Beruflich Dokumente
Kultur Dokumente
Follow the Tourist Flow: the Imagination World of South Korean Films and TV Series.
In the last few decades, South Korean media has been more and more acknowledged throughout
the world. It is not rare that thousands of families watching Korean TV series while having their
dinners or millions of people dressed up in Korean style while singing along some Korean song.
Not only in Asia but also in other continents like Europe or America, the Korean wave is clearly
noticeable and has an impact in the society these days. It is the Korean wave or the Hallyu
phenomenon.
In the academic field, there are more and more studies that acknowledge the relationship
between films, movies, music and the growing trend of tourists who visit to the locations which
is not typically a touristic destination. It is called Film-induced tourism and it happens globally,
not only in Korea (Beeton, 2005; Kim, 2012b; Macionis & Sparks, 2009; Riley, Baker, & Van
Doren, 1998).
In previous researches, there are little investigations on film tourism in South Korea. Most of the
studies that took place in Korea focused not on films but only on TV-series, such as drama
Daejanggeum (Kim, 2012a), Winter Sonata (Kim, 2010). This research will be a part of the
Worlds of Imagination project and is subjected to the same principle as four other studies which
focus on film tourism but in different cultures and geographies. The aim is to explore the reasons
why audiences of Korean media travel, and the motivations influent their behaviors; the
conditions and the processes of which Korean films and TV-series increase the flow of tourist to
locations associated with those media products.
Specifically, there are three main questions that require answers: