Sie sind auf Seite 1von 372

Workbook to Accompany

Jazz Theory
From Basic To Advanced Study

Jazz Theory
From Basic To Advanced
Study
WORKBOOK
Dariusz Terefenko
Eastman School of Music,
University of Rochester

2014 by Routledge, an imprint of T&F informa, plc. All rights reserved. May not be
reproduced or sold separately.

Contents
Preface

vii

PART I

Basics

Music Fundamentals

Jazz Rhythm

13

Harmonic Function

15

Four-Part Chords

19

Five-Part Chords

25

The IIVI Progression

34

Modes

37

ChordScale Theory

41

The Blues

44

Improvisation

47

10

PART II

Intermediate

63

11

Jazz Lead Sheets

65

12

Keyboard Textures

68

13

Idiomatic Jazz Progressions

72

14

Voicings

84

15

Bebop

94

16

Octatonic Scales

100

17

Bebop Blues

103

18

Confirmation

107

19

Moose the Mooche

112

vi

CONTENTS

PART III

Advanced

119

20

Pentatonics and Hexatonics

121

21

Phrase Models

125

22

The AABA Song Form

148

23

The ABAC Song Form

155

24

Extended and Unusual Song Forms

162

25

Jazz Reharmonization

170

26

Line Up

179

27

Post-Tonal Jazz

181

Appendix A

Answer Key for Written Exercises

203

Appendix B

Answer Key for Ear Training Drills

255

Appendix C

Lead Sheets Play Along DVD

297

Appendix D

Guide to Making Transcriptions

328

Appendix E List of Solos to Transcribe

329

Appendix F Selected Discography

330

Appendix G 999 Standard TunesComposers and Lyricists

334

Appendix H 200 Standard Tunes You Should Know

357

Preface
HOW TO USE THE COMPANION WEBSITE
www.routledge.com/textbooks/cw/terefenko
The companion website contains three large sections: WORKBOOK, RECORDINGS, and APPENDICES/
AUXILIARIES.

Workbook
The workbook sections closely follow the structure of the textbook; they are divided into three parts
(Basic, Intermediate, and Advanced) along with the individual chapters. Such a userfriendly design
enables easy access to all exercises and recordings. The WORKBOOK contains different types of written
assignments, practice routines, play along sessions, keyboard realizations, play and sing tasks, and
ear training drills; they are carefully designed to master the content of Jazz Theory: From Basic To
Advanced Study. All the exercises and scores are downloadable as PDFs.
The choice of specific tasks in each chapter depends on the content of the individual chapters. For
example, Chapter 13 includes various keyboard tasks and ear training drills, but contains no play
along sessions; Chapter 10 features more play along tracks than any other types of exercises. The main
objective of Chapter 10 of the book, for instance, is to put the content of Part I to practical use. You
will quickly realize that to be successful at playing with the rhythm section (tracks 518), you will
need a solid command of the modes in all 12 keys (Chapter 7). Since the primary goal of these play
along sessions is to acquaint your ear with the sound of the fourteen modes and to find that sound on
your instrument, start by playing the most important notes from the mode (guide tones and beauty
marks) and negotiate them in some kind of rhythmic fashion. Having established the connection
between theoretical concepts (guide tones and beauty marks in this particular instance) and practice
(the ability to effortlessly play them on your instrument), you will begin to listen to your own playing
and to interact with the rhythm section. Next, start using the motifs from the book (figure 10.10)
and transpose them to 12 keys. With these motifs, focus on the techniques of motivic development
(Chapter 10), select a single technique, and explore it in your playing. As you get more comfortable
with handling one technique at a time, explore improvising with two (or more) techniques.
Finally, you are ready to compose your own motifs and use them in improvisation. As you see, tracks
518 (as well as other play along tracks) work just as well for advanced players as for beginners. The
process described above illustrates how to use play along tracks; this process can be summarized
as follows: 1) establish a connection between theory and practice, 2) practice on your instrument,
3) begin with the material that you can handle, 4) challenge yourself, and 5) be creative.
A measured approach to completing assignments, works for the majority of exercises included in the
WORKBOOK. Take, for instance, Exercise 3.3. The exercise includes seven 4bar progressions to be

viii

PREFACE

realized at the keyboard in C major and/or A minor. The basic objective for all playing exercises is to
be able to perform a given task at a steady tempo and without breaks. Start at a comfortable tempo
(q =50) and play the progressions from Exercise 3.3 from beginning to end without interruption.
Using a metronome is highly recommended. Gradually increase the speed of your performance to
q =96. The instructions for this and other keyboard exercises include the dreaded phrase: transpose
to all 12 keys. Playing in all 12 keys is an essential skill for the contemporary musician, yet learning
to play in all keys is a long and arduous process. (In the bookespecially in Chapters 6, 12, 13, and
15the 12 key icon is used as a reminder to perform the specific musical figures in all 12 keys.)
To facilitate this process, learn a progression in the original key. Once you master the progression in
a single key and explore different positions/inversions of chords, start transposing it to two or three
different keys. Practice the progressions in two or three keys and then start adding more keys to your
practice routines. You will notice that once you work diligently through six different transpositions,
the remaining ones will be quite easy to realize. To master the skill of playing in 12 keys, you need
to be consistent, succumb to daily practice routines, and allow the passing of time to see the results.
In studying jazz, it is imperative to develop an impeccable ear capable of identifying complex chord
formations and harmonic progressions. The WORKBOOK also features different types of ear training
activities: rhythmic dictations, harmonic dictations, chord recognition, singing, setclass identification, etc. To access them, click on the corresponding icon. I recommend that you complete each ear
training drill before proceeding to the next one, no matter how trivial that drill might seem. Without
internalizing the sound of individual intervals/triads in Chapter 1 or fourpart chords in Chapter 4,
for instance, the ability to hear more complex fivepart chords in Chapter 5 or upperstructure triads
in Chapter 14 may prove challenging. Furthermore, when individual chords or the IIVI progressions from Part I begin to form fourbar progressions in Chapter 13 or eightbar phrase models in
Chapter 21, the ability to identify individual formations is of utmost importance to make tonal sense
out of complete harmonic progressions. Since certain tracks for ear training drills contain multiple
intervals, harmonic formations, chord progressions, or set classes, I recommend starting each track
at a different location to avoid memorizing the sequence of events.

Recordings
In addition to various written and ear training exercises in the WORKBOOK, the companion website
also contains the recordings of musical figures from the book. The Recordings section is also organized exactly as the textbook (three parts and individual chapters) and gives you immediate access
to all audio files. These recordings are quite useful when you are away from the keyboard (or have
insufficient keyboard skills) and want to hear a particular musical illustration. By listening to these
audio recordings you are mapping individual theoretical entities (chords, modes, progressions, scales,
phrase modes, sets, etc.) with their sound and, thus, training and improving your ears.

Appendices/Auxiliaries
This section contains some useful material that complements the book. Selected Discography (Appendix F), for instance, contains the list of recordings for standard tunes discussed in the book. For
each tune, there are representative recordings that show how the different jazz artists from different
eras appropriated these tunes into their repertoire and how different these interpretations are; this
extraordinary interpretive diversity demonstrates the limitless potential of standard tunes. Listening

PREFACE

ix

to jazz goes hand in hand with learning how to improvise and how to find ones musical voice.
Without exploring the rich canon of recorded jazz, ones quest for learning how to improvise might
be deterred indefinitely. Selected Discography and List of Solos to Transcribe in Appendix E (as well
as additional footnotes in the book) provide many valuable listening resources. In keeping with the
study of repertory, 999 Standard Tunes-Composers and Lyricists in Appendix G provides an alphabetical list of songs mentioned in Chapters 2124 of the book, while 200 Standard Tunes You Should
Know in Appendix H contains a list of essential tunes (out of the 999) that jazz musicians should be
familiar with.
Finally, the WORKBOOK contains downloadable scores for ear training drills, extra scores for Play
Along DVD in Appendix C (convenient to use with your iPad on the music stand), an Answer Key
for Written Exercises (Appendix A), and Answer Key for Ear Training Drills in Appendix B (with a
few exercises realized in full score so you can see what I played on the recording).

PART ONE

Basics

CHAPTER ONE

Music Fundamentals
WRITTEN ASSIGNMENTS
1.

On the staff below, notate the following pitches.

2.

Using letter names and octave registers, identify the following notes.

3.

Using accidentals, notate the following scales.

BASICS

4.

Using key signatures, notate the following scales.

5.

Rewrite the incorrect rhythms using correct rhythmic groupings that reflect the underlying
beat.

MUSIC FUNDAMENTALS

6.

Using generic and complete interval names, identify the following intervals.

7.

Notate the following root position triads.

BASICS

EAR TRAINING DRILLS


Instructions for Tracks 112
Each track contains TWELVE randomly chosen pitches. Sing and/or play on your instrument the
assigned interval above the pitch you hear on the recording. After a brief pause, the answer is given.
Track 1: Sing/play a minor 2nd

Track 2: Sing/play a major 2nd

Track 3: Sing/play a minor 3rd

MUSIC FUNDAMENTALS

Track 4: Sing/play a major 3rd

Track 5: Sing/play a perfect 4th

Track 6: Sing/play an augmented 4th

8
Track 7: Sing/play a perfect 5th

Track 8: Sing/play a minor 6th

Track 9: Sing/play a major 6th

BASICS

MUSIC FUNDAMENTALS

Track 10: Sing/play a minor 7th

Track 11: Sing/play a major 7th

Track 12: Sing/play a perfect 8ve

10

BASICS

Track 13 contains FORTY ascending and descending intervals. Identify the quality of each interval.
(Answer Key)

MUSIC FUNDAMENTALS

Track 14 contains FORTY harmonic intervals. Identify. (Answer Key)

11

12

BASICS

Track 15 contains THIRTY triads in root position, first inversion or second inversion. Identify.
(Answer Key)

CHAPTER TWO

Jazz Rhythm
PRACTICING RHYTHM

1.
2.

Practice the rhythmic figures from figure 2.3 (TEXTBOOK) on a single pitch with a metronome
on 2 and 4.
Practice constant swing 8th notes behind, in the middle, and in front of the beat, with a
metronome on 2 and 4, using all major and minor scales. Use the following melodic patterns:

14

BASICS

EAR TRAINING DRILLS


Track 16 contains NINE four-bar phrases performed at a medium swing tempo. Transcribe the
rhythm and notate it on the score provided below. The first phrase is transcribed and notated.
(Answer Key)

CHAPTER THREE

Harmonic Function
WRITTEN ASSIGNMENTS
1.

On the staff below, notate the following triads.

2.

Analyze the following triads with lead-sheet symbols.

16
3.

BASICS

Realize the following harmonic progressions on the keyboard in the manner shown below.
Begin each progression with 1, 3, or 5 in the soprano voice. Transpose these progressions to all
12 keys.

HARMONIC FUNCTION

4.

17

Analyze the following progression with lead-sheet symbols, Roman numerals, and function
symbols in a manner similar to figure 3.12 (TEXTBOOK).

18

BASICS

EAR TRAINING DRILLS


Instructions for Tracks 1718
Each track contains an 8-bar harmonic progression realized using keyboard style texture. On the staff
below, notate the outer-voice counterpoint and analyze the progression with lead-sheet notation,
Roman numerals, and function symbols. (Answer Key)
Track 17

Track 18

CHAPTER FOUR

Four-Part Chords
WRITTEN ASSIGNMENTS
1.

On the staff below, notate the following root position four-part chords.

2.

Analyze the following four-part chords with lead-sheet symbols.

3.

Create three drop 2 voicings for the following close position four-part chords.

20

BASICS

EAR TRAINING DRILLS


Instructions for Tracks 1924
Each track contains TWELVE randomly chosen triads or incomplete 7th chords (without the fifth).
Sing/play the assigned essential chord tone or pitch alteration. After a brief pause, the answer is
given.
Track 19: Sing/play a major 6th

Track 20: Sing/play a minor 7th

Track 21: Sing/play a major 7th

FOUR-PART CHORDS

Track 22: Sing/play a diminished 7th

Track 23: Sing/play a b5th

Track 24: Sing/play a #5th

21

22

BASICS

Track 25 contains THIRTY randomly chosen major or minor four-part chords in root position.
Identify the type of each chord. (Answer Key)

FOUR-PART CHORDS

23

Track 26 contains THIRTY randomly chosen dominant 7th or intermediary four-part chords in
root position. Identify. (Answer Key)

24

BASICS

Track 27 contains THIRTY randomly chosen four-part chords orchestrated with various drop 2
voicings. Identify. (Answer Key)

CHAPTER FIVE

Five-Part Chords
WRITTEN ASSIGNMENTS
1.

On the staff below, notate the following root position five-part chords.

2.

Analyze the following five-part chords with lead-sheet symbols.

3.

Create four drop 2 voicings for the following close position five-part chords.

26

BASICS

EAR TRAINING DRILLS


Instructions for Tracks 2834
Each track contains TWELVE randomly chosen four-part chords or incomplete five-part chords
(without the fifth or the major third). Sing/play the assigned extension. After a brief pause, the
answer is given.
Track 28: Sing/play a major 9th

FIVE-PART CHORDS

Track 29: Sing/play a b9th

Track 30: Sing/play a #9th

Track 31: Sing/play a perfect 11th

27

28
Track 32: Sing/play a major 13th

Track 33: Sing/play a b5th/#11th

Track 34: Sing/play a #5th/b13th

BASICS

FIVE-PART CHORDS

29

Track 35 contains THIRTY-ONE randomly chosen major, minor, or intermediary five-part chords
in root position. Each chord is first played melodically and then harmonically. Identify the type of
each chord. (Answer Key)

30

BASICS

Track 36 contains THIRTY randomly chosen dominant 7th five-part chords in root position. Identify. (Answer Key)

FIVE-PART CHORDS

31

Track 37 contains THIRTY randomly chosen suspended dominant five-part chords in root position. Identify. (Answer Key)

32

BASICS

Track 38 contains FIFTY randomly chosen five-part chords orchestrated with various drop 2
voicings. Identity. (Answer Key)

FIVE-PART CHORDS

33

CHAPTER SIX

The IIVI Progression


WRITTEN ASSIGNMENTS
1.

On the staff below, notate the following progressions using guide tones only.

2.

Notate the following progressions using drop 2 fourpart voicings.

THE IIVI PROGRESSION

35

3.

Notate the following progressions using drop 2 fivepart voicings.

4.

Each of the following progressions contains various types of the diminished 7th chord. Identify their function within the progression and analyze with lead-sheet notation and Roman
numerals.

36
5.

BASICS

The following progression contains different diminished 7th chords. Transform the diminished
7ths into [ii7V7]/X harmonic elisions and realize it with drop 2 five-part voicings.

CHAPTER SEVEN

Modes
WRITTEN ASSIGNMENTS
1.

On the staff below, notate the following diatonic modes.

2.

On the staff below, notate the following chromatic modes.

38

BASICS

3.

Identify the following diatonic modes. Analyze their pitch content in terms of chord tones,
beauty marks, and extensions.

4.

Identify the following chromatic modes. Analyze their pitch content in terms of chord tones,
beauty marks, and extensions.

5.

Compose an 8-bar modal phrase for each of the following modes: C Phrygian, G Lydian, D Melodic
Minor, A Lydian Augmented, E Locrian, B Ionian, F# Dorian, Db Altered, Ab Mixolydian, Eb Mixolydian #11, Bb Dorian b2, F Aeolian, G Locrian n2, and Eb Mixolydian b13. (Answer not provided)

MODES

EAR TRAINING DRILLS


Track 39 contains FOURTEEN diatonic modes. Identify their names. (Answer Key)

39

40

BASICS

Track 40 contains FOURTEEN chromatic modes. Identify. (Answer Key)

CHAPTER EIGHT

ChordScale Theory
WRITTEN ASSIGNMENTS
1.

Notate a scale that establishes a convincing chordscale relationship with the given chords.

2.

Provide chords that establish a convincing chordscale relationship with the given scales.

42

BASICS

3.

Using modes, establish a chordscale relationship for the following harmonic progressions.

4.

Using modes, establish a chordscale relationship for the following harmonic progressions.

CHORDSCALE THEORY

5.

6.

43

Write a modal composition for your instrument based on the following form: A (C Ionian:
8 mm.)B (Ab Mixolydian: 8 mm.)C (Bb Ionian: 8 mm.)D (D Dorian b2: 8 mm.)E (G
Altered: 8 mm.). (Answer not provided)
Write a modal composition for your instrument based on a 32-bar AABA form using modes from
different categories. (Answer not provided)

CHAPTER NINE

The Blues
WRITTEN ASSIGNMENTS
1.

Provide guide tones and bass notes for the minor blues progression given below.

THE BLUES

2.

45

Analyze the chord structure and voice leading of the progression below. Realize the progression
using drop 2 five-part voicings.

46
3.

BASICS

Using different blues scales and modes provide chordscale relationships for the following blues
progressions.

CHAPTER TEN

Improvisation
WRITTEN ASSIGNMENTS
1.

Compose a blues solo using blues riffs other than those in figure 10.2 (TEXTBOOK). (Answer not
provided)

48

2.

BASICS

Notate the guide-tone line for the blues progressions given below. Use your guide-tone line to
practice improvisation with the recording.

IMPROVISATION

3.

49

Write out a 3rd line for the blues progressions given below. Use your line to practice improvisation with the recording.

50

4.

BASICS

Write out a 7th line for the blues progressions given below. Use your line to practice improvisation with the recording.

IMPROVISATION

51

PLAY ALONG SESSIONS


Additional lead sheets in Appendix C.
Track 1: Bb BLUES. Practice improvisation using the following concepts:
a.
Blues riffs.
b. Guide-tone improvisation.

Track 2: Eb BLUES. Play along with the rhythm section using (transposed) chordscale relationships
from figure 9.8 (TEXTBOOK).

52

BASICS

Track 3: C MINOR BLUES. Play along with the rhythm section using chordscale relationship from
figure 9.10.a (TEXTBOOK).

Track 4: F MINOR BLUES. Play along with the rhythm section using (transposed) chordscale relationship from figure 9.10.b (TEXTBOOK).

Instructions for Tracks 518


Each track below covers all diatonic modes in twelve keys. Before playing with the rhythm section,
familiarize yourself with fourteen diatonic and chromatic modes in twelve keys. Although each track
covers twelve keys, the distribution of keys differs from track to track. Follow the lead sheet provided
with each track. Play along with the rhythm section using specific melodic patterns. Experiment with
different rhythmic ideas from figure 2.3 (TEXTBOOK).

