Beruflich Dokumente
Kultur Dokumente
Two Frenchmen and an American girl set out on a road trip from LA to San Francisco. Antoine lusts after his best friend's girlfriend, Melody
especially once she reveals her plans to break up with Guillaume. A Californian journey sparks a European love triangle.
[22 min]
English, French & Mandarin
student film [USC thesis film]
comedy
[technical specs]
black & white
1.85
mono
completion date: May 2016
country of origin: France
[cast]
Etienne Gara...Antoine
Juliet DeVette...Melody
Matthew Luret....Guillaume
[crew]
written and directed by.Lopold Dewolf
produced by..Candy Li
produced by...Daniel Leeds
cinematography by...Vishnu Perumal
cinematography by..Zheng Lu Xin Yuan
sound by........Madison McGaughy
sound by.........Bridget Tang
sound by.......Joshua Paul Johnson
music by.Ludwig Van Beethoven
[directors statement]
1. On Love: Goodbye, You is not a love story.
Love might be what Antoine, Melody and Guillaume all want but it is not what
they need. Goodbye, You is the story of three friends who head out on a trip
together, but end up going their own separate ways as each becomes
increasingly aware of what makes him/her most happy.
2. Hell is other people: Goodbye, You is a comedic take on the neuroses and
other obstacles that arise when locked in a tight space with others. At the end of
the film, separation becomes the only cure. Personal freedom triumphs over our
protagonists respective relationships. Freedom, not love, is what Antoine, Melody
and Guillaume need.
3. Melting pot: Ive been away from home for the past seven years. The world I
know has no borders; it stretches over 24 time zones. I wanted my film to reflect
this reality. It is a movie about my generation: international, multicultural, and
multilingual. As such, characters in Goodbye, You are free to express themselves
in whatever language or wording comes to mind (e.g., French, English, or even
Chinese).
4. 24 frames per second (the visuals): From the very start I knew I wanted to make
this movie in black & white. I had in mind the stunning desert vistas from The
Misfits; the intimacy of Frances Ha; the energy of Broadway Danny Rose; and,
finally, the surrealism of Stardust Memories. To me, Woody Allens eighties
comedies proved that a comedy can still remain a strong artistic film without
losing the sense of recklessness and unpredictability that make it funny in the first
place. If you can, why not have your cake and eat it, too?
5. 50 percent sound: Thus, I wanted to produce a cinematic comedy, funny as it
was poetic; visual, without compromise. This cinematic quality extends to the films
soundtrack: the music of Ludwig Van Beethoven. I imagined the funeral march
from his third symphony injecting incredible drama into an otherwise simple story,
furthering the films comedy by way of contrast. I imagined the jazzy chords from
his final piano sonata bringing light and atemporality to a universal story about
young people making bad decisions while learning how to live, love, and drive.
In short, Antoine, Melody and Guillaume need some time off from one another so
that they might finally have room to breathe and grow.
Goodbye, You is not a love story; its an independence story.
In Goodbye, You, even the celebrated European New Wave anti-romance flirts
with and eventually gets married to the American road movie classic.
Lopold Dewolf, May 2016
[cast bio]
Etienne Gara, Antoine