Beruflich Dokumente
Kultur Dokumente
materials
In this chapter, students have the opportunity to try out their own
filmmaking and directing skills in a series of activities related to
planning, scripting, filming, sound, and editing. The activities
expose students to the language of film and get them involved in
the process of film creation through work in pairs and groups.
None of these activities involve technical equipment, except for
the video player, but they all allow students to experience and
appreciate the excitement and challenges of the creative process.
Activities such as Design the remake (3.2) and Writing film
scripts (3.9) encourage students to look at the process of creating
a film. Storyboards (3.8) invites students to imagine how they
would visualize and present a piece of literary text on film.
Establishing shots (3.4) asks students to think about the allimportant process of creating the mood and atmosphere of a film
in the opening scenes. Create a new soundtrack (3.1) and
Sound dub (3.7) encourage students to analyse the sound
eects and dialogue in film and their eect on the audience, while
Edit your own film (3.3) looks at the editing process and asks
students how many ways they can combine a sequence of images
to create a particular eect.
Finally, two activities refer to the industry itself. In the news
(3.6) invites students to compare real life stories with the
documentary reality, and Film memorabilia (3.5) considers
the images of film stars as representatives of a countrys cinema
culture.
TIME
4050 minutes
MATERIALS
PREPARATION
60
PROCEDURE
1 Divide the class into small groups and tell students they are
going to watch a film clip without the sound. Ask them to
imagine that the visual track (pictures only) belongs to another
genre, such as a TV news report, a documentary film, or a TV
advertisement. Their task is to work in groups and create a
script for a voice-over to go with the pictures. Explain to the
students that the goal is not to reconstruct the original film
script. Instead, they should write a completely new and
original text to go with the pictures.
2 Play the film clip with the sound turned down. The students in
their groups watch the clip, discuss their ideas for a new
soundtrack, and write a voice-over to go with it. You will need
to replay the clip several times, until each group has completed
a script to their satisfaction.
3 Ask groups to take turns performing their voice-overs for the
class. Volunteers from each group read their script while you
replay the film clip with the sound turned down.
4 Discuss the dierent scripts and the process of scriptwriting
with the class. Use these questions:
Which script did you like best?
Which one was most suitable for the pictures?
What problems did you have when you were writing scripts?
What problems did you encounter in performing them?
FOLLOW-UP
Play the film clip with the sound turned up. Students compare
their scripts with the original soundtrack.
TIME
45 minutes
MATERIALS
PREPARATION
PROCEDURE
WORKSHEET
3 Genre
What genre will it be? Musical? Romantic comedy? Western?
Detective? Horror lm? Terrorist thriller? Some other genre?
4 Setting
Where and when will the story take place?
5 Cast
What actors would you cast in the main roles?
Main roles:
6 Theme music
What would you use for the theme music?
61
62
3
4
5
6
FOLLOW-UP 1
FOLLOW-UP 2
FOLLOW-UP 3
TIME
3045 minutes
MATERIALS
PREPARATION
63
64
PROCEDURE
65
1 Divide the class into pairs and distribute one worksheet and
one storyboard to each pair.
2 Go over the phrases on the worksheet with the class to make
sure the students understand them. (See Appendix A,
Glossary of film terms, on page 141.)
3 Go through the jumbled storyboard. Make sure the students
understand the content of each storyboard picture.
4 Explain the task. Each pair will work together and decide how
they want to edit the film sequence, using pictures from the
jumbled storyboard. They may arrange the pictures in any
order that makes sense to them, and they may alter any of the
shots by using any one of the techniques in the camera
movement chart.
5 Pairs complete the task by assigning a shot number to each
picture on the storyboard, and by making a note next to the
picture as to which camera movement they will use.
6 Pairs take turns presenting their storyboards and editing ideas
to the class. Encourage listeners to ask the presenters to
explain anything that is not clear.
7 At the end of the activity ask the class what they have learnt
about the process and importance of editing.
TIME
4060 minutes
MATERIALS