IMPROVISATION

Track 5: IONIAN

Track 6: LYDIAN

53

54
Track 7: MIXOLYDIAN

Track 8: DORIAN

BASICS

IMPROVISATION

Track 9: AEOLIAN

Track 10: PHRYGIAN

55

56
Track 11: LOCRIAN

Track 12: MELODIC MINOR

BASICS

IMPROVISATION

Track 13: DORIAN b2

Track 14: LOCRIAN n2

57

58
Track 15: LYDIAN AUGMENTED

Track 16: MIXOLYDIAN #11

BASICS

IMPROVISATION

Track 17: MIXOLYDIAN b13

Track 18: ALTERED

59

60

BASICS

Instructions for Tracks 1922


In your solo, try to convey the sound of each modal area.
Track 19: MAJOR MODAL CATEGORY

Track 20: MINOR MODAL CATEGORY

Track 21: DOMINANT MODAL CATEGORY

IMPROVISATION

61

Track 22: SUSPENDED MODAL CATEGORY

With motifs from figure 10.10 (TEXTBOOK) and Tracks 518, practice improvisation using different techniques of motivic development: repetition, transposition, expansion, interpolation, contraction, fragmentation, and inversion. Concentrate on a single technique at the time. Make sure
to use the correct play-along tracks (i.e. Dorian motifs with Dorian track, Phrygian motifs with
Phrygian track, etc.).

PART TWO

Intermediate

CHAPTER ELEVEN

Jazz Lead Sheets


WRITTEN ASSIGNMENTS
1.

Rodgers and Hart, My Romance. Analyze the second half of the tune (mm. 1732) using
a two-level analysis. How do you interpret mm. 2728?

66

2.

INTERMEDIATE

Cole Porter, I Love You. Analyze the tune (lead sheet provided below) using a two-level
analysis. How do you interpret mm. 1316? (Answer not provided)

JAZZ LEAD SHEETS

67

CHAPTER TWELVE

Keyboard Textures
WRITTEN ASSIGNMENTS
1.

Complete the following progression using Model I.

KEYBOARD TEXTURES

2.

Complete the following progression using Model II.

3.

Complete the following progression using Model III.

69

70

INTERMEDIATE

4.

Complete the following progression using Model IV.

5.

Complete the following progression using Model V.

KEYBOARD TEXTURES

71

6.

Complete the following progression using Model VI. Analyze your realization with lead-sheet
symbols.

7.

Complete the following progression using Model VII. Analyze your realization with lead-sheet
symbols.

CHAPTER THIRTEEN

Idiomatic Jazz Progressions


WRITTEN ASSIGNMENTS
1.

On the staff below, notate the following chord progressions. Make sure to implement good
voice leading.

IDIOMATIC JAZZ PROGRESSIONS

2.

73

Analyze the following chord progression with lead-sheet symbols and Roman numerals.

KEYBOARD REALIZATION
Instructions for Exercises 15
Realize the harmonic progressions from the assigned figures (TEXTBOOK) using specific models of
keyboard style playing. Play in all keys. (Answer not provided)
1.
2.
3.
4.
5.

Figure 13.13: Models I and II


Figure 13.16: Models IV
Figure 13.19: Models IV
Figure 13.23: Models VI
Figure 13.24: Models VI

74

INTERMEDIATE

EAR TRAINING DRILLS


Instructions for Tracks 4146
On the staff below, notate the bass line and analyze the progression with lead-sheet symbols and
Roman numerals. (Answer Key)
Track 41: TEN four-bar progressions with a single [ii7V7]/X interpolation (TEXTBOOK: figure 13.13)

IDIOMATIC JAZZ PROGRESSIONS

75

76

INTERMEDIATE

Track 42: TEN four-bar modulations (TEXTBOOK: figure 13.16)

IDIOMATIC JAZZ PROGRESSIONS

Track 43: TEN four-bar modulatory paths (TEXTBOOK: figure 13.19)

77

78

INTERMEDIATE

IDIOMATIC JAZZ PROGRESSIONS

Track 44: TEN four-bar progressions with a single [ii7( 5)V7]/X interpolation (TEXTBOOK: figure 13.21)

79

80

INTERMEDIATE

Track 45: TEN four-bar progressions with two [ii7V7]/X interpolations (TEXTBOOK: figure 13.23)

IDIOMATIC JAZZ PROGRESSIONS

81

82

INTERMEDIATE

Track 46: TEN miscellaneous four-bar progressions (TEXTBOOK: figure 13.24)

IDIOMATIC JAZZ PROGRESSIONS

83

CHAPTER FOURTEEN

Voicings
WRITTEN ASSIGNMENTS
1.

On the staff below, notate the following upper-structure formations.

2.

Analyze the following upper-structure chords with lead-sheet symbols and slash notation.

3.

Using upper-structure triads on the dominant 7th chord, provide a six-voice harmonization for
the following two-note segments. Make sure that your harmonization follows the rules of good
voice leading.

VOICINGS

4.

85

Analyze the following four-note rootless formations in the context of complete four-, five-part,
and larger chord structures.

86
5.

INTERMEDIATE

Analyze the following three-note rootless formations in the context of complete four-, five-part,
and larger chord structures.

EAR TRAINING DRILLS


Instructions for Tracks 4756
Each of the following exercises contains TWELVE L.H. dominant structures containing the root
and the guide tones. After hearing each chord, sing/play the assigned upper structure. After a brief
pause, the answer is given.
Track 47: A major upper-structure triad on II

VOICINGS

Track 48: A major upper-structure triad on VI

Track 49: A major upper-structure triad on bV

87

88

INTERMEDIATE

Track 50: A major upper-structure triad on bIII

Track 51: A major upper-structure triad on bVI

VOICINGS

Track 52: A minor upper-structure triad on v

Track 53: A minor upper-structure triad on vi

89

90

INTERMEDIATE

Track 54: A minor upper-structure triad on #iv

Track 55: A minor upper-structure triad on bii

VOICINGS

91

Track 56: A minor upper-structure triad on biii

Track 57 contains FIFTY dominant 7th formations with major and minor upper-structure triads.
Identify the quality of each triad and its scale-degree position in relation to the root of the dominant
7th chord. (Answer Key)

92

INTERMEDIATE

VOICINGS

93

CHAPTER FIFTEEN

Bebop
WRITTEN ASSIGNMENTS
1.

On the staff below, notate the following bebop scales.

2.

Identify the following bebop scales.

BEBOP

3.

95

Notate bebop scales that establish a convincing chordscale relationship for the following harmonic progressions.

96

4.

INTERMEDIATE

#
b
Compose an 8-bar bebop line for each of the following chords: C7, Eb7( 11), Bb7alt., and F7( 13).
(Answer not provided)

BEBOP

97

EAR TRAINING DRILLS


Track 58 contains TWELVE randomly chosen bebop scales. Identify their names. (Answer Key)

98

INTERMEDIATE

PLAY ALONG SESSIONS


Track 23: Imaj7V7Imaj7 in twelve keys. Play along with the recording using routines from figures 15.13.c and 15.13.e in the TEXTBOOK.

Track 24: i7V7i7 in twelve keys. Play along with the recording using routines from figures 15.13.d
and 15.13.f in the TEXTBOOK.

BEBOP

99

Track 25: ii7V7Imaj7 in twelve keys. Play along with the recording using the correct scales (TEXTBOOK: figure 15.15) and the different practice routines covered in Chapter 15 (TEXTBOOK).

Track 26: ii7( 5)V7i7 in twelve keys. Play along with the recording using the correct scales (TEXTBOOK: figure 15.17) and the different practice routines covered in Chapter 15 (TEXTBOOK).

CHAPTER SIXTEEN

Octatonic Scales
WRITTEN ASSIGNMENTS
1.

On the staff below, notate the following octatonic scales.

2.

Using octatonic scales only, establish a chordscale relationship for the following chord progressions. Notate the scales on the staff.

OCTATONIC SCALES

3.

Transpose the following harmonic formations through the 1/2 or 2/1 octatonic scales.

101

102

INTERMEDIATE

4.

Transpose the following melodic cells through the 1/2 or 2/1 octatonic scales.

5.

Compose a 16-bar octatonic line for each of the following chords: Db7, E7, F#7, and A7.
(Answer not provided)

CHAPTER SEVENTEEN

Bebop Blues
WRITTEN ASSIGNMENTS
1.

On the staff below, complete the following background lines (top line) and embellish them with
five-part rootless arpeggiations (bottom line). Make sure that the realization follows the rules
of good voice leading. Analyze the resulting chords with lead-sheet symbols.

104

2.

INTERMEDIATE

Based on the progression given below, notate the available entry windows between chords (top
line) and provide a melodic realization (bottom line). (Answer not provided)

BEBOP BLUES

PLAY ALONG SESSIONS


Track 27: BILLIES DANCE

Track 28: BIRDIE SONG. Play along with the recording using arpeggiation of rootless five-part
chords over the structural line.

105

106

INTERMEDIATE

Track 29: INFIDELS BOUNCE. Play along with the recording and use different entry windows to connect chords.

CHAPTER EIGHTEEN

Confirmation
WRITTEN ASSIGNMENTS
1.

Provide a chordscale relationship for Confirmation in C using modes only.

108

2.

INTERMEDIATE

Provide a chordscale relationship for Confirmation in Ab using bebop scales only.

CONFIRMATION

PLAY ALONG SESSIONS


Track 30: CONFIRMATION IN F (slow)

109

110

INTERMEDIATE

Track 31: CONFIRMATION IN C (medium)

CONFIRMATION

Track 32: CONFIRMATION IN Ab (fast)

111

CHAPTER NINETEEN

Moose the Mooche


WRITTEN ASSIGNMENTS
1.

For each of the following chord progressions compose an 8-bar phrase using a single-scale
approach to rhythm changes improvisation. (Answer not provided)

MOOSE THE MOOCHE

2.

113

For each of the following chord progressions compose an 8-bar phrase using a two-scale
approach to rhythm changes improvisation. (Answer not provided)

114

3.
4.

INTERMEDIATE

Compose a one-chorus solo on F rhythm changes using TWO (melodic, harmonic or rhythmic)
ideas of your choice. (Answer not provided)
Compose a two-chorus solo on Eb rhythm changes using TWO (melodic, harmonic or rhythmic) ideas of your choice. (Answer not provided)

PLAY ALONG SESSIONS


Track 33: MOOSE THE MOOCHE (slow)

MOOSE THE MOOCHE

Track 34: MOOSE THE MOOCHE (medium)

115

116

Track 35: MOOSE THE MOOCHE (fast)

INTERMEDIATE

MOOSE THE MOOCHE

117

PART THREE

Advanced

CHAPTER TWENTY

Pentatonics and Hexatonics


WRITTEN ASSIGNMENTS
1.

On the staff below, notate the following pentatonic collections.

2.

Identify the following pentatonic collections.

122

ADVANCED

3.

Transpose the given voicings to all the notes from the corresponding pentatonic collection (as
in figure 20.16 in the TEXTBOOK).

4.

Using the procedures for generating pentatonic voicings, create four-part voicings for the following pentatonics: D Dorian, Eb Phrygian, F Mixolydian #11, and A Dorian b2.

PENTATONICS AND HEXATONICS

123

5.

Transpose the following melodic cells to all the notes from the corresponding pentatonics.

6.

On the staff below, notate the following hexatonic collections.

7.

Identify the following hexatonic collections.

124

ADVANCED

8. Transpose the given voicings to all the notes from the corresponding hexatonics.

9. Using the procedures for generating hexatonic voicings, create four-part voicings for the following hexatonics: F Major, Altered I, A Aeolian, and Ab Mixolydian b9. (Answer not provided)
10. Using the procedures for generating hexatonic voicings, create five-part voicings for the following hexatonics: A Altered, E Dorian b2, and Bb Locrian. (Answer not provided)
11. Compose an 8-bar modal line using D Dorian pentatonic, G Phrygian pentatonic, Eb Lydian
pentatonic, Bb Mixolydian pentatonic, and Ab Suspended pentatonic. (Answer not provided)
12. Compose an 8-bar modal line using E Major Altered II hexatonic, Db Mixolydian b9 hexatonic,
Eb Altered pentatonic, B Melodic Minor hexatonic, and Ab Dominant Altered IV hexatonic.
(Answer not provided)
13. Write a 32-bar AABA modal composition for your instrument using three pentatonics of your
choice that establish a convincing chordscale relationship with the following modal areas: A
(mm. 116: C Mixolydian)B (mm. 1724: A Aeolian)A (C Mixolydian). (Answer not
provided)
14. Write a 32-bar AABA modal composition for your instrument using three different hexatonics of
your choice that establish a convincing chordscale relationship with the following modal areas: A
(mm. 116: G Lydian)B (mm. 1724: Bb Dorian)A (D Altered). (Answer not provided)

CHAPTER TWENTY-ONE

Phrase Models
WRITTEN ASSIGNMENTS
1.

Identify the phrase model of the following 8-bar phrases. Analyze with Roman numerals.

126
2.

ADVANCED

Complete the following progressions. Add applicable extensions and pitch alterations. Analyze
your realizations with lead-sheet symbols and identify each phrase model.

PHRASE MODELS

127

128

ADVANCED

PHRASE MODELS

129

PLAY AND SING


1.
2.

Sing the roots of the diatonic phrase models (TEXTBOOK: figures 21.6, 21.7.c, 21.8.c, 21.9.c,
21.10.c) while playing the guide tones of the underlying chord progression.
Sing the roots of the chromatic phrase models (TEXTBOOK: figures 21.11.c, 21.12.c, 21.13.c,
21.14.c, 21.15.c. 21.16.c, 21.17.c, and 21.18.c) while playing the guide tones of the underlying chord progression.

EAR TRAINING DRILLS


Instructions for Tracks 5961
On the staff below, notate the bass line, identify the individual chords using lead-sheet notation, analyze the progression with Roman numerals, and determine the type of phrase model. (Answer Key)
Track 59: FIVE diatonic phrase models

130

Track 60: FIVE chromatic phrase models

ADVANCED

PHRASE MODELS

Track 61: THIRTY diatonic and chromatic phrase models

131

132

ADVANCED

PHRASE MODELS

133

134

ADVANCED

PHRASE MODELS

135

KEYBOARD REALIZATION
Realize the harmonic progressions using the following models of keyboard playing: Model I, Model II,
Model IV, Model VI, and Model VII. Transpose to all keys. (Answer not provided)
PHRASE MODEL 1

136
PHRASE MODEL 2

ADVANCED

PHRASE MODELS

PHRASE MODEL 3

137

138
PHRASE MODEL 4

ADVANCED

PHRASE MODELS

PHRASE MODEL 5

139

140
PHRASE MODEL 6

ADVANCED

PHRASE MODELS

PHRASE MODEL 7

141

142
PHRASE MODEL 8

ADVANCED

PHRASE MODELS

PHRASE MODEL 9

143

144
PHRASE MODEL 10

ADVANCED

PHRASE MODELS

PHRASE MODEL 11

145

146
PHRASE MODEL 12

ADVANCED

PHRASE MODELS

PHRASE MODEL 13

147

CHAPTER TWENTY-TWO

The AABA Song Form


WRITTEN ASSIGNMENTS
Cole Porter, I Love You. This song features an AABA off-tonic design. Compare the chord
changes from a published lead-sheet (written above the melody) with the composers piano
accompaniment. In what ways are the chord changes similar to, as well as different from, the
composers accompaniment? Summarize your analytical observations in point form using formal,
tonal, melodic, and harmonic considerations that you can later explore during improvisation.

(Answer not provided)

THE AABA SONG FORM

149

150

ADVANCED

THE AABA SONG FORM

151

152

ADVANCED

THE AABA SONG FORM

PLAY ALONG SESSIONS


Track 36: HAVE YOU MET MISS JONES?

153

154

Track 37: I LOVE YOU

ADVANCED

CHAPTER TWENTY-THREE

The ABAC Song Form


WRITTEN ASSIGNMENTS
Rodgers and Hart, My Romance. This song features a 32-bar ABAC on-tonic design. Analyze
the verse and chorus with Roman numerals and phrase models. Compare the chord changes from
a published lead-sheet (written above the melody) with the composers piano accompaniment. In
what ways are the chord changes similar to, as well as different from, the composers accompaniment?
Summarize your analytical observations in point form using formal, tonal, melodic, and harmonic
considerations that can be explored during improvisation. (Answer not provided)

156

ADVANCED

THE ABAC SONG FORM

157

158

ADVANCED

THE ABAC SONG FORM

PLAY ALONG SESSIONS


Track 38: ALL OF YOU

159

160

Track 39: MY ROMANCE

ADVANCED

THE ABAC SONG FORM

161

CHAPTER TWENTY-FOUR

Extended and Unusual


Song Forms
WRITTEN ASSIGNMENTS
Kern and Hammerstein II, All the Things You Are. This song features an extended 36-bar AABA
formal design. Analyze the verse and chorus with Roman numerals and phrase models. Compare the
chord changes from a published lead-sheet (written above the melody) with the composers piano
accompaniment. In what ways are the chord changes similar to, as well as different from, the composers
accompaniment? Summarize your analytical observations in point form using formal, tonal, melodic,
and harmonic considerations that you can explore during improvisation. (Answer not provided)

EXTENDED AND UNUSUAL SONG FORMS

163

164

ADVANCED

EXTENDED AND UNUSUAL SONG FORMS

165

166

PLAY ALONG SESSIONS


Track 40: DREAM DANCING

ADVANCED

EXTENDED AND UNUSUAL SONG FORMS

Track 41: ALL THE THINGS YOU ARE

167

168

Track 42: CHEROKEE

ADVANCED

EXTENDED AND UNUSUAL SONG FORMS

169

CHAPTER TWENTY-FIVE

Jazz Reharmonization
WRITTEN EXERCISES
1.

Jule Styne, Never Never Land. Using basic techniques of jazz reharmonization provide a
new harmonic setting of the song. (Answer not provided)

JAZZ REHARMONIZATION

171

172

ADVANCED

JAZZ REHARMONIZATION

173

174
2.

ADVANCED

Ray Noble, Cherokee. Using a linear approach to jazz reharmonization provide FOUR different harmonic settings for mm. 116 of the song. Follow the procedures I have established,
first compose an outer-voice counterpoint, then flesh out the frameworks with inner voices
moving primarily by step. (Answer not provided)

JAZZ REHARMONIZATION

175

176

PLAY ALONG SESSIONS


Track 43: AUTUMN LEAVES

ADVANCED

JAZZ REHARMONIZATION

Track 44: STELLA BY STARLIGHT

177

178
Track 45: NEVER NEVER LAND

ADVANCED

CHAPTER TWENTY-SIX

Line Up
WRITTEN ASSIGNMENTS
1.
2.
3.

