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photo: Riccardo Giordano

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photo: Riccardo Giordano 14

BULB

MAGAZINE

ONE OF 40

W O R L D S

BEST AND

BIGGEST

ONLINE

PHOTOGRAPHY

MAGAZINE

editorial

Robert Gojevic founder, editor in chief, design, dtp

gsm: +385915157885 e-mail: robert.gojevic@bulb-magazine.com http://robert.gojevic.bulb-magazine.com

Kresimir Zadravec founder, editor

gsm: +38598224417 e-mail: kresimir.zadravec@bulb-magazine.com http://kresimir.zadravec.bulb-magazine.com

Anamarija Kovac translation

Vedran Korusic

proofreading

Davor Juricic

proofreading

Martina Salov

dtp

Ivan Pekarik

translation

Zlatko Drusko

illustration

publisher:

Photography association BULB Sestinski dol 99a 10000 zagreb z.r. 2360000-1102073906 MB: 2494369

EDITORIAL COLUMN

C ulture is huge in Croatia. I would stress ‘huge’ here, because Bulb magazine is by and large cre-

ated in my attic, which is culture embodied. Apart from the fact that church bells wake me up each morning at six, I have a few, to put it mildly, weird persons living as my neighbours, the existence of whom worries me a little. A shabby heavy metal fan who plays the guitar on his amplifier all day long, a retiree with high IQ who starts mowing every Satur- day quite early, and disturbed brothers whose fights are interrupted only by the police and ambulance af- ter midnight. One has to admit this is no ideal back- drop for the creation of a magazine. However, this is where we currently are. The cafe which blasted what they call folk, not allowing me more than 5 minutes on my terrace, has recently been shut.

Having bragged about my neighbourhood, it is only fitting I also say something on the wider con- text in which the magazine is created.

Despite the alleged crisis and the lack of workpla- ces, everyone is quite busy in Croatia in case you do try to collect some quality material that would be pu- blished in our magazine. You should, therefore, not worry yourself with possible cooperation in 80% of the cases. Distributors’ marketing thinking is mostly medieval (there are exceptions!) – even though they try to persuade you they are selling equipment whi- ch came right from the future. Sponsors you can get provided there are more adverts in the magazine which have nothing to do with photography than actual photographs.

All in all, these are but a few reasons why the foun-

ders decided Bulb will no longer be a monthly. But do not think we have gone depressive or that we are quitting, for we have achieved far more than we had dared hope when the project started. We proved we know how and that we can, but I am also saying loud and clear we have no support, the support Ivo Pervan speaks of in one of our interviews when he says:

“I hold the essence lies in the capability of the Cro- atian citizen to create, and that we should all here turn to ourselves and our values and stop constantly glorify the foreign – to start appreciate the indigeno- us more – regardless of whether this is the country, nature or people, abilities, capabilities or knowled- ge.”

However, if one does not get enough support home, this does not entail one is not good enou- gh. Bulb magazine has been shortlisted by the re- nowned Smashing magazine among 40 best online photo magazines worldwide. Is this big? You tell me, for I know not of any Croatian magazine being read in 160 world countries.

But, new Bulb being out now, it is vacation and fun time, which is something we can thank the or- ganisers of Photodays, being held on 5 and 6 June, who secured accommodation and great fun full of exceptional photo events to Bulb founders, as the- ir media promoters. Thanks. And once we are back, fun again :) - the huge party on 19 June in Medika, accompanied by a show by hi-fju from Zagreb, on account of our Photoshock exhibition on lomograp- hy. Everybody is invited…

Robert Gojevic

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INTERVIEW Pervan/Vrdoljak

CONTENTS

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66

PROJECT Vladimir Longauer

GLOBULB Joey Lawrence

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66 PROJECT Vladimir Longauer GLOBULB Joey Lawrence 88 80 SOUL TALES Alyz Tale | Elif Sanem
66 PROJECT Vladimir Longauer GLOBULB Joey Lawrence 88 80 SOUL TALES Alyz Tale | Elif Sanem

