Beruflich Dokumente
Kultur Dokumente
2 Background
Description
tion in Japanese theatres that can be dated with certainty is of the French animator mile Cohl's The Nipper's Transformations* [lower-alpha 3] (1911), which premired in Tokyo on 15 April 1912. Works by ten
Shimokawa, Seitar Kitayama, and Jun'ichi Kuchi in
1917 were the rst Japanese animated lms to reach theatre screens.* [11] The lms are lost, but a few have been
discovered in toy movie* [lower-alpha 4] versions for
viewing at home on hand-cranked projectors; the oldest to survive is Hanawa Hekonai meit no maki* [loweralpha 5] (1917), titled Namakura-gatana in its home version.* [12]
REFERENCES
4 See also
Cinema of Japan
History of animation
History of anime
List of rediscovered lms
List of anime by release date (pre-1939)
5 Notes
3
Rediscovery
[1]
kappa-ban; the printing process was called
kappa-zuri ()
[2] The lmstrip has since shrunk to 33.5 mm.* [2]
In December 2004, a secondhand dealer in Kyoto contacted Natsuki Matsumoto,* [lower-alpha 6]* [3] an expert
in iconography at the Osaka University of Arts.* [13] The
dealer had obtained a collection of lms and projectors
from an old Kyoto family, and Matsumoto arrived the
next month to fetch them.* [3] The collection included
three projectors, eleven 35 mm lms, and thirteen glass
magic lantern slides.* [3]
Matsumoto found Katsud Shashin in the collection,* [13]
the lmstrip was in poor condition.* [14] The collection
included three Western animated lmstrips;* [15] Katsud Shashin may have been made in imitation of such
examples of German or other Western animation.* [15]
Based on evidence such as the likely manufacture dates
of the projectors in the collection, Matsumoto and animation historian Nobuyuki Tsugata* [lower-alpha 7] determined the lm was most likely made in the late Meiji
period, which ended in 1912;* [lower-alpha 8]* [16] historian Frederick S. Litten has suggested c. 1907 as a
likely date,* [2] and that a production date before 1905
or after 1912 is unlikely.* [9] At the time, movie theatres were rare in Japan;* [5] evidence suggests Katsud
Shashin was mass-produced to be sold to wealthy owners
of home projectors.* [17] To Matsumoto, the relatively
poor quality and low-tech printing technique indicate it
was likely from a smaller company.* [9] The creator of
the lmstrip remains unknown.* [13]
The discovery was widely covered in Japanese media.* [3]
Given its speculated date of creation, the lm would
have been contemporary to or even have predated
early animated works by Cohl and the American animators J. Stuart Blackton and Winsor McCay. The newspaper Asahi Shimbun acknowledged the importance of
the discovery of Meiji-period animation, but expressed
reservations about placing the lm in the genealogy of
Japanese animation, and called itcontroversial that [Katsud Shashin] should even be called animation in the contemporary sense.* [14]
6 References
[1] Anime News Network sta 2005.
[2] Litten 2014, p. 13.
[3] Matsumoto 2011, p. 98.
[4] Matsumoto 2011, p. 116.
[5] Asahi Shimbun sta 2005.
[6] Litten 2014, p. 9.
[7] Litten 2014, p. 10.
[8] Litten 2014, p. 14.
[9] Litten 2014, p. 15.
[10] Matsumoto 2011, p. 112.
[11] Litten 2013, p. 27.
[12] Matsumoto 2011, pp. 9697.
[13] Clements & McCarthy 2006, p. 169.
[14] Lpez 2012, p. 584.
[15] Litten 2014, p. 12.
[16] Matsumoto & Tsugata 2006, p. 101; Matsumoto 2011, p.
115.
[17] Matsumoto 2011, pp. 116117.
6.1
Works cited
External links
Katsud Shashin at the Internet Movie Database
8.1
Text
8.2
Images
8.3
Content license