From the list of suggested solos to transcribe (Appendix E), select a solo, transcribe it, and
analyze it using a methodology similar to the analysis of Line Up. (Answer not provided)
Using the chord progression from Have You Met Miss Jones? (TEXTBOOK: figure 22.3), compose
a contrafact that utilizes different aspects of the Tristano style. (Answer not provided)
Using the chord progression from Autumn Leaves (TEXTBOOK: figure 25.4), compose a
contrafact that utilizes different aspects of the Tristano style. (Answer not provided)

PLAY ALONG SESSIONS


Track 46: LINE UP. First, play the transcription with the recording (TEXTBOOK: figure 26.1), and
then improvise your own solo using different aspects of the Tristano style of improvisation.

180

ADVANCED

CHAPTER TWENTY-SEVEN

Post-Tonal Jazz
WRITTEN ASSIGNMENTS
1.

Using integers, notate the following pitches and pitch classes.

2.

Identify the following ordered intervals in pitch-class space.

3.

Identify the following unordered intervals in pitch-class space.

182

ADVANCED

4.

Calculate the normal form for the following sets of unordered pitches.

5.

Calculate the prime form for the following unordered sets.

6.

For the following unordered sets, calculate the normal and prime forms and reinterpret the
pitch-class set in the context of a complete or incomplete jazz formation.

POST-TONAL JAZZ

183

184

7.

ADVANCED

Compose a 64-bar AABA contrafact based on the chord changes from Cherokee according
to the following guidelines:
a.
A sectionselect a diatonic set complex and, using Tn and TnI, compose a line that
makes that set complex as audible as possible.
b. B sectionselect a semitone set complex and, using Tn and TnI, compose a line that
makes that set complex as audible as possible. (Answer not provided)

POST-TONAL JAZZ

EAR TRAINING DRILLS


Track 62 contains TWENTY ordered intervals. Identify them using integers. (Answer Key)

Track 63 contains TWENTY unordered intervals. Identify. (Answer Key)

185

186

ADVANCED

Instructions for Tracks 6468


Each track contains a number of unordered melodic trichords from the specific family of trichords.
Identify the normal and prime form of each set. For each set, the starting pitch is announced.
(Answer Key)
Track 64: TWENTY trichords from the diatonic family

POST-TONAL JAZZ

Track 65: TWENTY trichords from the triadic family

Track 66: TWENTY trichords from the whole-tone family

187

188

ADVANCED

Track 67: THIRTY trichords from the semitone family

POST-TONAL JAZZ

Track 68: FIFTY trichords

189

190

ADVANCED

Instructions for Tracks 6973


Each track contains a number of harmonic trichords from the specific family of trichords. Identify the
set-class type of each verticality. For each set, the lowest pitch is written in the score. (Answer Key)
Track 69: TWENTY-ONE trichords from the diatonic family

POST-TONAL JAZZ

Track 70: TWENTY trichords from the triadic family

Track 71: TWENTY trichords from the whole-tone family

191

192

ADVANCED

Track 72: THIRTY trichords from the semitone family

POST-TONAL JAZZ

Track 73: FIFTY trichords

193

194

ADVANCED

PLAY ALONG SESSIONS


Tracks 518 include a rhythm section playing diatonic and chromatic modes. Using trichords from
figure 27.13 (TEXTBOOK) as motives, practice different techniques of motivic development.
Track 5: IONIAN

Track 6: LYDIAN

POST-TONAL JAZZ

Track 7: MIXOLYDIAN

Track 8: DORIAN

195

196
Track 9: AEOLIAN

Track 10: PHRYGIAN

ADVANCED

POST-TONAL JAZZ

Track 11: LOCRIAN

Track 12: MELODIC MINOR

197

198
Track 13: DORIAN b2

Track 14: LOCRIAN n2

ADVANCED

POST-TONAL JAZZ

Track 15: LYDIAN AUGMENTED

Track 16: MIXOLYDIAN #11

199

200
Track 17: MIXOLYDIAN b13

Track 18: ALTERED

ADVANCED

Appendices

Taylor & Francis 2014

APPENDIX A

Answer Key for Written Exercises


CHAPTER 1 MUSIC FUNDAMENTALS
Exercise 1.1

Exercise 1.2

Taylor & Francis 2014

204

APPENDIX A

Exercise 1.3

Exercise 1.4

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 1.5

Exercise 1.6

Taylor & Francis 2014

205

206

APPENDIX A

Exercise 1.7

CHAPTER 3 HARMONIC FUNCTION

Exercise 3.1

Exercise 3.2

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 3.3

Taylor & Francis 2014

207

208

APPENDIX A

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Taylor & Francis 2014

209

210

APPENDIX A

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 3.4

CHAPTER 4 FOUR-PART CHORDS


Exercise 4.1

Exercise 4.2

Exercise 4.3

Taylor & Francis 2014

211

212

APPENDIX A

CHAPTER 5 FIVE-PART CHORDS


Exercise 5.1

Exercise 5.2

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 5.3

Taylor & Francis 2014

213

214

APPENDIX A

CHAPTER 6 THE IIVI PROGRESSION


Exercise 6.1

Exercise 6.2

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 6.3

Exercise 6.4

Taylor & Francis 2014

215

216

APPENDIX A

Exercise 6.5

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

CHAPTER 7 MODES
Exercise 7.1

Exercise 7.2

Exercise 7.3

Taylor & Francis 2014

217

218

APPENDIX A

Exercise 7.4

CHAPTER 8 CHORDSCALE THEORY


Exercise 8.1

Exercise 8.2

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 8.3

Exercise 8.4

Taylor & Francis 2014

219

220

APPENDIX A

CHAPTER 9 THE BLUES


Exercise 9.1

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 9.2

Taylor & Francis 2014

221

222

APPENDIX A

Exercise 9.3

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

CHAPTER 10 IMPROVISATION
Exercise 10.2

Taylor & Francis 2014

223

224

APPENDIX A

Exercise 10.3

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 10.4

Taylor & Francis 2014

225

226

APPENDIX A

CHAPTER 11 JAZZ LEAD SHEETS


Exercise 11.1

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

CHAPTER 12 KEYBOARD TEXTURES


Exercise 12.1

Exercise 12.2

Taylor & Francis 2014

227

228

APPENDIX A

Exercise 12.3

Exercise 12.4

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 12.5

Exercise 12.6

Taylor & Francis 2014

229

230

APPENDIX A

Exercise 12.7

CHAPTER 13 IDIOMATIC JAZZ PROGRESSIONS


Exercise 13.1

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 13.2

Taylor & Francis 2014

231

232

APPENDIX A

CHAPTER 14 VOICINGS
Exercise 14.1

Exercise 14.2

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 14.3

Taylor & Francis 2014

233

234

APPENDIX A

Exercise 14.4

Exercise 14.5

CHAPTER 15 BEBOP
Exercise 15.1

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 15.2

Exercise 15.3

Taylor & Francis 2014

235

236

APPENDIX A

CHAPTER 16 OCTATONIC SCALES


Exercise 16.1

Exercise 16.2

Exercise 16.3

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 16.4

Taylor & Francis 2014

237

238

APPENDIX A

CHAPTER 17 BEBOP BLUES


Exercise 17.1

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

CHAPTER 18 CONFIRMATION
Exercise 18.1

Taylor & Francis 2014

239

240

APPENDIX A

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 18.2

Taylor & Francis 2014

241

242

APPENDIX A

CHAPTER 20 PENTATONICS AND HEXATONICS


Exercise 20.1

Exercise 20.2

Exercise 20.3

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 20.4

Exercise 20.5

Exercise 20.6

Taylor & Francis 2014

243

244

APPENDIX A

Exercise 20.7

Exercise 20.8

CHAPTER 21 PHRASE MODELS


Exercise 21.1

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Exercise 21.2

Taylor & Francis 2014

245

246

APPENDIX A

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Taylor & Francis 2014

247

248

APPENDIX A

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

CHAPTER 27 POSTTONAL JAZZ


Exercise 27.1

Exercise 27.2

Exercise 27.3

Exercise 27.4

Taylor & Francis 2014

249

250

APPENDIX A

Exercise 27.5

Exercise 27.6

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Taylor & Francis 2014

251

252

APPENDIX A

Taylor & Francis 2014

ANSWER KEY FOR WRITTEN EXERCISES

Taylor & Francis 2014

253

254

APPENDIX A

Taylor & Francis 2014

APPENDIX B

Answer Key for Ear Training Drills


CHAPTER 1 MUSIC FUNDAMENTALS
Track 13 Intervals ID

Taylor & Francis 2014

256

APPENDIX B

Track 14 Harmonic Intervals ID

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Track 15 Triads ID

Taylor & Francis 2014

257

258

APPENDIX B

CHAPTER 2 JAZZ RHYTHM


Track 16 Rhythmic Dictation

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

CHAPTER 3 HARMONIC FUNCTION


Track 17 Harmonic Dictation and Analysis

Track 18 Harmonic Dictation and Analysis

Taylor & Francis 2014

259

260

APPENDIX B

CHAPTER 4 FOUR-PART CHORDS


Track 25 Four-Part Chords ID (major and minor)

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Track 26 Four-Part Chords ID (dominant and intermediary)

Taylor & Francis 2014

261

262

APPENDIX B

Track 27 Four-Part Chords ID (drop 2 voicings)

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

CHAPTER 5 FIVE-PART CHORDS


Track 35 FivePart Chords ID (major, minor, and intermediary)

Taylor & Francis 2014

263

264

APPENDIX B

Track 36 Five-Part Chords ID (dominant 7ths)

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Track 37 Five-Part Chords ID (suspended dominant 7ths)

Taylor & Francis 2014

265

266

APPENDIX B

Track 38 Five-Part Chords ID (drop 2 voicings)

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Taylor & Francis 2014

267

268

APPENDIX B

CHAPTER 7 MODES
Track 39 Diatonic Modes ID

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Track 40 Chromatic Modes ID

Taylor & Francis 2014

269

270

APPENDIX B

CHAPTER 13 IDIOMATIC JAZZ PROGRESSIONS


Track 41 Harmonic Dictation: four-bar progressions I

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Track 42 Harmonic Dictation: four-bar progressions II

Taylor & Francis 2014

271

272

APPENDIX B

Track 43 Harmonic Dictation: four-bar progressions III

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Track 44 Harmonic Dictation: four-bar progressions IV

Taylor & Francis 2014

273

274

APPENDIX B

Track 45 Harmonic Dictation: four-bar progressions V

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Track 46 Harmonic Dictation: four-bar progressions VI

Taylor & Francis 2014

275

276

APPENDIX B

CHAPTER 14 VOICINGS
Track 57 Upper-Structure Triads ID

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Taylor & Francis 2014

277

278

APPENDIX B

CHAPTER 15 BEBOP
Track 58 Bebop Scales ID

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

CHAPTER 21 PHRASE MODELS


Track 59 Harmonic Dictation: diatonic phrase models

Taylor & Francis 2014

279

280

APPENDIX B

Track 60 Harmonic Dictation: chromatic phrase models

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Track 61 Harmonic Dictation: diatonic and chromatic phrase models

Taylor & Francis 2014

281

282

APPENDIX B

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Taylor & Francis 2014

283

284

APPENDIX B

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Taylor & Francis 2014

285

286

APPENDIX B

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

CHAPTER 27 POST-TONAL JAZZ


Track 62 Ordered Intervals ID

Track 63 Unordered Intervals ID

Taylor & Francis 2014

287

288

APPENDIX B

Track 64 Melodic Diatonic Trichords ID

Track 65 Melodic Triadic Trichords ID

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Track 66 Melodic Whole-Tone Trichords ID

Taylor & Francis 2014

289

290

APPENDIX B

Track 67 Melodic Semitone Trichords ID

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Track 68 Melodic Trichords ID

Taylor & Francis 2014

291

292

APPENDIX B

Track 69 Harmonic Diatonic Trichords ID

Track 70 Harmonic Triadic Trichords ID

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Track 71 Harmonic Whole-Tone Trichords ID

Track 72 Harmonic Semitone Trichords ID

Taylor & Francis 2014

293

294

APPENDIX B

Track 73 Harmonic Trichords ID

Taylor & Francis 2014

ANSWER KEY FOR EAR TRAINING DRILLS

Taylor & Francis 2014

295

296

APPENDIX B

Taylor & Francis 2014

APPENDIX C

Lead Sheets Play Along DVD


CHAPTER 10 IMPROVISATION
Track 1: Bb BLUESPiano Trio

Track 2: Eb BLUESOrgan Trio

Taylor & Francis 2014

298

APPENDIX C

Track 3: C MINOR BLUESGuitar Trio

Track 4: F MINOR BLUESPiano Trio

Taylor & Francis 2014

LEAD SHEETS PLAY ALONG DVD

Track 5: IONIANOrgan Trio

Track 6: LYDIANPiano Trio

Taylor & Francis 2014

299

300

APPENDIX C

Track 7: MIXOLYDIANOrgan Trio

Track 8: DORIANPiano Trio

Taylor & Francis 2014

LEAD SHEETS PLAY ALONG DVD

Track 9: AEOLIANPiano Trio

Track 10: PHRYGIANGuitar Trio

Taylor & Francis 2014

301

302

APPENDIX C

Track 11: LOCRIANPiano Trio

Track 12: MELODIC MINORGuitar Trio

Taylor & Francis 2014

LEAD SHEETS PLAY ALONG DVD

Track 13: DORIAN b2Piano Trio

Track 14: LOCRIAN n2Piano Solo

Taylor & Francis 2014

303

304

APPENDIX C

Track 15: LYDIAN AUGMENTEDPiano Trio

Track 16: MIXOLYDIAN #11Piano Trio

Taylor & Francis 2014

LEAD SHEETS PLAY ALONG DVD

Track 17: MIXOLYDIAN b13Piano Trio

Track 18: ALTEREDGuitar Trio

Taylor & Francis 2014

305

306

APPENDIX C

Track 19: MAJOR MODAL CATEGORYPiano Trio

Track 20: MINOR MODAL CATEGORYOrgan Trio

Track 21: DOMINANT MODAL CATEGORYGuitar Trio

Taylor & Francis 2014

LEAD SHEETS PLAY ALONG DVD

Track 22: SUSPENDED MODAL CATEGORYPiano Trio

CHAPTER 15 BEBOP
Track 23: Imaj7V7Imaj7 (12 keys)Piano Trio

Taylor & Francis 2014

307

308

APPENDIX C

Track 24: i7V7i7 (12 keys)Organ Trio

Track 25: ii7V7Imaj7 (12 keys)Piano Trio

Taylor & Francis 2014

LEAD SHEETS PLAY ALONG DVD

Track 26: ii7(b5)V7i7 (12 keys)Guitar Trio

CHAPTER 17 BEBOP BLUES


Track 27: BILLIES DANCEPiano Trio

Taylor & Francis 2014

309

310

APPENDIX C

Track 28: BIRDIE SONGOrgan Trio

Track 29: INFIDELS BOUNCEPiano Trio

Taylor & Francis 2014

LEAD SHEETS PLAY ALONG DVD

CHAPTER 18 CONFIRMATION
Track 30: CONFIRMATION IN F (slow)Organ Trio

Taylor & Francis 2014

311

312

APPENDIX C

Track 31: CONFIRMATION IN C (medium)Piano Trio

Taylor & Francis 2014

LEAD SHEETS PLAY ALONG DVD

Track 32: CONFIRMATION IN Ab (fast)Guitar Trio

Taylor & Francis 2014

313

314

APPENDIX C

CHAPTER 19 MOOSE THE MOOCHE


Track 33: MOOSE THE MOOCHE (slow)Piano Trio

Taylor & Francis 2014

LEAD SHEETS PLAY ALONG DVD

Track 34: MOOSE THE MOOCHE (medium)Organ Trio

Taylor & Francis 2014

315

316

APPENDIX C

Track 35: MOOSE THE MOOCHE (fast)Guitar Trio

Taylor & Francis 2014

LEAD SHEETS PLAY ALONG DVD

CHAPTER 22 THE AABA SONG FORM


Track 36: HAVE YOU MET MISS JONES?Organ Trio

Taylor & Francis 2014

317

318

APPENDIX C

Track 37: I LOVE YOUGuitar Trio

Taylor & Francis 2014

LEAD SHEETS PLAY ALONG DVD

CHAPTER 23 THE ABAC SONG FORM


Track 38: ALL OF YOUPiano Trio

Taylor & Francis 2014

319

320

APPENDIX C

Track 39: MY ROMANCEGuitar Trio

Taylor & Francis 2014

LEAD SHEETS PLAY ALONG DVD

CHAPTER 24 EXTENDED AND UNUSUAL SONG FORMS


Track 40: DREAM DANCINGGuitar Trio

Taylor & Francis 2014

321

322

APPENDIX C

Track 41: ALL THE THINGS YOU AREPiano Trio

Taylor & Francis 2014

LEAD SHEETS PLAY ALONG DVD

Track 42: CHEROKEEPiano Trio

Taylor & Francis 2014

323

324

APPENDIX C

CHAPTER 25 JAZZ REHARMONIZATION


Track 43: AUTUMN LEAVESOrgan Trio

Taylor & Francis 2014

LEAD SHEETS PLAY ALONG DVD

Track 44: STELLA BY STARLIGHTGuitar Trio

Taylor & Francis 2014

325

326

APPENDIX C

Track 45: NEVER NEVER LANDPiano Trio

Taylor & Francis 2014

LEAD SHEETS PLAY ALONG DVD

CHAPTER 26 LINE UP
Track 46: LINE UPBass and Drums Duo

Taylor & Francis 2014

327

APPENDIX D

Guide to Making Transcriptions


Transcribing involves notating the music that you hear on paper. To facilitate the process, use the
following steps:
1.
2.
3.
4.
5.
6.
7.
8.

Have manuscript paper, a pencil, and an eraser ready.


Prepare the manuscript paper by putting four measures in a single line.
Notate the original chord changes of the solo that you intend to transcribe.
Notate the rhythmic framework of the solo (beginnings and ends of phrases).
Notate pitches that you can easily transcribe.
Notate difficult passages (reference the chord progression).
Notate performance details (phrasing, articulation, dynamics).
Analyze the transcription using the following questions about the structure of the solo:
a)
b)
c)
d)

What is the overall form of the solo?


What is the role of the original material in shaping the structure of the solo?
How is the musical continuity of the solo articulated?
How is the idea of musical development realized?

9. Analyze the transcription using the following questions about the content of the solo:
a)
b)
c)
d)
e)

What is the relationship between the melody and harmony?


What is the role of meter and rhythm?
What is the role of expressive devices in shaping the flow of the solo?
What is the role of articulation in controlling the ebb and flow of melodic ideas?
What kinds of improvisational techniques are utilized in the solo?

10. Memorize the transcription.


11. Sing the transcription.
12. Perform the transcription (at the original tempo using the same phrasing, articulation, dynamics, tone quality, time feel, and expressive devices).
13. Personalize and assimilate the transcription.
a)
b)

Select phrases that you like, practice in twelve keys, and use it in a different tune.
Improvise your own melodic content while retaining the rhythmic structure of the transcription.