80

SOUL TALES Alyz Tale | Elif Sanem Karakoc | Sara Gaudenzi

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GALLERY 24 Rain mood | Zilvinas Valeika | http://www.fotopoezija.com | Lithuania BULB MAGAZINE 14
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GALLERY 24 Ancient Deviant Circus – Foucalt’s Pendulum | Riccardo Giordano | http://www.riccardogiordano.com | Italy
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GALLERY 24 Potpora na tržnici | Ivana Krnjić | Hrvatska BULB MAGAZINE 14
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GALLERY 24 Satir | yonky hermawan | http://lomonomore.multiply.com | Indonesia BULB MAGAZINE 14
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GALLERY 24 Blood | Nicholas Vroman | http://nickvroman.wordpress.com | Japan BULB MAGAZINE 14
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GALLERY 24 Untitled | Eugene Levit | http://www.eugenelevit.com | Israel BULB MAGAZINE 14
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GALLERY 24 Railway | Janed Kharisma H.P | http://jeohate.deviantart.com | Indonesia BULB MAGAZINE 14
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GALLERY 24 Walkway | Mark Voce | http://www.markvoce.com | UK BULB MAGAZINE 14
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GALLERY 24 Sand Dune | Jeremy Farrance | http://jez92.deviantart.com | UK BULB MAGAZINE 14
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GALLERY 24 Devant la lumière | Christophe llorca | http://www.christophellorca.com | France BULB MAGAZINE 14
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GALLERY 24 Gdje je nestao čovjek | Igor Apostolovski | Hrvatska BULB MAGAZINE 14
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GALLERY 24 Asymmetrical architecture 2 | Alexander Lehmann | http://alexander-lehmann.deviantart.com | Germany BULB
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GALLERY 24 Breeze | Mike Bailey-Gates | http://www.flickr.com/photos/mbg_photos | United States BULB MAGAZINE 14
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GALLERY 24 06:00 | Uwe Baeuchle | http://www.bicolored.eu | Germany BULB MAGAZINE 14
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GALLERY 24 Shoot Me | Asli KOLcu | http://www.aslikolcu.com | Turkey BULB MAGAZINE 14
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GALLERY 24 “~” | Stephan Opitz | http://www.opitz-photographie.de | Germany BULB MAGAZINE 14
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GALLERY 24 The fallen friend | Luca Donati | http://www.lucadonati.net | Italia BULB MAGAZINE 14
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GALLERY 24 Walking on the desert bridge | Juriy Ronzhin | http://juriyronzhin.portfolio.artlimited.net | Russia BULB
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GALLERY 24 On the phone | Igor Stanojevic | http://lustforleica.deviantart.com | Serbia BULB MAGAZINE 14
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GALLERY 24 Living nearby | Hubert Czajkowski | http://forsetitheugly.deviantart.com | Poland BULB MAGAZINE 14
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GALLERY 24 Sonia’s Stairs | Luc Kordas | www.luckordas.com | Poland BULB MAGAZINE 14
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GALLERY 24 Du Domaine Des Possibles | Samuel Moulin | http://www.samuel-moulin.fr | France BULB MAGAZINE 14
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GALLERY 24 Je n’aurais pas du mettre des chaussettes bleues avec un jean noir | Jean-Christophe
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GALLERY 24 Love | Christopher Hibbert | www.christopher-hibbert.com | France BULB MAGAZINE 14
M y advice to young photographers is to invest a su- perhuman effort and love
M y advice to young photographers is to invest a su- perhuman effort and love
M y advice to young photographers is to invest a su- perhuman effort and love
M y advice to young photographers is to invest a su- perhuman effort and love
M y advice to young photographers is to invest a su- perhuman effort and love
M y advice to young photographers is to invest a su- perhuman effort and love

M y advice to young photographers is to invest a su- perhuman effort and love in photography and to conquer their vanity in the name of good photographs and creation.

their vanity in the name of good photographs and creation. INTERVIEW http://www.ivopervan.hr/ Ivo Pervan What is
their vanity in the name of good photographs and creation. INTERVIEW http://www.ivopervan.hr/ Ivo Pervan What is

INTERVIEW

http://www.ivopervan.hr/

Ivo Pervan

What is the thing about photography that delights you the most? Which moment in your career would you pick out as particularly remarkable?

