Luxor Temple

Luxor Temple is a great temple complex in modern Luxor dedicated to Amun, a creator god often
fused with the sun-god Ra into Amun-Ra.

History of Luxor Temple

Construction work on the temple began during the reign of Amenhotep III in the 14th century BC.
Horemheb and Tutankhamun added columns, statues, and friezes, and Akhenaten had earlier obliterated
his father's cartouches and installed a shrine to the Aten.
However, the only major expansion effort took place under Ramses II some 100 years after the first
stones were put in place. Luxor is thus unique among the main Egyptian temple complexes in having
only two pharaohs leave their mark on its architectural structure.
Each year, to ensure the flooding of the Nile that was necessary to national prosperity, the statues of
Amun, Mut (goddess of war), and Khons (the moon god) were sailed down the river to Karnak for a
great festival.
The temple fell into disrepair during the Late Period. Alexander the Great claimed to have undertaken
major reconstruction work "to restore it to the glory of Amenhotep's times" in the 320s BC. During
Rome's domination of Egypt it was converted into a centre for the Roman emperor cult.
By the time of the Arab conquest, the temple was largely buried underneath accumulated river silt, to
the extent that the Mosque of Abu Haggagwas built on top of it in the 13th century (much reworked
since, but one of the minarets dates back to the original construction).

What to See at Luxor Temple

Luxor Temple is huge in scale it once housed a village within its walls. It has several pylons
(monumental gateways) that are some 70 yards long. The first pylon is over 70 feet high, fronted by
massive statues and several obelisks. There are several open areas, once used for various forms of
worship but now empty. Later additions include a shrine to Alexander the Great, a Roman sanctuary,
and an Islamic shrine to a 13th-century holy man.
Entrance to the temple was and still is from the north, where a causeway lined by sphinxes that
once led all the way to Karnak begins. This road, known as the Sacred Way or Avenue of Sphinxes,
was a later addition, dating from the time of Nectanebo I in the 30th Dynasty.
The temple proper begins with the 24-metre high First Pylon, built by Ramesses II. The pylon was
decorated with scenes of Ramesses's military triumphs (particularly the Battle of Qadesh); later
pharaohs, particularly those of the Nubian and Ethiopian dynasties, also recorded their victories there.
This main entrance to the temple complex was originally flanked by six colossal statues of Ramesses
four seated, and two standing but only two seated statues have survived. Also surviving is a 25-metre
tall pink granite obelisk. It was one of a matching pair until 1835, when the other one was taken to
Paris where it now stands in the centre of the Place de la Concorde.

Through the pylon gateway leads into a peristyle courtyard, also built by Ramesses II. This area and
the pylon were built at an oblique angle to the rest of the temple, presumably to accommodate the three
pre-existing barque shrines located in the northwest corner.
It is atop the columns of this courtyard that the Abu Haggag Mosque was built: on the eastern side, a
doorway leads out into thin air some 8 meters above the ground.
After the peristyle courtyard comes the processional colonnade built by Amenhotep III a 100-metre
corridor lined by 14 papyrus-capital columns. Friezes on the wall describe the stages in the Opet
Festival, from sacrifices at Karnak at the top left, through Ammon's arrival at Luxor at the end of that
wall, and concluding with his return on the opposite side. The decorations were put in place by
Tutankhamun: the boy pharaoh is depicted, but his names have been replaced with those of
Horemheb.
Beyond the colonnade is another peristyle courtyard, which also dates back to Amenhotep's original
construction. The best preserved columns are on the eastern side, where some traces of original colour
can be seen. The southern side of this courtyard is made up of a 32-column hypostyle court that leads
into the inner sanctums of the temple.
The inner sanctums begin with a dark antechamber. Of particular interest here are the Roman stuccoes
than can still be seen atop the Egyptian carvings below; in Roman times this area served as a chapel,
where local Christians were offered a final opportunity to renounce their faith and embrace the pagan
state religion.
Further in stands a Barque Shrine for use by Amun, built by Alexander, with the final area being the
private quarters of the gods and the Birth Shrine of Amenhotep III. The latter features detailed wall
paintings depicting the pharoah's claim to have been fathered by Amun, and therefore of divine descent.
A cache of 26 New Kingdom statues was found under the floor in the inner sanctum area in 1989
hidden away by pious priests, presumably, at some moment of internal upheaval or invasion. These
splendid pieces are now on display at the nearby Luxor Museum.