Taylor & Francis 2014

APPENDIX E

List of Solos to Transcribe


Struttin With Some BarbecueLouis Armstrong from Louis Armstrong and His Hot Fives, (1927)
Potato Head BluesLouis Armstrong from Louis Armstrong & His Hot Sevens, (1927)
Singin the BluesBix Beiderbecke from Bix & Tram, (1927)
Lady Be GoodLester Young from The Lester Young Story, (1936)
Lester Leaps InLester Young from Ken Burns Jazz: Lester Young, (1939)
Body and SoulColeman Hawkins from Body and Soul, (1939)
Embraceable YouCharlie Parker from Best Of the Complete Savoy & Dial Studio Recordings, (1947)
CeliaBud Powell from Jazz Giants, (1950)
PerdidoOscar Pettiford from Great Times!, (1950)
Body and SoulJack Teagarden from Louis ArmstrongThe California Concerts, (1951)
All the Things You AreLee Konitz from Lee Konitz & Gerry Mulligan, (1953)
Rocky ScotchBob Brookmeyer from The Dual Role Of Bob Brookmeyer, (1954)
SanduClifford Brown from Study In Brown, (1955)
A Gal In CalicoIsreal Crosby from Ahmad Jamal Trio, (1955)
Ahmads BluesRed Garland from Workin, (1956)
CaravanKenny Drew from Kenny Drew Trio, (1956)
St. ThomasSonny Rollins from Saxophone Colossus, (1956)
I Know That You KnowSonny Rollins from Sonny Side Up, (1957)
Dear Old StockholmMiles Davis from Round About Midnight, (1957)
My IdealKenny Dorham from Quiet Kenny, (1959)
Freddie FreeloaderWynton Kelly and Miles Davis from Kind Of Blue, (1959)
So WhatMiles Davis from Kind Of Blue, (1959)
Gone With the WindWes Montgomery from Incredible Jazz Guitar Of Wes Montgomery, (1960)
RememberHank Mobley from Soul Station, (1960)
Ill Close My EyesBlue Mitchell from Blues Moods, (1960)
Autumn LeavesRon Carter from The Bobby Timmons Trio In Person, (1961)
SolarBill Evans from The Village Vanguard Sessions, (1961)
CeoraHank Mobley from Cornbread, (1965)
Fly Little Bird FlyMcCoy Tyner from Mustang, (1966)
VerseJoe Henderson from StickUp!, (1966)

Taylor & Francis 2014

APPENDIX F

Selected Discography
ALL OF YOU
Davis Miles, Round About Midnight (COLUMBIA, rec. 195556)
Evans Bill, Live At the Village Vanguard (RIVERSIDE, rec. 1961)
Tyner McCoy, Live At Newport (IMPULSE, rec. 1963)
Peterson Oscar, Walking the Line (MPS, rec. 1970)

ALL THE THINGS YOU ARE


Konitz Lee/Mulligan Gerry, Konitz Meets Mulligan (PACIFIC, rec. 1953)
Parker Charlie and Gillespie Dizzy, Jazz At Massey Hall (DEBUT, rec. 1953)
Rollins Sonny, Night At the Village Vanguard (BLUE NOTE, rec. 1957)
Griffin Johnny, A Blowing Session (BLUE NOTE, rec. 1957)
Jamal Ahmad, Live At the Pershing (ARGO, rec. 1958)
Desmond Paul, Two Of a Mind (BLUEBIRD, rec. 1962)
Hawkins Coleman, Alive At the Village Gate (VERVE, rec. 1963)
Byas Don, Walkin (BLACK LION, rec. 1963)
Rollins Sonny, Sonny Meets Hawk! (RCA/VICTOR, rec. 1963)
Evans Bill, Alone (VERVE, rec. 1968)
Pass Joe, Virtuoso (PABLO, rec. 1973)
Jarrett Keith, Standards, Vol. 1 (ECM, rec. 1983)
Henderson Joe, State Of the Tenor Vol. 2 (BLUE NOTE, rec. 1986)
Hersch Fred, Dancing In the Dark (CHESKY, rec. 1992)
Woods Phil, Alto Summits (MILESTONE, rec. 1995)
Fischer Clare, Introspectivo (M&L MUSIC S.A. DE C.V., rec. 2005)

AUTUMN LEAVES
DeFranco Buddy, Jazz At the Philharmonic, Vol. 10 (VERVE, rec. 1954)
Jamal Ahmad, The Legendary Okey and Epic Recordings (EPIC LEGACY, rec. 1955)
Garner Error, Concert By the Sea (COLUMBIA, rec. 1955)
Adderley Cannonball, Somethin Else (BLUE NOTE, rec. 1958)
Golson Benny, Gone With Golson (NEW JAZZ, rec. 1959)
Evans Bill, Portrait In Jazz (RIVERSIDE, rec. 1959)
Hodges Johnny, Johnny Hodges At Sportpalast (PABLO, rec. 1961)
Davis Miles, Miles Davis In Europe (COLUMBIA, rec. 1963)
Kelly Wynton, Wynton Kelly! (VEE JAY, rec. 1964)
Taylor & Francis 2014

SELECTED DISCOGRAPHY

Clark Terry, The Globetrotter (UNIVERSE, rec. 1969)


Vaughan Sarah, Crazy and Mixed Up (PABLO, rec. 1982)
Farrell Rachell, Farrell Rachell (SOMETHIN ELSE, rec. 1989)
LaVerne Andy, Standard Eyes (STEEPLECHASE, rec. 1991)

CHEROKEE
Parker Charlie, Early Bird (EPM MUSIQUE, rec. 1942)
Powell Bud, Jazz Giant (POLYGRAM, rec. 1950)
Brown Clifford, A Study In Brown (POLYGRAM, rec. 1955)
Getz Stan, Hamp and Getz (EMI COLUMBIA, rec. 1955)
Vaughan Sarah, Verve Jazz Masters 18 (POLYGRAM, rec. 1955)
Smith Jimmy, The Sounds Of Jimmy Smith (BLUE NOTE, rec. 1957)
Gordon Dexter, Love For Sale (STEEPLECHASE, rec. 1964)
Pass Joe, Virtuoso (PABLO, rec. 1973)
Konitz Lee, LoneLee (STEEPLECHASE, rec. 1974)
Garland Red, Feelin Red (MUSE, rec. 1978)

CONFIRMATION
Parker Charlie, Nows the Time (VERVE, rec. 1946)
Blakey Art, A Night At Birdland Vol. 2 (BLUE NOTE, rec. 1954)
Gordon Dexter, Daddy Plays the Horn (BETHLEHEM ARICHEVES, rec. 1955)
Ammons Gene, Boss Tenor (PRESTIGE, rec. 1960)
Modern Jazz Quartet, The Last Concert (ATLANTIC, rec. 1974)
Gillespie Dizzy and Stitt Sonny, The Bop Session (SONET GRAMMOFON, rec. 1975)
Stitt Sonny, My Buddy: Sonny Stitt Plays For Gene Ammons (MUSE, rec. 1976)
Jones Hank, Bebop Redux (MUSE, rec. 1977)
Haig Al, Un Poco Loco (SPOTLITE, rec. 1978)
McLean Jackie, New Wine In Old Bottles (EAST WIND, rec. 1978)
Donaldson Lou, Forgotten Man (TIMELESS, rec. 1981)
Rodney Red, Then and Now (CHESKY, rec. 1992)

DREAM DANCING
Bennett Tony and Evans Bill, Together Again (IMPROV RECORDS, rec. 1977)
Fitzgerald Ella, Dream Dancing (PABLO, rec. 1978)
Hamilton Scott, Scott Hamilton Plays Ballad (CONCORD, rec. 1989)

HAVE YOU MET MISS JONES?


Tyner McCoy, Reaching Fourth (IMPULSE, rec. 1963)
Peterson Oscar, We Get Requests (VERVE, rec. 1964)
Haig Al, Invitation (SOMETHIN ELSE, rec. 1974)
Getz Stan, The Artistry Of Stan Getz (VERVE, rec. 1989)
Coleman George, I Could Write a Book (TELARC, rec. 1998)
Taylor & Francis 2014

331

332

APPENDIX F

I LOVE YOU
Dorham Kenny, Kenny Dorham Quintet (ORIGINAL JAZZ CLASSICS, rec. 1953)
Evans Bill, New Jazz Conceptions (RIVERSIDE, rec. 1956)
Coltrane John, Lush Life (PRESTIGE, rec. 1957)
Farmer Art, Modern Art (BLUE NOTE, rec. 1958)
ODay Anita, Anita ODay Swings Cole Porter With Billy May (POLYGRAM, rec. 1959)
Hawes Hampton, For Real (CONTEMPORARY RECORDS, rec. 1958)
McLean Jackie, Swing, Swang, Swingin (BLUE NOTE, rec. 1959)
Pepper Art, Intensity (CONTEMPORARY/OJC, rec. 1960)
Fischer Clare, First Time Out (PACIFIC, rec. 1962)
Raney Jimmy, The Influence (XANADU, rec. 1975)

LINE UP
Tristano Lennie, Lennie Tristano (ATLANTIC, rec. 1955)

MY ROMANCE
Garland Red, A Garland Of Red (PRESTIGE, rec. 1956)
Evans Bill, Waltz For Debby (RIVERSIDE/OJC, rec. 1961)
Webster Ben and Edison Harry, Ben and Sweets (COLUMBIA, rec. 1962)
Blakey Art, Get the Message (DRIVE ARCHIVE, rec. 1966)
Hawes Hampton, The Seance (ORIGINAL JAZZ CLASSICS, rec. 1966)
Blakey Art, Buttercorn Lady (MERCURY, rec. 1966)
Hanna Roland, This Must Be Love (PROGRESSIVE, rec. 1978)
Marsh Warne, A Ballad Album (CRISS CROSS JAZZ, rec. 1983)
Pass Joe, Unforgettable (PABLO, rec. 1992)

MOOSE THE MOOCHE


Parker Charlie, The Complete Savoy and Dial Studio Recordings 19441948 (ATLANTIC, rec. 1946)
Harris Barry, At the Jazz Workshop (RIVERSIDE, rec. 1960)
Lewis Mel, Starhighs (CRISS CROSS JAZZ, rec. 1976)
Jones Hank, Bebop Redux (MUSE, rec. 1977)
Farmer Art, Artistry (CONCORD, rec. 1983)

STELLA BY STARLIGHT
Parker Charlie, Charlie Parker With Strings; The Master Takes (VERVE, rec. 194752)
Getz Stan, Stan Getz Plays (VERVE, rec. 1954)
Hall Jim, Jazz Guitar (PACIFIC, rec. 1957)
Davis Miles and Coltrane John, The Complete Columbia Recordings (COLUMBIA, rec. 1958)

Taylor & Francis 2014

SELECTED DISCOGRAPHY

Evans Bill, Conversations With Myself (POLYGRAM, rec. 1963)


Bennett Tony, Jazz (COLUMBIA, rec. 1964)
Johnson J.J., Proof Positive (IMPULSE, rec. 1964)
Green Grant, I Want To Hold Your Hand (BLUE NOTE, rec. 1965)
Turrentine Stanley, Another Story (BLUE NOTE, rec. 1969)
Fuller Curtis, Smokin (MAINSTREAM, rec. 1972)
Getz Stan, Anniversary (POLYGRAM, rec. 1987)
Jones Hank, West Of 5th (CHESKY, rec. 2006)

Taylor & Francis 2014

333

Appendix G
Alphabetical List of 999 Standard Tunes,
Composers, and Lyricists

1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
21.
22.
23.
24.
25.
26.
27.
28.
29.
30.

A Beautiful FriendshipDonald Kahn/Stanley Styne


A Certain SmilePaul Webster/Sammy Fain
A Cock-Eyed OptimistRichard Rodgers/Oscar Hammerstein II
A Fine RomanceJerome Kern/Dorothy Fields
A Foggy DayGeorge Gershwin/Ira Gershwin
A Gal In CalicoArthur Schwartz/Leo Robin
A Good Man Is Hard To FindEddie Green
A Handful Of StarsTed Shapiro/Jack Lawrence
A Kiss To Build a Dream OnBert Kalmar/Oscar Hammerstein II
A Lovely NightRichard Rodgers/Oscar Hammerstein II
A Lovely Way To Spend an EveningJimmy McHugh/Harold Adamson
A Nightingale Sang In Berkeley SquareManning Sherwin/Eric Maschwitz
A Portrait Of JennyGordon Burdge/J. Russell Robinson
A Pretty Girl Is Like a MelodyIrving Berlin
A Ship Without a SailRichard Rodgers/Lorenz Hart
A Sleepin BeeHarold Arlen/Truman Capote
A Sunday Kind Of LoveStan Rhodes/Anita Leonard
A Time For LoveJohnny Mandel/Paul Francis Webster
A Weaver Of DreamsVictor Young/Jack Elliott
A Woman In LoveFrank Loesser
About a Quarter To NineHarry Warren/Al Dubin
Ac-Cent-Tchu-Ate the PositiveHarold Arlen/Johnny Mercer
Ace In the HoleCole Porter
After You, WhoCole Porter
After You Get What You Want You Dont Want ItIrving Berlin
After Youve GoneTurner Layton/Henry Creamer
AgainLionel Newman/Dorcas Cochran
Ages AgoVernon Duke
Aint MisbehavinFats Waller/Andy Razaf
Aint She SweetMilton Ager/Jack Yellen

Taylor & Francis 2014

999 STANDARD TUNES

31.
32.
33.
34.
35.
36.
37.
38.
39.
40.
41.
42.
43.
44.
45.
46.
47.
48.
49.
50.
51.
52.
53.
54.
55.
56.
57.
58.
59.
60.
61.
62.
63.
64.
65.
66.
67.
68.
69.
70.
71.
72.
73.
74.
75.

Alabama JubileeGeorge L. Cobb/Jack Yellen


Alabamy BoundRay Henderson/B.G. DeSylva
AlfieBurt Bacharach/Hal David
Alice In WonderlandSammy Fain/Bob Hilliard
All About RonnieJoe Green
All At Once You Love HerRichard Rodgers/Oscar Hammerstein II
All By MyselfIrving Berlin
All Gods Chillun Got RhythmGus Kahn/Bronislaw Kaper
All My TomorrowsJames Van Heusen/Sammy Cahn
All Of MeGerald Marks/Seymour Simons
All Of My LifeIrving Berlin
All Of YouCole Porter
All Or Nothing At AllArthur Altman/Jack Lawrence
All the Things You AreJerome Kern/Oscar Hammerstein II
All the WayJames Van Heusen/Sammy Cahn
All Through the DayJerome Kern/Oscar Hammerstein II
All Through the NightCole Porter
Almost In Your ArmsJay Livingston/Ray Evans
Almost Like Being In LoveFrederick Lowe/Alan Jay Lerner
Alone TogetherArthur Schwartz/Howard Dietz
AlwaysIrving Berlin
Am I Blue?Harry Akst/Grant Clarke
And the Angels SingZiggy Elman/Johnny Mercer
Angel EyesMatt Dennis/Earl Brent
AngryMerritt Brunies/Jules Cassard
Anything GoesCole Porter
April In My HeartHoagy Carmichael/Helen Meinardi
April In ParisVernon Duke/E.Y. Harburg
April LoveSammy Fain/Paul Francis Webster
April ShowersLouis Silvers/B.G. DeSylva
Arent You Glad Youre YouJames Van Heusen/Johnny Burke
As Long As I LiveHarold Arlen/Ted Koehler
As Long As Theres MusicJule Styne/Sammy Kahn
As Time Goes ByHerman Hupfeld
At LastHarry Warren/Mack Gordon
At Long Last LoveCole Porter
At SundownWalter Donaldson
At the Roxy Music HallRichard Rodgers/Lorenz Hart
Aunt Hagars BluesW.C. Handy
Autumn In New YorkVernon Duke
Autumn LeavesJoseph Kosma/Johnny Mercer
Autumn NocturneJosef Myrow
AvalonAl Jolson/B. G. DeSylva
Baby DollJohnny Mercer/Harry Warren
Back In Your Own BackyardAl Jolson/Billy Rose

Taylor & Francis 2014

335

336

APPENDIX G

76.
77.
78.
79.
80.
81.
82.
83.
84.
85.
86.
87.
88.
89.
90.
91.
92.
93.
94.
95.
96.
97.
98.
99.
100.
101.
102.
103.
104.
105.
106.
107.
108.
109.
110.
111.
112.
113.
114.
115.
116.
117.
118.
119.
120.

Ballad In BlueHoagy Carmichael/Irving Kahal


Basin Street BluesSpencer Williams
Baubles, Bangles and BeadsRobert Wright/George Forrest
Be Careful, Its My HeartIrving Berlin
Be My LoveNicholas Brodszky/Sammy Cahn
Beale Street BluesW.C. Handy
Beautiful LoveVictor Young/Haven Gillespie
Because I Love YouIrving Berlin
Because Of YouAl Dubin/Walter Jurmann
Bess You Is My WomanGeorge Gershwin/Ira Gershwin
Between the Devil and the Deep Blue SeaHarold Arlen/Ted Koehler
Between You and MeCole Porter
Bewitched, Bothered and BewilderedRichard Rodgers/Lorenz Hart
Bidin My TimeGeorge Gershwin/Ira Gershwin
Black and BlueFats Waller/Andy Razaf
Black ButterflyDuke Ellington/Irving Mills/Ben Curruthers
Black CoffeeSonny Burke/Paul Francis Webster
Black MoonlightArthur Johnston/Sam Coslow
Blackberry WinterAlec Wilder/Loonis McGlohon
Blame It On My YouthOscar Levant/Edward Heyman
Blue and SentimentalCount Basie/Jerry Livingston/Mark David
Blue GardeniaBob Russell/Lester Lee
Blue MoonRichard Rodgers/Lorenz Hart
Blue OrchidsHoagy Carmichael
Blue RainJames Van Heusen/Johnny Burke
Blue RoomRichard Rodgers/Lorenz Hart
Blue SkiesIrving Berlin
Blue VelvetBernie Wayne/Lee Morris
Blueberry HillLarry Stock/Al Lewis
Blues In the NightHarold Arlen/Johnny Mercer
BluesetteJean Thielemans/Norman Gimbel
Body and SoulJohnny Green/Edward Heyman
Born To Be BlueMel Torm/Robert Wells
Bread and GravyHoagy Carmichael
BroadwayHenry Woode/Teddy McRae/Bill Byrd
But BeautifulJimmy Van Heusen/Johnny Burke
But Not For MeGeorge Gershwin/Ira Gershwin
Bye and ByeRichard Rodgers/Lorenz Hart
Bye Bye BabyJule Styne/Leo Robin
Bye Bye BlackbirdRay Henderson/Mort Dixon
Bye Bye BluesDave Bennett/Fred Hamm
Call Me IrresponsibleJames Van Heusen/Sammy Cahn
Cant Get Indiana Off My MindHoagy Carmichael/Robert De Leon
Cant Get Out Of This MoodFrank Loesser/Jimmy McHugh
Cant Help Lovin Dat ManJerome Kern/Oscar Hammerstein II

Taylor & Francis 2014

999 STANDARD TUNES

121.
122.
123.
124.
125.
126.
127.
128.
129.
130.
131.
132.
133.
134.
135.
136.
137.
138.
139.
140.
141.
142.
143.
144.
145.
146.
147.
148.
149.
150.
151.
152.
153.
154.
155.
156.
157.
158.
159.
160.
161.
162.
163.
164.
165.