The thing I love about photography most is immediate contact with nature that cre- ated all this beauty around us and offered it for our delight. The challenge is to find and record this beauty and to be able to present it to other people. In photography the most extraordinary moments are the ones when I feel closer to God in some way. Also, it is very special for me how I feel when I get in touch with extremely rich heritage of my nation and it is a great honour that my work allowed me to do that.

selected and questions: Robert Gojevic | translation: Martina Velenik, Anamarija Kovac | proofreading: Davor Juricic

H e was born in Split on 24 July. Having finished high school, he started studying law, but dropped out two years afterwards, realizing law is not even akin to his

creative nature, him noticing all the beauty around us, beauty that was visible and hidden, from the early years of his life. He next started studying at the High Economics School in Split, which he graduated from, specialising in foreign trade. He began flirting with photography in high school - having modest high school conditions that didn’t disturb his creativity. His photographs are used by many tourist publication publishers/guides, posters, postcards and tourist magazines. As an author, as well as a co-author, he participated in making various monographs, especially in the field of cultural heritage photograp-

hy. This is not without a reason, for cultural and natural heritage are his primary inte- rest in photography, along his wish to preserve our history using images. Time, often our negligence, and lack of funds cause these values to disappearHe received many prestigious international awards for his work on natural and cultural heritage of Croa- tia (Prague, Copenhagen, and Karlovy Vary). In 1990, he started working independently, during the war which we unfortunately all had to go through, and soon brought in the first International award for Croatia– the first award of the world competition for tourist posters 1992 in Vienna. Ho shot a poster of Split. From 1980 untill today, Ivo Pervan has been author of seventeen photo monograp- hs, and he co-authored more than 60 of them. He had numerous exhibitions, especi-

ally him working for the promotion of Croatian tourism (brochures, leaflets, CDs

). His

of Croatian tourism (brochures, leaflets, CDs ). His INTERVIEW posters brought Croatia 7 first awards in

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posters brought Croatia 7 first awards in different world competitions. From 1995 untill today, around 3,000 motifs of his work ended up on postcards re- presenting Croatia. Recently, he has been working for Croatia Airlines INFLIGHT magazine, showing cul- tural and natural heritage of the Croatian coast in his stories in a distinctive way. He is publishing on a regular basis in magazines CICERO, VOX, JET SET and he is also the author of photography in Northern Adriatic “LIVING ARHIPELAGO” issued by Hydro- graphic Institute of the Republic of Croatia from Split. For a few years now, ADRIATIC CROATIA INTERNATIONAL CLUB use his photographs for their catalogue exclusively. His photography is represented in ARS SHALIEUTICAs social project termed“GAJETA FALKUSA” and cooperation with Dr Joško Božanić resulted in lectures. He also organi- zed a projection of slides of cultural and natural heritage withpoetry readings of our eminent lyricists, Gordana Benić and Luko Paljetak, in several Croatian cities. During the past 12 years of work, he received around 15 awards for numerous calendars that were printed using his motifs.

He owns a slide library with over 200,000 slides. During the last three years his photographs were printed in magazines such as Mi- chelin - Editions des voyages / France/, Courrier Cadres /France/, Brandt Travel Guides Ltd / England/, Meridiani /Italy/, White Star Publisher / Italy/, Ulysse / France/, Krakow Partner / Germany / A - ja Corporation / Tokyo/.

INTERVIEW How much are your success and recognition due to talent and how much to
INTERVIEW How much are your success and recognition due to talent and how much to

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How much are your success and recognition due to talent and how much to the beauty of Croatia, available to every photographer?

I think photography is a natural born capability related solely to the intellect and

that a photograph occurs in the photographer’s mind first and he then records it with his camera.

As an experienced photographer, what have you invested most of your time and energy in lately, producing quality results?

During my whole life I invested most of my energy into a fair relationship with na- ture, people around me and myself and I think this is a good way to be successful in every aspect of life and photography.

