s n e o n
s i g ns .
c. To photograph subjectswhen you are unable to
m e a s u r e t h e i n c i d e n t l i g h t ( F i g u r e si n s h o w w i n dows, etc.).
T o d e t e r m i n e t h e b r i g h t n e s sr a n g e , i n s t a l l t h e L u m i g r i d a n d d i r e c t i t a b o u t 6 i n c h e sf r o m v a r i o u s a r e a s
of the subject. Be careful that neither you nor the
m e t e r c a s t a s h a d o w o n t h e a r e a b e i n g r e a d, ( a 6 "
diameter circle).
N o t e t h e v a r i o u s i n d i c a t i o n so n
the foot-candlescale, which is a convenient scale
f o r d e t e r mi n i n g r a n g e .
Novrdivide the highestfoot candle reading by the
l o w e s t t o o b t a i n t h e b r i g h t n e s sr a n g e o f t h e s u b j e c t .
F o r e x am p l e i f t h e b r i g h t e s t a r e a r e a d s 6 4 , a n d t h e
lowest 4, then :
64
Range _
.?
4-ro
tol
33
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e x c e e dL 6 t o 1 . l f , f o r e x a m p l e ,t h e m i d - p o i n ti s
16 and the lowest area reads 4, the highest
s l ' : o u l dn o t e x c e e d 6 4 . ( 4 x 1 6 : 6 4 )
(b) l f a n y a r e a o f t h e s u b j e c t i s t o o b r i g h t t o f i t
w i t h i n t h i s 1 6 t o I r a n g e , i t s c o l o rw i l l a p p e a r
w a s h e d - o u t . T h e r e f o r et h i s a r e a s h o u l d b e
s h a C e dt o r e d u c e t h e i n t e n s i t y o f l i g h t u p o n i t .
(c) l f a n y a r e a o f t h e s u b j e c t i s t o o d a r k t o f i t
within this range,
more light must be
concentrated on it
to assure proper
coloring.
(d) On the
Sekonic
Studio Deluxe two
f/ stops on either
s i d eo f t h e m i d - p o i n t
l i m i t t h e n o r ma I
b r i g h t n e s sr a n g e f o r
color.
M i d - p o i n to f
B r i g h t n e s sR a n g e
ExposureIndication
w i t h L u mi s p h e r e
6.
34
S p e c i a lU s e s f o r L u m i g r i d
W h e n t a k i n g p h o t o g r a p h so f i l l u m i n a t e ds u b j e c t so r
o f s u b j e c t sf o r w h i c h a n i n c i d e n t l i g h t r e a d i n g c a n n o t b e m a d e , t h e L u m i g r i d s h o u l d b e u s e di n p l a c e
o f t h e L u m i s p h e r e .( S e e 5 - 4 - 1 f o r g e n e r a l i n s t r u c t i o n s , a n d s t u d y t h e p i c t u r e sa b o v e . )
35
S t e p 3 " A d j u s t i n gl i g h t i n g c o n t r a s t
( a ) R e p l a c eL u m i s p h e r ew i t h L u m i d i s k .
( b ) M e a s u r ei n t e n s i t yo f k e y l i g h t . l t s h o u l d m e a s u r e
5 O O f o o t - c an d l e s .
(c) Switch on fill-in lights.
(d) Adjust the fill-in lights for proper lightingcont r a s t a s e x p l a i n e di n 5 - 2 . B a c k l i g h t s w i l l h a v e
a n e g l i g i b l ee ff e c t o n t h i s r a t i o .
Note:
For a 2 to 1 ratio, f ill-in lights should registor
an intensity of 250.
S t e p 4 - A dj u s t i n g b r i g h t n e s sr an g e
( a ) R e p l a c eL u m i d i s k w i t h L u m i s p h e r e
( b ) T a k e a f o o t - c a n d l er e a d i n gw i t h t h e L u m i s p h e r e
a t s u b j e c t p o s i t i o n p o i n t e dt o w a r d s t h e c a m e r a .
The reading should be 650 now with all the
lights on.
lf not, vary the key light intensity
u n t i l i t d o e s . T h i s s h o u l d r e q u i r ea m i n i m u m
of adjustment.
( c ) T u r n t t L " m a r k t o 6 5 0 f o o t - c a n d l e sa n d r e a d
o u t t h e f o o t - c a n d l e n u m b e r c o r r e s p o n d i n gt o
the "H" mark. (See 5-4-2 for explanation). lt
w i l l r e a d 2 0 , w h i c h i s t h e m i d - p o i n tb r i g h t n e s s
of the subject. Since a brightnessrange of L6
t o L g i v e st h e b e s t r e s u l t s , n o o b j e c t s h o u l d b e
b r i g h t e r t h a n 8 0 f o o t - c a n d l e s( 4 x t h e m i d - p o i n t
20) or darker than 5 (Il4 of 2O).
( d ) R e p l a c eL u m i s p h e r ew i t h L u m i g r i d . M e a s u r e
light and dark areas of the subjectto be sure
none of them is brighter th an 80 or darker
than 5.
S t e p 5 - F i n d i n gc o r r e c t e x p o s u r e
( a ) T h e r e a d i n g o b t a , i n e dw i t h t h e L u m i s p h e r ei n
Step 4 (b)'should now be completely accurate.
I t s h o ul d t e l l y o u t o s e t y o u r c a m e r a a t t 1 2 . 8
at Il50 second.