Cant We Be FriendsPaul James/Kay Swift


Cant We Talk It OverVictor Young/New Washington
Cant You Do a Friend a FavorRichard Rodgers/Lorenz Hart
Cant You Just See YourselfJule Styne/Sammy Cahn
CandyMack David/Joan Whitney/Alex Kramer
CaravanJuan Tizol/Duke Ellington
Carolina In the MorningWalter Donaldson/Donald Kahn
Change PartnersIrving Berlin
Cheek To CheekIrving Berlin
CherokeeRay Noble
ChicagoFred Fisher
Clap Yo HandsGeorge Gershwin/Ira Gershwin
Climb Evry MountainRichard Rodgers/Oscar Hammerstein II
Close As Pages In a BookSigmund Romberg/Dorothy Fields
Close Enough For LoveJohnny Mandel
Close To YouBurt Bacharach/Hal David
Close Your EyesBernice Petkere
Cocktails For TwoSam Coslow/Arthur Johnston
Come Back To MeBurton Lane/Allan Jay Lerner
Come Dance With MeRichard Leibart/George Blake
Come Easy, Go Easy LoveHoagy Carmichael/Sunny Clapp
Come Fly With MeJames Van Heusen/Sammy Cahn
Come Out, Come Out, Wherever You AreJule Styne/Sammy Cahn
Come Rain Or Come ShineHarold Arlen/Johnny Mercer
Could It Be YouCole Porter
Count Your Blessings Instead Of SheepIrving Berlin
Crazy Bout My BabyFats Waller/Alex Hill
Crazy He Calls MeCarl Sigman/Bob Russell
Crazy RhythmJoseph Meyer/Roger Wolfe Kahn/Irving Caesar
Cry Me a RiverArthur Hamilton
Dancing In the DarkArthur Schwartz/Howard Dietz
Dancing On a DimeBurton Lane/Frank Loesser
Dancing On the CeilingRichard Rodgers/Lorenz Hart
DardanellaFelix Bernard/Fred Fischer
Darn That DreamJimmy Van Heusen/Eddie DeLange
Day By DayPaul Weston/Axel Stordahl/Sammy Cahn
Day DreamDuke Ellington/Billy Strayhorn
Day In, Day OutRube Bloom/Johnny Mercer
DaybreakHarold Adamson
Days Of Wine and RosesHenry Mancini/Johnny Mercer
Dearly BelovedJerome Kern/Johnny Mercer
Dedicated To YouSammy Cahn/Saul Chaplin
Deed I DoFred Rose/Walter Hirsch
Deep In a DreamJimmy Van Heusen/Eddie de Lange
Deep PurplePeter De Rose/Mitchell Parish

Taylor & Francis 2014

337

338

APPENDIX G

166.
167.
168.
169.
170.
171.
172.
173.
174.
175.
176.
177.
178.
179.
180.
181.
182.
183.
184.
185.
186.
187.
188.
189.
190.
191.
192.
193.
194.
195.
196.
197.
198.
199.
200.
201.
202.
203.
204.
205.
206.
207.
208.

Detour AheadLou Carter/John Frigo/Herb Ellis


DianeErno Rapee/Lew Pollack
Did I Remember?Walter Donaldson/Harold Adamson
DinahHarry Akst/Sam M. Lewis/Joe Young
Dinner For One Please, JamesMichael Carr
Do I Love You?Cole Porter
Do I Love You?Ralph Rainger/Leo Robin
Do I Love You Because Youre Beautiful?Richard Rodgers/
Oscar Hammerstein II
Do Nothin Till You Hear From MeDuke Ellington/Bob Russell
Do You Know What It Means To Miss New OrleansLouis Alter/Eddie De
Lange
Doin the Crazy WalkDuke Ellington/Irving Mills
Dont Be That WayBenny Goodman/Mitchell Parish/Edgar Sampson
Dont Blame MeJimmy McHugh/Dorothy Fields
Dont Ever Leave MeJerome Kern/Oscar Hammerstein II
Dont ExplainArthur Herzog Jr./Billy Holiday
Dont Fence Me InCole Porter
Dont Get Around Much AnymoreDuke Ellington/Bob Russell
Dont Go To StrangersArthur Kent/Redd Evans
Dont Worry Bout MeRube Bloom/Ted Koehler
Dont You Know I CareDuke Ellington/Mack David
Down By the RiversideAllan Sherman
Dream a Little Dream Of MeWilburn Schwandt/Fabian Andree/Gus Kahn
Dream DancingCole Porter
Dreamer With a PennyAlan Roberts/Lester Lee
DreamsvilleHenry Mancini/Jay Livingston/Ray Evans
DreamyErroll Garner/Sydney Shaw
Drifting Along With the TideGeorge Gershwin/Ira Gershwin
Drop Me Off In HarlemDuke Ellington/Nick Kenny
Early AutumnRalph Burns/Woody Herman
East Of the Sun and West Of the MoonBrooks Bowman
Easter ParadeIrving Berlin
Easy LivingRalph Rainger/Leo Robin
Easy StreetAlan Rankin Jones
Easy To LoveCole Porter
Ebb TideRobert Maxwell/Carl Sigman
Embraceable YouGeorge Gershwin/Ira Gershwin
EmilyJohnny Mandel/Johnny Mercer
Evry Streets a BoulevardJule Styne/Bob Hilliard
Evry Time We Say GoodbyeCole Porter
Evrybody Loves YouRichard Rodgers/Lorenz Hart
Evrything Ive GotRichard Rodgers/Lorenz Hart
Everybody Loves My BabySpencer Williams/Jack Palmer
Everybody StepIrving Berlin

Taylor & Francis 2014

999 STANDARD TUNES

209.
210.
211.
212.
213.
214.
215.
216.
217.
218.
219.
220.
221.
222.
223.
224.
225.
226.
227.
228.
229.
230.
231.
232.
233.
234.
235.
236.
237.
238.
239.
240.
241.
242.
243.
244.
245.
246.
247.
248.
249.
250.
251.
252.
253.

Everything But YouDuke Ellington/Harry James/Don George


Everything Happens To MeMatt Dennis/Tom Adair
Everything I Have Is YoursBurton Lane/Harold Adamson
Everything I LoveCole Porter
Everythings Coming Up RosesJule Styne/Stephen Sondheim
Exactly Like YouJimmy McHugh/Dorothy Fields
Face To FaceSammy Fain/Sammy Cahn
Falling In Love With LoveRichard Rodgers/Lorenz Hart
Fancy Meeting YouHarold Arlen/E.Y. Harburg
Far AwayCole Porter
Farewell To StoryvilleSpencer Williams
Fascinating RhythmGeorge Gershwin/Ira Gershwin
Fella With an UmbrellaIrving Berlin
Fine and DandyKay Swift/Paul James
Fine and MellowBillie Holiday
FireflyCy Coleman/Carolyn Leigh
Five Foot Two, Eyes Of BlueRay Henderson/Sam Lewis
Five OClock DragDuke Ellington/Harold Adamson
FlamingoTed Grouya/Ed Anderson
Fly Me To the MoonBart Howard
Foolin MyselfPeter Tinturin/Jack Lawrence
Fools Rush InRube Bloom/Johnny Mercer
For All We KnowJ. Fred Coots/Sam Lewis
For Every Man Theres a WomanHarold Arlen/Leo Robin
For Heavens SakeElise Bretton/Sherman Edwards/Donald Meyer
For You, For Me, For EvermoreGeorge Gershwin/Ira Gershwin
Forty-Second StreetHarry Warren/Al Dubin
Frim Fram SauceJoe Ricardel
From Alpha To OmegaCole Porter
From This Moment OnCole Porter
Fun To Be FooledHarold Arlen/E.Y. Harburg/Ira Gershwin
Gee Baby, Aint I Good To YouDon Redman/Andy Razaf
Georgia On My MindHoagy Carmichael/Stuart Gorrell
Get HappyHarold Arlen/Ted Koehler
Get Out Of TownCole Porter
Getting Some Fun Out Of LifeJoe Burke
Getting To Know YouRichard Rodgers/Oscar Hammerstein II
Glad To Be UnhappyRichard Rodgers/Lorenz Hart
God Bless the ChildBillie Holiday/Arthur Herzog Jr.
Golden EarringsVictor Young/Jay Livingston/Ray Evans
Gone With the WindAllie Wrubel/Herb Magidson
Good Morning HeartacheErvin Drake/Dan Fisher
GoodbyeGordon Jenkins
Got a Date With an AngelJack Waller/Clifford Grey
Guess Who I Saw TodayMurray Grand/Elisse Boyd

Taylor & Francis 2014

339

340

APPENDIX G

254.
255.
256.
257.
258.
259.
260.
261.
262.
263.
264.
265.
266.
267.
268.
269.
270.
271.
272.
273.
274.
275.
276.
277.
278.
279.
280.
281.
282.
283.
284.
285.
286.
287.
288.
289.
290.
291.
292.
293.
294.
295.
296.
297.
298.

GuiltyRichard Whiting/Harry Askst/Gus Kahn


Guys and DollsFrank Loesser
Happiness Is (Just) a Thing Called JoeHarold Arlen/E.Y. Harburg
Happy As the Day Is LongHarold Arlen/Ted Koehler
Happy With the BluesHarold Arlen/Peggy Lee
Harbor LightsHugh Williams/Jimmy Kennedy
Harlem NocturneEarle Hagen/Dick Rogers
Harlem On My MindIrving Berlin
Haunted HeartJohn Green/Howard Dietz
Have You Met Miss Jones?Richard Rodgers/Lorenz Hart
He Loves and She LovesGeorge Gershwin/Ira Gershwin
Heart and SoulHoagy Carmichael/Frank Loesser
Hello, Young LoversRichard Rodgers/Oscar Hammerstein II
Here In My ArmsRichard Rodgers/Lorenz Hart
Heres That Rainy DayJimmy Van Heusen/Johnny Burke
Hold Me, Thrill Me, Kiss MeHarry Noble
HomeHarry Clarkson/Peter van Steeden
Honeysuckle RoseFats Waller/Andy Razaf
How About Me?Irving Berlin
How About You?Burton Lane/Ralph Freed
How Are Things In Glocca Morra?Burton Lane/E.Y. Harburg
How Could You?Harry Warren/Al Dubin
How Deep Is the Ocean?Irving Berlin
How Do You Speak To an Angel?Jule Styne/Bob Hillard
How High the MoonMorgan Lewis/Nancy Hamilton
How Little We KnowPhillip Springer/Carolyn Leigh
How Long Has This Been Going On?George Gershwin/Ira Gershwin
How Many Times Do I Have To Tell YouJimmy McHugh/Harold Adams
How Soon Will I Be Seeing YouHenry Nicola Mancini/Al Stillman
Howdja Like To Love MeBurton Lane/Frank Loesser
I Aint Got Nobody-Spencer Williams/Roger Graham
I Am In LoveCole Porter
I Am LovedCole Porter
I Caint Say NoRichard Rodgers/Oscar Hammerstein II
I Can Dream, Cant I?Sammy Fain/Irving Kahal
I Cant Be BotheredGeorge Gershwin/Ira Gershwin
I Cant Believe That Youre In Love With MeJimmy McHugh/Clarence Gaskill
I Cant Get Started With YouVernon Duke/Ira Gershwin
I Cant Give You Anything But LoveJimmy McHugh/Dorothy Fields
I Cant RememberIrving Berlin
I Concentrate On YouCole Porter
I Could Make You CareSaul Chaplin/Sammy Cahn
I Could Write a BookRichard Rodgers/Lorenz Hart
I Couldnt Sleep a Wink Last NightJimmy McHugh/Harold Adamson
I Couldnt Stay Away From YouBen Raleigh/Bernie Wayne

Taylor & Francis 2014

999 STANDARD TUNES

299.
300.
301.
302.
303.
304.
305.
306.
307.
308.
309.
310.
311.
312.
313.
314.
315.
316.
317.
318.
319.
320.
321.
322.
323.
324.
325.
326.
327.
328.
329.
330.
331.
332.
333.
334.
335.
336.
337.
338.
339.
340.
341.
342.
343.

I Cover the WaterfrontJohn Green/Edward Heyman


I Cried For YouArthur Freed/Gus Arnheim/Abe Lyman
I Didnt Know About YouDuke Ellington/Bob Russell
I Didnt Know What Time It WasRichard Rodgers/Lorenz Hart
I Dont Know Enough About YouPeggy Lee/Dave Barbour
I Dont Know Why (Just Do)Fred E. Ahlert/Roy Turk
I Dont Stand a Ghost Of a ChanceVictor Young/Ned Washington
I Dont Want To Walk Without YouJule Styne/Frank Loesser
I Dream Of YouMarjorie Goetschius/Edna Osser
I Fall In Love Too EasilyJule Styne/Sammy Cahn
I Found a New BabySpencer Williams/Jack Palmer
I Get a Kick Out Of YouCole Porter
I Get Along Without You Very WellHoagy Carmichael
I Got It BadDuke Ellington/Paul Webster
I Got Lost In His ArmsIrving Berlin
I Got Plenty O NuttinGeorge Gershwin/Ira Gershwin
I Got RhythmGeorge Gershwin/Ira Gershwin
I Gotta Get Back To New YorkRichard Rodgers/Lorenz Hart
I Gotta Right To Sing the BluesHarold Arlen/Ted Koehler
I Guess Ill Hang My Tears Out To DryJule Styne/Sammy Cahn
I Guess Ill Have To Change My PlanArthur Schwartz/Howard Dietz
I Had the Craziest DreamHarry Warren/Mack Gordon
I Hadnt Anyone Till YouRay Noble
I Have DreamedRichard Rodgers/Oscar Hammerstein II
I Have the Feeling Ive Been Here BeforeRoger Kellaway/Alan Bergman
I Hear a RhapsodyDick Gasparre/Jack Baker/George Frajos
I Hear MusicFrank Loesser/Burton Lane
I Heard You Cried Last NightTed Grouya/Jerrie Kruger
I Just Found Out About LoveJimmy McHugh/Harold Adamson
I Know That You KnowVincent Youmans/Anne Caldwell
I Left My Heart In San FranciscoDouglas Cross/George Cory
I Let a Song Go Out Of My HeartDuke Ellington/Irving Mills
I Like the Likes Of YouVernon Duke/E.Y. Harburg
I Like To Recognize the TuneRichard Rodgers/Lorenz Hart
I Love a PianoIrving Berlin
I Love LucyEliot Daniel/Harold Adamson
I Love You Cole Porter
(I Love You) For Sentimental ReasonsWilliam Best/Deke Watson
I Loved You Once In SilenceFrederick Loewe/Alan Jay Lerner
I Loves You PorgyGeorge Gershwin/DuBose Heyward/Ira Gershwin
I Married an AngelRichard Rodgers/Lorenz Hart
I May Be Wrong But I Think Youre WonderfulHenry Sullivan/Harry Raskin
I Mean To SayGeorge Gershwin/Ira Gershwin
I Miss You SoJimmy Henderson/Bertha Scott/Sid Robin
I Must Have That ManJimmy McHugh/Dorothy Fields

Taylor & Francis 2014

341

342

APPENDIX G

344.
345.
346.
347.
348.
349.
350.
351.
352.
353.
354.
355.
356.
357.
358.
359.
360.
361.
362.
363.
364.
365.
366.
367.
368.
369.
370.
371.
372.
373.
374.
375.
376.
377.
378.
379.
380.
381.
382.
383.
384.
385.
386.
387.
388.

I Never Felt This Way BeforeDuke Ellington/Al Dubin


I Never KnewTed Fiorito/Gus Kahn
I Only Have Eyes For YouHarry Warren/Al Dubin
I Remember YouVictor Schertzinger/Johnny Mercer
I See Your Face Before MeArthur Schwartz/Howard Dietz
I Should CarePaul Weston/Axel Stordahl/Sammy Cahn
I Still Get JealousJule Styne/Sammy Cahn
I Still Look At You That WayArthur Schwartz/Howard Dietz
I Surrender DearHarry Barris/Gordon Clifford
I Thought About YouJimmy Van Heusen/Johnny Mercer
I Walk a Little FasterCy Coleman/Carolyn Leigh
I Walk With MusicHoagy Carmichael/Johnny Mercer
I Wanna Be AroundJohnny Mercer/Sadie Vimmerstedt
I Want a GirlWill Dillon/Harry Von Tilzer
I Want a Little GirlMurray Mencher/Billy Moll
I Want To Be HappyVincent Youmans/Irving Caesar
I Was Doing All RightGeorge Gershwin/Ira Gershwin
I Will Wait For YouMichel Legrand/Norman Gimbel
I Wish I Didnt Love You SoFrank Loesser
I Wish I KnewHarry Warren/Mack Gordon
I Wish I Were In Love AgainRichard Rodgers/Lorenz Hart
I Wish You LoveCharles Trenet
I Wished On the MoonRalph Rainger/Dorothy Parker
I Wont DanceJerome Kern/Oscar Hammerstein II/Dorothy Fields
Id Be Lost Without YouLionel Hampton/Tommy Southern
(Id Love To Spend) One Hour With YouWalter Donaldson/Bob Wright
Id Rather Be RightRichard Rodgers/Lorenz Hart
Id Rather CharlestonGeorge Gershwin/Desmond Carter
Ill Always Be In Love With YouBud Green/Herman Ruby
Ill Be AroundAlec Wilder
Ill Be Seeing YouSammy Fain/Irving Kahal
Ill Close My EyesBilly Reid/Buddy Kaye
Ill Get ByFred E. Ahlert/Roy Turk
Ill KnowFrank Loesser
Ill Never Be the SameMatty Malneck/Frank Signorelli/Gus Kahn
Ill Never Say Never Again AgainHarry Woods
Ill Never Smile AgainRuth Lowe
Ill Only Miss Her When I Think Of HerJames Van Heusen/Sammy Cahn
Ill Remember AprilDon Raye/Gene De Paul/Pat Johnston
Ill See You In My DreamsIsham Jones/Gus Kahn
Ill Take RomanceBen Oakland/Oscar Hammerstein II
Ill Walk AloneJule Styne/Sammy Cahn
Im a Dreamer (Arent We All)Ray Henderson/Buddy DeSylva
Im a Fool To Want YouFrank Sinatra/Jack Wolfe/Joel Herron
Im All SmilesMichael Leonard/Herbert Martin

Taylor & Francis 2014

999 STANDARD TUNES

389.
390.
391.
392.
393.
394.
395.
396.
397.
398.
399.
400.
401.
402.
403.
404.
405.
406.
407.
408.
409.
410.
411.
412.
413.
414.
415.
416.
417.
418.
419.
420.
421.
422.
423.
424.
425.
426.
427.
428.
429.
430.
431.
432.
433.