Bulb Magazine, in the course of its work, deliberately leaves out infor- mation about exposure time, camera and lens. This is a feature of ours as a magazine, because we hold the author important, not the means. What do you think about this? What is your message to photographers that empha- sise the technical over the human aspect?

I think that the technical aspect is completely irrelevant compared to the human

one. As I already pointed out, the photograph is a reflection of photographer’s intel- lect and his ability to see and create something he/she wants other people to see.

Equipment is merely an instrument to get what he already created in his head.

INTERVIEW When someone is successful doing something, usually his milieu and the public impose responsibilities
INTERVIEW When someone is successful doing something, usually his milieu and the public impose responsibilities

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When someone is successful doing something, usually his milieu and the public impose responsibilities towards younger generations, in order to make them more successful. Do you carry such a burden and how do you deal with it, that is, do you act in a certain way to facilitate the work of young promising photographers?

I’ve always tried to show that the important thing is to evolve as a human being and that everything is in our hands and our head. A complete person is more likely to become an excellent photographer.

What is your attitude towards the fact that there are many young talent- ed photographers that have no place to exhibit their work. For example, there is no real photo gallery in Zagreb. What is your advice for them?

I think that the closing of Gallery Badrov for example is a major tragedy for our coun-

try and a reflection of our ignorance. My advice to young photographers is to invest a superhuman effort and love in photography and to conquer their vanity in the name

of good photographs and creation.

Tell us about the exhibition that will take place in Mimara in Zagreb and how did you come to the idea of a joined exhibition considering this does not occur so often in our country?

I embraced the idea about a joined exhibition to show that the status of Marko Vrdol-

jak, who is at the beginning of his photographic career, and Ivo Pervan, who has been photographing his entire life, is not important. I think the important thing is the ability

of Croatians to create and that all the people in Croatia should turn to their strengths and values and stop constantly worshipping what is foreign and begin to appreciate our country, nature and people, as well as skills, possibilities and knowledge.

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A successful photograph for me is a photograph that makes you look into yourself and
A successful photograph for me is a photograph that makes you look into yourself and
A successful photograph for me is a photograph that makes you look into yourself and
A successful photograph for me is a photograph that makes you look into yourself and
A successful photograph for me is a photograph that makes you look into yourself and
A successful photograph for me is a photograph that makes you look into yourself and

A successful photograph for me is a photograph that makes you look into yourself and makes you stop

for a moment and abandon yourself to the feeling.

yourself and makes you stop for a moment and abandon yourself to the feeling. INTERVIEW Marko
yourself and makes you stop for a moment and abandon yourself to the feeling. INTERVIEW Marko

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Marko Vrdoljak

INTERVIEW What does photography mean to you today in this crazy urban rhythm when everyone
INTERVIEW What does photography mean to you today in this crazy urban rhythm when everyone

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What does photography mean to you today in this crazy urban rhythm when everyone is worrying about the future?

Many people will say that art is in a certain way an escape from reality. I say that photography is an escape to reality, that it is in a certain way returning to what is es- sential and what matters to us - the beauty of nature. Every time I’m taking pictures, especially when it happens very early in the morning, I’d love to be able to share this beauty and magic of nature with the whole world. I wish that nature and the sense of everything around us for people can become again the source of life and not just an occasional moment of relaxation.

What, in your opinion, is a successful photograph?

A succeessful photograph for me is a photograph that makes you look into yourself and makes you stop for a moment and abandon yourself to the feeling. People don’t get enough in touch with themselves and the others today.

INTERVIEW Do you think that a photographer should be original in his approach to photography
INTERVIEW Do you think that a photographer should be original in his approach to photography

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Do you think that a photographer should be original in his approach to photography or is it enough that the motif is original?

I think that we should have more imagination in photography as well as in life. Im- agination is what makes the world go round and where we all have come from. Had not your father imagined tenderness to your mother or hadn’t she wished love and a happy life, you wouldn’t be here today. Same thing for me and the world around us.

Big media industry today needs photography. Magazines, advertise- ments, campaigns, fashion. Do you find this tempting or do you prefer more intimate photography intended for a smaller circle of friends and viewers?

