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Elective History
Mr Dessmann
Ellie Hobba
Elective History
Mr Dessmann
Ellie Hobba
Elective History
Mr Dessmann
The red and yellow pigment was made with ochre (oaka), a mineral found
near clay. The red pigment is quite frequently used as it is easier and more
common to find. The white pigment used in various sections of the wall was
derived from silica glass. It is typically the scarcest pigment, however, is
featured numerous times in the Cave of Beasts as it is found in large
regions of sandy desert, such as the Sahara Desert . The black pigment was
obtained from charcoal from nearby campfire sites. Each pigment shade
was mixed with water in order to bind the mixture and make it easier to
apply. Although most rock art images were made in just one colour, the
Cave of Beasts depicts examples of bichromy paintings, meaning two
colours are used. The multitude of hand stencils found in the cave are
described as negative handprints. To create this technique, the artist
placed their hand on the rock surface and blew paint through a hollow reed
to produce a stencil effect. The petroglyphs found in the Cave of Beasts
were crafted by lines cut and scratched into the rock with a sharp tool . In
2009, archaeologists excavated and uncovered more than fifty microlithic
elements that were distinctive in the Wadi Sura age, majority of these
fragments were arrow heads, making them the most probable tool .
Ellie Hobba
Elective History
Mr Dessmann
In a project that took place in the Wadi Sura region in 2009, a group of
archaeologists compared some features of the Cave of Beasts with
elements of ancient Egyptian civilisation.
Evidence to the similarities of both civilisations is exposed in one of the
most important scenes in the Cave of Beasts featuring a large figure of a
composite body painted white. It is a combination of beasts legs and a
female torso. The head is missing. The figure is leaning against the ground
in a way similar to later depictions of the goddess of the sky, Nut, in ancient
Egypt. As for the earth, it is rendered as a red figure of a male, which
supports the body of the white creature, leaning on his right elbow . His legs
are unnaturally long and nine men are depicted walking on them . In their
hands they carry items resembling joints of meat, carried in a similar
fashion as those offered in Egyptian tombs from the Old Kingdom .
However, the basis of such conclusions was the process of taking singular
elements from both civilisations to consider only the similarities, whilst
ignoring the differences. Such a link is not entirely implausible; but, at
present there is no evidence to support it.
Ellie Hobba
Elective History
Mr Dessmann
Bibliography
[Review of] Wadi Sura - The Cave of Beasts. A rock art site in the Gilf Kebir
(SW-Egypt), by Rudolph Kuper | Dirk Huyge - Academia.edu. 2015. [Review
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at: http://www.academia.edu/8026260/_Review_of_Wadi_Sura__The_Cave_of_Beasts._A_rock_art_site_in_the_Gilf_Kebir_SWEgypt_by_Rudolph_Kuper.
Wadi Sura - The Cave of Beasts. 2015. Wadi Sura - The Cave of Beasts.
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Ellie Hobba
Elective History
Mr Dessmann
Cave of Beasts - Wikipedia, the free encyclopedia. 2015. Cave of Beasts Wikipedia, the free encyclopedia. [ONLINE] Available at:
https://en.wikipedia.org/wiki/Cave_of_Beasts.
Sahara cave may hold clues to dawn of Egypt | Reuters . 2015. Sahara cave
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. 2015. . [ONLINE] Available at: http://www.kunstwerkfotograf.de/Wadi-SuraArbeitsbericht.pdf.
British Museum - African rock art image project. 2015. British Museum African rock art image project. [ONLINE] Available at:
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The Cave of the Headless Beasts, Wadi Sora, Gilf Kebir, Egypt (also called
Wadi Sora or Sura II, Ab Rs Shelter and Foggini-Mestekawi Cave). 2015.
The Cave of the Headless Beasts, Wadi Sora, Gilf Kebir, Egypt (also called
Wadi Sora or Sura II, Ab Rs Shelter and Foggini-Mestekawi Cave) .
[ONLINE] Available at:
http://www.duncancaldwell.com/Site/Rock_Art_Photos/Pages/Cave_of_the_H
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James, T.G.H, 1997. Egypt Revealed. London: Folio Society.
Ellie Hobba
Elective History
Mr Dessmann