Im Beginning To Miss YouIrving Berlin


Im Beginning To See the LightHarry James/Duke Ellington/Johnny Hodges
Im Coming VirginiaDonald Heywood/Will Marion Cook
Im Confessin That I Love YouDoc Daugherty/Al J. Neiberg/Ellis Reynolds
Im Getting Sentimental Over YouGeorge Bassman/Ned Washington
Im Glad I Waited For YouJule Styne/Sammy Cahn
Im Glad There Is YouJimmy Dorsey/Paul Madeira
Im Gonna Laugh You Right Out Of My LifeCy Coleman/Joseph A. McCarthy
Im Gonna Lock My HeartJimmy Eaton/Terry Shand
Im Gonna Love That GuyFrances Ash
Im Gonna Sit Right Down and Write Myself a LetterFred E. Ahlert/Joe Young
Im In Love AgainCy Coleman/Peggy Lee
Im In the Mood For LoveJimmy McHugh/Dorothy Fields
Im Just a Lucky So-And-SoDuke Ellington/Mack David
Im Making Believe Its YouJames V. Monaco/Mack Gordon
Im Old FashionedJerome Kern/Johnny Mercer
Im Playing With FireIrving Berlin
Im Putting All My Eggs In One BasketIrving Berlin
Im Sitting On Top Of the WorldRay Henderson/Sam M. Lewis/Joe Young
Im So In Love With YouDuke Ellington/Irving Mills
Im Through With LoveMatt Malneck/Joseph Livingston/Gus Kahn
Im YoursJohnny Green/E.Y. Harburg
Ive Found a New BabyJack Palmer/Spencer Williams
Ive Got a Feeling Im FallingFats Waller/Harry Link
Ive Got a Pocketful Of DreamsJohnny Burke/James Monaco
Ive Got My Eyes On YouCole Porter
Ive Got My Fingers CrossedJimmy McHugh/Ted Koehler
Ive Got My Love To Keep Me WarmIrving Berlin
Ive Got the World On a StringHarold Arlen/Ted Koehler
Ive Got You Under My SkinCole Porter
Ive Got Your NumberCy Coleman/Carolyn Leigh
Ive Grown Accustomed To Her FaceFrederick Loewe/Alan Jay Lerner
Ive Heard That Song BeforeJule Styne/Sammy Cahn
Ive Never Been In Love BeforeFrank Loesser
Ive Told Evry Little StarJerome Kern/Oscar Hammerstein II
If Ever I Would Leave YouFrederick Loewe/Alan Jay Lerner
If I Could Be With You One Hour TonightJames P. Johnson/Henry Creamer
If I Didnt CareJack Lawrence
If I Had My WayJames Kendis/Lou Klein
If I Had YouJimmy Campbell/Reg Connelly
If I Knew ThenDick Jurgens
If I Loved YouRichard Rodgers/Oscar Hammerstein II
If I Ruled the WorldCyril Ornadel/Leslie Bricusse
If I Should Lose YouRalph Rainger/Leo Robin
If I Were a BellFrank Loesser

Taylor & Francis 2014

343

344

APPENDIX G

434.
435.
436.
437.
438.
439.
440.
441.
442.
443.
444.
445.
446.
447.
448.
449.
450.
451.
452.
453.
454.
455.
456.
457.
458.
459.
460.
461.
462.
463.
464.
465.
466.
467.
468.
469.
470.
471.
472.
473.
474.
475.
476.
477.
478.

If Its the Last Thing I DoSaul Chaplin/Sammy Cahn


If There Is Someone Lovelier Than YouArthur Schwartz/Howard Dietz
If You Could See Me NowTadd Dameron/Carl Sigman
Ill WindHarold Arlen/Ted Koehler
ImaginationJimmy Van Heusen/Johnny Burke
In a Sentimental MoodDuke Ellington/Manny Kurtz/Irving Mills
In Love In VainJerome Kern/Leo Robin
In the Blue Of EveningAlfonso A. DArtega/Tom Adair
In the Still Of the NightCole Porter
In the Wee Small Hours Of the MorningDavid Mann/Bob Hilliard
Incurably RomanticJames Van Heusen/Sammy Cahn
Indian SummerVictor Herbert/Al Dubin
IndianaJames F. Hanley/Ballard MacDonald
InvitationBronislaw Kaper/Paul Francis Webster
Isnt It a Pity?George Gershwin/Ira Gershwin
Isnt It Romantic?Richard Rodgers/Lorenz Hart
It All Depends On YouRay Henderson/B.G. DeSylva
It Amazes MeCy Coleman/Carolyn Leigh
It Could Happen To YouJimmy Van Heusen/Johnny Burke
It Doesnt Cost You Anything To DreamSigmund Romberg/Dorothy Fields
It Dont Mean a ThingDuke Ellington/Irving Mills
It Had To Be YouIsham Jones/Gus Kahn
It Isnt FairRichard Himber/Frank Warshauer
It Might As Well Be SpringRichard Rodgers/Oscar Hammerstein II
It Never Entered My MindRichard Rodgers/Lorenz Hart
It Never Was YouKurt Weill
It Only Happens When I Dance With YouIrving Berlin
Its a Blue WorldChet Forrest/Bob Wright
Its a Womans WorldCyril Mockridge/Sammy Cahn
Its All Right With MeCole Porter
Its Always YouJames Van Heusen/Johnny Burke
Its De-LovelyCole Porter
Its Easy To RememberRichard Rodgers/Lorenz Hart
Its Got To Be LoveRichard Rodgers/Lorenz Hart
Its MagicJule Styne/Sammy Cahn
Its Not For Me To SayRobert Allen/Al Stillman
Its Only a Paper MoonHarold Arlen/E.Y. Harburg
Its the Same Old DreamJule Styne/Sammy Cahn
Its the Talk Of the TownJerry Livingston/Marty Symes/Al Neiburg
Its You Or No OneJuly Styne/Sammy Cahn
IvyHoagy Carmichael
Jeepers CreepersHarry Warren/Johnny Mercer
Jersey BounceBobby Plater/Robert B. Wright
JimCeasar James Petrillo/Edward Ross/Nelson Shawn
JubileeHoagy Carmichael/Stanley Adams

Taylor & Francis 2014

999 STANDARD TUNES

479.
480.
481.
482.
483.
484.
485.
486.
487.
488.
489.
490.
491.
492.
493.
494.
495.
496.
497.
498.
499.
500.
501.
502.
503.
504.
505.
506.
507.
508.
509.
510.
511.
512.
513.
514.
515.
516.
517.
518.
519.
520.
521.
522.

Junk ManFrank Loesser/Joseph Meyer


Just For YouLeo Robin/Harry Warren
Just FriendsJohn Klenner/Sam M. Lewis
Just In TimeJule Styne/Betty Comden/Adolph Green
Just One More ChanceArthur Johnston/Sam Coslow
Just One Of Those ThingsCole Porter
Just Squeeze MeDuke Ellington/Les Gaines
Just You, Just MeJesse Greer/Raymond Klages
Keepin Out Of Mischief NowFats Waller/Andy Razaf
Kinda LonesomeHoagy Carmichael/Sam Coslow/Leo Robin
L-O-V-EBert Kaempfert/Milt Gabler
Lady Be GoodGeorge Gershwin/Ira Gershwin
Lady In BlueDuke Ellington/Irving Mills/Juan Tizol
Last Night When We Were YoungHarold Arlen/E.Y. Harburg
LauraDavid Raksin/Johnny Mercer
Lazy BonesHoagy Carmichael/Johnny Mercer
Let Me Be the First To KnowKirkland Leroy/Dinah Washington
Let Me Sing and Im HappyIrving Berlin
Let There Be LoveLionel Rand/Ian Grant
Let There Be YouDave Cavanaugh/Vicki Young
Let Yourself GoIrving Berlin
Lets Call the Whole Thing OffGeorge Gershwin/Ira Gershwin
Lets Do It (Lets Fall In Love)Cole Porter
Lets Face the Music and DanceIrving Berlin
Lets Fall In LoveHarold Arlen/Ted Koehler
Lets Get Away From It AllMatt Dennis/Tom Adair
Lets Get LostFrank Loesser/Jimmy McHugh
Lets Have Another Cup O CoffeeIrving Berlin
Lets Take a Walk Around the BlockHarold Arlen/E.Y. Harburg
Lets Take the Long Way HomeHarold Arlen/Johnny Mercer
Life Begins When Youre In LoveVictor Schertzinger/Andrew Acquarulo
Ackers
Like a Straw In the WindHarold Arlen/Ted Koehler
Like Someone In LoveJimmy Van Heusen/Johnny Burke
Little GirlFrancis Henry/Madeline Hyde
Little Girl BlueRichard Rodgers/Lorenz Hart
Little Man Youve Had a Busy DayMabel Wayne/Al Hoffman/Maurice Sigler
Little Things Mean a LotCarl Stutz/Edith Lindeman
Little White LiesWalter Donaldson
LizaGeorge Gershwin/Ira Gershwin
Long Ago and Far AwayJerome Kern/Ira Gershwin
Long Before I Knew YouJule Styne/Betty Comden
Look For the Silver LiningJerome Kern/Buddy DeSylva
Looking For a BoyGeorge Gershwin/Ira Gershwin
LoreleiGeorge Gershwin/Ira Gershwin

Taylor & Francis 2014

345

346

APPENDIX G

523.
524.
525.
526.
527.
528.
529.
530.
531.
532.
533.
534.
535.
536.
537.
538.
539.
540.
541.
542.
543.
544.
545.
546.
547.
548.
549.
550.
551.
552.
553.
554.
555.
556.
557.
558.
559.
560.
561.
562.
563.
564.
565.
566.
567.

Lost In MeditationDuke Ellington/Juan Tizol/Irving Mills


Lost In the StarsKurt Weill/Maxwell Anderson
Love For SaleCole Porter
Love Is a Many Splendored ThingSammy Fain/Paul Francis Webster
Love Is Here To StayGeorge Gershwin/Ira Gershwin
Love Is Just Around the CornerLewis E. Gensler/Leo Robin
Love Is Sweeping the CountryGeorge Gershwin/Ira Gershwin
Love Is the Sweetest ThingRay Noble
Love Isnt Born, Its MadeFrank Loesser/Arthur Schwartz
Love LettersVictor Young/Edward Heyman
Love Me Or Leave MeWalter Donaldson/Gus Kahn
Love Me TonightRichard Rodgers/Lorenz Hart
Love Walked InGeorge Gershwin/Ira Gershwin
Love You MadlyDuke Ellington/Luther L. Henderson, Jr.
Love (Your Spell Is Everywhere)Edmund Goulding/Elsie Janis
Lovelier Than EverFrank Loesser
LoverRichard Rodgers/Lorenz Hart
Lover, Come Back To MeSigmund Romberg/Oscar Hammerstein II
Lover ManJimmy Sherman/Roger Ramirez/Jimmy Davis
Lucky To Be MeLeonard Bernstein/Betty Comden/Adolph Green
Lullaby Of BirdlandGeorge Shearing/George David Weiss
Lullaby Of BroadwayHarry Warren/Al Dubin
Lullaby Of the LeavesBernice Petkere/Joe Young
Lulus Back In TownHarry Warren/Al Dubin
Lush LifeBilly Strayhorn
Mack the KnifeKurt Weill/Mark Blitzstein
Mad About the BoyNoel Coward
Make BelieveJerome Kern/Oscar Hammerstein II
Make Someone HappyJule Styne/Betty Comden/Adolph Green
Makin Whoopee!Walter Donaldson/Gus Kahn
ManhattanRichard Rodgers/Lorenz Hart
Manhattan SerenadeLouis Alter/Harold Adamson
MarieIrving Berlin
Maybe Its Because I Love You Too MuchIrving Berlin
Maybe Youll Be ThereRube Bloom/Sammy Gallop
Mean To MeRoy Turk/Fred E. Ahlert
Memories Of YouEubie Blake/Andy Razaf
Memphis BluesW.C. Handy
Memphis In JuneHoagy Carmichael/Paul Francis Webster
Midnight SunJohnny Mercer/Sonny Burke/Lionel Hampton
MineGeorge Gershwin/Ira Gershwin
Miss Brown To YouLeo Robin/Richard A. Whiting/Ralph Rainger
MistyErroll Garner/Johnny Burke
Moments Like ThisBurton Lane/Frank Loesser
Mona LisaJay Livingston/Ray Evans

Taylor & Francis 2014

999 STANDARD TUNES

568.
569.
570.
571.
572.
573.
574.
575.
576.
577.
578.
579.
580.
581.
582.
583.
584.
585.
586.
587.
588.
589.
590.
591.
592.
593.
594.
595.
596.
597.
598.
599.
600.
601.
602.
603.
604.
605.
606.
607.
608.
609.
610.
611.
612.

Mood IndigoDuke Ellington/Irving Mills/Albany Bigard


Moon and SandAlec Wilder/William Engvick
Moon LoveAndr Kostelanetz/Mack Davis
Moon RiverHenry Mancini/Johnny Mercer
Moon SongArthur Johnson/Sam Coslow
MoonglowEddie De Lange/Will Hudson/Irving Mills
Moonlight Becomes YouJimmy Van Heusen/Johnny Burke
Moonlight CocktailKim Gannon/Lucky Roberts
Moonlight In VermontKarl Suessdorf/John Blackburn
Moonlight In VersaillesGeorge Gershwin/Ira Gershwin
Moonlight LoveDomenico Savino
More Than I ShouldRichard M. Everitt/Laurence Stith
More Than You KnowVincent Youmans/William Rose
Most Gentlemen Dont Like LoveCole Porter
Mountain GreeneryRichard Rodgers/Lorenz Hart
My Baby Just Cares For MeWalter Donaldson/Gus Kahn
My Blue HeavenWalter Donaldson/George Whiting
My Fair LadyGeorge Gershwin/Ira Gershwin
My Favorite ThingsRichard Rodgers/Oscar Hammerstein II
My Foolish HeartVictor Young/Ned Washington
My Funny ValentineRichard Rodgers/Lorenz Hart
My Gal SalPaul Dresser
My Heart Belongs To DaddyCole Porter
My Heart Stood StillRichard Rodgers/Lorenz Hart
My Honeys Lovin ArmsJoseph Meyer/Herman Ruby
My IdealRichard A. Whiting/Leo Robin
My Kinda LoveLouis Alter/Jo Trent
My LadyGeorge Gershwin/Ira Gershwin
My Last AffairHaven S. Johnson
My Mans Gone NowGeorge Gershwin/DuBose Heyward/Ira Gershwin
My Monday DateEarl Hines/Sid Robin
My Mother Would Love YouCole Porter
My Old FlameSam Coslow/Arthur Johnston
My One and Only (What Am I Gonna Do)George Gershwin/Ira Gershwin
My One and Only LoveGuy Wood/Robert Mellin
My ReverieLarry Clinton/Bea Wain
My RomanceRichard Rodgers/Lorenz Hart
My Shining HourHarold Arlen/Johnny Mercer
My ShipKurt Weill/Ira Gershwin
My Silent LoveDana Suesse/Edward Heyman
My SweetPeter Mendoza
Namely YouG. De Paul/Johnny Mercer
Nancy (With the Laughing Face)James Van Heusen/Phil Silvers
Nashville NightingaleGeorge Gershwin/Ira Gershwin
Nature BoyEden Ahbez

Taylor & Francis 2014

347

348

APPENDIX G

613.
614.
615.
616.
617.
618.
619.
620.
621.
622.
623.
624.
625.
626.
627.
628.
629.
630.
631.
632.
633.
634.
635.
636.
637.
638.
639.
640.
641.
642.
643.
644.
645.
646.
647.
648.
649.
650.
651.
652.
653.
654.
655.
656.
657.

NecessityBurton Lane/E.Y. Harburg


Never Let Me GoJay Livingston/Ray Evans
Never Never LandJule Styne/Betty Comden
Never Will I MarryFrank Loesser
NeverthelessHarry Ruby/Bert Kalmar
Nice n EasyLew Spence/Alan Bergman
Nice Work If You Can Get ItGeorge Gershwin/Ira Gershwin
Night and DayCole Porter
No Moon At AllDave Mann/Reed Evans
No Other LoveRichard Rodgers/Oscar Hammerstein II
Nobody Else But MeJerome Kern/Oscar Hammerstein II
Nobodys HeartRichard Rodgers/Lorenz Hart
Now That Youre GoneTed Fiorito/Gus Kahn
Of Thee I SingGeorge Gershwin/Ira Gershwin
Oh! Look At Me NowJoe Bushkin/John DeVries
Oh! You Crazy MoonJimmy Van Heusen/Johnny Burke
Ol Man RiverJerome Kern/Oscar Hammerstein II
(Ol) Rockin ChairHoagy Carmichal
Old Devil MoonBurton Lane/E.Y. Harburg
Old FolksWillard Robison/Dedette Lee Hill
Old Man MoonHoagy Carmichael
Old Music MasterHoagy Carmichael/Johnny Mercer
On a Clear Day You Can See ForeverBurton Lane/Alan Jay Lerner
On a Slow Boat To ChinaFrank Loesser
On Green Dolphin StreetBronislaw Kaper/Ned Washington
On the Sentimental SideJohnny Burke/James Monaco
(On the) Street Of DreamsVictor Young/Sam F. Lewis
On the Street Where You LiveFrederick Loewe/Alan Jay Lerner
On the Sunny Side Of the StreetJimmy McHugh/Dorothy Fields
Once In a WhileMichael Edwards/Bud Green
Once In Love With AmyFrank Loesser
Once You Lose Your HeartNoel Gay
Only the LonelyJames Van Heusen/Sammy Cahn
Only Trust Your HeartSammy Cahn/Benny Carter
Open CountryBob Brookmeyer/Jane Feather
Out Of This WorldHarold Arlen/Johnny Mercer
Over the RainbowHarold Arlen/E.Y. Harburg
P.S. I Love YouGordon Jenkins
Pennies From HeavenArthur Johnson/John Burke
Penthouse SerenadeVal Burton/Will Jason
PeopleJule Styne/Bob Merrill
People Will Say Were In LoveRichard Rodgers/Oscar Hammerstein II
PerdidoDuke Ellington/Juan Tizol
PersonalityJohnny Mercer
Pick Yourself UpJerome Kern/Dorothy Fields

Taylor & Francis 2014

999 STANDARD TUNES

658.
659.
660.
661.
662.
663.
664.
665.
666.
667.
668.
669.
670.
671.
672.
673.
674.
675.
676.
677.
678.
679.
680.
681.
682.
683.
684.
685.
686.
687.
688.
689.
690.
691.
692.
693.
694.
695.
696.
697.
698.
699.
700.
701.