Speaking of photographs on this exhibition, it doesn’t matter to me how the mes- sage will spread. It is important that the message of positive energy is sent and that someone gets it, reads it and passes it further. It’s sad when a photograph is used for wrong purposes, for example the attempt to increase the sales of a magazine by showing a picture of a dead Iranian child in his mother’s hands.

INTERVIEW What is the thing in your opinion that Croatian photography scene lacks? We have
INTERVIEW What is the thing in your opinion that Croatian photography scene lacks? We have

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What is the thing in your opinion that Croatian photography scene lacks? We have everything we need to buy for photographing but what then? What is necessary to keep the scene alive, influential, interesting and fi- nally go outside Croatian borders?

I really think, as Mr. Pervan already said, that the closing of the Badrov Gallery in Za- greb is a step back in the growth of the Croatian photography scene. There are many talented young people and they need new clubs and galleries to show their work. Luckily, on the other hand, the internet comunity is evolving very fast and in every direction; the photography one as well.

What are your plans and ambitions for the future? Are there any plans or will you just let yourself go to where the situation takes you?

My goal is to take many pictures and spend as much time as I can surrounded by nature. I hope to be able to record as many magic moments and fantastic worlds as I can this way.

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INTERVIEW Exhibition Pervan &Vrdoljak How did you come up with the title for this exhibition
INTERVIEW Exhibition Pervan &Vrdoljak How did you come up with the title for this exhibition
INTERVIEW Exhibition Pervan &Vrdoljak How did you come up with the title for this exhibition
INTERVIEW Exhibition Pervan &Vrdoljak How did you come up with the title for this exhibition
INTERVIEW Exhibition Pervan &Vrdoljak How did you come up with the title for this exhibition
INTERVIEW Exhibition Pervan &Vrdoljak How did you come up with the title for this exhibition
INTERVIEW Exhibition Pervan &Vrdoljak How did you come up with the title for this exhibition
INTERVIEW Exhibition Pervan &Vrdoljak How did you come up with the title for this exhibition
INTERVIEW Exhibition Pervan &Vrdoljak How did you come up with the title for this exhibition

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Exhibition Pervan &Vrdoljak

How did you come up with the title for this exhibition and how did you select the pictures to show? It was probably hard to make a selection among so many taken pictures.

People have healthy eyes but they are blind. There are so many colours and light all around but unfortunately because of the speed and rhythm of life many people are not capable of noticing this play of colours and light. This is why we tried to show at least a part of all this, from simple daily moments to very rare and really magic ones of the world we live in. The selection was actually very easy to do. We took one part of our work and chose the ones that we thought fit into the title and the idea we had about this exhibition.

Are the exhibited pictures all new pictures or are there older ones there too?

Most of them are new pictures, taken during the last few years.

Will this exhibition take place in Mimara only or somewhere else after- wards as well?

The exhibition will take place in HNK (Croatian National Theatre) in Varazdin, in Trakoscan Castle and Mimara Museum, but the exhibition is ready to be shown in every place that satisfies the technical conditions to set up 40 photographs, dimen- sions 70x100 with quality light and other conditions. At present we are negotiating with the National museum in Bratislava and some other institutions in Croatia and Europe and we believe that this exhibition will be requested and shown in many more places.

What else would you like to say to our readers in Croatia and the world?

We’re inviting all readers of your magazine to come to our exhibition and to ex- change ideas and experience that we believe to be very similar for every person that loves photography. Our message to all the people who love photography is to work on themselves, follow their imagination and all the creative energy that they own.

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Instructions for sending your proposals?

for sending your proposals? DOWNLOAD FORM TO SEND PHOTOS AL BE CREATIVE, BE IMAGINATIVE BE YOURSELF!

AL

photography painting drawing design digital models sculpture Art Limited is an elegant high-featured artist community
photography painting drawing design digital models sculpture Art Limited is an elegant high-featured artist community
F ree lance photographer originaly from Slovakia liv- ing in Dublin last 4 years. Developing
F ree lance photographer originaly from Slovakia liv- ing in Dublin last 4 years. Developing
F ree lance photographer originaly from Slovakia liv- ing in Dublin last 4 years. Developing
F ree lance photographer originaly from Slovakia liv- ing in Dublin last 4 years. Developing

F ree lance photographer originaly from Slovakia liv- ing in Dublin last 4 years. Developing long-time self-

taught knowlege by studying Photography and Digital Imaging on National College of Art and Design in Dublin.