37
www.orphancameras.com
5-6. Close-ups
'
( 1 ) W h e n e v e rt h e s u b j e c t i s c l o s e r t o t h e c a m e r a t h a n
t e n t i m e s t h e f o c a l l e n g t h o f t h e c a m e r a l e n s ,t h e
exposure indicatedon the Sekonic Studio Deluxe
m u s t b e i n c r e a s e d . F o r e x a m p l e ,a c a m e r a u s i n g
a 5 0 m m l e n s m u s t i n c r e a s e i t s e x p o s u r et i m e f o r
any object closer than 50O mm.
T h i s i s b e c a u s ea s u b j e c ti s i n c r e a s i n g l ym a g n i f i e d
a s i t a p p r o a c h e st h e l e n s o f t h e c a m e r a .
When
light from the subject is focused into an imageon
the film through the lens, the following retation
exists between illumination on the film's face,
b r i g h t n e s so f t h e s u b j e c t , a n d m a g n i f i c a t i o no f t h e
subject.
Where:
E : i l l u m i n a t i o no f f i l m f a c e
L : b r i g h t n e s so f s u b j e c t
M : f n ? g n i f i c a t i o no f s u b j e c t
F : F number
r : circularconstant
a : COnStant
a.rL
1
(M+ 1)3
4'F2
From this formula it will be seen that when there
i s a c h a n g e i n m a g n i f i c a t i o n ,t h e b r i g h t n e s s( i l l u m i n a t i o n )o f t h e f i l m f a c e c h a n g e s i n i n v e r s e
proportion to (M * t;2.
I n o t h e rw o r d s ,w h e n M i s s m a l l ,o r w h e n t h e d i s t a n c e
from the camera to subject is great, the effect on
t h e e x p o s u r ei s m i n i m a l .
However, as the distance from subject to object
d e c r e a s e s ,M i n c r e a s e s . ( M + 1 ) , i s c a l l e d t h e c o r r e c t i o n i n d e x f o r c l o s e - u p s .S e e ( 3 ) f o r d e t e r m i n i n g
the value of M.
( 2 ) M e a s u r i n gt h e I n c i d e n t L i g h t
(a) Hold the Sekonic meter as close to the subject
a s p o s s i b l e a n d p o i n t t h e L u m i s p h e r et o w a r d s
the camera lens.
:-#>.L-". *{r#
.!rt:ri,.
5-7. Sunlight-FlashPhotography
The simplestand quickest methodof accurately balanci n g s u n l i g h tw i t h f l a s h i s o f f e r e db y S e k o n i cS t u d i oD e l u x e .
F o r t h e f i r s t t i m e t h e s a m e b a s i c m e t h o do f l i g h t b a l a n c e
u s e d b y p r o f e s s i o n a ls t u d i o p h o t o g r a p h e r si s a p p l i e dt o
f l a s h p h o t o g r a p h y . T h i s m e t h o d , t h e m o s t e f f i c i e n ty e t
d e v i s e d ,a c c u r a t e l y c o n t r o l s c o n t r a s t s b e t w e e n b r i l l i a n t
light and dark shadows.
1 . D e t e r m i n et h e i n t e n s i t yo f t h e s u n l i g h t b y d i r e c t i n g
L u m i s p h e r ef r o m t h e s u b j e c t p o s i t i o n t o w a r d s t h e
s u n . F o r e x a m p l e ,s h o u l d r e a d i n g d i r e c t e dt o w a r d s
t h e s u n w i t h t h e H I G HS l i d ei n d i c a t e2 O 0f o o t - c a n d l e s .
the effective foot-candle number is 640O (2OOx32).
2 . S e l e c ta m a i n t o f i l l - i n l i g h t r a t i o . A p o p u l a ro n e
i s 4 t o 1 , ( i . e . ,t h e f i l l - i n l i g h t t o h a v e L l 4 l i g h t i n t e n s i t yo f t h e m a i n l i g h t ) .
W i t h 6 4 0 0 e f f e c t i v ef o o t - c a n d l e su, s e d i n t h e e x a m p l e
above, the fill-ins should register 16O0 (640O+4)
f o o t - c an d l e s .
3 . L o o k d o w n t h e l e f t c o l u m n o f t h e f l a s h b u t bc h a r t o n
page 42-45. Locate 160O. Read across to learn
t h e d i s t a n c et h e f l a s h m u s t b e h e l d f r o m t h e s u b j e c t
f o r s p e c i ife d f l a s h b u l b sa n d s h u t t e r s p e e d s . F o r a
P r e s s 2 5 u s e d a t a s h u t t e r s p e e d o f L / 1 O O ,t h e
flash lamp must be held22 712foot from the subject
f o r t h e p r o p e r 4 t o L s u n - t o - f l a s hr a t i o .
4 . C a m e r a s e t t i n g sm a y b e o b t a i n e db y u s i n gt h e l i g h t
valuefound in (1).
Reduction
f v af g n i f i c a t i o n
I
Ratio of Object CorrectionI Rutio of Object
Corre"tion
lE^^+^r^
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T A B L E 2 : D i s t a n c eo f f l a s h l a m p s f r o m s u b j e c t f o r c o r rect fill-in ratios (Unit: Foot)
Iri I
Note:
The intensity of light of one lamp at any distance given
in the tablecan be duplicated by using(a) 2 lamps at 1.4 times
the distance, (b) 3 lamps at I3/4 times the distance, or (c) 4
lamps at twice the distance.
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