Please Be KindSaul Chaplin/Sammy Cahn


Please Dont Talk About Me When Im GoneSidney Clare/Sam H. Stept/
Bee Palmer
Please Forgive MeDuke Ellington/Irving Mills/Irving Gordon
Please Send Me Someone To LovePercy Mayfield
Pocketful Of MiraclesJames Van Heusen/Sammy Cahn
Polka Dots and MoonbeamsJimmy Van Heusen/Johnny Burke
Poor ButterflyRaymond Hubbell/John L. Golden
Prelude To a KissDuke Ellington/Irving Mills/Irving Gordon
Prisoner Of LoveRuss Columbo/Leo Robin
Put On a Happy faceCharles Strouse/Lee Adams
Puttin On the RitzIrving Berlin
Rain On the RoofAnn Ronnell
Red Sails In the SunsetHugh Williams/Jimmy Kennedy
RememberIrving Berlin
Remind MeJerome Kern/Dorothy Fields
Rhythm In My Nursery RhymesJimmie Lunceford/Sammy Cahn
Romance In the DarkSam Coslow
Rose Of Washington SquareJames Hanley/Ballard MacDonald
Rose RoomArt Hickman/Harry Williams
Roses Of PicardyHaydn Wood/Fred E. Weatherly
Roses Of YesterdayIrving Berlin
RosettaEarl Hines/Henri Wood
Royal Garden BluesClarence and Spencer Williams
RubyMitchell Parish/Heinz Roemheld
Runnin WildA.H. Gibbs/Joe Grey/Leo Wood
Russian LullabyIrving Berlin
S WonderfulGeorge Gershwin/Ira Gershwin
SanWalther Michels/Lindsay McPhail
Satin DollDuke Ellington/Billy Strayhorn
Saturday Night Is the Loneliest Night Of the WeekJule Styne/Sammy Cahn
Say It Isnt SoIrving Berlin
Say It Over and Over AgainFrank Loesser/Jimmy McHugh
Say It With MusicIrving Berlin
Secret LoveSammy Fain/Paul Webster
Sentimental JourneyBud Green/Lew Brown/Ben Homer
Sentimental MeRichard Rodgers/Lorenz Hart
September In the RainHarry Warren/Al Dubin
September SongKurt Weill/Maxwell Anderson
Serenade In BlueHarry Warren/Mack Gordon
Shaking the Blues AwayIrving Berlin
Shall We DanceGeorge Gershwin/Ira Gershwin
ShineFord Dabney/Cecil Mack/Lew Brown
Should I Tell You I Love YouCole Porter
Since I Feel For YouBuddy Johnson

Taylor & Francis 2014

349

350

APPENDIX G

702.
703.
704.
705.
706.
707.
708.
709.
710.
711.
712.
713.
714.
715.
716.
717.
718.
719.
720.
721.
722.
723.
724.
725.
726.
727.
728.
729.
730.
731.
732.
733.
734.
735.
736.
737.
738.
739.
740.
741.
742.
743.
744.
745.
746.

Sing For Your SupperRichard Rodgers/Lorenz Hart


Singin the Blues Till My Daddy Comes HomeCon Conrad/Sam Lewis
SkylarkHoagy Carmichael/Johnny Mercer
Slap That BassGeorge Gershwin/Ira Gershwin
Slow Hot WindHenry Mancini/Norman Gimbel
Slumming On Park AvenueIrving Berlin
Small FryHoagy Carmichael/Frank Loesser
Small TalkRichard Adler/Jerry Ross
Small WorldJule Styne/Stephen Sondheim
SmileCharles Chaplin
Smoke Gets In Your EyesJerome Kern/Otto Harbach
So In Love (Am I)Cole Porter
So Long, Big TimeHarold Arlen/Dory Langdon
So Near and Yet So FarCole Porter
Social CallGigi Gryce/Jon Hendricks
Soft Summer BreezeEddie Heywood
Softly As I Leave YouA. deVita/Hal Shaper
Softly, As In a Morning SunriseSigmund Romberg/Oscar Hammerstein II
SolitudeDuke Ellington/Irving Mills/Eddie DeLange
Some Of These DaysShelton Brooks
Some Other SpringIrene Kitchings/Arthur Herzog Jr.
Some Other TimeLeonard Bernstein/Betty Comden/Adolph Green
Somebody Loves MeGeorge Gershwin/B.G. DeSylva
Somebody, SomewhereFrank Loesser
Someday My Prince Will ComeFrank Churchill/Larry Morey
Someday (Youll Want Me To Want You)Jimmie Hodges
Someday, SweetheartJohn and Red Spikes
Someday, Youll Be SorryLouis Armstrong
Someone Nice Like YouAnthony Newley/Leslie Bricusse
Someone To Watch Over MeGeorge Gershwin/Ira Gershwin
Something I Dreamed Last NightSammy Fain/Herbert Magidson/Jack Yellen
Something To Live ForDuke Ellington/Billy Strayhorn
Something WonderfulRichard Rodgers/Oscar Hammerstein II
Somethings Gotta GiveJohnny Mercer
Sometimes Im HappyIrving Caesar
Somewhere Along the WayKurt Adams/Sammy Gallop
Sonny BoyRay Henderson/Al Jolson/B. DeSylva
SoonGeorge Gershwin/Ira Gershwin
Sophisticated LadyDuke Ellington/Irving Mills/Mitchell Parish
Speak LowKurt Weill/Ogden Nash
Spreadin Rhythm AroundTed Koehler/Jimmy McHugh
Spring Can Really Hang You Up the MostTommy Wolf/Fran Landesman
Spring Is HereRichard Rodgers/Lorenz Hart
Spring Will Be a Little Late This YearFrank Loesser
Squeeze MeFats Waller/Clarence Williams

Taylor & Francis 2014

999 STANDARD TUNES

747.
748.
749.
750.
751.
752.
753.
754.
755.
756.
757.
758.
759.
760.
761.
762.
763.
764.
765.
766.
767.
768.
769.
770.
771.
772.
773.
774.
775.
776.
777.
778.
779.
780.
781.
782.
783.
784.
785.
786.
787.
788.
789.
790.
791.

St. Louis BluesW.C. Handy


Stairway To the StarsMatt Malneck/Mitchell Parish
Star DustHoagy Carmichael/Mitchell Parish
Star EyesDon Raye/Gene dePaul
Stars Fell On AlabamaFrank Perkins/Mitchell Parish
Stella By StarlightVictor Young/Ned Washington
Stiff Upper LipGeorge Gershwin/Ira Gershwin
Stompin At the SavoyBenny Goodman/Andy Razaf/Chick Webb
Stormy WeatherHarold Arlen/Ted Koehler
Straight Down the MiddleJames Van Heusen/Sammy Cahn
Stranger In ParadiseGeorge Forrest/Robert Wright
Suddenly Its SpringJimmy Van Heusen/Johnny Burke
SugarMaceo Pinkard/Edna Alexander
Summer NightHarry Warren/Al Dubin
Summer WindHenry Mayer/Johnny Mercer
SummertimeGeorge Gershwin/DuBose Heyward/Ira Gershwin
Sun ShowersArthur Freed/Nacio Herb Brown
SundayJule Styne/Chester Cohn
Supper TimeIrving Berlin
Sure ThingJerome Kern/Ira Gershwin
SwaneeGeorge Gershwin/Irving Ceasar
Sweet and Low-DownGeorge Gershwin/Ira Gershwin
Sweet and LovelyHarry Tobias/Gus Arnheim
Sweet Georgia BrownBen Bernie/Maceo Pinkard
Sweet LorraineCliff Burwell/Mitchell Parish
Sweet Sue, Just YouVictor Young/Will J. Harris
Taint Nobodys Business If I DoPorter Granger/Everett Robins
Taint What You DoSy Oliver/James Young
Take the A TrainDuke Ellington/Billy Strayhorn
Taking a Chance On LoveVernon Duke/John La Touche
TangerineVictor Schertzinger/Johnny Mercer
Tea For TwoVincent Youmans/Irving Caesar
Teach Me TonightGene DePaul/Sammy Cahn
TenderlyWalter Gross/Jack Lawrence
ThanksArthur Johnson/Sam Coslow
Thanks For the MemoryRalph Rainger/Leo Robin
That Certain FeelingGeorge Gershwin/Ira Gershwin
That Great Come and Get It DayBurton Lane/E.Y. Harburg
That Old FeelingSammy Fain/Lew Brown
That Sunday (That Summer)Joe Sherman/George David Weiss
Thats AllBob Haymes/Alan Brandt
Thats Life I GuessPeter DeRose/Lewis
The Ballad Of the Sad Young MenTommy Wolf/Fran Landsman
The Best Of EverythingAlfred Newman/Sammy Cahn
The Best Thing For YouIrving Berlin

Taylor & Francis 2014

351

352

APPENDIX G

792.
793.
794.
795.
796.
797.
798.
799.
800.
801.
802.
803.
804.
805.
806.
807.
808.
809.
810.
811.
812.
813.
814.
815.
816.
817.
818.
819.
820.
821.
822.
823.
824.
825.
826.
827.
828.
829.
830.
831.
832.
833.
834.
835.
836.

The Birth Of the BluesRay Henderson/Buddy G. DeSylva


The Brooklyn BridgeJule Styne/Sammy Cahn
The Brown Skin Gal In the Calico GownDuke Ellington/Paul Webster
The CharlestonJames P. Johnson
The Charm Of YouJule Styne/Sammy Cahn
The ContinentalCon Conrad/Herb Magidson
The End Of a Love AffairEdward C. Redding
The Folks Who Live On the HillJerome Kern/Oscar Hammerstein II
The Girl FriendRichard Rodgers/Lorenz Hart
The Glory Of LoveBilly Hill
The Good LifeJack Reardon/Sacha Distel
The Impatient YearsJames Van Heusen/Sammy Cahn
The Joint Is JumpinFats Waller/Andy Razaf
The Lady Is a TrampRichard Rodgers/Lorenz Hart
The Ladys In Love With YouFrank Loesser/Burton Lane
The Lamp Is LowPeter DeRose/Bert Shefter/Mitchell Parish
The Love I Long ForVernon Duke/Howard Dietz
The Man I LoveGeorge Gershwin/Ira Gershwin
The Man That Got AwayHarold Arlen/Ira Gershwin
The Masquerade Is OverAllie Wrubel/Herb Magidson
The Meaning Of the BluesBobby Worth/Bobby Troup
The Mood That Im InAl Sherman/Abner Gordon
The More I See YouHarry Warren/Mack Gordon
The Most Beautiful Girl In the WorldRichard Rodgers/Lorenz Hart
The Nearness Of YouHoagy Carmichael/Ned Washington
The Night Has a Thousand EyesBenjamin Weisman/Dorothy Wayne
The Night We Called It a DayTom Adair/Matt Dennis
The Partys OverJule Styne/Betty Comden/Adolph Green
The Second Time AroundJames Van Heusen/Sammy Cahn
The Shadow Of Your SmileJohnny Mandel/Paul Francis Webster
The Sheik Of ArabyTed Snyder
The Song Is EndedIrving Berlin
The Song Is YouJerome Kern/Oscar Hammerstein II
The Summer KnowsMichel Legrand/Alan Bergman
The Surrey With the Fringe On TopRichard Rodgers/Oscar Hammerstein II
The Tender TrapJames Van Heusen/Sammy Cahn
The Things We Did Last SummerJule Styne/Sammy Cahn
The Touch Of Your LipsRay Noble
The Very Thought Of YouRay Noble
The Way You Look TonightJerome Kern/Dorothy Fields
The Wonder Of YouDuke Ellington/Johnny Hodges
Them There EyesMaceo Pinkard/William Tracy/Doris Tauber
Then Ill Be Tired Of YouArthur Schwartz/E.Y. Harburg
Then Youve Never Been BlueVictor Young/Ted Fiorito
There Are Such ThingsStanley Adams/Johnny Mercer

Taylor & Francis 2014

999 STANDARD TUNES

837.
838.
839.
840.
841.
842.
843.
844.
845.
846.
847.
848.
849.
850.
851.
852.
853.
854.
855.
856.
857.
858.
859.
860.
861.
862.
863.
864.
865.
866.
867.
868.
869.
870.
871.
872.
873.
874.
875.
876.
877.
878.
879.
880.
881.

There Goes My HeartBenny Davis/Abner Silver


There Goes That Song AgainJule Styne/Sammy Cahn
There I Go Dreaming AgainRay Henderson/Lew Brown
There Is No Greater LoveIsham Jones/Marty Symes
There Will Be Some Changes MadeBenton Overstreet/Billy Higgins
There Will Never Be Another YouHarry Warren/Mack Gordon
There, Ive Said It AgainRedd Evans/David Mann
Theres a Small HotelRichard Rodgers/Lorenz Hart
Theres No YouHal Hopper/Tom Adair
These Foolish ThingsJack Strachey/Harry Link/Holt Marvell
They All LaughedGeorge Gershwin/Ira Gershwin
They Cant Take That Away From MeGeorge Gershwin/Ira Gershwin
They Didnt Believe MeJerome Kern/Herbert Reynolds
They Say Its WonderfulIrving Berlin
Things Are Looking UpGeorge Gershwin/Ira Gershwin
Thinking Of YouHarry Ruby/Bert Kalmar
This Cant Be LoveRichard Rodgers/Lorenz Hart
This Funny WorldRichard Rodgers/Oscar Hammerstein II
This Heart Of MineHarry Warren/Arthur Freed
This Is AlwaysHarry Warren/Mack Gordon
This Is NewKurt Weill/Ira Gershwin
This Love Of MineSol Parker/Frank Sinatra
This Nearly Was MineRichard Rodgers/Oscar Hammerstein II
This Time the Dreams On MeHarold Arlen/Johnny Mercer
This Years KissesIrving Berlin
Thoroughly Modern MillieJames Van Heusen/Sammy Cahn
Thou SwellRichard Rodgers/Lorenz Hart
Three Coins In the FountainJule Style/Sammy Cahn
Three Little WordsHarry Ruby/Bert Kalmar
Till There Was YouMeredith Wilson
Time After TimeJule Styne/Sammy Cahn
Time On My HandsVincent Youmans/Harold Adamson
Tin Roof BluesPaul Mares/Ben Pollack
Tis AutumnHenry Nemo
Tishomingo BluesSpencer Williams
To Each His OwnJay Livingston/Ray Evans
To Keep My Love AliveRichard Rodgers/Lorenz Hart
To Love and Be LovedJames Van Heusen/Sammy Cahn
Together Whenever We GoStephen Sondheim/Jule Styne
Too Close For ComfortGeorge Weiss/Larry Holofcener/Jerry Bock
Too Late NowBurton Lane/Allan Jay Lerner
Too Marvelous For WordsRichard A. Whiting/Johnny Mercer
Too Young To Go SteadilyHarold Adamson/Jimmy McHugh
Travlin LightJimmy Mundy/Johnny Mercer
Trouble Is a ManAlec Wilder

Taylor & Francis 2014

353

354

APPENDIX G

882.
883.
884.
885.
886.
887.
888.
889.
890.
891.
892.
893.
894.
895.
896.
897.
898.
899.
900.
901.
902.
903.
904.
905.
906.
907.
908.
909.
910.
911.
912.
913.
914.
915.
916.
917.
918.
919.
920.
921.
922.
923.
924.
925.

Tuxedo JunctionErskine Hawkins/Buddy Feyne


Twilight TimeMorty Nevins/Buck Ram
Twilight WorldMarian McPartland/Johnny Mercer
Two For the RoadHenry Mancini/Leslie Bricusse
Two Sleepy PeopleHoagy Carmichael/Frank Loesser
UndecidedCharlie Shavers/Sid Robin
Under a Blanket Of BlueJerry Livingston/Marty Symes
UnforgettableIrving Gorgon
Until the Real Thing Comes AlongMann Holiner/Alberta Nichols/Sammy
Cahn
(Up a) Lazy RiverHoagy Carmichael/Sidney Arodin
Up With the LarkJerome Kern/Leo Robin
Violets For Your FursMatt Dennis/Tom Adair
Wait Till You See HerRichard Rodgers/Lorenz Hart
Waiting For the Sun To Come OutGeorge Gershwin/Ira Gershwin
Walkin My Baby Back HomeFred Ahlert/Roy Turk
Walking HappyJames Van Heusen/Sammy Cahn
Warm ValleyDuke Ellington/Bob Russell
Was That the Human Thing To Do?Victor Young/Sammy Fain
Watch What HappensMichel Legrand/Norman Gimbel
Way Down Yonder In New OrleansHenry Creamer/John Turner Layton
We Kiss In a ShadowRichard Rodgers/Oscar Hammerstein II
We Mustnt Say GoodbyeJames Monaco/Al Dubin
Well Be Together AgainCarl Fischer/Frankie Laine
Well Go Away TogetherKurt Weill
What a Difference a Day MadeMaria Grever/Stanley Adams
What Am I To Do?Cole Porter
What Can I Say After Im SorryWalter Donaldson/Abe Lyman
What Did I Have That I Dont Have?Burton Lane/Allan Jay Lerner
What Good Would the Moon Be?Kurt Weill/Langston Hughes
What Is There To Say?Vernon Duke/E.Y. Harburg
What Is This Thing Called Love?Cole Porter
What Kind Of Fool Am I?Anthony Newley/Leslie Bricusse
Whatll I Do?Irving Berlin
Whats Good About Goodbye?Harold Arlen/Leo Robin
Whats New?Bob Haggart/Johnny Burke
When Did I Fall In LoveJerry Bock/Sheldon Harnick
When I Fall In LoveVictor Young/Edward Heyman
When I Get Low I Get HighMarion Sunshine
When I Grow Too Old To DreamSigmund Romberg/Oscar Hammerstein II
When I Lost YouIrving Berlin
When In RomeCy Coleman/Carolyn Leigh
When the Lights Are LowBenny Carter/Spencer Williams
When Somebody Thinks Youre WonderfulHarry Woods
When Sunny Gets BlueMarvin Fisher/Jack Segal

Taylor & Francis 2014

999 STANDARD TUNES

926.
927.
928.
929.
930.
931.
932.
933.
934.
935.
936.
937.
938.
939.
940.
941.
942.
943.
944.
945.
946.
947.
948.
949.
950.
951.
952.
953.
954.
955.
956.
957.
958.
959.
960.
961.
962.
963.
964.
965.
966.
967.
968.
969.
970.