Imaging on National College of Art and Design in Dublin. selected: Kresimir Zadravec | translation: Anamarija
Imaging on National College of Art and Design in Dublin. selected: Kresimir Zadravec | translation: Anamarija
Imaging on National College of Art and Design in Dublin. selected: Kresimir Zadravec | translation: Anamarija

selected: Kresimir Zadravec | translation: Anamarija Kovac | proofreading: Vedran Korusic

translation: Anamarija Kovac | proofreading: Vedran Korusic PROJECT Vladimir Longauer http://www.valdoo.net

PROJECT

Vladimir Longauer

http://www.valdoo.net

http://www.vladimirlongauer.com

PROJECT Free lance photographer originaly from Slo- vakia living in Dublin last 4 years. Developing
PROJECT Free lance photographer originaly from Slo- vakia living in Dublin last 4 years. Developing

PROJECT

Free lance photographer originaly from Slo- vakia living in Dublin last 4 years. Developing long-time self-taught knowlege by studying Photography and Digital Imaging on National College of Art and Design in Dublin.

Pentacon SIX, Mamiya RB67 and SINAR are cameras I’m using mostly.

Recent ongoing exhibition of my work can be seen at the Tea Garden 7 Lower Or- mon Quay, Dublin 1 until march there will be domain www.vladimirlongauer.com registered and ready instead of curent one www.valdoo.net.

be domain www.vladimirlongauer.com registered and ready instead of curent one www.valdoo.net. PROJECT BULB MAGAZINE 14

PROJECT

PROJECT A photograph is never neutral. Each photo- graph embodies a way of seeing and
PROJECT A photograph is never neutral. Each photo- graph embodies a way of seeing and

PROJECT

A photograph is never neutral. Each photo- graph embodies a way of seeing and showing the world. Even if it records a scene accurately. Why this scene? Why present it ‘straight’ in- stead of obviously inflected?

All images presented in this ongoing project convey my vision through a technique called tilt. Recognized parts along with blured ones would be assoiciations. Fragments of memo- ries, feel of the past, nostalgia or slight melan- cholia, solitude, simplicity, symbolic presen- tation of thouhgts and emotional reflection of places - the scenes which de facto deliver such a feelings to me.

and emotional reflection of places - the scenes which de facto deliver such a feelings to

PROJECT

PROJECT BULB MAGAZINE 14
PROJECT BULB MAGAZINE 14

PROJECT

PROJECT BULB MAGAZINE 14

PROJECT

PROJECT BULB MAGAZINE 14
PROJECT BULB MAGAZINE 14

PROJECT

PROJECT BULB MAGAZINE 14

PROJECT

PROJECT BULB MAGAZINE 14
PROJECT BULB MAGAZINE 14

PROJECT

PROJECT BULB MAGAZINE 14

PROJECT

PROJECT BULB MAGAZINE 14
PROJECT BULB MAGAZINE 14

PROJECT

PROJECT BULB MAGAZINE 14

PROJECT

PROJECT BULB MAGAZINE 14
PROJECT BULB MAGAZINE 14

PROJECT

selected: Loredana Guinicelli | translation: Ivan Pekarik | proofreading: Davor Juricic PROJECT Soul tales Let
selected: Loredana Guinicelli | translation: Ivan Pekarik | proofreading: Davor Juricic PROJECT Soul tales Let
selected: Loredana Guinicelli | translation: Ivan Pekarik | proofreading: Davor Juricic PROJECT Soul tales Let
selected: Loredana Guinicelli | translation: Ivan Pekarik | proofreading: Davor Juricic PROJECT Soul tales Let
selected: Loredana Guinicelli | translation: Ivan Pekarik | proofreading: Davor Juricic PROJECT Soul tales Let
selected: Loredana Guinicelli | translation: Ivan Pekarik | proofreading: Davor Juricic PROJECT Soul tales Let
selected: Loredana Guinicelli | translation: Ivan Pekarik | proofreading: Davor Juricic PROJECT Soul tales Let

selected: Loredana Guinicelli | translation: Ivan Pekarik | proofreading: Davor Juricic

| translation: Ivan Pekarik | proofreading: Davor Juricic PROJECT Soul tales Let me introduce you to