When the Sun Comes OutHarold Arlen/Ted Koehler


When the Wind Blows SouthHarold Arlen/E.Y. Harburg
When Youre SmilingLarry Shay/Mark Fisher
When Your Lover Has GoneE.A. Swan
Where Are You?Jimmy McHugh/Harold Adamson
(Where Are You) Now That I Need YouFrank Loesser
Where Do I Go From Here?Jerry Block/Sheldon Harnick
Where Is Love?Lionel Bart
Where Or WhenRichard Rodgers/Lorenz Hart
Wheres That Rainbow?Richard Rodgers/Lorenz Hart
While We Were YoungAlec Wilder
WhisperingVincent Rose/John Schonberger/Richard Coburn
Who Are You?Richard Rodgers/Lorenz Hart
Who Can I Turn To?Leslie Bricusse/Anthony Newley
Who Cares?George Gershwin/Ira Gershwin
Whos Sorry Now?Ted Snyder/Bert Kalmar/Harry Ruby
Why Cant I?Richard Rodgers/Lorenz Hart
Why Cant You Behave?Cole Porter
Why Did I Choose You?Michael Leonard/Herbert Martin
Why Do I Love You?George Gershwin/Ira Gershwin
Why Try To Change Me Now?Cy Coleman/Joseph McCarthy
Why Was I Born?Jerome Kern/Oscar Hammerstein II
Wild Is the WindDmitri Tiomkin/Ned Washington
Will You Still Be Mine?Matt Dennis/Tom Adair
Willow Weep For MeAnn Ronell
WitchcraftCy Coleman/Carolyn Leigh
With a Song In My HeartRichard Rodgers/Lorenz Hart
Without a SongVincent Youmans/William Rose/Edward Eliscu
Wonder WhyNicholas Brodszky/Sammy Cahn
Would I Love YouHarold Spina/Bob Russell
Wouldnt It Be Loverly?Frederick Loewe/Alan Jay Lerner
Wrap Your Troubles In DreamsHarry Barris/Ted Koehler/Billy Moll
YesterdaysJerome Kern/Otto Harbach
You and the Night and the MusicArthur Schwartz/Howard Dietz
You Are BeautifulRichard Rodgers/Oscar Hammerstein II
You Are Too BeautifulRichard Rodgers/Lorenz Hart
You Brought a New Kind Of Love To MeSammy Fain/Irving Kahal
You Call It MadnessPaul Gregory/Russ Columbo/Gladys DuBois
(You Came Along From) Out Of NowhereJohnny Green/Edward Heyman
You Can Depend On MeEarl Hines/Louis Dunlap
You Do Something To MeCole Porter
You Dont Know What Love IsGene DePaul/Don Raye
You Dont Remind MeCole Porter
You Go To My HeadJ. Fred Coots/Haven Gillespie
You Hit the SpotHarry Revel/Mack Gordon

Taylor & Francis 2014

355

356

APPENDIX G

971.
972.
973.
974.
975.
976.
977.
978.
979.
980.
981.
982.
983.
984.
985.
986.
987.
988.
989.
990.
991.
992.
993.
994.
995.
996.
997.
998.
999.

You Keep Coming Back Like a SongIrving Berlin


You Make Me Feel So YoungJosef Myrow/Mack Gordon
You Must Believe In SpringMichel Legrand/Marilyn Bergman
You Stepped Out Of a DreamNacio Herb Brown/Gus Kahn
You Took Advantage Of MeRichard Rodgers/Lorenz Hart
You Turned the Tables On MeLouis Alter/Sidney D. Mitchell
You Were Never LovelierJerome Kern/Johnny Mercer
Youd Be So Nice To Come Home ToCole Porter
Youll Never KnowHarry Warren/Mack Gordon
Youre All the World To MeBurton Lane/Allan Jay Lerner
Youre Driving Me Crazy!Walter Donaldson
Youre Getting To Be a Habit With MeHarry Warren/Al Dubin
Youre My EverythingHarry Warren/Mort Dixon/Joe Young
Youre My GirlJule Styne/Sammy Cahn
Youre My ThrillJay Gorney/Sidney Clare
Youre NearerRichard Rodgers/Lorenz Hart
Youre Nobody Til Somebody Loves YouJams Cavanaugh/Russ Morgan
Youre Not the KindWill Hudson/Irving Mills
Youre SensationalCole Porter
Youre the Cream In My CoffeeRay Henderson/B.G. DeSylva
Youre the Cure For What Ails MeHarold Arlen/E.Y. Harburg
Youre the TopCole Porter
Youve ChangedCarl Fisher/Bill Carey
Youve Come HomeCy Coleman/Carolyn Leigh
Youve Got What Gets MeGeorge Gershwin/Ira Gershwin
Young and FoolishAlbert Hague/Arnold B. Horwitt
Young At HeartJohnny Richards/Carolyn Leigh
Young LoveErroll Garner
Younger Than SpringtimeRichard Rodgers/Oscar Hammerstein II

Taylor & Francis 2014

Appendix H
200 Essential Standard Tunes That
You Should Know

1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
21.
22.
23.
24.
25.
26.
27.
28.
29.
30.

A Foggy DayGeorge Gershwin/Ira Gershwin


A Weaver Of DreamsVictor Young/Jack Elliott
After Youve GoneTurner Layton/Henry Creamer
Aint MisbehavinFats Waller/Andy Razaf
All Of MeGerald Marks/Seymour Simons
All Of YouCole Porter
All the Things You AreJerome Kern/Oscar Hammerstein II
Almost Like Being In LoveFrederick Lowe/Alan Jay Lerner
Alone TogetherArthur Schwartz/Howard Dietz
Angel EyesMatt Dennis/Earl Brent
April In ParisVernon Duke/E.Y. Harburg
Autumn In New YorkVernon Duke
Autumn LeavesJoseph Kosma/Johnny Mercer
Basin Street BluesSpencer Williams
Between the Devil and the Deep Blue SeaHarold Arlen/Ted Koehler
Blame It On My YouthOscar Levant/Edward Heyman
Body and SoulJohnny Green/Edward Heyman
But BeautifulJimmy Van Heusen/Johnny Burke
But Not For MeGeorge Gershwin/Ira Gershwin
Bye Bye BlackbirdRay Henderson/Mort Dixon
CaravanJuan Tizol/Duke Ellington
CherokeeRay Noble
Come Rain Or Come ShineHarold Arlen/Johnny Mercer
Dancing In the DarkArthur Schwartz/Howard Dietz
Dancing On the CeilingRichard Rodgers/Lorenz Hart
Darn That DreamJimmy Van Heusen/Eddie DeLange
Day By DayPaul Weston/Axel Stordahl/Sammy Cahn
Days Of Wine and RosesHenry Mancini/Johnny Mercer
Do Nothin Till You Hear From MeDuke Ellington/Bob Russell
Dont Blame MeJimmy McHugh/Dorothy Fields

Taylor & Francis 2014

358

APPENDIX H

31.
32.
33.
34.
35.
36.
37.
38.
39.
40.
41.
42.
43.
44.
45.
46.
47.
48.
49.
50.
51.
52.
53.
54.
55.
56.
57.
58.
59.
60.
61.
62.
63.
64.
65.
66.
67.
68.
69.
70.
71.
72.
73.
74.
75.

Dont Get Around Much AnymoreDuke Ellington/Bob Russell


Dream DancingCole Porter
East Of the Sun and West Of the MoonBrooks Bowman
Easy LivingRalph Rainger/Leo Robin
Easy To LoveCole Porter
Embraceable YouGeorge Gershwin/Ira Gershwin
EmilyJohnny Mandel/Johnny Mercer
Evry Time We Say GoodbyeCole Porter
Everything Happens To MeMatt Dennis/Tom Adair
Everything I LoveCole Porter
Exactly Like YouJimmy McHugh/Dorothy Fields
Falling In Love With LoveRichard Rodgers/Lorenz Hart
Fly Me To the MoonBart Howard
For All We KnowJ. Fred Coots/Sam Lewis
From This Moment OnCole Porter
Georgia On My MindHoagy Carmichael/Stuart Gorrell
Get Out Of TownCole Porter
God Bless the ChildBillie Holiday/Arthur Herzog Jr.
Gone With the WindAllie Wrubel/Herb Magidson
Haunted HeartJohn Green/Howard Dietz
Have You Met Miss Jones?Richard Rodgers/Lorenz Hart
Heart and SoulHoagy Carmichael/Frank Loesser
Heres That Rainy DayJimmy Van Heusen/Johnny Burke
Honeysuckle RoseFats Waller/Andy Razaf
How About You?Burton Lane/Ralph Freed
How Deep Is the Ocean?Irving Berlin
How High the MoonMorgan Lewis/Nancy Hamilton
How Long Has This Been Going On?George Gershwin/Ira Gershwin
I Cant Get Started With YouVernon Duke/Ira Gershwin
I Concentrate On YouCole Porter
I Could Write a BookRichard Rodgers/Lorenz Hart
I Didnt Know What Time It WasRichard Rodgers/Lorenz Hart
I Dont Stand a Ghost Of a ChanceVictor Young/Ned Washington
I Fall In Love Too EasilyJule Styne/Sammy Cahn
I Get a Kick Out Of YouCole Porter
I Got It BadDuke Ellington/Paul Webster
I Got RhythmGeorge Gershwin/Ira Gershwin
I Hear a RhapsodyDick Gasparre/Jack Baker/George Frajos
I Love You Cole Porter
I Loves You PorgyGeorge Gershwin/DuBose Heyward/Ira Gershwin
I Never KnewTed Fiorito/Gus Kahn
I Remember YouVictor Schertzinger/Johnny Mercer
I Should CarePaul Weston/Axel Stordahl/Sammy Cahn
I Thought About YouJimmy Van Heusen/Johnny Mercer
Ill Be AroundAlec Wilder

Taylor & Francis 2014

200 ESSENTIAL STANDARD TUNES

76.
77.
78.
79.
80.
81.
82.
83.
84.
85.
86.
87.
88.
89.
90.
91.
92.
93.
94.
95.
96.
97.
98.
99.
100.
101.
102.
103.
104.
105.
106.
107.
108.
109.
110.
111.
112.
113.
114.
115.
116.
117.
118.
119.
120.

Ill Be Seeing YouSammy Fain/Irving Kahal


Ill Remember AprilDon Raye/Gene De Paul/Pat Johnson
Ill Take RomanceBen Oakland/Oscar Hammerstein II
Im Getting Sentimental Over YouGeorge Bassman/Ned Washington
Im Old FashionedJerome Kern/Johnny Mercer
Ive Got the World On a StringHarold Arlen/Ted Koehler
Ive Got You Under My SkinCole Porter
Ive Grown Accustomed To Her FaceFrederick Loewe/Alan Jay Lerner
Ive Never Been In Love BeforeFrank Loesser
If I Should Lose YouRalph Rainger/Leo Robin
If I Were a BellFrank Loesser
If You Could See Me NowTadd Dameron/Carl Sigman
ImaginationJimmy Van Heusen/Johnny Burke
In a Sentimental MoodDuke Ellington/Manny Kurtz/Irving Mills
In the Wee Small Hours Of the MorningDavid Mann/Bob Hillard
IndianaJames F. Hanley/Ballard MacDonald
InvitationBronislaw Kaper/Paul Francis Webster
It Could Happen To YouJimmy Van Heusen/Johnny Burke
It Dont Mean a ThingDuke Ellington/Irving Mills
It Might As Well Be SpringRichard Rodgers/Oscar Hammerstein II
Its All Right With MeCole Porter
Its You Or No OneJuly Styne/Sammy Cahn
Just FriendsJohn Klenner/Sam M. Lewis
Just In TimeJule Styne/Betty Comden/Adolph Green
Just One Of Those ThingsCole Porter
Lady Be GoodGeorge Gershwin/Ira Gershwin
LauraDavid Raksin/Johnny Mercer
Like Someone In LoveJimmy Van Heusen/Johnny Burke
Long Ago and Far AwayJerome Kern/Ira Gershwin
Love For SaleCole Porter
Love Is Here To StayGeorge Gershwin/Ira Gershwin
LoverRichard Rodgers/Lorenz Hart
Lover ManJimmy Sherman/Roger Ramirez/Jimmy Davis
Lover, Come Back To MeSigmund Romberg/Oscar Hammerstein II
Lush LifeBilly Strayhorn
Mean To MeRoy Turk/Fred E. Ahlert
Memories Of YouEubie Blake/Andy Razaf
MistyErroll Garner/Johnny Burke
Mood IndigoDuke Ellington/Irving Mills/Albany Bigard
Moonlight In VermontKarl Suessdorf/John Blackburn
My Favorite ThingsRichard Rodgers/Oscar Hammerstein II
My Foolish HeartVictor Young/Ned Washington
My Funny ValentineRichard Rodgers/Lorenz Hart
My Heart Stood StillRichard Rodgers/Lorenz Hart
My IdealRichard A. Whiting/Leo Robin

Taylor & Francis 2014

359

360

APPENDIX H

121.
122.
123.
124.
125.
126.
127.
128.
129.
130.
131.
132.
133.
134.
135.
136.
137.
138.
139.
140.
141.
142.
143.
144.
145.
146.
147.
148.
149.
150.
151.
152.
153.
154.
155.
156.
157.
158.
159.
160.
161.
162.
163.
164.
165.

My Old FlameSam Coslow/Arthur Johnston


My One and Only LoveGuy Wood/Robert Mellin
My RomanceRichard Rodgers/Lorenz Hart
My Shining HourHarold Arlen/Johnny Mercer
My ShipKurt Weill/Ira Gershwin
Namely YouGene De Paul/Johnny Mercer
Nancy (With the Laughing Face)James Van Heusen/Phil Silvers
Nice Work If You Can Get ItGeorge Gershwin/Ira Gershwin
Night and DayCole Porter
Nobody Else But MeJerome Kern/Oscar Hammerstein II
On Green Dolphin StreetBronislaw Kaper/Ned Washington
Over the RainbowHarold Arlen/E.Y. Harburg
Pennies From HeavenArthur Johnson/John Burke
Polka Dots and MoonbeamsJimmy Van Heusen/Johnny Burke
Poor ButterflyRaymond Hubbell/John L. Golden
Prelude To a KissDuke Ellington/Irving Mills/Irving Gordon
RememberIrving Berlin
Secret LoveSammy Fain/Paul Webster
September SongKurt Weill/Maxwell Anderson
SkylarkHoagy Carmichael/Johnny Mercer
So In Love (Am I)Cole Porter
Softly, As In a Morning SunriseSigmund Romberg/Oscar Hammerstein II
Someday My Prince Will ComeFrank Churchill/Larry Morey
Somebody Loves MeGeorge Gershwin/Ira Gershwin
Someone To Watch Over MeGeorge Gershwin/Ira Gershwin
Sophisticated LadyDuke Ellington/Irving Mills/Mitchell Parish
Speak LowKurt Weill/Ogden Nash
Spring Is HereRichard Rodgers/Lorenz Hart
St. Louis BluesW.C. Handy
Star DustHoagy Carmichael/Mitchell Parish
Star EyesDon Raye/Gene dePaul
Stars Fell On AlabamaFrank Perkins/Mitchell Parish
Stella By StarlightVictor Young/Ned Washington
Stompin At the SavoyBenny Goodman/Andy Razaf/Chick Webb
SummertimeGeorge Gershwin/DuBose Heyward/Ira Gershwin
Sweet and LovelyHarry Tobias/Gus Arnheim
Sweet Georgia BrownBen Bernie/Maceo Pinkard
Sweet LorraineCliff Burwell/Mitchell Parish
Take the A TrainDuke Ellington/Billy Strayhorn
Taking a Chance On LoveVernon Duke/John La Touche
Teach Me TonightGene DePaul/Sammy Cahn
TenderlyWalter Gross/Jack Lawrence
The Man I LoveGeorge Gershwin/Ira Gershwin
The Masquerade Is OverAllie Wrubel/Herb Magidson
The More I See YouHarry Warren/Mack Gordon

Taylor & Francis 2014

200 ESSENTIAL STANDARD TUNES

166.
167.
168.
169.
170.
171.
172.
173.
174.
175.
176.
177.
178.
179.
180.
181.
182.
183.
184.
185.
186.
187.
188.
189.
190.
191.
192.
193.
194.
195.
196.
197.
198.
199.
200.

The Nearness Of YouHoagy Carmichael/Ned Washington


The Night Has a Thousand EyesBenjamin Weisman/Dorothy Wayne
The Shadow Of Your SmileJohnny Mandel/Paul Francis Webster
The Song Is YouJerome Kern/Oscar Hammerstein II
The Surrey With the Fringe On TopRichard Rodgers/Oscar Hammerstein II
The Things We Did Last SummerJule Styne/Sammy Cahn
The Touch Of Your LipsRay Noble
The Very Thought Of YouRay Noble
The Way You Look TonightJerome Kern/Dorothy Fields
There Is No Greater LoveIsham Jones/Marty Symes
There Will Never Be Another YouHarry Warren/Mack Gordon
Theres a Small HotelRichard Rodgers/Lorenz Hart
These Foolish ThingsJack Strachey/Harry Link/Holt Marvell
They Cant Take That Away From MeGeorge Gershwin/Ira Gershwin
Time After TimeJule Styne/Sammy Cahn
Well Be Together AgainCarl Fischer/Frankie Laine
What Is This Thing Called Love?Cole Porter
Whats New?Bob Haggart/Johnny Burke
When I Fall In LoveVictor Young/Edward Heyman
When Your Lover Has GoneE.A. Swan
Where Or WhenRichard Rodgers/Lorenz Hart
While Were YoungAlec Wilder
Who Can I Turn To?Leslie Bricusse/Anthony Newley
WitchcraftCy Coleman/Carolyn Leigh
YesterdaysJerome Kern/Otto Harbach
You and the Night and the MusicArthur Schwartz/Howard Dietz
You Are Too BeautifulRichard Rodgers/Lorenz Hart
(You Came Along From) Out Of NowhereJohnny Green/Edward Heyman
You Dont Know What Love IsGene DePaul/Don Raye
You Go To My HeadJ. Fred Coots/Haven Gillespie
You Stepped Out Of a DreamNacio Herb Brown/Gus Kahn
You Took Advantage Of MeRichard Rodgers/Lorenz Hart
Youd Be So Nice To Come Home ToCole Porter
Youre My EverythingHarry Warren/Mort Dixon/Joe Young
Youve ChangedCarl Fisher/Bill Carey

Taylor & Francis 2014

361