PROJECT

Soul tales

Let me introduce you to a very special project. It’s about some extraordinary women who speak of their souls using the camera. Thanks to photography we nowadays have the opportunity to use great instruments able to capture our secrets and peculiarities. For this reason people use their cameras more and more often just like poets used pens in the past.

This is a story of dreams coming to life. This is our story, a dance of souls.

PROJECT Alyz Tale http://www.visualyz.com Before developing a deep passion for photography, Alyz had been a
PROJECT Alyz Tale http://www.visualyz.com Before developing a deep passion for photography, Alyz had been a

PROJECT

Alyz Tale

http://www.visualyz.com

Before developing a deep passion for photography, Alyz had been a journalist for 8 years with a particular preference for culture and music. During those years, she had also been modelling for several artists. Thanks to both activities she met a lot of brilliant photographers and fell in love with the art of taking pictures and the idea to create universe through photography. It was quite obvious that, sooner or later, she had to take the camera in her hands and this is what she did in 2007.

Alyz now creates her own visions trying to set them somewhere between real- ity and dream.

PROJECT BULB MAGAZINE 14

PROJECT

PROJECT BULB MAGAZINE 14
PROJECT BULB MAGAZINE 14

PROJECT

PROJECT BULB MAGAZINE 14

PROJECT

PROJECT BULB MAGAZINE 14
PROJECT BULB MAGAZINE 14

PROJECT

PROJECT Elif Sanem Karakoc Elif Sanem Karakoc was born in Istanbul on 11 September, 1990.
PROJECT Elif Sanem Karakoc Elif Sanem Karakoc was born in Istanbul on 11 September, 1990.

PROJECT

Elif Sanem Karakoc

Elif Sanem Karakoc was born in Istanbul on 11 September, 1990. She gradu- ated from the Fine Art high school and thanks to a full scholarship she attended Photo and Video department at Bilgi University next. In 2008, she launched her first personal photography exhibition in Isalmi, Finland. Her artworks were also exhibited in many events including the International Photography Festival, held in Portugal, and 6th Korean Turkish Exchange Exhibition in 2007. Elif works as a freelance photographer and sheis continuing her studies at the University.

PROJECT BULB MAGAZINE 14

PROJECT

PROJECT BULB MAGAZINE 14

PROJECT

PROJECT BULB MAGAZINE 14

PROJECT

PROJECT BULB MAGAZINE 14
PROJECT BULB MAGAZINE 14

PROJECT

PROJECT Sara Gaudenzi http://www.pirifool.com Sara Gaudenzi was born in Assisi 28 years ago. She is
PROJECT Sara Gaudenzi http://www.pirifool.com Sara Gaudenzi was born in Assisi 28 years ago. She is

PROJECT

Sara Gaudenzi

http://www.pirifool.com

Sara Gaudenzi was born in Assisi 28 years ago. She is currently attending Uni- versity although she actively works as web designer freelancer and collaborates with his partner who is a painter as well.

She does not define herself a “photographer” but a “picture maker”.

Sara mainly blends portraits with forms of conceptualism using herself as a model, being able to express her best the meaning of her pictures this way.

She really loves to create pictures which correspond to a very personal idea of Perfection and Harmony. For this reason she started doing private works some six years ago. At first, photography was used to cover lack of her drawing skills but in time she discovered a new world made of infinite opportunities which allowed her to create and capture emotions and now she definitely considers the art of taking pictures a special art. Photography allowed her to find the right words to express the part of herself which has no “voice” because images always tell “something more”, something which strikes deeply.

These fix dreams, emotions, and embody imaginary characters, all in single shots. Sara is totally autodidact.

PROJECT BULB MAGAZINE 14
PROJECT BULB MAGAZINE 14

PROJECT